The Miracle Man Part 2

— XIII —

REAL MONEY

THE two women passed inside the cottage, Mrs. Thornton holding out her hand again to the little lad; while Holmes and his wife followed hesitantly, awed. In the rear, Thornton grasped Madison's arm suddenly.

"I never saw such a beautiful face," he whispered tensely. "It's wonderful."

"Yes," assented Madison. "But everything here seems full of a rare, strange beauty, a hallowed something—it lifts one beyond material things. You feel it—a great, calm solemnity all about you."

He closed the door softly behind him.

Mrs. Thornton's eyes swept questioningly, anxiously and a little timidly about the plain, simple, quiet room; and then she spoke, her voice unconsciously hushed:

"He—he is not here?"

Helena shook her head, as she led Mrs. Thornton to a chair.

"Not now," she said in a low voice. "The strain of this afternoon has left him very weary and very tired—much has gone out of him in response to the faith he felt but could not see."

​"But he knows?" said Mrs. Thornton eagerly, reaching for Helena's hand. "He knows?"

"Yes," Helena replied quietly, "he knows. He always knows." She nodded gravely to the others. "Please sit down," she said.

Madison quietly took the chair nearest the table; Thornton one a little in front of Madison and nearer his wife and Helena, who were close by the big, open fireplace; the two Holmes sat down on the edges of chairs a little behind Madison; while young Holmes knelt, his arms in Mrs. Thornton's lap, his head turned a little sideways, his chin cupped in one hand, as he stared breathlessly around him.

It was the boy who broke the momentary silence.

"Ain't that other fellow here, neither—the fellow that was worse'n me?" he whispered.

Helena leaned toward him.

"Yes; he is here," she answered, smiling sweetly. "He is with the Patriarch." She lifted her head to include the others in her words. "It is very wonderful, his gratitude. He will not leave the Patriarch—he says he will not leave him ever, that all he has to give for the debt he owes is the life that the Patriarch gave back to him, and he will listen to nothing but that he should devote that life to the Patriarch's service."

"I'd like to, too," said young Holmes, with a quick flush on his face. "Can I, miss—can I?"

​"Perhaps," said Helena gently. "Who knows what there may be that you can do?"

"Dear boy," said Mrs. Thornton, stroking the lad's head. She looked quickly at Helena. "We, too, are grateful, more than there are words to tell, and we, too, would like to show our gratitude. We are rich and money—"

"Money!" the word came in shocked, hurt interruption from Helena, as a signal flashed from Madison's eyes. "The Patriarch does not do these things for money—it would be a bitter grief to him to be misjudged in that way, even in thought. It is the love in his heart for the suffering ones, and his power goes out to all who ask it freely, with no thought of recompense or gain, and his joy and happiness is the joy and happiness of others."

"And right off the bat too!" said Madison admiringly to himself. "Now, wouldn't that get you! Say, could you beat it—could you beat it!"

"Oh, I did not mean that," said Mrs. Thornton almost piteously. "Please, please do not think so, for I know so well that money in a personal sense could have no place here, that it would indeed be sacrilege. It is in quite another way—Robert, Mr. Madison, you explain what we would like to do."

It was Madison who explained.

"It is Mrs. Thornton's idea, Miss Vail," he said earnestly; "and it is one that I know will realize the Patriarch's dearest wish—to extend ​his sphere of helpfulness to others, to reach out to all who are stricken and have faith to come. I remember his writing that on the slate, which he used for conversation before his sight was completely taken from him. I remember the words as though they were before me now: 'I have dreamed often of a wider field, of reaching out to help the thousands beyond this little town—it would be wondrous joy.'"

"Yes?" said Helena in a suppressed voice.

"In a way," Madison went on gravely, "his dream is already realized. What has happened here this afternoon will in a few hours be known to the whole civilized world, and there will be no room for incredulity or doubt—on whatever ground people see fit to base their belief, they must still believe; and, believing, they will come here in ever increasing numbers—but this little village is totally inadequate to accommodate them. At first, yes, as I said to Mrs. Thornton; but afterwards—no. Mrs. Thornton's idea, Mr. Thornton's idea and my own, if I may say so, is to build and endow a great sanatorium that, in consonance with the Patriarch's ideals, shall be free to all—and we feel that the money for this purpose will come gladly and spontaneously, as it so appropriately should come, from those who find joy and peace and health again at the Patriarch's hands."

Helena half rose from her chair, as she stole a veiled glance at Madison.

"It would be wonderful," she said, with a little catch in her voice. "And he—it would be ​the one thing in the world for him. But—but it would take a great deal of money."

"Yes," said Madison slowly; "at least half a million."

Thornton turned toward Madison.

"As much as that?" he asked tentatively.

"I should say so," replied Madison thoughtfully. "You see, it's the endowment after all that is the most important. Say that the building and equipment cost only a hundred thousand, that would only leave an income, from the other four hundred thousand at six per cent., of twenty-four thousand dollars—not enough in itself even, but it would be augmented of course by the contributions that would still go on."

Thornton nodded his head.

"That is so," he agreed; "but there is the time to consider—it would take a long time to raise that amount."

"No," said Madison. "A few months at the outside. Thornton"—he reached out and laid his hand impressively on the other's sleeve—"we are not dealing with ordinary things here—we have witnessed this afternoon a sight that should teach us that. Here, in this very room, beside us now, your wife, that little boy, is evidence of power beyond anything we have ever known before. Have we not that same power to count on still? It would be an ingrate heart indeed that, owing all, returned nothing."

"Yes," murmured Mrs. Thornton. "Mr. Madison is right. I know it, I feel it—the ​money will come faster than we have any idea of."

Madison smiled at her quietly.

"It will come," he said. "People will give their money, their jewels, anything, and give joyfully—and until the amount in hand is large enough to warrant beginning operations, Miss Vail naturally will be its guardian."

"I?" said Helena hesitatingly. "I—I am only a girl, I would not know what to do."

"You would not have to do anything, Miss Vail," Madison informed her reassuringly. "When the time comes for advice, the making of plans and the carrying of them out, the brightest minds in this country will be offered freely and voluntarily, you will see."

"And meanwhile," inquired Thornton—he had been studying Helena's profile intently, "would you propose keeping the contributions here?"

"Of course!" said Madison. "And not only here, but openly displayed as an added incentive for others to give—if added incentive be needed. Here, for instance"—he rose as he spoke, went to the mantel over the fireplace and lifted down a quaint, japanned box, fashioned in the shape of a little chest, which he placed upon the table. "And here, too"—he crossed to the bookshelves in the alcove, and took down a very old, flexible-covered book. "Once," he said, "the Patriarch showed me this. It was a blank book originally, half of it is blank still; but in ​the front, in the Patriarch's own writing, is an essay he wrote in the years gone by on 'The Power of Faith'—what could be more fitting than that the remaining pages should be filled with a record of the contributions to that faith?" He laid the book on the table beside the little chest, and sat down again. "There is no display, no ornamentation, no attempt at anything of that kind—it is simplicity, those things serving which are first at hand—as it seems to me it should be—those who give record their names and gifts in this book—the little chest to hold the gifts is open, free to the inspection of all."

"But is that wise?" demurred Thornton. "So large a sum of money as must accumulate to be left openly about? Would it not be a temptation to some to steal? Might it not even endanger Miss Vail and the Patriarch himself—subject them, indeed, to attack?"

"I get your idea," said Madison to himself—while he gazed at Thornton in pained surprise; "but there'll never be more than the day's catch in the box at a time, though of course you don't know that. You see, we'll empty it every night, and start it off fresh every morning, with a trinket or two put back for bait. I'm glad you mentioned it though, it's a little detail I mustn't forget to speak to the Flopper about." But aloud he said, and there was a sort of shocked awe in his voice: "Steal—here! In this sacred place! No man would dare—the most hardened ​criminal would draw back. Why do even we who sit here speak as we have been speaking with hushed and lowered voices?—that very sense of a presence unseen around us, that hovers over us, is a mightier safeguard than the strongest bolts and locks, than the steel-barred vaults of any bank. It would seem indeed to profane our own faith even to entertain such an idea—to me this place is a solemn shrine, and there is only purity and faith and stillness here, the dwelling place of a power as compassionate as it is mighty."

Madison stopped abruptly—and a silence fell. Each seemed busy with their own thoughts. About them was quiet, stillness, peace—twilight was falling, and a soft, mellow light was in the room.

"No one would dare"—the words came from Mrs. Thornton in almost breathless corroboration, almost of their own accord it seemed, as though heavy upon her lay the solemnity of her surroundings.

Madison's hand went to his pocket—slowly he drew out his check-book and laid it upon the table.

"I am not a rich man"—his voice was very low, very earnest—"but I feel that this is something deeper, grander, bigger than anything the world perhaps has ever known before; something higher and above one's own self; it seems as though here were the chrysalis that, once developed to its perfect state, would sweep pain and sorrow from suffering humanity; it is as though ​a new, glad era had dawned for all mankind. I am glad to give and humbly proud to have a part in this." He took out his fountain pen, opened the check-book, and began to write.

Thornton leaned forward a little, watching him.

Silence fell again—there was no sound save the almost inaudible scratching of Madison's pen. Upon Mrs. Thornton's face was a happy, radiant smile; Helena's face was impassive, but in the dark eyes lurked a puzzled light; the two Holmes sat awkwardly, still upon the edges of their chairs, gazing at their son across the room, incredulously, as though they still could not believe—and occasionally Mrs. Holmes wiped her eyes.

Madison's pen moved on: "Pay to the order of Miss Helena Vail the sum of ten thousand dollars." He carefully inscribed the amount in numerals in the lower left-hand corner. "Honest," he confided to himself, as he signed the check, "I feel so philanthropic I could almost make myself believe I had this money in the bank." He tore the check from its stub, and, standing up, handed it to Helena. "I am not a rich man, Miss Vail, as I said," he smiled gravely, "but I can give this, and I give it with great joy in my heart."

Helena took the check, glanced at it, gasped a little, lifted her eyes, an instant's mocking glint in them, and veiled them quickly with her long lashes.

"No"—Madison's hand, palm up, went out ​protestingly—"no, do not thank me—it is little enough." He sat down again, drew the Patriarch's blank book toward him, and, on the line beneath the one where the Patriarch had ended his essay with the words, "such is the power of faith," wrote his name and set down the amount of his contribution after it.

"Ten thousand dollars!"—it was Mrs. Thornton speaking, as she took the check from Helena. She turned quickly to her husband. "Robert, have you your check-book here?"

Thornton shook his head.

"No, dear," he said. "I'm afraid I haven't."

"Well, it doesn't matter," said Mrs. Thornton brightly. "You can use one of Mr. Madison's checks and write the name of your own bank on it—you've often done that, you know."

"A suggestion," said Madison to himself, "for which I thank you, Mrs. Thornton—it sounds so much less crude coming from you than from me." But aloud he said courteously. "Take my pen, Mr. Thornton."

"Thank you," said Thornton, as Madison placed it in his hand.

Mrs. Thornton and her husband had their heads together now, and were whispering—Thornton with his eyes on Helena, who sat with lowered head, twirling Madison's check in her hands. Then Thornton drew the check-book toward him, scratched out the printed name of the bank that it bore, wrote in another, and went on filling out the check.

​"Eeny-meeny-miny-mo," said Madison to himself. "The suspense is awful. How much does he raise the ante? Next to the miracle, this is the first real thrill I've had—I feel like an elevator starting down quick."

As Madison had done, Thornton tore out the check and handed it to Helena. Helena stared at it, lifted her eyes to Thornton, flushed—and looked down at the check again.

"Fifty thousand," she murmured breathlessly.

"Splendid!" cried Madison enthusiastically, rising from his chair and pushing the newly established record of contributions toward Thornton. "Splendid! There's sixty thousand of the five hundred already. Splendid!"

Young Holmes ran toward his parents.

"I want to give too, dad," he whispered. "I want to give too."

"Reckon so," said Holmes, getting up heavily. "Reckon so—an' I was a-goin' to. I ain't got much though," he added timorously, as his hand went into his pocket.

There was a little exclamation from Helena, and she moved a step forward as though to interpose. Madison looked at her quickly—and quietly stepped around the table, placing himself between her and Holmes; and, facing Holmes, leaned over the table from the far side toward the other.

"It's not the amount, Holmes," he said kindly. "In the broad, true sense the amount counts for nothing—all cannot give the same."

​"Yes," said Holmes. "Reckon that's the way I feel." He counted the bills in his hand, and dropped them into the little japanned box; then scrawled his name in the book beneath Thornton's, adding the amount—eight dollars.

Madison looked around the group benignantly.

"I think they should know out there what we have done," he said, pointing toward the lawn. "Let us go and tell them, not in any set speech, but just simply—each of us speaking to a few the few—will tell others. Shall we go?"

"Yes," said Mrs. Thornton. "Yes; let us tell them." She turned to Helena and kissed her. "Try and come often to see me, dear—we shall be here now for a little while at least. Is it asking too much? Robert will bring you back and forth from the village. And perhaps, if I may, I will come out here to see you—may I?"

"I shall be very glad to do as my wife suggests," said Thornton, holding out his hand. "You will come, Miss Vail?"

"You are very good, both of you," Helena answered simply. She raised her eyes to Thornton—her hand was still in his. "Yes, I will try to come."

"Oh, break away!" muttered Madison impatiently—but silently. He stepped to the door and opened it. "Will you lead the way, Mrs. Thornton?" he said calmly.

Thornton and his wife passed out; and the Holmes, with clumsy, earnest words upon their ​lips to Helena, followed. Madison hung back—then stepped quickly to Helena.

"Tear up that check of mine so small you can't find the pieces, Helena," he said hurriedly; "and send Thornton's right off to any old bank you like in New York. Endorse it, and write them a note saying you wish to open an account. Enclose your signature, and tell them to mail back the bank-book, a check-book, deposit slips and all that. They'll know by the newspapers that Thornton's subscribed fifty thousand before they get the check, and they'll feel honored to be your depository. Do it to-night, understand?"

"Yes," said Helena, nodding her head. "I'll see to it all right." Then, a little perturbed: "But those poor Holmes and their eight dollars, Doc, I—"

"Now don't be greedy, Helena," said Madison cheerfully. "You mustn't expect everybody to hand out ten and fifty thousand, just because Thornton and I did—try and appreciate the little things of life too."

"Oh!" exclaimed Helena angrily. "Doc Madison, I'd like to—"

"Yes, all right, of course," interrupted Madison, grinning. "Good-by, that's all—I'm off—see, they're waiting for me"—and leaving Helena with an outraged little flush upon her cheek, he hurried through the door after the others.

 — XIV —

KNOTTING THE STRINGS

IT is a very old saying, and therefore of course indisputably true, that some have greatness thrust upon them. True of men, it is, in one instance at least, true of places—Needley, from an unheard of, modest, innocuous and unassuming little hamlet, leaped in a flash into the focus of the world's eyes. In huge headlines the papers in every city of every State carried it on their front pages. And while the first astounding despatch from the metropolitan newspaper man was being copied by leading dailies everywhere, there came on top of it, clinching its veracity beyond possibility of doubt, the news that Robert Thornton, the well known Chicago multi-millionaire, had given fifty thousand dollars to the cause. A man, much less a multi-millionaire, does not give fifty thousand dollars for a bubble, so the managing editors of the leading dailies rushed for their star reporters—and the star reporters rushed for Needley—and the red-haired, sorrowful-faced man in the Needley station grew haggard, tottered on the verge of collapse, and, between the sheafs of flimsy that the reporters fought for the opportunity of pushing at him, wired desperately for a relief.

​Needley awoke and came to life—as from the dead. There was bustle, activity, and suppressed and unsuppressed excitement on every hand—the Waldorf Hotel once more opened its doors—the Congress Hotel was already full.

The reporters interviewed everybody with but one exception—the Patriarch.

They interviewed Madison—and Madison talked to them gravely, quietly, a little self-deprecatingly, a little abashed at the thought of personal exploitage.

"I wouldn't be interviewed at all," he told them, "if it were not that mankind at large is entitled to every bit of evidence that can be obtained. Yes; I gave what I could afford, but it was Holmes, a poor man, who gave most of all—have you seen him? Myself? What does that matter? I am unknown, my personality, unlike Mr. Thornton's, can carry no weight. I am, I suppose, what you might call a rolling stone, a world wanderer. My parents left me a moderate fortune, and I have travelled pretty well and pretty constantly all over the world during the last twelve or fifteen years. How did I come to Needley? Well, you can call it luck, or something more than that, whichever way it appeals to you. I was feeling seedy, a little off-color, and I started down for a rest and lay-off in Maine. I happened to ask a man in Portland if he knew of a quiet place. He meant to be humorous, I imagine. He said Needley was the quietest place he knew of. I took him at his word."

​"But how do you account for these miraculous cures?" they asked.

"You have seen them—the results," Madison replied. "You know the cures to be living, vital, irrefutable facts—don't you?"

"Yes," they agreed.

"Then," said Madison, "there can be but one answer—faith. There is no other—faith. Are we not, in view of what has happened, of what exists before our very eyes, forced to the belief that faith is the greatest thing, the most potential factor in the world?"

"And do you believe then that all who come here will be cured?"

Madison shook his head.

"Ah, no," he said; "far from it. Many will come with but the semblance of faith, and for those there can be no cure—that is evident on the face of it, is it not?"

They interviewed Thornton—and Thornton, too, talked to them, but the very presence of Mrs. Thornton was weightier far than words.

They interviewed the Holmes, and they interviewed Needley individually and collectively; and they interviewed Helena—but they did not interview the Patriarch. Here Helena barred their way—they were free to enter the cottage, to copy the names, the record of gifts inscribed in the book, already a long list for Needley had required no other incentive to give than the example that had been set—but that was all. Quietly, with demure simplicity, Helena, prompted by ​Madison, like a priestess who guards some holy, inner shrine, told them that sensational notoriety had no place there—and the notoriety for that very cause became the greater! Not that they were denied a sight of the Patriarch's venerable and saintly form—they were permitted to catch glimpses of him on the beach, on the lawn, walking with bowed head in meditation, a figure whose simple majesty inspired words and columns of glowing tribute—but from personal contact, Helena and the Flopper, always in attendance, warded them off; retreating always to the privacy of the cottage, to the inner rooms.

All this had taken four days; and now, on the fourth day, there came to Needley the vanguard of those who sought this new healing power—just a few of them, two or three, like far, outflung skirmishers evidencing the presence of the army corps to follow. With the reporters, as far as Madison was concerned, it was simple enough; he had but to let them go their way, to let them revel in the stories that were on every tongue, to let them view with their own eyes facts, while he, modestly and diffidently, full of quiet earnestness, effaced himself, never thrusting himself forward, talking to them only when they pressed him—but the handling of the sufferers who would flock to Needley in response to a newspaper publicity and endorsement that had been beyond his wildest dreams, was quite another matter. Madison viewed the first ​arrivals—brought in from the station on cot beds to the Waldorf Hotel—and retired to his room in the Congress Hotel to wrestle with the niceties and minutiæ of the problem.

"You see," said Madison to the tip of his cigar, as he tilted back his chair and extended his legs full length with his heels comfortably up on the table edge, "you see, I believe in faith all right—and that's no josh. But the trouble with faith is that it's about the scarcest article on earth—and I haven't got any more Floppers to lead the way." Madison adroitly sent the cigar ash through the window with a tap of his forefinger on the body of the cigar—he frowned, and for a long time sat musingly silent. Then he spoke again; this time addressing the toes of his boots: "With the house sold out for the season, the box-office doing itself proud and the audience crazy over the first two acts, how about Act Three—h'm?—how about Act Three? Kind of a delicate proposition, the staging of Act Three—and it's time for the curtain to go up. I can hear 'em stamping out front now. I can't pull off any more orgies like last Monday afternoon, even if I wanted to—but everybody's got to have a run for their money. Say, how about Act Three?"

Madison burned up quite a little tobacco in the interval before supper, and quite a little more afterward before the setting for his perplexing "Third Act" appeared to unfold itself satisfactorily before his mind—indeed, it was close onto ​half past ten when, by a roundabout way, he very cautiously and silently approached the Patriarch's cottage.

In the front of the cottage, the Shrine-room, as he christened it, and the Patriarch's sleeping room were both dark. Madison passed around to the beach side—here, Helena's room was dark too, but in the Flopper's window, the end room next to the kitchen and woodshed, there was a light. The night was warm, and, though the shade was drawn, the window was open. Madison whistled softly, and the Flopper stuck out his head.

"Hello, Flopper," said Madison; "come out here—I want to have a talk with you. Helena in bed?"

"No; she's out," replied the Flopper.

"Well, hurry up I" said Madison. "Come around in front by the trellis where we can see the other fellow first if anybody happens to be strolling about."

Madison withdrew from the window and walked around to the front of the cottage. Here, a few yards from the porch, by the trellis, already beginning to be leafy green, was a rustic bench on which he seated himself. The moon was not full, but there was light enough to enable him to see across the lawn through the interposing row of maples, and, hidden by the shadows himself, the seat strategetically met his requirements.

Presently, the Flopper came out of the front door and joined him.

"Say, Doc," announced the Flopper abruptly, ​"de Patriarch's been askin' fer youse yesterday an' to-day."

"Asking?" repeated Madison.

"Sure," said the Flopper. "He can scrawl if he is blind, can't he? He scrawls yer name on de slate. We can't tell him nothin', an' he's kinder got de fidgets like he t'inks youse had flown de coop."

"That's so," said Madison. "It is rather difficult to communicate with him, isn't it? I guess we'll have to get him some raised letters."

"What's them?" inquired the Flopper.

"I don't know exactly," Madison answered. "I never saw any, but I believe they have such things. Been asking for me, has he? Well, I'll fix it to see him to-morrow. Where did you say Helena had gone?"

"I said she was out," said the Flopper. "If you ask me where, I'd say de same place as last night an' de night before—down to dat private car wid his nibs. Say, dere's some class to dat guy all right, an' I guess Helena ain't got her eyes shut."

"Hey!" ejaculated Madison. "What do you mean?"

"Well, he's got de rocks, ain't he?" declared the Flopper. " Why shouldn't she be after him? Dat's wot we're here fer, ain't it, de whole bunch of us?—an' she ain't t'rowin' us, is she, if she sees a chanst to pick up somet'ing on her own?"

Madison turned quickly on the Flopper.

"You mean," he said sharply, "that there's ​something going on between Helena and Thornton—already?"

"Aw, stop kiddin'!" said the Flopper. "Already! Wot's 'already' got to do wid it? We ain't none of us church members, are we? Say, where'd you pick up Helena yerself—and how long did it take youse? I don't know whether dere's anyt'ing goin' on or—not mabbe she's only gettin' lonely—youse ain't hung around her much lately, Doc."

Madison laughed suddenly.

"You're talking through your hat, Flopper," he said shortly. "You don't know Helena."

"It's a wise guy dat knows skirts," said the Flopper profoundly; then, with something approaching a sigh: "Say, Doc, dere's a lalapazoozoo, a peach down here."

"Hullo!" exclaimed Madison, shooting a hurried and critical glance at the Flopper in the moonlight. "What's this, Flopper—what's this? What have you been up to? You're supposed to be attending strictly to business."

"An' you needn't t'ink I ain't," asserted the Flopper. "But I can't stop de town fallin' over itself to bring de whole farmyard, an' eggs, an' butter, an' flour, an' everyt'ing else out here every mornin', can I? She's blown in twice wid cream fer de Patriarch."

"What's her name?" inquired Madison quizzically.

"Mamie Rodgers," said the Flopper. "She says her old man keeps a store in de village."

​"I know her," nodded Madison. "Pretty girl and all right, Flopper. But mind what you're doing, that's all. I don't want any complications to queer things around here—understand? But let's get down to the business that I came out about—the lay from now on. You can put Helena wise."

"Sure," said the Flopper earnestly.

"Well then, listen," said Madison. "The patients have begun to arrive—there were three of them in to-day. There's no more circus parades—everything's under the tent after this. I want you to wean the Patriarch entirely from that front room—that's to be free for anybody to enter so's they can drink in atmosphere—and see the contribution box. But they don't see the Patriarch. Get his armchair into his own room, make him comfortable there—get the idea? Now, there's no consultation hours—the Patriarch can't be seen just by asking for him—the only chance they get at the Patriarch is by an exercise of patience that'll work their faith up to a pitch that'll do them some good. The harder it is to get a thing, the more it's worth and the more you want it—that's the principle. See?"

"Sure," said the Flopper, licking his lips.

"Sometimes," Madison went on, "you're to keep the Patriarch under cover for two or three days, while they hang around working themselves into a frenzy. And when they do see him they have to scramble for it. You don't lead him out to them—ever. Make them waylay him when ​you take him for a walk—make them crawl and hop and show they've got faith, make them believe they've got faith themselves—we'll get some more cures, or near-cures anyway, that way, and we won't get them any other way, and we've got to have some sort of cures coming along fairly regularly. Do you get me, Flopper? If there's a party on a cot a hundred yards away and he begs you to bring the Patriarch to him, say him nay. Everybody has got to get into the reserved paddock by themselves—tell them that no man can be cured who has not got the faith to reach the Patriarch by himself—tell them to get up and walk to him—tell them what you did."

"Swipe me!" said the Flopper. "Say, Doc, youse are de one an' only. I gotcher—put it up to dem everytime."

"Exactly," said Madison. "It's their move every minute—make them feel that if they don't get what they're after it's their own fault—that it's their own lack of faith that's to blame. And the longer they have to wait to see the Patriarch, the more they become impressed that faith is necessary, and—oh, well, psychology is the greatest jollier of them all."

"Eh?" inquired the Flopper. "I ain't on dere, Doc."

"It's very simple," smiled Madison. "They'll want to convince themselves that they have got faith, that it's all bottled up and ready to have the cork drawn when called for, and they'll prove ​it to themselves by laying an offering upon the shrine as evidence of faith before the goods are delivered."

"I gotcher!" said the Flopper enthusiastically. "Why say, Doc, dat's de way I'd do meself—swipe me, if I wouldn't!"

"That's the way nearly everybody would do," said Madison, laughing. "There's at least a few similar kinks common to our noble race—we're busy most of the time trying to fool ourselves one way or another. Well, that's about all. I can't lay out a programme for every minute of the day—you and Helena have got to use your heads and work along that general idea. You play up your gratitude strong. And, oh yes—keep the altar box well baited. Let Helena put some of her near-diamond rings and joujabs in until we collect some genuine ones—and then keep the genuine ones going—change every day for variety, you know. And take the silver money out every time you see any in—not that we scorn it in the great aggregate, far from it—it's just psychology again, Flopper. I went to church once and sat beside a duck with a white waistcoat and chop whiskers, who wore the dollar sign sticking out so thick all over him that you couldn't see anything else; and when it came time for collection he peeled a bill off a roll the size of a house, and waited for the collection plate to come along. But he got his eye on the plate a couple of pews ahead and it was full of coppers and chicken feed, ​and he did the palming act with the bill slicker than a faro dealer—and whispered to me to change a quarter for him."

"And did you?" asked the Flopper anxiously.

"Oh, wake up, Flopper!" grinned Madison then, suddenly: "Hullo! Who's that?"

Across the lawn, coming through the row of maples from the direction of the wagon track, appeared two figures.

"Dat's who," said the Flopper, after gazing an instant. "It's Helena an' Thornton."

"So it is," agreed Madison. "Get behind the trellis here then—it wouldn't do for him to see me out here at this time of night."

They rose noiselessly from the bench, and slipped quickly behind the trellis. Toward them, walking slowly came the two figures, Helena leaning on Thornton's arm. Thornton was talking, but in too low a tone to be overheard. Then a silence appeared to fall between the two, and it was not until they reached the porch, close to Madison and the Flopper, that either spoke again.

Then Thornton held out his hand.

"Good-night, Miss Vail—and good-by temporarily," he said. "I suppose I shall be gone four or five days; I'm going up on the morning train, you know. I wish you'd go as often as you can to see Naida in the car while I'm away—will you? Her condition worries me, though she insists that she is completely cured, and she will not listen to any advice. I have an idea that she has overtaxed herself—apart from her hip disease, ​her heart was in a very critical state. You'll go to her, won't you?"

"Yes," said Helena, "of course, I will."

Their voices dropped lower, and for a moment only a murmur reached Madison; and then, with another "Good-night, Miss Vail," Thornton started back across the lawn.

Madison could hear Helena fumbling with the door latch, and by the time she had succeeded in opening the door the retreating figure of Thornton was a safe distance away. Madison called in a whisper:

"Here, Helena! Wait a minute!"

There was a quick, startled little exclamation from the doorway, and Helena came out hurriedly from the porch.

"Who's there?" she cried in a low voice. "Oh"—as they stepped into view—"you, Doc, and the Flopper! What were you doing behind that trellis?"

"Keeping out of Thornton's road," said Madison. "So he's going away, eh? What for?"

"Business," replied Helena. "Has to go to some meeting in Chicago—he's leaving his wife and the private car here. What did you come at this hour for?"

"Lines for the next act," said Madison; "but the Flopper's got it all, and he'll put you on." He stepped toward Helena and slipped his arm around her waist. "Come on, it's early yet, let's go for a little walk. The Flopper'll excuse us, and I—"

​"I thought you said," Helena interrupted, disengaging herself quietly, "that we had to play the game to the limit and take no chances."

"Well, so I did," admitted Madison, and his arm crept around her again; "but I guess we've earned a little holiday and—"

"'Nix on that,' I think was what you said," said Helena with a queer little laugh, drawing away again. "And I really think you were right, Doc—we ought to play the game without breaking the rules, and so—good-night"—and she turned and ran from him into the cottage.

Madison stared after her in a sort of helpless state of chagrin.

"Mabbe," said the Flopper, "mabbe she's lonely."

— XV —

A MIRACLE OVERDONE

HELENA sat in the Patriarch's room, and her piquant little face was pursed up into a scowl so daintily grim as to be almost ludicrous. The Patriarch, in his armchair, had been scrawling words upon the slate all evening—and she had been wiping them off! He scrawled another now—and mechanically, without looking at it, by way of answer she pressed his arm to appease him.

She had been restless all day, and she was restless now. What had induced her to treat Madison the way she had the night before? Pique, probably. No; it wasn't pique. It was just getting back at him—and he deserved it. He hadn't seemed to mind it much, though—he had only laughed and teased her about it that morning when he had joined the Patriarch and herself in their walk along the beach.

With her chin in her hands, she began to study the Patriarch through half closed eyes—deaf and dumb and blind—and somehow it all seemed excruciatingly funny and she wanted to laugh hysterically. He seemed to sense the fact that she was looking at him, and, with quick, instant ​intuition, he smiled and reached out his hand toward her.

Unconsciously, involuntarily, she drew back—then, recovering herself the next instant, she took his hand. Now, why had she done that? What was the matter with her? Again she felt that sudden impulse to scream, or laugh, or shout, or make some noise—it seemed as though she were penned in, smothered somehow, imprisoned. What was the matter? Nerves? She had never known what nerves were in all her life! Couldn't she play the game and act her part without making a fool of herself? She had played a part all her life, hadn't she? Maybe it was quite a shock to her system to take a place amongst really good and simple folk!

She laughed a little shortly—then rose abruptly from her chair, and began to walk up and down the room. The trouble was that the soft pedal was getting unbearable. That air of awed hush and solemnity, morning, noon and night, without anything to relieve it, was just a trifle too drastic and sudden a change in life for her to accept calmly and swallow in one dose without feeling any effects from it! If she could be transported now for an hour, say, to the Roost, or Heligman's and the turkey trot, or the Rivoli, or any old place—except Needley, Maine!

"Gee!" said Helena to herself. "If I don't break loose and kick the traces over for a minute or two, I'll be clawing the bars of a dippy asylum before I'm through—and just listen to the sweet, ​girlish language I'm using—I'd like to bite something!"

She turned impulsively to the door, stepped out into the hall, and called the Flopper from his room.

"Flopper, you go in there and stay with the Patriarch for awhile," she ordered curtly. "I'm going down on the beach to yell."

"Yell?" inquired the Flopper, blinking helplessly.

"I'm going outside to yell—yell. You know what 'yell' means, don't you?" she snapped.

"Swipe me!" observed the Flopper, gazing at her anxiously. "Skirts is all de same—youse never know wot dey'll do next. Wot you wanter yell fer?"

"You mind your own business and do as you're told!" said Helena tartly. "Go in there and stay with the Patriarch."

"Sure," said the Flopper, grinning a little now. "Sure t'ing—but youse needn't get on yer ear about it. Cheer up, mabbe de Doc 'll be out to-night, an' if he don't hear youse yellin' himself will I tell him youse are out on de beach t'rowin' a fit?"

"No," Helena answered sharply; "tell him nothing—I'm out." Then, quite as quickly, changing her mind: "Yes; tell him I'm down there—or come and get me yourself"—and she walked abruptly into her own room.

"Now wot do youse t'ink of dat?" demanded the Flopper of the universe. He blinked at the ​door she had closed in his face. "Say," he asserted, with sublime inconsistency, "if Mamie Rodgers was like all de rest of dem, I'd t'row up me dukes before de gong rang." The Flopper went into the Patriarch's room, and took the chair beside the other that Helena had vacated. "Swipe me, if I wouldn't!" he added fervently, by way of confirmation.

Helena, in her own room, opened one of her trunks, lifted out the tray, worked somewhat impatiently down through several layers of yellow, paper-covered literature, that would have made the classics on the Patriarch's bookshelves shrivel up and draw their skirts hurriedly around them in righteous horror could they but have known or been capable of such intensely human characteristics, and finally produced a daintily jewelled little cigarette case and match box. She slammed the tray back, slammed the cover of the trunk down, snatched up a wrap, flung it over her head and shoulders—and left the cottage.

She ran down to the beach at top speed, as if she couldn't get there fast enough.

"And now I'm just going to yell and go crazy as much as ever I like!" panted Helena to the rollers.

Instead, she sat down with her back to a rock, and opened her cigarette case. She took out a cigarette, extracted a match from the match box, lighted the match—and flung both cigarette and match from her.

"I don't want to be crazy—I don't know what ​I want," said Helena petulantly. Her chin went into her hands, and she stared wide-eyed at the breaking surf. "I wonder what it all means?" she murmured, with a mirthless little laugh.

Her thoughts began to run riot. What did it all mean? What was this faith? There was, there must be something in it. There was the Holmes boy—suppose it was only some nervous disorder—well, something had risen superior to whatever it was and had cured him. There was Naida Thornton—true, she was ill again—her heart, Mr. Thornton had said—but she could still walk, a thing she had not been able to do for a long time until she came to Needley.

Helena laughed again—oh, it was a good game! The Doc had made no mistake about that—but then, when it came to planting anything the Doc rarely did make a mistake. Fancy fifty thousand dollars in one haul! Fifty thousand in one haul! The bank had sent her a passbook with that amount to her credit. And that was only the beginning—hardly anybody had come yet, and already there was several hundred dollars more in real money that she had handed over to Madison from the offering box.

Money! They'd have more money than they'd know what to do with before they got through—there was nothing the matter with the game—all there was to do was to play it to a finish. And there wasn't the slightest risk about it—everything was given voluntarily. Oh, the game was all right—but somehow she wasn't happy—not ​nearly so happy as she had been in New York, even in lean periods when she and the Doc had been pressed for money. But, anyway, then they had been together, and fought, and laughed, and loved, and quarrelled through flush times and bad.

Maybe that was it! The Doc! Of course, she loved him—she had loved him ever since she had known him. There was no secret about that—she loved him fiercely, passionately, more than she loved anything else in the world, with all the love she was capable of—more than he loved her—he seemed to accept her, too often, so casually, so indifferently, so much as a matter of course. He was so confidently and complacently sure of her—and she was not at all sure of him. She was only sure that he was quite right in being sure—she couldn't help loving him if she tried.

She had hardly seen anything of him since that night in the Roost before he had left for Needley —and he hadn't seemed to care much whether she did or not. That talk about playing the game and taking no chances was all bosh—there had been plenty of chances where it wouldn't have hurt the game any. Perhaps the little jolt she had given him last night, turning the tables a little, would wake him up a bit. Perhaps, as the Flopper had said, he would come out to-night, and—

"Helena! Helena!"

Helena sat suddenly upright—the noise of the surf muffled the sound of the voice, but that was ​probably Doc now—she could hear footsteps running from the direction of the cottage. Deliberately, Helena leaned back again against the rock, took out a cigarette and with no attempt to shade the flame of the match, rather to use it as a challenging beacon, held it to the cigarette—but for the second time she flung both match and cigarette hurriedly away. It wasn't Madison at all—it was only the Flopper.

"Say!" gasped the Flopper, blowing hard. "Why can't youse answer when yer called? Wot you tryin' ter do—light a bonfire ter save yer voice? Say, youse wanter get a wiggle on—beat it—quick! Dey're after you."

"What?" cried Helena sharply, jumping to her feet. "After me? Who? What do you mean?"

"I dunno," said the Flopper with sudden imperturbability—and evidently quite pleased with the agitation he had caused. "He talks like his mouth was full, an' he's got a scare t'rown inter him so's his teeth have got de jiggles."

Helena caught the Flopper's arm and shook him angrily.

"What are you talking about—what is it?" she demanded fiercely.

"It's de porter from de private car," said the Flopper, wriggling away from her. "He drove out here. De lady's on de toboggan—sick. She's askin' fer youse an'—"

Helena waited for no more. She raced to the cottage and around to the front. A wagon was ​standing before the porch; the negro porter on the seat.

"What is it, Sam?" she called anxiously, as she came up. "Is Mrs. Thornton seriously ill?"

"Yas—yas'um, miss," Sam answered excitedly. "I done feel in mah bones she's gwine to die. Miss Harvey she done tole me to get a team an' drive foh you-all like de debbil."

Without waste of words, Helena clambered in beside him.

"Then drive," she said shortly. "Drive as fast as you can."

At first, as they drove along, Helena plied Sam with questions—and then lapsed into silence. The man did not know very much—only that Mrs. Thornton had been taken suddenly ill, and that the nurse had sent him on the errand that had brought him to the cottage. A turmoil of conflicting emotions filled Helena's mind, obtruding upon her anxiety, for she had grown to care a great deal for Naida Thornton—this was a complication that Doc Madison must know about—Thornton had left that morning and was already far away—the newspaper men, or some of them at least, were still in the town—and there were so many things else—they all came crowding upon her, as she clung to her seat in the jolting wagon. But Doc must know—that rose a paramount consideration. It seemed an age, an eternity before they stopped finally at the station.

She sprang out and turned to Sam.

"Sam," she directed hurriedly, "you go back ​to the Congress Hotel and get Mr. Madison. Mr. Madison is a friend of Mr. Thornton's, you know. Go about it quietly—you needn't let any one know what you came for. You can tell Mr. Madison what the trouble is—and tell him that I sent you, and that I am here. Do you understand?"

"Yas'um, mum," said Sam impressively. "Just you done leab all that to me, missy."

Across the track on the siding, the private car was dimly lighted, the window curtains down. Helena crossed the track and mounted the steps. As she reached the platform, Miss Harvey, who had evidently heard her coming, opened the door and drew her quietly inside.

A glance at the nurse's face brought a sudden chill to Helena's heart. Miss Harvey, capable, controlled, grave, smiled at her a little sadly.

"I sent for you, Miss Vail," she said in a low tone, "because Mrs. Thornton has been asking for you incessantly ever since the attack came on three-quarters of an hour ago."

"You mean," said Helena, "that—that there is—"

"No hope," the nurse completed. "I am afraid there is none—it is her heart. The condition has been aggravated by her activity during the last few days since she has been able to walk—though I have done everything within my power to keep her quiet." Miss Harvey laid her hand on Helena's arm. "There is one thing, Miss Vail, I feel that I must say to you, in justice both to ​you and to myself, before you see her. Whatever my personal ideas may be of what has taken place here, my professional duty as a nurse demanded that I send for a doctor at once, and I want you to know that is what I did, though I have not been successful in getting one. There is no doctor here, so I telegraphed; but the doctor at Barton's Mills is away."

"Yes," said Helena mechanically.

"I just wanted you to understand," said Miss Harvey. "Will you come and see Mrs. Thornton now?"

"Does she know," whispered Helena, as she followed the nurse down the corridor of the car, "does she know that—how ill she is?"

"Yes," Miss Harvey answered simply. She stopped before a compartment door, opened it softly, and, stepping aside, motioned Helena to enter.

A little cry rose to Helena's lips that she choked back somehow, and a mist for a moment blinded her eyes—then she was kneeling beside the brass bed, and was holding in both her own the hand that was stretched out to her.

"Helena—dear—I am so glad you came," said Mrs. Thornton faintly. "I—I am not going to get better, and there are some things I want to say to you."

"Oh, but you are," returned Helena quickly, smiling bravely now. "You mustn't say that."

Mrs. Thornton shook her head.

"Dear," she said, "I know. And I know that ​what I have to say I must say quickly." Her voice seemed to grow suddenly stronger with a great earnestness. "Listen, dear. This must not make any difference to this wonderful work that has just begun here. I was cured of my hip disease—perfectly cured—no one can deny that—this is my own fault, I have overdone it—I would not listen to reason—to do what I have done in the last few days, when for a year and a half I had never moved a step, was more than my heart could stand. I should have been more quiet—but I was so glad, so happy—and I wanted to tell everybody—I wanted all the world to know, so that others could find the joy that I had found."

She paused—and Helena sought for words that, somehow, would not come.

The nurse was bending over the bed on the other side, and Mrs. Thornton turned her head toward Miss Harvey now. She smiled gently, as though to rob her words of any possible hurt.

"Nurse, I want—to be alone with Miss Vail for just a moment."

Miss Harvey, doubtful, hesitated.

"Only for a moment," pleaded Mrs. Thornton. "You can stay just outside the door."

Reluctantly, Miss Harvey complied, and left the room.

Mrs. Thornton pressed Helena's hand tightly.

"Listen, dear—this must not make any difference. It—it is the one thing that will make me happy now—to know that. I—I have ​written a little note to Robert about it, to be given to him. Oh, if I could only have lived to help—I should have tried so hard to be worthy to have a part in it. Not like you, dear, with your sweetness and nobleness, for God seems to have singled you out for this—but just to have had a little part. How wonderful it would have been, bringing peace and health and gladness where only sorrow and misery was before, and—and—"

Mrs. Thornton's eyes closed, and she lay for a moment quiet.

A blackness seemed to settle upon Helena—and how cold it was! She shivered. Her dark eyes, wide, tearless now, stared, startled, dazed, at the white face on the pillow crowned with its mass of golden hair. Her sweetness! Her nobleness! Helena's lips half parted and her breath came in quick, fierce, little gasps—it seemed as though she had been struck a blow that she could not quite understand because somehow it had numbed her senses—only there was a hurt that curiously, strangely seemed to mock as it stabbed with pain.

"There is Robert"—Mrs. Thornton spoke again—"I am sure he will do as I have asked him to do about this, but—you can have a great deal of influence with him. It—it perhaps may seem a strange thing to say, but I pray that you two may be brought very close to each other. Robert needs a good, true woman so much in his life—and I—we—we—my illness—we have never had a home in its truest sense. Yes, ​it is strange for me perhaps to talk like this—but it is in my heart. I would like to think of you both engaged in this wonderful work together."

Again, through exhaustion, Mrs. Thornton stopped—and Helena, from gazing at the other's pallid countenance in a sort of involuntary, frightened fascination, dropped her head suddenly upon the bed-spread and hid her face.

Mrs. Thornton's hand found Helena's head and rested upon it.

"I would like to see Robert happy," she murmured, after a little silence. "Riches do not make happiness—they are so sad and empty a thing when the heart is empty. I know he would be happy with you—he has spoken so much of you lately—perhaps—perhaps—"

Mrs. Thornton's voice was very faint—the words reached Helena plainly enough as words, but they seemed to reach her consciousness in an unreal, unnatural, blunted way, coma-like—pregnant of significance, yet with the significance itself elusive, evading her.

"A good woman," whispered Mrs. Thornton, "I have tried to be a good woman—but—but my life, our wealth, our position has made it so artificial. You have never known these things, dear—and so you are just as God made you—a good woman, so pure, so wonderful in your freshness and your innocence. Robert's life has been so barren—so barren. I would like to know that—that it will not always be so. Oh, if it could only be that you and he should carry on ​this great, glad work together—and love should come into his life—and yours—and sunshine—promise me, dear, that—"

The voice died away. Helena, with head still buried, waited for Mrs. Thornton to speak again. It seemed she waited for a great length of time—and yet there was no such thing as time. It seemed as though she were transported to a place of great and intense blackness where it was miserably cold and chill, and she stood alone and lost, and strove to find her way—and there was no way—only blackness everywhere, immeasurable. She lifted her head suddenly, desperately, to shake the unreality from her—and her eyes fell upon the gentle face, peaceful, smiling, calm, and so still—and a startled, frightened cry rang from her lips.

There was the quick, hurried rush of some one coming into the room, and the nurse brushed by her and bent instantly over the bed—after that, quite soon after that it seemed, and yet it might have been quite a little while, she found herself outside in the corridor and the nurse was speaking to her.

"Sam is still out there," said Miss Harvey gently. "I told him to keep the team. You cannot help me, and I want you to go home, dear. And will you ask Sam to go for Mr. Madison at the hotel on the way back—I do not know who else I can call upon for advice."

"I've sent for him already," said Helena numbly.

​"Have you, dear?" Miss Harvey said. "That was very thoughtful of you—I'm sure he'll be here presently then. And now, dear, it is much better that you should go."

There were no tears in Helena's eyes as she stepped down from the car vestibule to the tracks—only a drawn misery in her face. That was Doc over there, pacing up and down on the platform in the darkness—wasn't it weird the way his cigar glowed bright and then went out and then glowed bright again—like a gigantic firefly!

She was across the tracks before he saw her, then, hurrying forward, he helped her to the platform.

"Well?" he asked quickly.

Helena did not answer.

Madison took the cigar from his lips, leaned forward, and peered into Helena's face—then drew back with a low whistle.

"Dead?" he said.

Helena nodded.

"Miss Harvey wants to see you," she said.

"Say," said Madison slowly, "first crack out of the box this looks bad, don't it? If this gets around here without a muffler on it, it might make the railroad companies hang fire with those circulars for excursion rates to Needley—what?"

"I—I think I hate you!" Helena cried out suddenly, passionately. "She's—she's dead—and that's all you think about!"

Madison stared at Helena for a moment calmly.

"Now, look here, Helena," said he quietly, ​"don't get excited. Of course I'm sorry—I'm not a brute and I've got feelings—but I can't afford to lose my head. Something's got to be done, and done quick. We don't want this headlined in every paper in the United States to-morrow morning—Thornton wouldn't want it either. You say Miss Harvey wants to see me? Well, that'll help some—she'll probably do as she's told, and—"

Madison paused abruptly, gazed abstractedly at the private car across the tracks on the siding, and pulled at his cigar.

Helena watched him in silence—a little bitterly. That quick, clever, cunning brain of his was at work again—scheming—scheming—always scheming—and Naida Thornton was dead.

"I'll tell you," said Madison, speaking again as abruptly as he had stopped. "It's simple enough. There's a westbound train due in an hour or so—we'll couple the private car onto that and send it right along to Chicago. What the authorities don't know won't hurt them. There's no reason for anybody except Thornton to know what's happened till she gets there—I'll wire him. The main thing is that the car won't be here in the morning, and that'll take a little of the intimate touch of Needley off. It might well have happened on her way home—journey too much for her—left too soon—see? Thornton'll see it in the right light because he's got fifty thousand dollars worth of faith in what's going on here—get that? He won't want to harm ​the 'cause.' There'll be some publicity of course, we can't help that—but it won't hurt much—and Thornton can gag a whole lot of it—he'd want to anyway for his own sake. Now then, kid, there's Sam over there—you pile into the wagon and go home, while I get busy—and don't you say a word about this, even to the Flopper."

And so Helena drove back to the Patriarch's cottage that night, a little silent figure in the back seat of the wagon—and her hands were locked tightly together in her lap—and to her, as she drove over the peaceful, moonlit road, and under the still, arched branches of the trees in the wood that hid the starlight, came again and again the words of one who had gone, who perhaps better now—"you are as God made you."

— XVI —

A FLY IN THE OINTMENT

The days passed. And with the days, morning, noon and night, they came by almost every train, the sick and suffering, the lame, the paralytics and the maimed—a steady influx by twos and threes and fours from north over the Canadian boundary line, from the far west, and from the southernmost tip of the Florida coast. No longer on the company's schedule was Needley a flag station—it was a regular stop, and its passenger traffic returns were benign and pleasing things in the auditor's office. And it was an accustomed sight now, many times a day—what had once been a strange, rare spectacle—that slow procession wending its way from the station to the town, some carried, some limping upon crutches, all snatching at hope of life and health and happiness again. Needley, perforce, had become a vast boarding house, as it were—there were few homes indeed that did not harbor their quota of those who sought the "cure."

But there were others too who came—who were not sick—who had not faith—who came to laugh and peer and peek. Pleasure yachts dropped their anchors in the cove around the ​headland from the Patriarch's cottage—and their dingeys brought women decked out de rigeur in middy blouses and sailor collars, and nattily attired gentlemen whose only claim to seamanship was the clothes, or rather, the costumes that they wore.

They came laughing, supercilious, tolerant, contemptuous, pitying the inanity of those they held less strongly-minded than themselves who should be taken in by so apparent, glaring and monstrous a fake. They came because it was the rage, the thing to do, quite the thing to do, quite a necessary part of the summer's itinerary. But that they, should they have been sick, would ever have dreamed of coming there was too perfectly ridiculous an idea for words. How strange a thing is the human animal!

They came in their rather cruel, merciless gaiety—and they left sobered and impressed; the ladies holding their embroidered parasols at a less jaunty angle; the men with lightened pockets, their names enrolled in the contribution book in that quiet, simple room, whose door was open, whose cash-box was unguarded, where none asked them to either enter or withdraw. They came and found no air of charlatanism such as they had looked for—only a peaceful, unostentatious, patient air of sincerity that left them remorseful and abashed. They came and went, a source of revenue not counted on or thought of before by Madison; but a source that swelled the coffers, brimming fuller day by day, to overflowing.

​In three weeks from the night of Mrs. Thornton's death, which had had at least no visible effect on Needley, Needley was metamorphosed—with a spontaneity, so to speak, that astounded even Madison himself—into something that approximated very closely in reality the word-picture he had drawn of it that night in the Roost. Madison looked upon his work and saw that it was pleasing beyond his dreams. Money was pouring in—no single breath of suspicion came to disquiet him. Even the cures were working satisfactorily—even Pale Face Harry, who had become great friends with the farmer at whose house he boarded, and who now spent most of his time in the fields, was showing an improvement—Pale Face Harry coughed less. The Flopper was as happy as a lark—and Mamie Rodgers blushed now at mention of the name of Coogan. Helena, demure, adored by all who saw her, went daily about her housework in the cottage, and waited upon the Patriarch with gentle tenderness; while the Patriarch, docile, full of supreme trust and confidence in every one, radiant in Helena's companionship, was as putty in their hands. And so Madison looked upon his work and saw no flaw—but with the days he grew ill at ease.

"It's too easy," he told himself. "I guess that's it—it's too easy. The whole show runs itself. Why, there's nothing to do but count the cash!"

And yet in his heart he knew that wasn't it—it was Helena. Helena was beginning to trouble ​him a little. She was playing the game all right—playing it to the limit—and making a hit at every performance. Her name was on every tongue, and men and women alike spoke of her sweetness, her goodness, her loveliness. Well, that was all right, Helena was a star no matter where you put her—but something was the matter. Helena wasn't the Helena of a month ago back in little old New York. He hadn't managed to get a dozen words with her since that night on the station platform, without taking chances and gaining admission to the cottage through the Flopper's window after dark—and then she had held him at arm's length.

"The matter with me?" she had said. "There isn't anything the matter with me—is there? I'm—I'm playing the game."

It certainly couldn't be grief over Mrs. Thornton's death—she had begun to act that way before Mrs. Thornton died—that night when she came home with Thornton, and he and the Flopper were behind the trellis. Thornton! Had Thornton anything to do with it, after all? No—Madison had laughed at it then, and he had much more reason to laugh at it now. Thornton was still in Chicago, and hadn't been back to Needley.

For three weeks this sort of thing occupied a considerably larger share of Madison's thoughts than he was wont to allow even the most vexing problems to disturb his usually imperturbable and complacent self—and then one afternoon, he ​smiled a little grimly, and, leaving the hotel, started along the road toward the Patriarch's cottage.

"What Helena needs is—a jolt!" said Madison to himself. "I guess her trouble is one of those everlasting feminine kinks that all women since Adam's wife have patted themselves on the back over, because they think it's a dark veil of mystery that is beyond the acumen of brute man to understand. That's what the novelists write pages about—wade right in up to the armpits in it—feminine psychology—great! And the women smile commiseratingly at the novelist—the idea of a man even pretending to understand them—kind of a blooming merry-go-round and everybody happy! Feminine psychology! I guess a little masculine kick-up is about the right dope! What the deuce have I been standing for it for? I don't have to—I don't have to go around making sheep's-eyes at her—what? She wants grabbing up and being rushed right off her feet à la Roost, and—hello, Mr. Marvin, how are you to-day!"—he had halted beside a middle-aged man who was sitting on the grass at the roadside.

"Better, Mr. Madison, better," returned the man, heartily. "Really very much better."

"Fine!" said Madison.

"We all saw the Patriarch to-day—God bless him!" said Marvin. "We've been waiting out there two days, you know—that woman with the bad back got up off her stretcher."

​"Splendid!" exclaimed Madison enthusiastically. "And the glorious thing about it is that there's no reason why everybody can't be cured if they'll only come here in the right spirit."

"That's so!" agreed Marvin. "None are so blind as those who won't see—they're in utter blackness compared with the physical blindness of that grand and marvelous man. I'm going home myself in another week—better than ever I was in my life. It was stomach with me, you know—doctors said there wasn't any chance except to operate, and that an operation was too slim a chance to be worth risking it." He got up and laughed, carefree, joyous. "God-given place down here, isn't it? Clean—that's it. Clean air, clean-souled people, clean everything you see or do or hear. Say, it kind of opens your eyes to real living, doesn't it—it's the luxuries and the worries and the pace and the damn-fooleries that kill. Well, I'm going along back now to get some of Mrs. Perkins' cream—clean, rich cream—and home-made bread and butter—imagine me with an appetite and able to eat!"

He laughed again—and Madison joined him in the laugh, slapping him a cordial good-by on the shoulder.

Madison started on once more—but now his progress was slow, frequently interrupted, for he stopped a score of times to chat and exchange a few words with those whom he passed on the road. There were cheery faces everywhere—even those of the sufferers who straggled out along ​the road coming back from the Patriarch's cottage. It was a cheery afternoon, warm and balmy and bright—everything was cheery. The farmers, their vocations for the moment changed, waved their whips at him and shouted friendly pleasantries as they drove by with those who were unable to make the trip from the Patriarch's unaided.

Madison began to experience a strange, exhilarating sense of uplift upon him, a sort of rather commendatory and gratified feeling with himself. Marvin had hit it pretty nearly right with his "clean-wholesomeness" idea—it kind of made one feel good to be a part of it. Madison, for the time being, relegated Helena and his immediate mission to a secondary place in his thoughts.

Young girls, young men, middle-aged men, elderly women, all ages of both sexes he passed as he went along; some alone, some in couples, some in little groups, some on crutches, some in wheel-chairs, some walking without extraneous aid—he had turned into the woods now, and he could see them strewn out all along the wagon track under the cool, interlacing branches overhead.

Now he stepped aside to let a wagon pass him, and answered the farmer's call and the smile of the occupants in kind; now some one stopped to tell him again the story of the afternoon—there had been cures that day and the Patriarch had come amongst them. Some laughed, some sang a little, softly, to themselves—all smiled—all spoke in glad, hopeful words, clean words—there seemed no base thought in any mind, only that ​cleanness, that wholesomeness that had so appealed to Marvin—that somehow Madison found he was taking a delight in responding to, and, because it afforded him whimsical pleasure, chose to pretend that he was quite a genuine exponent of it himself.

He reached the end of the wagon track, and paused involuntarily on the edge of the Patriarch's lawn as he came out from the trees. Like low, lulling music came the distant, mellowed noise of waters, the breaking surf. And the cottage was a bower of green now, clothed in ivy and vine—upon the trellises the early roses were budding—fragrance of growing things blended with the salt, invigorating breeze from the ocean. And upon the lawn, flanked with its sturdy maples, all in leaf, that toned the sunshine in soft-falling shadows, stood, or sat, or reclined on cots, the supplicants who still tarried though the Patriarch had gone. And now one came reverently out of the cottage door from that room that was never closed; now another went in—and still another.

Madison smiled suddenly, broadly, with immense satisfaction and contentment—and then his eyes fixed quite as suddenly on the single-seated buggy that was coming toward him on the driveway across the lawn. That was Mamie Rodgers driving—and that was Helena beside her.

Madison recalled instantly the object of his visit—and instantly he whistled a rather surprised little whistle under his breath. How alluringly Helena's brown hair coiled in wavy wealth upon ​her head; there wasn't any need of rouge for color in the oval face; the dark eyes were soft and deep and glorious; and she sat there in a little white muslin frock as dainty as a medallion from a master's brush.

"Say," said Madison to himself, "say, I never quite got it before. Say, she's—she's lovely—and that's my Helena. It's no wonder Thornton stared at her that day we touched him for the fifty, and"—suddenly—"damn Thornton!"

But the buggy was beside him now, and he lifted his hat as Mamie Rodgers pulled up the horse.

"Good afternoon, Miss Rodgers," he said. "Good afternoon, Miss Vail—how is the Patriarch to-day?"

"He is very well, thank you," Helena answered—and being custodian of the whip brushed a fly off the horse's flank.

"I was just coming out to pay you a little visit," remarked Madison, trying to catch her eye.

"Oh, I'm so sorry!" said Helena sweetly, still busy with the fly. "Mamie is going to take me for a drive—and afterwards we are going to her house for tea."

"Oh!" said Madison, a little blankly.

Helena smiled at him, nodded, and touched the horse with the whip—and then she leaned suddenly out toward him, as the buggy started forward.

"Oh, Mr. Madison," she called, "I forgot to tell you! I had a letter from Mr. Thornton to-day—and he's coming back to-morrow."

— XVII —

IN WHICH HELENA TAKES A RIDE

THE wind kissed Helena's face, bringing dainty color to her cheeks, tossing truant wisps of hair this way and that, as the car swept onward. But she sat strangely silent now beside Thornton at the steering wheel.

It seemed to her that she was living, not her own life, not life as she had known and looked upon it in the years before, but living, as it were, in a strange, suspended state that was neither real nor unreal, as in a dream that led her, now through cool, deep forests, beside clear, sparkling streams where all was a great peace and the soul was at rest, serene, untroubled, now into desolate places where misery had its birth and shame was, where there was fear, and the mind stood staggered and appalled and lost and knew not how to guide her that she might flee from it all.

At moments most unexpected, as now when motoring with Thornton in the car that he had brought back with him on his return to Needley, when laughing at the Flopper's determined pursuit of Mamie Rodgers, when engaged in the homely, practical details of housekeeping about the cottage, there came flashing suddenly upon her ​the picture of Mrs. Thornton lying on the brass bed in the car compartment that night, every line of the pale, gentle face as vivid, as actual as though it were once more before her in reality, and in her ears rang again, stabbing her with their unmeant condemnation, those words of sweetness, love and purity that held her up to gaze upon herself in ghastly, terrifying mockery.

It stupified her, bewildered her, frightened her. She seemed, for days and weeks now, to be drifting with a current that, eddying, swirling, swept her this way and that. How wonderful it was, this life she was now leading compared with the old life—so full of the better things, the better emotions, the better thoughts that she had never known before! How monstrous in its irony that she was leading it to steal, that she might play her part in a criminal scheme for a criminal end! And yet, somehow, it did not all seem sham, this part she played—and that very thought, too, frightened her. Why was it now that Madison's oft-attempted, and as oft-repulsed, kiss upon her lips was something from which she shrank and battled back, no longer from a sense of pique or to bring him to his knees, but because something new within her, intangible, that she did not understand, rose up against it! Why did she do this—she, who had known the depths, who had known no other guide or mentor than the turbulent, passionate love she had yielded him and in her abandonment had once found contentment! Was her love for him gone? Or, if it was not that—what was it?

​What was it? A week, another, two more, a month had slipped away since Thornton had returned, and there had been so much of genuineness crowded into this sham part of hers that it seemed at times the part itself was genuine. She had come to love that little room of hers, love it for its dear simplicity, the white muslin curtains, the rag mat, the patch-quilt on the bed; those daily duties of a woman, that she had never done before, that she had at first looked at askance, brought now a sense of keen, housewifely pride; the gentle patience of the Patriarch, his love for her, his simple trust in her had found a quick and instant response in her own heart, and daily her affection for him had grown; and there was Thornton—this man beside her, whose companionship somehow she seemed to crave for, who, in his grave, quiet manliness, seemed a sort of inspiration to her, who seemed in a curious way to appease a new hunger that had come to her for association, for contact with better thoughts and better ideals.

What was it? Environment? Yes; there must be something in that. It was having its effect even on Pale Face Harry and the Flopper. What was it that Harry, a surprisingly lusty farmhand now, had said to her a week or so ago: "Say, Helena, do you ever feel that while you was trying to kid the crowd about this living on the square, you was kind of getting kidded yourself? I dunno! I ain't coughed for a month—honest. But it ain't only that. Say—I dunno! Do you ever feel that way?"

​Yes; there must be something in environment. The old life had never brought her thoughts such as these, thoughts that had been with her now almost since the first day she had come to Needley —this disquiet, this self-questioning, these sudden, floods of condemnatory confusion; and, mingling with them, a startled thrill, a strange, half-glad, half-premonitory awakening, a vague pronouncement that innately it might be true that she was not what she really was—but what all those around her held her to be—what Mrs. Thornton had said she was—and—

Her fingers closed with a quick, fierce pressure on the arm-rest of her seat—and she shifted her position with a sudden, involuntary movement.

Thornton, a road-map tacked on a piece of board and propped up at his feet, raised his head, and, self-occupied himself, had apparently not noticed her silence, for he spoke irrelevantly.

"I hope you won't mind if the road is a bit rougher than usual for a few miles," he said; "but you know we decided we didn't like the looks of the weather at tea-time, and according to the map, which labels it 'rough but passable,' this is a short cut that will lop off about ten miles and take us back to Needley through Barton's Mills."

"Of course, I don't mind," Helena answered. "How far are we from Needley?"

"About thirty-five miles or so," Thornton replied. "Say, an hour and a half with any kind of going at all. We ought to be back by nine."

Helena nodded brightly and leaned back in her ​seat. Rather than objecting to the short cut that Thornton had begun to negotiate, the road, now that she gave her attention to it, she found to be quite the prettiest bit she had seen in the whole afternoon's run, where, in the rough, sparsely settled north country, all was both pretty and a delight—miles and miles without the sign of even a farmhouse, just the great Maine forests, so majestic and grand in their solitude, bordering the road that undulated with the country, now to a rise with its magnificent sweep of scenery, now to the cool, fresh valleys full of the sweet pine-scent of the woods. They had explored much of it together in the little 'run-about,' nearly every day a short spin somewhere; to-day a little more ambitious run—the whole afternoon, and tea, a picnic tea, an hour or more back, in a charming glade beside a little brook.

"Oh, this is perfectly lovely!" she exclaimed; and then, with a breathless laugh, as a bump lifted her out of her seat: "It is rough—isn't it?"

Thornton laughed and slowed down.

"I don't fancy it's used much, except in the winter for logging. But if the map says we can get through, I guess we're all right—there's about an eight mile stretch of it."

It was growing dusk, and the shadows, fanciful and picturesque, were deepening around them. Now it showed a solid mass of green ahead, and, like a sylvan path, the road, converging in the distance, lost itself in a wall of foliage; now it ​swerved rapidly, this way and that, in short curves, as though, like one lost, it sought its way.

A half hour passed. Thornton stopped the car, got down and lighted his lamps, then started on again. The going had seemed to be growing steadily worse—the road, as Thornton had said, was little more indeed than a logging trail through the heart of the woods; and now, deeper in, with increasing frequency, the tires slipped and skidded on damp, moist earth that at times approached very nearly to being oozy mud.

Silence for a long while had held between them. It was taking Thornton all his time now to guide the car, that, negotiating fallen branches strewn across the way, bad holes and ruts, was crawling at a snail's pace.

"'Rough but passable'!" he laughed once, clambering back to his seat after clearing away a dead tree-trunk from in front of them. "But there's no use trying to go back, as we must be halfway through, and it can't be any worse ahead than it's been behind. I'd like to tell the fellow that made this map something!"

And then upon Helena, just why she could not tell, began to steal an uneasiness that frightened her a little. It had grown suddenly, intensely dark—quicker than the slow, creeping change of dusk blending softly into night. Sort of eerie, it seemed—and a wind springing up and rustling through the branches made strange noises all about. They seemed to be shut in by a wall of blackness on every hand, except ahead where, like ​great streaming eyes of fire, the powerful lamps shot out their rays making weird color effects in the forest—huge tree-trunks loomed a dead drab, like mute sentinels, grim and ominous, that barred their way; now, in the full glare, the foliage took on the softest fairy shade of green; now, tapering off, heavier in color, it merged into impenetrable black; and, with the jouncing of the car, the light rays jiggling up and down gave an unnatural semblance as of moving, animate things before them, a myriad of them, ever retreating, but ever marshalling their forces again as though threatening attack, as though to oppose the car's advance.

What was there to be afraid of? She tried to laugh at herself—it was perfectly ridiculous. A little bit of rough road—the forest that she loved around her—even if it was very dark. They would come out eventually somewhere on the trunk-road to Barton's Mills—that was all there was to it. Meanwhile, it was quite an experience, and she had every confidence in Thornton. She glanced at him now. It was too dark to get more than an indistinct outline of the clean-cut profile, but there was something inspiriting in the alert, self-possessed, competent poise of his body as he croched well forward over the wheel, his eyes never lifting from the road ahead.

They appeared to be going a little faster now, too—undoubtedly the road was getting better. What was there to be afraid of? It didn't make it any more pleasant for Thornton, who was probably reproaching himself rather bitterly for having ​been tempted by the "short cut," to have her sit and mope beside him!

She began to hum an air softly to herself—and then laughingly sang a bar or two aloud.

Thornton shot a quick, appreciative glance at her and nodded, joining in the laugh.

"By Jove!" he said approvingly. "That sounds good to me. I was afraid this beastly stretch, bumping and crawling along in the dark, was making you miserable."

"Miserable!" exclaimed Helena. "Why, the idea! What is there to be miserable about? We'll get through after a while—and the road's better now than it was anyhow, isn't it?"

"Better?"

"You're running faster."

"Oh—er—yes, of course," said Thornton -quickly. "I wasn't thinking of what I said. I—"

He stopped suddenly, as Helena lifted her hand to her face.

"Why, it's beginning to rain," she said.

"Yes; I'm afraid so," he admitted. "I was hoping we would get out of here before it came."

"Oh!" said Helena.

"And the worst of it is," he added hurriedly, "there's no top to the car, and you've no wraps."

"Perhaps it won't be anything more than a shower," said Helena hopefully.

"Perhaps not," he agreed. "Anyway"—he stopped the car, and took off his coat—"put this on."

​"No—please," protested Helena. "You'll need it yourself."

"Not at all," said Thornton cheerily. "And that light dress of yours would be soaked through in no time."

He held the coat for her, and she slipped it on—and his hand around her shoulder and neck, as he turned the collar up and buttoned it gently about her, seemed to linger as it touched her throat, and yet linger with the most curious diffidence—a sort of reverence. Helena suddenly wanted to laugh—and, quick in her intuition, as suddenly wanted to cry. It wasn't much—only a little touch. It didn't mean love, or passion, or feeling—only that, unconsciously in his respect, he held her up to gaze upon herself again in that mocking mirror where all was sham.

They started on—Thornton silent once more, busy with the car; Helena, her mind in riot, with no wish for words.

The rain came steadily in a drizzle. She could feel her dress growing damp around her knees—and she shivered a little. How strangely wonderful the rain-beads looked on their background of green leaves where the lamps played upon them—they seemed to catch and hold and reflect back the light in a quick, passing procession of clear, sparkling crystals. But it was raining more heavily now, wasn't it? The drops were no longer clinging to the leaves, they were spattering dull and lustrelessly to the ground. And Thornton seemed suddenly to be in trouble—he was bending down ​working at something. How jerkily the car was moving! And now it stopped.

Thornton swung out of his seat to the ground.

"It's all right!" he called out reassuringly. "I'll have it fixed in a minute."

It was muddy enough now, and the ruts, holding the rain, were regular wheel-traps. Apart from any other trouble, Thornton did not like the prospect—and, away from Helena now, his face was serious. He cranked the engine—no result. He tried it again with equal futility—then, going to the tool-box, he took out his electric flashlight, and, lifting the engine hood, began to peer into the machinery. Everything seemed all right. He tried the crank again—the engine, like some cold, dead thing, refused to respond.

"What's the matter?" Helena asked him from the car.

"I don't know," Thornton answered lightly. "I haven't found out yet—but don't you worry, it's nothing serious. I'll have it in a jiffy."

Helena's knowledge of motor cars and engine trouble was not extensive—she was conversant only with the "fool's mate" of motoring.

"Maybe there's no gasoline," she suggested helpfully.

"Nonsense!" returned Thornton, with a laugh. "I told Babson to see that the tank was full before he brought the car around—he wouldn't forget a thing like that."

Thornton, nevertheless, tested the gasoline tank.

​"Well?" inquired Helena, breaking the silence that followed.

"There is no—gasoline," said Thornton heavily.

Neither spoke for a moment. There was no sound but the steady drip from the leaves. Then Helena forced a laugh.

"Isn't it ridiculous!" she said. "That is what one is always making fun of others for. I—I don't think it's going to stop raining—do you? And we're miles and miles from anywhere. What do people do when they're caught like this?"

Thornton did not answer at once. Bitterly reproachful with himself, he stood there coatless in the rain. If it had been a breakdown, an accident that was unavoidable, a little of the sting might have gone out of the situation—but gasoline! This—from rank, blatant, glaring, inexcusable idiocy. Not on his part perhaps—but that did not lessen his responsibility. They were miles, as she had said, from anywhere—four miles at least in either direction from the main road, and as many more probably after that from any farm-house—he remembered that for half an hour before they had turned into the "short cut" they had seen no sign of habitation—and what lay in the other direction, ahead, would in all probability be the same—they were up in the timber regions, in the heart of them—she couldn't walk miles in the rain with the roads in a vile condition, and growing viler every minute as the rain sank in and the mud grew ​deeper. And then another thought—a thought that came now, sharp and quick, engulfing the mere discomfort of a miserable night spent there in the woods—the clatter of busy, gossiping tongues seemed already to be dinning their abominable noises in his ears. And that he, that he—yes, it seemed to sweep upon him in a sudden, overmastering surge, the realization that the delight and joy of her companionship through the month that was gone was love that leaped now into fierce, jealous flame, maddened at a breath that would smirch her in the eyes of others—that he should be the cause of it! "What do people do when they're caught like this?"—in their innocence there seemed an unfathomed depth of irony in her words, but as he unconsciously repeated them they cleared his brain and brought him suddenly to face the immediate practical problem that confronted them. What was to be done?

"Shall—shall I get out?" she called to him, a hint of reminder in her tones that she had spoken to him before and received no answer.

Thornton moved back to the side of the car.

"Miss Vail," he said contritely, "I—I don't know what to say to you for getting you into this. I—"

"I know," she interrupted quickly, leaning over the side of the car and placing her hand on his arm. "Don't try to say anything. It's not your fault—it's not either of our faults. Now tell me what you think the best thing is to do, and, you'll ​see, I'll make the best of it—there's no use being miserable about it."

"You're a game little woman!" he said earnestly, quite unnecessarily clasping the hand on his arm and wringing it to endorse his verdict. "And that makes it a lot easier, you know. Well then, we might as well face the whole truth at one fell swoop. We're up against it"—he laughed cheerfully—"hard. It's miles to anywhere—we don't know where 'anywhere' is—and of course you can't walk aimlessly around in the mud and rain."

"N—no," she said thoughtfully. "I suppose there's no sense in that."

"And of course you can't sit out here in the wet all night."

"That sounds comforting—propitious even," commented Helena.

"Quite!" agreed Thornton, laughing again. "Well, you wait here a moment, and I'll see if I can't knock up some sort of shelter—I used to be pretty good at that sort of thing."

"And I'll help," announced Helena, preparing to get out.

"By keeping at least your feet dry," he amended. "No—please. Just stay where you are, Miss Vail. You'll get as much protection here from the branches overhead as you will anywhere meanwhile, and you'll be more comfortable."

She watched him as he disappeared into the ​wood, and after that, like a flitting will-o'-the-wisp, watched his flashlight moving about amongst the trees. Then presently the cheery blaze of a fire from where he was at work sprang up, and she heard the crackle of resinous pine knots—then a great crashing about, the snapping of branches as he broke them from larger limbs—and a rapid fire of small talk from him as he worked.

Helena answered him more or less mechanically—her mind, roving from one consideration of their plight to another, had caught at a certain viewpoint and was groping with it. They were stalled more effectively than any accident to the car could have stalled them—they were there for the night, there seemed no escape from that. But there was nothing to be afraid of. She had no fears about passing the night alone with him here in the woods—why should she? Why should she! She laughed low, suddenly, bitterly. Why should she—even if he were other than the man he was, even if he were of the lowest type! Fear—of that! A yearning, so intense as for an instant to leave her weak, swept upon her—a yearning full of pain, of shame, of remorse, of hopelessness—oh, God, if only she might have had the right to fear! Then passion seized her in wild, turbulent unrestraint—hatred for this clean-limbed, pure-minded man, who flaunted all that his life stood for in her face—hatred for everybody in this life of hers, for all were good save her—hatred, miserable, unbridled hatred for herself.

​And then it passed, the mood—and she tried to think more calmly, still answering him as he called from the woods. She had seen a great deal of Thornton lately—a great deal. He had been kind and thoughtful and considerate—nothing more. More! What more could there have been? Love! There was something of mockery in that, wasn't there? Everything she thought about lately, every way her mind turned seemed to hold something of mockery now. Of course, Mrs. Thornton's words expressing the wish that she and Thornton might come together had been often enough with her—mockingly again!—but Thornton could have known nothing of that—so, after all, what did that matter? She had snatched at every opportunity to motor with Thornton despite Doc's protests, protests that had grown sullen and angry of late—snatched at the opportunities eagerly, as she would snatch at a breath of air where all else stifled her—snatched at them because they took her out of herself temporarily, away from everything, where everything at times seemed to be driving her mad. Hate Thornton! No, of course, she didn't hate him—she had thought that a moment ago because—because her brain was—was—oh, she didn't know—so tired and weary, and she was cold now and quite wet. She didn't hate him, she even—

"All ready now—house to let furnished"—he was calling out, laughing as he came thrashing through the undergrowth—"excellent situation, high altitude, luxuriant pine grove surrounds the ​property, and—and"—he had halted beside the car and opened the door—"what else do they say?"

Helena caught his spirit—or, rather, forced herself to do so. It wasn't quite fair that one of them should do all the pretending.

"Flies," she laughed. "They always speak of flies in Maine."

"None!" said Thornton promptly. "There hasn't been one since the house was built. Now then, Miss Vail"—he held out his arms.

"Oh, but really, I can walk."

"And I can carry you," he said—and, from the step, gathered her into his arms.

And then, as she lay there passively at first, she seemed to sense again that curious diffidence, that gentleness, like the touch upon her throat of a little while ago, though now he held her in both his arms. How strong he was—and, oh, how miserably wet—her hand around his shoulder felt the thin shirt clinging soggily to his arm. Yes; she was glad he hadn't let her walk—it wasn't far, but she would have had to force her way continually through bushes that scattered showers from their dripping leaves, and underfoot she could hear his boots squash through the mud. And then suddenly it happened—the trees, just a yard or so from the fire, were thick together, tangled—she bent her head quickly, instinctively, to avoid a low-hanging branch as he for the same reason swerved a little—and their cheeks lay close-pressed against each other's, her hair ​sweeping his forehead, their lips mingling one another's breaths. He seemed to stumble—then his arms closed about her in a quick, fierce pressure, clasping her, straining her to him—relaxed as suddenly—and then he had set her down inside the shelter he had built.

Quick her breath was coming now, and across the fire for a moment she met his eyes. His face was gray, and his hands at his sides were clenched.

"I'll—I'll get the seat out of the car," he said hoarsely. "It will help to make things more comfortable." And turning abruptly, he started back for the road again.

Helena did not move. Mechanically her eyes took in the little hut, crude, but rainproof at least—branches heaped across two forked limbs for a roof; the trunk of a big tree for the rear wall; branches thrust upright into the ground for the sides—the whole a little triangular shaped affair. The fire blazed in front just within shelter at the entrance; and beside it was piled quite a little heap of fuel that he had gathered.

He came back bringing the leather upholstered seat, shook the rain from it, and dried it with the help of the fire and his handkerchief—then set it down inside the hut. His face was turned from her; and as he spoke, breaking an awkward silence, his voice was conscious, hurried.

"I'm not going to be gone a minute more than I can help, Miss Vail. It's mighty rough accommodation for you, but there's one consolation at least—you'll be perfectly safe."

​Helena seated herself, and held her skirt to the fire.

"Gone!" she said, a little dully. "Where are you going?"

"Why, to get help of course," he told her.

"Help!"—she shook her head. "You don't know where to find any—you only know for a certainty that there isn't any within miles."

"I know there's a house back on the main road," he said. "I noticed it as we came along."

"That's seven or eight miles from here," she returned. "And it's raining harder than ever—mud up to your ankles—it would take you hours to reach it."

"Possibly two, or two and a half," he said lightly.

"Yes; and another two at least to get back. I won't hear of you doing any such thing—you are wet through now. It's far better to wait for daylight and then probably the storm will be over."

"But don't you see, Miss Vail"—his voice was suddenly grave, masterful—"don't you see that there is no other thing to do?"

"No," said Helena. "I don't see anything of the kind. I won't have you do anything like that for me—it's not to be thought of."

Thornton stooped, placed a knot upon the fire, straightened up—and faced her.

"It's awfully good of you to think of me," he said in a low tone; "but, really, it won't be half as bad as you are picturing it in your mind. And really"—he hesitated, fumbling for his ​words—"you see—that is—what other people might say—your—reputation—"

With a sudden cry, white-faced, Helena was on her feet, staring at him, her hands clutched at her bosom—a wild, demoniacal, mocking orgy in her soul. Her reputation! It seemed she wanted to scream out the words—her reputation!

Thornton's face flushed with a quick-sweeping flood of crimson.

"I'm a brute—a brute with a blundering tongue!" he cried miserably. "You had not thought of that—and I made you. I could have found another excuse for going if I had only had wit enough. I was a brute once before to-night, and—" He stopped, and for a moment stood there looking at her, stood in the firelight, his face white again even in the ruddy glow—and then he was gone.

Time passed without meaning to Helena. The steady patter of the rain was on the leaves, the sullen, constant drip of water to the ground, and now, occasionally, a rush of wind, a heavier downpour. She sat before the fire, staring into it, her elbows on her knees, her face held tightly in her hands, the brown hair, wet and wayward now, about her temples. Once she moved, once her eyes changed their direction—to fix upon her sleeve in a strange, questioning surprise.

"I let him go without his coat," she said.

— XVIII —

THE BOOMERANG

IT was early afternoon, as Madison, emerging from the wagon track, and walking slowly, started across the lawn toward the Patriarch's cottage. He was in a mood that he made no attempt to define—except that it wasn't a very pleasant mood. Before Thornton had returned to Needley it had been bad enough, after that, with his infernal car, it had been—hell.

Madison's fists clenched, and his gray eyes glinted angrily. His hands had been tied like a baby's—like a damned infant's! Helena was getting away from him further every day, and he couldn't stop it—without stopping the game! He couldn't tell Thornton that Helena belonged to him—had belonged to him! He couldn't even evidence an interest in what was going on. He had to put oh a front, a suave, cordial, dignified front before Thornton—while he itched to smash the other's face to pulp! Hell—that's what it was—pure, unadulterated hell! He couldn't get near Helena alone with a ten-foot pole, morning, noon or night—she had taken good care of that. And he wanted Helena—he wanted her! It was an obsession with him now—at times driving him half crazy—and it didn't ​

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​help any that he saw her grow more glorious, more beautiful every day! Of course she knew she had him—had him where she knew he couldn't do a thing—where she could laugh at him—go the limit with Thornton if she liked. But, curse it, it wasn't only Thornton—that was what he could not understand—she had begun to keep away from him before ever Thornton had come back.

Madison was near the porch now, and, raising his eyes, noted a supplicant going into the shrine-room—a woman, richly dressed but in widow's weeds, who walked feebly. The game went on by itself, once started—there were half a hundred more about the lawn! Like a snowball rolling down hill, as he had put it at the Roost. The Roost! If he only had Helena back there for about a minute there'd be an end of this! She'd go a little too far one of these days—a little too far—it was pretty near far enough now—and then there'd be a showdown, game or no game, and somebody would get hurt in the smash, and—

He lifted his eyes again, as some one came hurrying through the cottage door. It was the Flopper. And then to his surprise, he found himself being pushed unceremoniously from the porch and pulled excitedly behind the trellis.

"What's the matter with you!" he demanded angrily. "Are you crazy!"

"T'ank de Lord youse have showed up!" gasped the Flopper. "Say, honest, I can't do nothin' wid him—he's got me near bughouse."

​"Who?"—Madison scowled irritably.

"De Patriarch, of course. He's noivous, an' gettin' worse all de time. He won't eat an' he won't keep still. He wants Helena, an' he keeps writin' her name on de slate—he's got me going fer fair."

"Well, I'm not Helena!" growled Madison. "Why doesn't she go to him?"

"Now wouldn't dat sting youse!" ejaculated the Flopper. "How's she goin' to him when she ain't here?"

"Not here?" repeated Madison sharply. "Where is she?"

The Flopper looked down his nose.

"I dunno," said he.

Madison stared at him for a moment—then he reached out and caught the Flopper's arm in a sudden and far from gentle grip.

"Out with it!" he snapped.

"I dunno where she is," said the Flopper, with some reluctance. "She ain't back yet, dat's all."

"Back from where?"—Madison's grip tightened.

The Flopper blinked.

"Aw, wot's de use!" he blurted out, as though his mind, suddenly made up, brought him unbounded relief. "Youse'll find it out anyhow. Say, she went off wid Thornton in de buzz-wagon yesterday, an' I put de Patriarch to bed last night 'cause she wasn't back, an' dat's wot's de matter wid him, she ain't showed up since an' he's near ​off his chump, an'—fer God's sake let go my arm, Doc, youse're breakin' it!"

A sort of cold frenzy seemed to seize Madison. He was perfectly calm, he felt himself perfectly calm and composed. Off all night with Thornton—eh? Funny, wasn't it? She'd gone pretty far at last—gone the limit.

"Why didn't you send me word this morning?"—was that his own voice speaking? Well, he wouldn't have recognized it—but he was perfectly calm nevertheless.

"Fer God's sake let go my arm," whimpered the Flopper. "I—I ain't no squealer, dat's why."

Madison's arm fell away—to his side. He felt a whiteness creeping to his face and lips, felt his lips twitch, felt the fingers of his hands curl in and the nails begin to press into the palms.

"Mabbe," suggested the Flopper timidly, "mabbe dere was an accident."

Madison made no answer.

The Flopper shifted from foot to foot and licked his lips, stealing frightened glances at Madison's face.

"Wot—wot'll I do wid de Patriarch?" he stammered out miserably.

And then Madison smiled at him—not happily, but eloquently.

"Swipe me!" mumbled the Flopper, as he backed out from the trellis. "Dis love game's fierce—an' mabbe I don't know! 'Sposin' she'd been Mamie an' me the Doc—'sposin' it ​had!" He gulped hastily. "Swipe me!" said the Flopper with emotion.

Madison, motionless, watched the Flopper disappear. He wasn't quite so calm now, not so cool and collected and composed. He must go somewhere and think this out—somewhere where it would be quiet and he wouldn't be disturbed.

A step sounded on the path—Madison looked through the trellis. A man, with yellow, unhealthy skin and sunken cheeks, his head bowed, was passing in through the porch. It caught Madison with fierce, exquisite irony. Why not go there himself if he wanted quiet—the shrine-room—the place of meditation! Well, he wanted to meditate! He laughed jarringly. The shrine-room—for him! Great! Immense! Magnificent! Why not? That's what he had created it for, wasn't it—to meditate in!

He stepped inside. The woman, whom he had seen enter a short while before, was sitting in a sort of rigid, strained attitude in the far corner; the man, who had just preceded him, had taken the chair by the fireplace—they were the only occupants of the room. There was no sound save his own footsteps—neither of the others looked at him. There was quiet, a profound stillness—and the softened light from the shuttered window fell mellow all about, fell like a benediction upon the simplicity of the few plain articles that the room contained—the round rag mats upon the white-scrubbed floor; the hickory ​chairs, severe, uncushioned; the table, with its little japanned box and book.

Madison's eyes fixed upon the japanned box, as he leaned now, arms folded, against the wall—a jewel, even in the subdued light, glowed crimson-warm where it nested on a crumpled bed of bank-notes—a ruby ring—the last contribution—it must have been the woman who had placed it there. Madison glanced at her involuntarily—but his thoughts were far away again in a moment.

Anger and a blind rage of jealousy were gripping him now. Accident! The thought only fanned his fury. Accident! Yes; it was likely—as an excuse! There would have been an accident all right—leave that to them! Thornton perhaps wasn't the stamp of man to seek an adventure of that kind deliberately—perhaps he wasn't—and perhaps he was—you never could tell—but what difference did that make! Helena was that kind of a woman—though he'd always thought her true to him since he'd known her—and Thornton, whatever kind of a man he was, wouldn't run away from her arms, would he?

The red glow from the ruby ring had vanished —the man had risen from his seat and was placing something in the box on top of the ring—Madison's mind subconsciously absorbed the fact that it was a little sheaf of yellow-backed bills. And now the man bent to the table and was writing in the book.

​Yellow-backs and rubies! Rubies and yellow-backs! Madison's lips thinned and curled downward at the corners. Oh, it was coming all right, money, jewels, pelf, rolling in merrily every day, there wasn't any stopping it, but he was paying for it, and paying for it at a price he didn't like—Helena. Helena! She wanted Thornton, did she—with his money! Wanted to dangle a millionaire on her string—eh? She'd throw him over—would she! And she thought she had him where he couldn't lift a finger to stop it—just sit back and grin like a poor, sick fool!

The red crept up the knotted cords of Madison's neck, suffused the set jaws, and, as though suddenly liberated to run its course where it would, swept in a tide over cheeks and temples.

He couldn't do a thing—couldn't he! Well, he'd see the game in Gehenna before Thornton or any other man got her away from him. She belonged to him—to him! And he'd have her, hold her, own her—she was his—his! And he'd settle with Thornton too, by Heaven!

A laugh, low, unpleasant, purled to his lips—and he checked it with a sort of strange mechanical realization that he must not laugh aloud. His eyes swept the room—the man had returned to his seat, the woman had not moved, both were silent, motionless—that ghastly, hallowed, sanctimonious hush—that subdued, damnable light—meditation!

"For God's sake let me get out of here," he muttered, "or I'll go mad."

​He turned—and stopped. Came a cry spontaneously from the man and the woman—they were on their feet—no, on their knees. The doorway at the further end of the room was framing a majestic figure, tall and stately—and a sun-gleam struggling suddenly through the lattice seemed to leap in a golden ray to caress in homage the snow-white hair, the silver beard that fell upon the breast, the saintly face of the Patriarch.

Then into the room advanced the Patriarch, and his hands were outstretched before him, and he moved them a little to and fro—and the gesture, the poise, the mien, as, touching nothing he seemed to feel his way through space itself, was as one invoking a blessing of peace ineffable.

Spellbound, Madison watched. Upon the face was a yearning that saddened it, and, saddening, glorified it; the head was slightly turned as though to listen—while slowly, with measured, certain tread, as though indeed he had no need for eyes, the Patriarch, circled the table and passed on down the room. The man and the woman reached out and touched him reverently, and drew back reverently to let him pass, and, rising from their knees, followed him through the door and out onto the porch.

The room was empty. Madison stared at the doorway. Upon him fell a sudden awe—it was as though a vision, an ethereal presence, some strange embodiment of power, had been and gone—and yet still remained.

​And now from without there came a sound like a distant murmur. It rose and swelled, and began to roll in its volume, and then, like the clarion sound of trumpets, voices burst into glad acclaim.

"The Patriarch! The Patriarch! The Patriarch!"

From the little hallway came the Flopper, running—and he stopped and gaped at Madison.

"I left him in his room fer a minute," he gasped. "He's—he's lookin' fer Helena."

And then Madison shook himself together—and smiled ironically. And at the smile the Flopper hurried on.

Madison stepped out onto the porch. Helena! Helena! Within him seemed to burn a rage of hell; but it seemed, too, most strangely that for the moment this rage was held in abeyance, that something temporarily supplanted it—this scene before him.

Onward across the lawn moved the Patriarch, and the Flopper had joined him now; but the Patriarch, unheeding, turning neither to the right nor to the left, his arms still extended before him, kept on. And the people cried aloud:

"He is coming—he is coming! The Patriarch! The Patriarch!"

Madison moved on—out upon the lawn himself.

From everywhere, from every scattered spot where they had been, men and women ran and ​limped and dragged themselves along, all converging on one point—the Patriarch.

Madison, in the midst of them now, hurried—for it was plainly evident that the Flopper's control over the Patriarch was gone. He reached the Patriarch and touched the other's arm—and at the touch the Patriarch halted instantly, his hand went out and lay upon Madison's sleeve in recognition, and he turned his face, and it was smiling and there was relief upon it—and confidence and trust, as, suffering himself to be guided, they started back toward the cottage.

And then upon Madison came again that sense of awe, but now intensified. From every hand tear-stained faces greeted him, white faces, faces full of sorrow and suffering through which struggled hope—hope—hope. They flung themselves before the Patriarch—yet never blocked the way. They cried, they wept, they prayed—and some were silent. It seemed that souls, naked, stripped, bare, held themselves up to his gaze. Men, prostrate on stretchers, tried to rise and stagger nearer—and fell. Friends, where there were friends to help, tugged and dragged desperately at cots—and from the cots in piteous, agonized appeal the helpless cried out to the Patriarch to come to them. All of human agony and fear and hope and despair and terror seemed loosed in a mad and swirling vortex. And ever the cries arose, and ever around them, giving way, closing in again, pressed the soul-rent throng.

​And presently to Madison it seemed as though he had awakened from some terrifying dream, as, in the Patriarch's room again, he swept away a bead of sweat from his forehead, and stood and looked at the Patriarch and the Flopper.

The Flopper licked his lips, and pulled the Patriarch's chair forward—but his hands trembled violently.

"It's been gettin' me, Doc," he whispered, "an' I can't help it. It's been gettin' into me all de time. Say, I wisht it was over. Honest to God I do! Dis—dis makes me queer. Say, de Patriarch's got me, Doc—an'—an'—say—dere's been somethin' goin' on inside me dat's got me hard."

Madison did not answer—but he started suddenly—and as suddenly stepped to the window and looked out. Over the cries, the wailings, the confused medley of voices, growing lower now, subsiding, there had come the throb of a motor car.

Madison's eyes narrowed—that was supreme again. A car was coming to a stop before the porch—Thornton was helping Helena to alight.

Madison turned and caught the Flopper's arm in a fierce, imperative grasp.

"You keep your mouth shut—do you hear?" he flung out, clipping off his words. "You haven't seen me to-day—understand!" And, dropping the Flopper's arm, he stepped quickly across the little hall to Helena's door, opened it, went in—and closed the door behind him.

​And the Flopper, staring, licked his lips again.

"Swipe me! " he croaked hoarsely. "Pipe de eyes on de Doc! Dere'll be somethin' doin' now!"

— XIX —

THE SANCTUARY OF DARKNESS

THERE was a grim, merciless smile on Madison's lips; and a whiteness in his face windowed the passion that seethed within him. He stood motionless, listening, in Helena's room. He heard the automobile going away again; then he heard Helena's light step in the hallway without—and the smile died as his lips thinned.

But she did not come in—instead, he heard her go into the Patriarch's room, heard her talking to the Patriarch, and bid the Flopper go to the kitchen and make her some tea. Then the Flopper's step sounded, passing down to the rear of the cottage.

The minutes passed—then that light footfall again. The door of the room swung suddenly wide—and closed—there was a cry—and Helena, wide-eyed, the red of her cheeks fading away, leaned heavily back against the door.

Neither spoke. Madison, in the center of the room, did not move. The smile came back to his lips.

Helena's great brown eyes met the gray ones, read the ugly glint, dropped, raised again—and held the gray ones steadily.

​Madison gave a short laugh—that was like a curse. His hands at his sides knotted into lumps.

Then Madison spoke.

"Why don't you say, 'you!—you!'—and scream it out and clutch at your bosom the way they do in story books!" he flung out raucously. "Why don't you do your little stunt—go on, you're on for the turn—you can put anything over me, I'm only a complacent, blind-eyed fool! Anything goes! Why don't you start your act?"

"You don't know what you are saying," she said in a low voice. "If there's anything you want to talk about, we'd better wait until you're cooler."

"Oh, hell!" he roared, his passion full to the surface now. "Cut out the bunk—cut it out! Anything! No, it isn't much of anything—for you—out all night with Thornton. Do you think I'm going to stand for it! Do you think I'm going to sit and suck my thumb and share you, and—"

"You lie!" She was away from the door now, close before him, her breath coming fast, white to the lips, and in a frenzy her little fists pummelled upon him. "It's a lie—a lie—a lie! It's a lie—and you know it!"

He pushed her roughly from him.

"It is, eh?"—his words came in a sort of wild laugh. "And I know it—do I? Why should I know it? What do you think you are? Say, you'd think you were trying to kid yourself ​into believing you're the real thing—the real, sweet, shy, modest Miss Vail. Cut it out! You're name's Smith—maybe! And it's my money that's keeping you, and you belong to me—do you understand?"

She stood swaying a little, her hands still tightly clenched, breathing through half parted lips in short, quick, jerky inhalations like dry sobs.

"It's true," she faltered suddenly—and suddenly buried her face in her hands. And then she looked up again, and the brown eyes in their depths held an anger and a shame. "It's true—I was—was—what you say. But now"—her voice hurried on, an eagerness, a strange earnestness in it—"you must believe me—you must. I'll make you—I must make you."

"Oh, don't hurt yourself trying to do it!" jeered Madison. "We're talking plain now. I'm not taking into account how you feel about it—don't you fool yourself for a minute. The sanctity of my home hasn't been ruined—because it couldn't be! Get that? Thornton don't get you—not for keeps! But you and he don't make a monkey of me again. Do you understand—say, do you get that? You're mine—whether you like it or not—whether you'd rather have Thornton or not. But I'll fix you both for this—I'm no angel with a cherub's smile! I'll take it out of Thornton till the laugh he's got now fades to a fare-thee-well; and I'll put you where there aren't any strings tying me up the way there are here. Do you understand!" His voice rose ​suddenly, and for a moment he seemed to lose all control of himself as he reached for her and caught her shoulder. "I love you," he flashed out between his teeth. "I love you—that's what's the matter with me! And you know that—you know you've got me there—and you'd play the fool with me, would you!" He dropped his hands and laughed a short, savage bark—and stepped back and stared at her.

"Will you listen?"—she was twisting her hands, her head was drooped, the long lashes veiled her eyes, her lips were quivering. "Will you listen?" she said again, fighting to steady her voice. "It was an accident."

"I saw the machine when you drove up—it was a wreck!" snapped Madison sarcastically.

"We ran out of gasoline," she said quietly.

And then Madison laughed—fiercely—in his derision.

"Oh, keep on!" he rasped. "I told you I was only a blind fool that you could put anything over on! That accounts for it, of course—a breakdown isn't so easy to get away with. Gasoline!"

"We were miles from anywhere," she went on. "We had taken what we thought was a short cut. Mr. Thornton built a shelter for me in the woods, and went to—to—"

He caught up her hesitation like a flash.

"Fake the lines, Helena, if you haven't had enough rehearsals," he suggested ironically. "Anything goes—with me."

​And now a tinge of color came to Helena's cheeks, and the brown eyes raised, and flashed, and dropped.

"He went to try and find help," she said. "He was out all night in the storm. I do not know how far he must have walked. I know the nearest house was five or six miles away—and there was no horse there—the man had driven to some town that morning. It was almost daylight before Mr. Thornton at last came back with a team. We were forty miles from here—we sent the team to the nearest town for gasoline and then motored back." She stopped—and then, with a catch in her voice: "He—he was very good to me."

"Good to me"—the words seemed to stab at Madison, seemed to ring in his ears and goad him with a fiercer jealousy—and her story of the night, what she had been saying, save those words, was as nothing, meant nothing, was swept from his consciousness—and only she, standing there before him, glorious, maddening in her beauty, remained. Soul, mind and body leaped into fiery passion—she was his, and his she always would be—those eyes, those lips, the white throat, those perfect arms to cling about his neck—and all of heaven and hell and earth were naught beside her.

"I love you!"—his face was white, his words fierce-breathed, almost incoherent—and he leaned toward her with a sudden, uncontrollable movement, his arms sweeping out to clasp her. ​"I love you, Helena—I love you. Do you understand—it's you! You—I love you!"

"You love me!"—she retreated from him, but her head was raised now, and her voice rang with a bitterness cold as the touch of death. "Love! What do you know of love! We talk plain, you say. Love—love for me! Passion, vice, lust, sin—and, oh, my God, degradation and misery and shame—love! Love! That is your love!"

He stood for a moment and stared at her again—and her face was as pallid ivory. And something seemed to daze him, and he brushed his hand across his eyes—the logic was faulty, torn and pitiful, and he groped after the flaw.

"It's—it's your love as well as mine," he said in a stumbling way—then his brain flashed quick into action. "My love—what other love have you known but that?" he cried. "It's our love—the love we have known together—and we're going back to it—see? I've had enough of this. You pack your trunks—and pack them quick! We're going to beat it out of here! We're going back to our—love. We're going back where I don't have to sit around like a puling fool and watch Thornton chuck you under the chin—we're going where he'll want a tombstone If he ever shows his face there. You thought the game would hold me to the last jackpot—did you? Well, I've got enough—and there's no game big enough to make me stand for this. That looks like love—doesn't it?" He burst again into a ​sudden, mirthless laugh—and once again swept his hand across his eyes. "We're going to beat it out of here now—to-night—to-morrow morning."

But now she had drawn further away from him—and there was a frightened look in her eyes, and her lips quivered pitifully.

"No—I can't—I can't," she cried out. "No, no—I can't—I can't go back to that."

"That! That—is love," he said wildly. "The only love you know. What more do you want? There's loot enough now, and—ha, ha!—that little contribution of Thornton's, to give you all the money you want. Love, Helena—you and I—the old love—you and I together again, Helena. I tell you I love—you do you hear? I love you—and I'll have you—I love you! What do you know, what do you care about any other kind of love!"

She looked at him, misery and fear still in her eyes, and her slight figure seemed to droop, and her hands hung heavy, listless, at her sides.

"I care"—the words came in a strange mechanical way from her lips. "Oh, I care. I can't—I won't go back to that. And I know—I know now. I have learned what love is."

Quick over Madison's face surged the red in an unstemmed tide—volcanic within him his love that he knew now possessed his very soul, jealousy that, blinding, robbed him of his senses, roused him to frenzy.

"Oh, you've learned what love is, have you—with ​him!" he cried—and sprang for her and snatched her into his arms. "And you won't come, eh? Well, I've learned what love is too in the last month—and if I can't get it one way, I'll get it another"—he was raining mad kisses upon her face, her hair, her eyes—"I love you, I tell you—I love you!"

With a cry she tried to struggle from him—and then fought and struck at him, beating upon his face with her fists. Fiercer, closer he held her—around the little room, staggering this way and that, they circled. He kissed her, laughing hoarsely like a madman, laughing at the blows, beside himself, not knowing what he did—mad—mad—mad. He kissed her, kissed the white throat where the dress was torn now at the neck; imprisoned a little fist that struck at him and kissed the quivering knuckles; kissed the wealth of glorious, burnished-copper hair that, unloosened, fell about her, kissed it and buried his face in its rare fragrance. And then—and then his arms were empty—and he was staring at the calm, majestic figure of the Patriarch—and Helena was crouched upon the floor, and, sobbing, was clinging with arms entwined around the old man's knees.

And so for a little while Madison stood and stared—what had brought the Patriarch there—the Patriarch who could neither see nor hear nor speak—what had brought him from his own room across the hall! And Madison stared, and his hands crept to his temples and pressed upon ​them—weak he seemed as from some paroxysm of madness that had passed over him. The sunlight streaming through the window sheened the luxuriant mass of hair that falling over shoulders and to the waist seemed alone to cloak the little figure in its crouched position—the little figure that shook so convulsively with sobs—the little figure that clung so desperately at the feet of this god-like, regal man, whose beard was silver, whose hair was hoary white, upon whose face, marring none its strength or self-possession, was a troubled, anxious, questioning look.

Strange! Strange! Madison's hands fell to his sides. The Patriarch's eyes were turned full upon him, wavering not so much as by the fraction of an inch—full upon him. And then, as into some holy sanctuary, fending her from harm and danger, the Patriarch turned a little to interpose himself before Madison, and, raising Helena, held her in his arms, her head against his bosom—and one hand lay upon her head and stroked it tenderly. But upon Madison was still turned those sightless eyes, that noble face, serene, commanding even in its perturbation, even in its alert and searching look.

Madison stirred now—stirred uneasily—while the silence held. There was a solemnity in the silence that seemed to creep upon and pervade the room—a sense of a vast something that was the antithesis of turmoil, passion, strife, that seemed to radiate from the saintly figure whose lips were mute, whose ears heard no sound, whose ​eyes saw no sight. And upon Madison it fell potent, masterful, and passion fled, and in its place came a strange, groping response within him, a revulsion, a penitence—and he bowed his head.

And then Helena spoke—but her head was turned away from him, hidden on the Patriarch's breast.

"Once," she said, and her words were like broken whispers, for she was sobbing still, "once, long, long ago, when I was a little girl, I read the story of Mary Magdalen. I had almost forgotten it, it was so long ago, but it has come back to me, and—and it is a glad story—at the end."

She stopped—and Madison raised his head, and his face was strained as with some sudden wonder as he looked at her.

"It is a glad story," she said presently. "It—it is my story."

"You mean"—Madison's voice was hoarse—"you mean that you've turned—straight!"

"They love me here," she said. "They trust me and they think me good—as they are. All think me that—the little children and this dear man here—and for a little while, since I have been here, I have lived like that. They made me believe that it was true—true. And there was shame and agony—and hope. It seemed they could not all be wrong, and I have asked and prayed that I might make it true always—and—and forgiveness for what I was."

"You mean," he said again hoarsely, and he ​stepped toward her now, "you mean that you are—straight!"

She did not answer—only now she turned her face toward him and lifted up her head.

And for a long minute Madison gazed into the tear-splashed eyes, deep, brave in chastened wistfulness, gazed—and like a man stunned walked from the room, the cottage, and out across the lawn.

— XX —

TO THE VICTOR ARE THE SPOILS

MANY were still about the lawn as he left the cottage—they were all about him, those sick, half frantic creatures—and still they made noises; still some of them cried and sobbed; still in their waning paroxysms they moved hither and thither. They appealed to some numbed, dormant sense in Madison, in a subconscious way, as things to be avoided. And so, almost mechanically, he took the little path that, striking off at right angles to the wagon track where it joined the Patriarch's lawn, came out again upon the main road at the further end of the village.

And, as he walked, like tidal waves on-rushing, emotions, utterly at variance one with another, hurled themselves upon him, and he was swept from his mental balance, tossed here and there, rolled gasping, strangling in the chaos and turmoil of the waters, as it were, and, rising, was hurled back again.

White as death itself was Madison's face; and at times his fingers with a twitching movement curled into clenched fists, at times his open palms sought his temples in a queer wriggling way and pressed upon them. Doubt, anger, fear, a rage ​unhallowed—in cycles—buffeted him until his brain reeled, and he was as a man distraught.

It began at the beginning, that cycle, and dragged him along—and left him like one swooning, tottering, upon the edge of a precipice. And then it began over again.

And it began always with a picture of the Roost that night—the vicious, unkempt, ragged figure of the Flopper—the sickly, thin, greedy face of Pale Face Harry, the drug fiend, winching a little as he plunged the needle into his flesh—the easy, unprincipled gaiety and eagerness of Helena for the new path of crime—crime—crime—the Roost exuded crime—filth—immorality—typified them, framed them well as they had sat there, the four of them, while that bruised-nosed bouncer had brought them drink on his rattling tin tray. And then his own self-satisfied, smug, complacent egotism at his own cleverness, his unbounded confidence in his own ability to pull off the game, and—

Well, he had pulled it off—he'd won it—won it—won it—everybody had fallen for it—the boobs had been plentiful—the harvest rich. What was the matter with him! He'd won—was winning every time the clock ticked. Somebody back there was probably throwing good hard coin at him this minute—the damned fool! Madison threw back his head to laugh in derision, for there was mocking, contemptuous laughter in his soul—but the laugh died still-born upon his lips.

​It was fear now—fear—staggering, appalling him. He was facing something—something—his brain did not seem to define it—a something that was cold and stern and immutable, that was omnipotent, that embodied awe—a condemnation unalterable, unchangeable, before which he shrank back with his soul afraid. Before him seemed to unfold itself the wagon track, the road to the Patriarch's cottage; and he was there again, and whispering lips were around him, and men and women and children were there, and in front of them, leading them, slithered that twisted, misshapen, formless thing—and now they were upon the lawn, and about him everywhere, everywhere, everywhere was a sea of white faces out of which the eyes burned like living coals. What power was this that, loosed, had stricken them to palsied, moaning things!

Madison shivered a little—and a sweat bead oozed out and glistened upon his forehead. Hark—what was that! Clarionlike, clear as the chimes of a silver bell, rang now that childish voice—rang out, and rang out again—and the crutch was gone—and the lame boy ran, ran—ran! And who was that, that stood before him now—that golden-haired woman beside an empty wheel-chair, whose face was radiant, who cried aloud that she was cured! And who were these others of later days, this motley crowd of old and young, that passed before him in procession, that cried out the same words that ​golden-haired woman by the wheel-chair had cried—and cried out: "Faith! Faith! Faith!"

Madison swept the sweat bead from his forehead with a trembling hand. It was a lie—a lie—a lie! He had taught them to say that—but it was all bunk—and all were fools! He could laugh at them, jeer at them, mock at them, deride them—they were his playthings—and faith was his plaything—and he could laugh at them all!

And again he raised his head to laugh; and again the laugh was choked in his throat, still-born—Helena was straight! To his temples went his twitching hands. Anger raged upon him—and died in fear. Anger, for the instant maddening him, that he should lose her; rage in ungovernable fury that the game, his plans, the hoard accumulated, was bursting like a bubble before his eyes—died in fear. No, no; he had not meant to laugh or mock—no, no; not that, not that! What was this loosed titanic power that had done these things—that had brought this change in Helena; that had brought a change in the Flopper, transforming the miserable, pitiful, whining thief into a man reaching out for decent things; that had wrought at least a physical metamorphosis in Pale Face Harry—that had transfigured those three who, in their ugly, abandoned natures then, had hung like vultures on his words in the Roost that night! What was this power that he was trifling with, that brought him now this cold, dead fear before which he quailed! What was this something that in his temerity he ​had dared invoke—that rose now engulfing him a puny maggot—that snatched him up and flung him headlong, shackled, before this nebulous, terrifying tribunal, where out of nothingness, out of a void, the calm, majestic features of the Patriarch took form and changed, and changed, and kept changing, and grew implacable, set with the stamp of doom. What was it—in God's name, what was it brought these sweat beads bursting to his forehead! Was he going mad—was he mad already!

And then the cycle again—doubt, anger, fear—until his brain, exhausted, seemed to refuse its functions; and it was as though, heavy, oppressing, a dense fog shut down upon his mind and enveloped it; and now he walked as a man in great haste, hurrying, and now his pace was slow, uncertain.

And so he went on, following the little path that bordered the woods on one hand and the fields on the other; went on until he neared the village—and then he stopped suddenly, and turned about. Some one had called his name.

From the field, a man climbed over the fence and came toward him. The man's face was tanned and rugged, his form erect, and the sleeves rolled back above the elbows displayed browned and muscular forearms. Madison stared at the man apathetically. This was the farm of course where Pale Face Harry boarded, and this was Pale Face Harry—but—

"Doc," said Pale Face Harry, and he shuffled ​his feet and looked down, "Doc, I got something I've been wanting to say to you for a week."

Madison still gazed at him apathetically—Pale Face Harry for the moment was as some unwarrantable apparition suddenly appearing before him.

Pale Face Harry raised his eyes, lowered them, kicked at a clod of earth with the toe of his boot—and raised his eyes again.

"Say," he blurted out, "I'm through, Doc. I'm—I'm going to quit."

Into Madison's stumbling brain leaped and took form but one idea—and he jumped forward, reaching savagely for Pale Face Harry's throat.

"You'd throw me, would you! You'd throw the game—would you!" he snarled, as his fingers locked.

Pale Face Harry, twisting, wriggled free—and retreated a step.

"No; I ain't!" he gasped—and then his sentences came tumbling out upon each other jerkily, as though he were trying to compress what he had to say into as few words as possible and as quickly as he could, while he watched Madison warily. "I ain't throwing nothing. I just want to quit myself. I keeps my mouth shut—see? I don't want none of the share what's coming. Say, I've got more'n a hundred times that out of it. Look at me, Doc! Say, I'm like a horse. That's the Patriarch and living honest. Say, in all me life I never knew what it was before till we comes here. If I took the dough what's ​coming I'd go back to the old hell, and I'd go down and out again. Say, it ain't worth it, there's nothing in it. I ain't throwing you, Doc—I just blows out of here with me trap closed. Say, look at me, Doc—don't you get what I mean?"

And then Madison burst into a peal of wild, strange laughter; and, as though no man stood before him, started on along the path—and Pale Face Harry sidled out of his way and stared after him.

"For—for God's sake, Doc," he called out, stammering, "what's the matter? "

But Madison made no answer. He heard Pale Face Harry call out behind him; in a subconscious, mazed way, he sensed the other following him, gropingly, hesitantly, for a few yards, then hold back—and finally stop.

The path swerved. Madison went on—blindly, mechanically, as though, once set in motion, he must go on. Some ghastly, unnatural thing was clogging his brain; not only in a mental way, but clogging it until there was physical hurt and pain, an awful tightness—something—if he could only reach it with his fingers and claw it away! There was black madness here, and a pain insufferable—a damnable impotence, robbing him of even the power, the faculty to think or reason, or to make himself understand in any logical degree the meaning or the cause of this thing that sent his brain swirling sick.

He halted. His lips were working; the muscles of his face quivered. And suddenly, snatching his ​hat from his head, he flung himself on the ground and plunged face and head, feverishly, tigerishly, into the little brook that ran beside the path. Again and again he buried his face in the cold, clear, refreshing water—and then, still on hands and knees, he raised his head to listen. Softly, full of a great peace, full of a strange sweetness that knew no discord, no strife, the notes of the chapel bell floated across the fields. Evening had come; the day's work was done—it was benediction time. It was the call of the faithful—the Angelus of those who believed.

It came, the revulsion, to Madison in a choked sob—and he stood up. The day's work was done—here. Here they would go in quiet thankfulness each from the farm to his little cottage, each to his simple, wholesome meal, each to the twilight hours of gentle communion as they talked to one another from their doorways, each to his bed and his rest, tranquil in the love of God and of man.

Madison flung back the dripping hair from his forehead. Strange, the contrast that, unbidden, came insistently to him now: The liquid notes of the bell wafted sweetly on the evening breeze; the howling, jangling turmoil of the city slums, of his familiar haunts where, in mad chaos, reigned the hawkers' cries, the thunder of the elevated trains, the noisome traffic of the street, the raucous clang of trolley bells—the sweet perfume of the fields, the smell of trees, of earth, of all of God's pure things untouched, unsoiled; the stench of ​Chatham Square, the reek of whiskey spilled with the breath of obscene, filthy lips—the little village that he could see beyond him, the tiny curls of blue smoke rising like the incense from an altar over the roofs of houses whose doors had no locks, whose windows were not barred, whereplain, homely folk, unsullied, lived at peace with God and the world; the closed areaways of the Bowery, the creaking stairs, the dim hallways leading to dens of vileness and iniquity where, safe by bolts from interruption, crime bred its offsprings and vice was hatched. What did it mean!

And so he stood there for a little space; then presently he started forward again; and presently he reached the village street, walked down its length, greeted from every doorway with hearty, unaffected sincerity, and after a little while he came to the hotel, and to his room—and there he locked the door.

Helena was straight—the words were repeating themselves over and over in his brain. He began to pace up and down the room. The words seemed to take form and shape in fiery red letters, being scrawled by invisible hands upon the walls—Helena was straight. Straight with Thornton, straight with any man—straight with her Maker. He knew that now—he had read it as a soul-truth in those brave, deep, tear-dimmed eyes. And he had lost her! It seemed as though he had become suddenly conscious that he was enduring some agony that was never to know an ​end, that from now on must be with him always. He had lost her—lost Helena.

From his pocket he drew out his keys and opened his trunks, and took out the trays and spread them about. There were very many trays, they nested one upon the other—and they were exceedingly ingenious trays—false-bottomed every one. And now he opened these false-bottoms, every one of them, and stood and looked at them. The surest, safest, biggest game he had ever played, the game that had known no single hitch, the game that had brought no whispering breath of suspicion flung its tribute in his face. Money that he had never tried to count, notes of all denominations, large and small, glutted the receptacles—jewels in necklaces, in rings, in pendants, in brooches, in bracelets, diamonds, rubies, emeralds, winked at him and scintillated and glowed and were afire.

And he stood and looked upon them. What was it the Flopper had said when they had brought the Patriarch back—he did not remember. What was it that Pale Face Harry had said a little while ago—he did not remember. These were jewels here and money—wealth—and he had won the greatest game that was ever played—only he had lost her—lost Helena. And he stood and looked upon them—and slowly there crept to his face a white-lipped smile.

"I'm beat!" he whispered hoarsely. "Beat—by the game—I won."

— XXI —

FACE VALUE

IT was evening of the same day—and there came a knock at the outer door of the cottage porch.

The Flopper answered it, and came back to the Patriarch's room; where the Patriarch sat in his armchair; where the lamp, turned low, throwing the little room into half shadow, burned upon the table; where Helena, far away from her immediate surroundings, quite silent and still, her own chair close beside the other's, nestled with her head on the Patriarch's shoulder.

Helena looked up as the Flopper returned.

Upon the Flopper's face was a curious expression—not one that in the days gone by had been habitual—it seemed to mingle a diffidence, a kindly solicitude and a sort of anxious responsibility.

"It's Thornton askin' fer youse," announced the Flopper.

Helena rose from her chair, and started for the door—but the Flopper blocked the way. Helena halted and looked at him in astonishment.

The Flopper licked his lips.

"Say, Helena," he said earnestly, "if I was ​youse I wouldn't go—say, I'll tell him youse have got de pip an' gone ter bed."

"Not go?" echoed Helena. "What do you mean?"

The Flopper scratched at his chin uneasily.

"Oh, you know!" he said. "De Doc let youse down easy ter-day. Say, if youse had piped his lamps when you drives up in de buzz-wagon dis afternoon youse wouldn't be lookin' fer any more trouble. Say, I'm tellin' youse straight, Helena. When I was out dere in de kitchen an' youse was in yer room wid him me heart was in me mouth all de time. Youse can take it from me, Helena, he let youse down easy."

Helena's brown eyes, a little wistfully, a little softly, held upon the Flopper.

"Yes?" she said quietly.

"Youse had better cut it out ter-night, Helena," the Flopper went on. "Y'oughter know de Doc by dis time—de guy dat starts anything wid de Doc gets his—dat's all! Remember de night he threw Cleggy down de stairs in de Roost?—an' he was only havin' fun! Say, you go out wid Thornton again ter-night an' de Doc finds it out—an' something'll happen. Say, Helena, fer God's sake, don't youse do it—de Doc was bad enough dis afternoon when he let youse down easy, but he's worse now, an'—"

"Worse?" Helena interrupted, smiling a little apathetically. "In what way is he worse? And how do you know? You haven't seen Doc, have you?"

​"No," the Flopper answered, circling his lips with his tongue again. "No; I ain't seen de Doc since—but I seen Pale Face. Say, Helena"—the Flopper's words came stumbling out now, agitated, perturbed, not altogether coherent—"wot's de answer I dunno; I dunno wot's de matter here. Say"—he pointed suddenly to the Patriarch, whose face was turned toward then as he stroked thoughtfully at his silver beard—"he's got me fer fair—dere ain't no fake here—dis way ter live is de real t'ing—he ain't like you an' me—he's more'n dat—look at him now—youse'd t'ink he could see us, an' was listenin' ter wot we said. I dunno wot's de end—I dunno wot's de matter wid me. I was scared more'n ever out dere dis afternoon on de lawn, an' I thought mabbe God 'ud strike me dead—but 'tain't only dat I'm scared ter buck de game any more, 'tain't only dat—I don't wanter any more, an' it don't make no difference about de dough—I wanter live straight, same as him, same as de guys around here, same—same as Mamie. Say, Helena, say, do youse believe in love—in—in de real t'ing?"

Helena's apathy was gone now—a flush dyed her cheeks. She was not startled at what the Flopper had said—she had seen it coming, subconsciously, vaguely, mistily, for days now, only she had been immersed in herself—she was not startled, and yet, in a way, she was. The end! She too had been thinking about that—and she too did not know. What was the end?

​"You were going to say something about Pale Face," she said, prompting the Flopper. "Something about Pale Face and Doc."

"Yes," said the Flopper, and again the tip of his tongue sought his lips nervously. "Dat's why I don't want youse ter go out wid Thornton ter-night; Pale Face has got it de same as me, an' he told de Doc dis afternoon, out in de path dere, after de Doc left de cottage here. Dere was a showdown—see? De Doc 'ud kill youse an' Thornton ter-night if he caught youse tergether. He's like a wild man. When Pale Face tells him he was goin' ter quit, de Doc makes a grab fer him by de t'roat like a tiger, only Pale Face gets away, an' den de Doc goes off widout a word, laughin' like he'd escaped out of a dippy-house. An' Pale Face was shakin' like he had a fit when he gets here. Say, Helena, don't youse go ter-night."

Helena made no answer for a moment. Thoughts, a world of them, confused•her, crowded upon her, as they had ever since Madison had left her room a few hours ago—and the future was as some dread, bewildering maze through which she had tried to stumble and grope her way—and had lost herself ever deeper. How full of utter, miserable, bitter irony it was that this thing, unscrupulous and shameful, that they had created in their guilt should have brought the beauty and the glory and the yearning of a new life to her—and yet should chain her ​remorselessly to the old! True, she had broken with Madison, irrevocably, forever, she supposed, it could not be other than that, for the ugly bond between them was severed—but the game still went on! In repentance, on her bended knees, sobbing as a tired and worn-out child, she could ask for forgiveness; but the double life, the duplicity, by reason of the very nature in which they had fashioned this iniquitous monster, still went on, and like some hideous octopus reached out its waving, feeling tentacles to encircle her—the Patriarch there; the world-wide publicity, those poor creatures upon whose misery and whose suffering, upon whose frantic, frenzied snatching out at hope they had preyed and fed and gorged themselves; the life itself that she had taken up, in its minutiæ, in its care of this great-souled, great-hearted man so dear to her now, the life itself because it was what it was, changed though she herself might be, though her soul cried out against it in its new-found purity—all this still held her fast! The end—she could not see the end. What would Madison do—and there was Thornton. Thornton! She caught her breath a little. Yes; she had promised Thornton she would see him to-night—she knew well enough why he wanted to see her—last night had told her that—he loved her. Her face softened. Last night—it seemed a thousand years ago, and it seemed but as an instant passed—last night—she had learned what love was, and—

​The Flopper stirred uneasily.

"Wot'll I tell him?" asked the Flopper. "He's waitin' out dere by de porch."

"Why—why nothing," said Helena, and she smiled a little tremulously at the Flopper. "Nothing. I'll—I'll go and see him."

"Say, Helena," protested the Flopper, "don't youse—"

But Helena stepped by him now.

"Don't leave the Patriarch," she cautioned, turning on the threshold. "I—I won't be late."

She passed down the little hall, through the still, quiet room beyond, empty now, through the porch, and out into the night—and then from out the shadows by the row of maples, Thornton came hurriedly toward her, holding out his hands.

"It's good of you to come, Miss Vail," he said, in his grave, quiet way. "You must be nearly dead with weariness after last night, and I am afraid I am not very thoughtful—only I—" he broke off suddenly. "Shall we sit here on the bench for a little while, or would you rather walk—I—I have something to say to you."

It was very dark—the storm of the night before still lingered in a wrack of flying clouds, scurrying one after the other, veiling the stars—and the moon was hidden—and hidden too was the sudden whiteness of Helena's face. She knew what he had to say, knew it before she had come to him—and yet she was there—and she had come resolutely enough—only now she was afraid.

​"I would rather walk a little, I think," she said. "Here where—where I can be within call. My absence last night seems to have made the Patriarch very uneasy, you know, and—and—let us just walk up and down here beneath the maples in front of the cottage."

How heavy upon the air lay the fragrance of the flowers; how still the night was, save for the constant muffled boom of the breaking surf!—for a moment an almost ungovernable impulse swept upon her to make some excuse, anything, no matter how wild, a sudden faintness, anything, and run from him back into the cottage. And then she tried to think, think in a desperate sort of way of some subject of conversation that she might introduce that would stave off, postpone, defer the words that she knew were even now on his lips—nothing—she could think of nothing—only that she might have let the Flopper have his way, have let him tell Thornton that she had gone to bed with—the pip. The pip! She could have screamed out hysterically as the word flashed all unbidden upon her—it stood for a very great deal that word—her world of the years of yesterday. Could she never get away from that world; was it too late—already! Could she, even with all the earnestness, all the yearning that filled her soul, ever live it down, ever be what Naida Thornton had called her that night—a good woman! Could she—

Thornton was speaking now—how strange that she would have done anything, given ​anything to prevent his speaking—and done anything, given anything to make him speak! How strange and perplexed and dismayed her brain was! Love! Yes; she wanted love! God knew she wanted love such as his was—for he had shown her what love, free from abasing passion, in its purest sense, was. Like a glimpse of glory, hallowed, full of wondrous amazement, it came to her—and then her head was lowered, and the whiteness was upon her face again.

He had halted suddenly and detained her with his hand upon her arm—with that touch, so full of reverence, of fine deference, that had thrilled her before—that thrilled her now, awakening into fuller life these new emotions whose birth was in gladder, sweeter, purer aspirations.

"Miss Vail," he said, in a low voice, "there was a letter—a letter that Naida left—did you know of it?"

They were close together, and it was very dark—but was it dark enough to hide the crimson that she felt sweeping in a flood to her face! What was in that letter? Had Mrs. Thornton written as she had talked, or only about the Patriarch and the work in Needley? She had forgotten for the moment about the letter—if there were more in it than that, if it were about Thornton and herself and what Mrs. Thornton had hoped for between them, and she admitted knowledge of it, what would he think, what could he think of her! But to deny it—no, not now. Once, and this came to her in a little thrill of ​gladness, she would not have hesitated; but now it—it was—it was not that world of yesterday.

"Yes," she said faintly; "she told me that she had left a letter for you."

"If was about the work here," said Thornton gently. "Her whole soul seemed wrapt up in that—and she asked me as her last wish to do what she would have done if she had lived; and she spoke of you very beautifully." Thornton paused for a moment—then he laid his hands on Helena's shoulders—and she felt them tremble a little. "Miss Vail—Helena," he said, and his voice was full of passionate earnestness now, "I cannot say these things well—only simply. I came back here to take an interest in the work, for I too have it at heart—but I have more than that now—there is you—your dear self. I love you, Helena—you have come into my life until you are everything and all to me. Helena, look up at me—will you marry me, dear? Tell me what I long to hear. Helena, Helena—I love you!"

But Helena did not answer—only very slowly she raised her head. And his hands on her shoulders tightened, and he was drawing her gently toward him. Then he bent his head until it was close to hers, and his breath was upon her cheek as it had been that other night—and the longing to know that it was hers, a caress, pure in its motive, hers, snatched out of all that had gone before that sought to rob her of the right to ever ​know it, fascinated her, held her spellbound, possessed her. Closer his lips came to hers, closer, until they touched her—and then, with a cry, she sprang back, and her hands were fiercely pressed against her cheeks, her throbbing temples. Was she mad! Mad! Was it for this that she had forced herself to give him the opportunity to speak to-night, when her motive was so different, when it had seemed the only right thing left for her to do!

And now, still holding her temples, she raised her eyes to Thornton—he had stepped back like a man stricken, his hands dropped to his sides.

"I—we are mad!" she whispered.

"Helena!" he said in a numbed way; and again: "Helena!" Then, with an effort to control his voice: "You—you do not care—you do not love me?"

"No," she said—and thereafter for a long time a silence held between them.

Then Thornton spoke.

"Some day perhaps, Helena," he said, "you could learn to love me—for I would teach you. Perhaps now you feel that your whole duty lies here in this work to which you have so unselfishly given your life; but I would not hinder that, only try to help as best I could. Perhaps I have been abrupt, have spoken too soon—it is only a few weeks since I saw you first, but it seems as though in those few weeks I had come to know you as if I had known you all my life and—"

​But now she interrupted him, shaking her head in a sad little fashion.

"You do not know me," she said. "Sometimes I think I do not know myself. Think! You do not know where I came from to join the Patriarch here; you have no single shred of knowledge about me; you do not know a single particular of my life before you knew me."

"I do not need to know," he answered gravely. "You are as genuine as pure gold is genuine—it is in your voice, your smile, your eyes. It is a crude simile perhaps, but one never asks where the pure gold was dug—it stands for itself, for what it is, because it is what it is—pure gold—at its face value."

The words seemed to stab at Helena, condemning, accusing; and yet, too, in a strange, vague way, they seemed to bring her a hope, a promise for the days to come—at face value! If she could live hereafter—at face value!

"Listen," she said, and her voice was very low. "I do not know how to say what I must say to you. Last night I knew that—that you loved me. I had not thought of you like that, in that way, until then, or—or I should have tried never to have let this hurt come to you. But last night I knew, and since then I have known that sooner or later you would—would tell me of it." She stopped for an instant—her eyes full of tears now. "And so," she went on presently, "I have let you speak to-night because it was better, it was even necessary that I should do so ​at once—because this could not go on—because you must go away and—"

"Necessary?" he repeated. "I—I do not understand."

"No," she said helplessly; "you do not understand—and I—I cannot explain. Oh, I do not know what to say to you, only that you must take what I say, as you have taken me—at face value."

"I do not understand," he said again. "Helena, I do not understand. Are you in trouble—tell me?"

"No," she said.

"But I cannot go away like this!" he cried out suddenly. "I cannot go and leave you, Helena. You have come into my life and filled it; and I cannot let you pass out of it—like this—without an effort to hold what has come to mean everything to me now. You may not love me now, but some day—"

She shook her head, interrupting him once more.

"There can never be a 'some day'" she said. "Oh, I do not want to hurt you—you, to whom I owe more than you will ever know—but—but there can never be anything between us, and—and we are only making it harder for ourselves now—aren't we?"

And then he leaned abruptly toward her.

"Is there—some one else?" he asked in a strained voice.

And to Helena the question came as though ​it had been an inspiration given him—for after that he would ask no more, seek no more to understand, for he was too big and strong and fine for that; and even if it was hopeless now this love that she had known for Madison, even if it could never be again, still that love was hers, and she could answer truthfully.

"Yes," she said beneath her breath.

For a moment Thornton neither moved nor spoke. Then he held out his hand.

"Miss Vail," he said simply, "will you tell this 'some one else' that another man beside himself is the better for having known you. Good-night. And may God bring you happiness through all your life."

But she did not speak—they were standing by the rustic bench and she sank down upon it, and, with her head hidden in one arm outflung across the back of the seat, was sobbing softly.

And he stood and watched her for a little space, his face grave and white; then taking the hand that lay listlessly in her lap, he raised it to his lips—and turned away.

And so he left her—and so, because of this, he knocked upon another door that night, and all unwittingly gave to that "some one else" himself the message that he had asked Helena to deliver.

Madison, pacing his room like a caged beast, his teeth working upon the cigar that he had never thought to light, paid no attention to the summons until it had been repeated twice; then, with a glance around the room, his eyes lingering for a ​critical instant upon the trunks, closed now, the trays restored to their hiding places, he stepped to the door, unlocked it, and flung it open. And at sight of Thornton, mechanically, as second nature to him, outwardly, like a mask, there came a smile upon his working lips, a suave, unconcerned composure to his face; while inwardly, in his dazed, fogged brain where chaos raged, surged an impulse to fling himself upon the other, wreck a mad vengeance upon the man—and then swift upon the heels of this an impulse to refrain, for if Helena was straight why should he harm Thornton—and then the shuttle again—why should he not—hadn't Helena said that she had learned what love was last night—and last night she had been with Thornton. How his brain whirled! What had brought Thornton here, anyhow? If he stayed very long perhaps he would batter Thornton to jelly after all! Quick, almost instantaneous in their sequence came this wild jumble singing dizzily its crazy refrain through his mind—and then to his amazement he heard some one speaking pleasantly—and to his amazement it was himself.

"Come in, Thornton. Come in—and take a chair."

"Thanks," Thornton answered; and, entering the room, closed the door behind him. "No; I won't sit down—I shall only remain a moment."

The lamp was on the washstand, and, intuitively again, Madison shifted his position to bring his face into shadow—and leaned against ​the foot of the bed. He stared at Thornton, nodding—Thornton's face was white and exceedingly haggard—rather curious for Thornton to look that way!

"Madison," said Thornton abruptly, "I believe you to be a gentleman in the best sense of the word, and because of that, and because of the unusual circumstances that first brought us together and the mutual interests that have since been ours, I have come to you to-night to tellyou, first, that I am going away from Needley and that I shall not return—and then to ask a service and repose a trust in you. You have said several times that you intended to remain here and take a personal and active part in the work? "

Madison removed the chewed cigar end from one corner of his mouth—and placed it in the other.

"Yes," said Madison.

"Then this is what I want to say," said Thornton seriously. "For my own sake, because it was my wife's wish, and for other reasons as well, my interest here, though I am going away, will be just as great as it has ever been; and so I want you to keep me thoroughly posted, and when the time comes that I can be of further material assistance to let me know. I impose only one condition—you are to say nothing to Miss Vail about it—you can make anything that I may do appear to come from yourself."

"Say nothing to Miss Vail!" repeated Madison vaguely—then a sort of ironic jest seemed to ​take possession of him: "But Miss Vail keeps all the funds."

"That is why I am asking you to represent me," said Thornton quietly. "I am afraid that she might have a natural diffidence about accepting anything more from me—I asked Miss Vail to marry me to-night, and she refused."

The cigar kind of slid down unnoticed from the corner of Madison's mouth—and he leaned forward, hanging with a hand behind him to the bedpost—and stared at Thornton.

"You—what!" he gasped.

"Yes; I know," Thornton answered—and moved abruptly toward the door. "Love makes one's temerity very great—doesn't it? I asked her to marry me—because I loved her." He came back from the door and held out his hand. "I've told you what I would tell no other man, Madison. You understand now why—and you'll do this for me?"

What answer Madison made he never knew himself—he only knew that he was staring at the door after Thornton had gone out, and that he wanted to laugh crazily. Marry Helena! Thornton had asked Helena to marry him because he loved her. God, there was humor here! His brain itself seemed to cackle at it—marry Helena!

And then suddenly there seemed no humor at all—only black, infamous shame and condemnation—and he straightened up from where he ​

Mayflower Photoplay Corporation

SCENE FROM THE PHOTOPLAY.

​leaned against the bedpost, his face set and strained.

"Thornton had asked Helena to marry him because he loved her"—the words came slowly, haltingly, aloud—and then he covered his face with his hands. But he, he who loved her too—what had he done!

— XXII —

THE SHRINE

FOR a little time Madison stood there in his room, motionless, staring unseeingly before him—and then, as one awakening from a dream that had brought dismay and a torment too realistic to be thrown from him on the instant, his brain still a little blunted, he took up his hat mechanically, went out from the room, descended by the back stairs to the rear door of the hotel, and took the road to the Patriarch's cottage.

And as he walked in the freshness of the night, the restless turmoil of his soul that since early afternoon had brought him near to the verge of madness itself, that had robbed him of sane virility, that a moment since in his room had suddenly begun to lift from him even as the leaden clouds in the vault above him now were scattering, breaking, and through the rifts a moon-glint and the starlight came, passed from him utterly—and a strange calm, a strange joy, a strange sadness was upon him—and his brain for the first time in many hours was rational, keen—and he was master of himself again—and yet master of himself no more!

​He smiled a little at the seeming paradox—smiled a little wistfully. He was beaten—by the game—he had won. How strange it was that sense of more than resignation now—a sense that seemed like one of thankfulness—a sense that bade him fling wide his arms as though suddenly they had been loosed from bondage and he was free, free as the God-given air around him.

He could understand Helena, and the Flopper, and Pale Face Harry now. With them it had come slowly, in a gradual concatenation, a progression, as it were, that had worked upon them, molding them, changing them day by day—and he had been too blind to see, or, seeing, had measured the changes only by a standard as false as all his life had been false. With him it had come in a crash, unheralded, that had left him a naked, quivering, stricken thing to know madness, terror and despair, to taste of emotions that had sickened the soul itself.

On Madison walked—along the road, across the little bridge, into the wagon track where, under the arched branches, it was utter dark. There was no one upon the road—he passed no one—saw no one—he was alone.

He had lost Helena—but he understood her now—understood the depth of remorse that she was living through, the terror and the dread as she sought escape, the fear of him—yes, it would be fear now where once it had been love! He had lost Helena—that was the price he had paid—but he understood her now, and he was ​going to her to help her if he could, going to tell her that he, too, was changed—as she was changed.

His hands clenched suddenly. God, the misery, the hopelessness, the wreck and ruin that lay at his door! And amends—what amends could he make—it was too late for that! How clearly he saw now—when it was too late! Her life was a broken thing, robbed, stripped and despoiled for all the years to come. Their love had not been love—she had given it its name—"passion, vice, lust, sin, degradation and misery and shame." And then love had come to her, into her life, love as God had meant love to be, and she had learned what love was she had said—only that she might never know its fulness, only that it might bring her added bitterness and added sorrow! Thornton had asked her to marry him that night—and she had refused him—because the past, it must have been as a shuddering, hideous phantom that the past had risen before her, had left her no other thing to do but turn away. It seemed he could see her see—her bury her face in her hands and—

He stopped short in his walk. Was he changed so much as this! Did he care so much that it was her happiness—even with another—that counted most! Yes; it was true—he was changed indeed. And the change had brought him too, it seemed, to learn what love was—too late.

He went forward again—a little more slowly ​now; a sadness upon him, but, through the sadness, an uplift from that new sense of freedom that was as a balm, soothing him in the most curious way. His had been a rude awakening—mind and body and soul had been torn asunder; but he knew now, as he recalled the hours just past when he had looked on fear, when the gamut of human passion had raged over him, when he had stood staggered and appalled before, yes, before his God, that he had come forth a new man. And how strange had been the ending, how strange and simple, and yet how significant, typifying the broad, clean outlook on life, bringing coherency to his tottering mind, had been those words of Thornton's—"because he loved her."

He had reached the end of the wagon track now, and he walked across the lawn, his steps noiseless on the velvet sward, and passed between the maples; and the moon gleam—for the flying clouds, rear-guard of the routed storm, were flung wide apart, dispersed—fell upon a coiled and huddled little figure all in white, that was quite still and motionless upon the rustic seat beside the porch.

She did not see him, did not hear him, until he stood before her and called her name.

"Helena!" he said unsteadily. "Helena!"

She raised her head and looked at him; and then she rose from the bench, and, still holding to it by one hand, drew back a little. There was no outcry, no startled action. Her dark eyes played questioningly upon him—and he could ​see that they were wet with tears, and that the face from out of which they looked was very white.

"Why have you come back here to-night?" she asked in a low tone; and then, suddenly, a fear, a terror in her voice, as the Flopper's warning flashed upon her: "Thornton—you have seen Thornton?"

"Yes," he said, surprised a little that she should know; "I saw Thornton a few minutes ago."

She came toward him now and clutched his arm.

"What have you done?" she cried tensely. "Answer me! You—you met him on your way here?"

It was a moment before Madison replied. He had schooled himself of course for more than this, yet the words hurt—that was why she had asked for Thornton—she was afraid that he had harmed the man.

"No," he said; "I did not meet him. I think you must have been longer here on that bench than you imagined—haven't you? He came to my room."

"Your room! What for? Tell me!"

Madison smiled with grave whimsicality.

"To call me a gentleman and repose a trust."

She stepped back again, uncertainly.

"I do not know what you are talking about," she said in a strained way. "And you are talking very strangely."

​"Yes," he said. "Everything is strange to-night. It is like a new world, and—and I have not found my way—yet."

She drew back still further.

"Are you mad?" she whispered.

"No," he answered. "Not now—that is past."

She looked at him for a little time; and, her hands joined before her, her fingers locked and interlocked nervously.

"And—and Thornton?" she asked, at last.

"It was a trust," said Madison slowly; "but it was betrayed before it was given. He did not know—the game. He did not know what was between—you and me."

"No," she said—and the word came almost inaudibly.

"And so," he said, "I will tell you, for it cannot matter now in any case. He told me that he had asked you to marry him to-night—and that you had refused."

Madison paused, and swept his hand across his forehead—his voice somehow had suddenly grown hoarse, beyond control.

"Yes," she said and reached again for the back of the bench, supporting herself against it.

"He is going away," Madison continued; "and he is to send more money here for the 'cause'—when I ask for it—only you are not to know, because you might be diffident about taking it after refusing him."

She stared at him numbly—there was no ​sarcasm in his words; in his tones only a sort of dreary monotony. She shivered a little—how cold it seemed! She did not quite grasp his words—and yet she shrank from them. And then her very soul seemed to cry out against them, to pit itself against their meaning, as their meaning surged upon her. And unconsciously she drew herself up, and the whiteness of her face fled before a rush of color.

"Oh, the shame of it!" she burst out. "The bitter shame of it! You shall not touch the money—do you hear! You shall not touch it! I—I thought that you had understood this afternoon. I am glad then that you have come to-night—if I must say more to make you understand. This is the end! I do not care what happens—the little I can do now to atone for what I have done, I am going to do. The game is at an end—you shall not touch another cent—and everything that we have taken goes back to those whom we have worse than robbed it from! You hear—you understand! I will cry it out in the town street if there is no other way—but it shall stop—it shall stop to-night"—she was panting, breathless, the little figure erect, outraged, quivering—and then suddenly the shoulders seemed to droop, the lips to tremble, and she was on her knees upon the grass beside the bench, and sobbing as a child.

"Helena!" Madison said hoarsely. "Helena! Listen! That is what I came for to-night—to find a way out for you, for us all, if I can."

​The passionate outburst passed—and she was on her feet again, facing him.

"You are clever—clever!" she cried fiercely. "But you shall not play with me—you shall not trick me—I meant every word I said!"

But now Madison made no answer. The moonlight bathed them both in its clear, white radiance; and touched the sward, shading it to softest green; and the trees limned out like fairy things against the night; and the calm light flooded the little cottage with its hidden walls where the ivy and the creepers grew, and lingered over the trellises to drink the fragrance of the flowers that peeped out from their leafy beds. And upon Madison's face crept slowly the anguish that was in his soul—until it was mirrored there—until unconsciously it answered her where words would have been useless things. Like some white-robed, sorrowing angel, she seemed, as she stood there before him—the brown eyes full of shadow, troubled; the sweet face tear-splashed; the little figure in its simple muslin frock, pitiful in its brave defiance. And pure—just God, how pure she looked!—the brow stainless white under the mass of dark, coiled hair; the perfect throat of ivory. And—and the misery that was in every feature of her face, in every line of her poise—and he had brought her that—he had brought her to that—and now when he loved her as he might have loved her once and known her love in return, when his heart cried out for her, when she was all in life he cared for, she was ​gone from him, out of his life, and between them was a barrier he could never pass—a barrier of his own raising.

And so he made no answer, for indeed he had not heard her; but she was coming toward him now, her hands outstretched in a wondering way, wistfully, pleadingly, as though to hold back a refutation that would change the dawning light upon her face to dismay and grief again.

"It—it is true," she faltered. "It has come to you too—this change, this new life that has come to me. It is true—I can see it in your face."

"Yes; it is true," he answered, in a low voice.

"Thank God!" she whispered—and hid her face in her hands—and presently he heard her sob again.

A tiny cloud edged the moon, and the light faded, and it grew dark, and the darkness hid her; then softly, timidly almost it seemed, the radiance came creeping through the branches overhead again—and then he spoke.

"Helena," he said, steadying his voice with an effort, "you spoke of atonement a little while ago; but there is no atonement that I can make to you—nothing that I can do to change what I would give my soul to change. I know what it meant to you to send Thornton away to-night, for I love you now as you love him—I know why you did it, and—"

She was staring at him a little wildly—her hands pressed against her cheeks.

​"Love—Thornton," she repeated in a sort of wondering way, a long pause between the words.

"Yes," he said gently; "I know. Have you forgotten what you told me this afternoon?—that you had learned—last night—what love was."

She shook her head.

"I do not love Thornton," she said in a monotone. "And yet it is true that through him I learned what love was, what it could be—don't you understand?"

Understand! No; it seemed that he could never understand! She did not love Thornton! And then, as some fiery cordial, the words seemed to whip through his veins, quickening the beat of his heart into wild, tumultuous throbbing. Yes, yes, he could understand—it was true—true—she did not love Thornton.

"Helena!" he cried—and stretched out his arms to her. "I thought, oh, God, I thought that I had lost you—Helena!"

But she did not move.

"What does it matter to you whether I love Thornton or not?" she said dully. "Does it change anything where you and I are concerned—does it change what I told you this afternoon—that I would not go back to that."

"To that! Ah, no!" his voice rang dominant, vibrant, triumphant now. "Helena, don't you understand? We are to begin life ​again—in a new way, the true way, the only way. Don't you see—I love you!"

Still she did not move—but there was a great whiteness in her face, and in the whiteness a great light.

"You mean?"—her lips scarcely seemed to form the words.

"Yes!" he cried. "Yes; to make a home for you, to marry you if only you love me still, to live in God's own sight and hold you as a sacred gift—Helena! Helena!"—his arms went out to her again, and the yearning in his soul was in his voice—to crush her to him, to hold her in his arms, and hold her there where none should take her from him, to shield and guard her through the years to come, to live with her a life that seemed to break now in a vista of gladness, of glory, as the day-dawn breaks with its golden rays of God-given promise—the new life, perfect and pure and innocent—because he loved her. "Helena! Speak to me. Tell me that it is not too late—tell me that you love me too."

And then her eyes were raised to his, and they were wet—but there was love-light and a wondrous happiness shining through the tears.

"Helena!" he murmured brokenly—and swept her into his arms—and kissed the eyelids, lowered now, the hair, the white brow, the lips—kissed her, and held her there, her clinging arms about his neck, her face half hidden on his shoulder.

​And so for a space they stood there—and there were no words to say, only the song in their hearts in deathless melody—but after a little time he held her from him, and lifted up her face that he might look his fill upon it.

"Helena," he said, "I cannot understand it all yet—it is as though it were born out of the sin and the darkness and the blackness of what is gone—as though here at this Shrine that we created in mockery and crime it was meant that you and I should save each other for each other. And yet this Shrine as we have made it is a thing of guilt, and it has brought us all, you and I, and Harry, and the Flopper to a new life."

She lay still for a moment in his arms—then her hand crept up and touched his forehead and smoothed back his hair.

"I do not quite know how to say it," she said a little timidly. "When you went away this afternoon, the Patriarch took me back into his room, and—and I knelt at his knees—and after a little while my mind seemed very calm and quiet—do you know what I mean? And I tried to think things out—and understand. And it seemed to come to me that there was a shrine everywhere if we would only look for it—that God has put a shrine in every heart, only we are so blind—that every one can make their own surroundings beautiful and good and true, no matter where they are, or how poor, or how rich—and if they live like that they must be good and true themselves."

​"Yes," he said slowly; then, after a moment: "And faith too is very much like that."

"Only some need a sign," she said.

There was silence again, while her hand crept over his face and back to his forehead to smooth his hair once more—and then very gently she slipped out of his arms.

"What are we to do about—about everything here?" she asked soberly. "We are forgetting that in our own happiness. How are we going to return the money that we have taken?"

"I don't know yet," he answered. "I haven't thought much about it—but we'll manage somehow."

She shook her head.

"I've thought a great deal about it since yesterday—and I'm not so sure it is to be 'managed somehow'—and the more I've thought the more tangled and complicated it has become."

"Well, we'll untangle it to-morrow," said Madison, with a smile, "and—"

"No"—she touched his sleeve. "To-night. Let us do it now—to-night. I should be so happy then."

He smiled at her again, and drew her to him.

"But we ought to have Pale Face and the Flopper too, don't you think so?" he said.

"Of course," she said; "and so we will. The Flopper is here, and we can send him for Harry. It's early yet—not ten o'clock."

"All right," said Madison; "if you wish it. We'll go in then and get the Flopper."

​And so they walked to the cottage door, and into the porch—but in the porch Madison held her for a moment, and lifted up her face again and looked into her eyes.

"My—wife," he whispered—and took her in his arms.

— XXIII —

THE WAY OUT

STRANGE scene indeed! Strange antithesis to that other night when these four were gathered in that crime-reeked, sordid room at the Roost—where Pale Face Harry, gaunt, emaciated, coughed, and, trembling, plunged a morphine needle in his arm; where the Flopper, a wretched tatterdemalion from the gutter, licked greedy lips and gloated in his rascality; where Helena, flushed-faced, inhaled her interminable cigarettes and dangled her legs from the table edge; where Madison, suave, flippant, so certain of his own infallibility, glorying in his crooked masterpiece, laid the tribute to genius at his own feet!

Strange scene! Strange antithesis indeed! It was quiet here—very still—only the distant, muffled boom of the pounding surf. And the shrine-room, for the first time since its creation, was locked against the night. It lay now in shadow from the single lamp upon the table—and the light, where it fell in a shortened circle, for the lamp itself had a little green paper shade, was soft, subdued and mellow.

Where he had been wont to sit in the days gone by, the Patriarch sat now in his armchair ​by the empty fireplace—in the shadow—his head turned in his strange, listening, attentive way toward the table—toward the four who were grouped around it. There had been no one to stay with him in his own room, and so Helena had brought him there—to play his silent part.

At the table, Pale Face Harry, bronzed and rugged, clear-eyed, a robust figure from his clean living, his months of the out-of-doors, traced the grain of the wood on the table mechanically with his finger nail, his face sober, perplexed; while the Flopper, clear-eyed too, his face almost a handsome one in its bright alertness, now that it had rounded out and the hard, premature lines were gone, mirrored Pale Face Harry's perturbed expression, his eyes fixed anxiously on Madison opposite him; and Helena, sitting beside Madison, was very quiet, her forehead wrinkled and pursed up into little furrows, the brown eyes with a hint of dismay and consternation lurking in their depths, one hand stretched out to lay quite unconsciously on Madison's sleeve—and from the sleeve to steal occasionally into Madison's hand.

Madison, his lips tight, pushed back his chair suddenly—they had been sitting there an hour.

"You were right, Helena," he said, with a nervous laugh. "The more you try to figure it out the worse it gets."

"Aw, say, Doc," pleaded the Flopper desperately, "don't youse give it up—youse have got de head—youse ain't never left us in a hole yet."

​Madison looked at him, and smiled mirthlessly.

"My head!" he exclaimed bitterly. "I got you into this, all of you—but it will take more than my head to get you out. If I could stand for it myself, I'd do it—but I can't without dragging you in too—we're too intimately mixed up. If I said it was a deal of mine—they'd ask where Helena came from—they'd ask where you came from, Flopper. We're beaten—beaten every way we turn. The game has got us—we haven't a move. We played it to the limit, the slickest swindle that was ever worked, and it worked till there's more money than I've tried to count. And then it changed us from thieves, from—from anything you like—and now that we want to quit, now that we want a chance to make good, it's got us in its grip and we can't get away." He flirted a bead of moisture from his forehead. "My God, I don't know what to do!" he muttered hoarsely. "It was easy enough to talk about stopping this thing, about returning the money—but I can't see the way out."

No one answered him—all were silent—as silent as the mute and venerable figure that sat, listening attentively it seemed, in the armchair by the fireplace.

Madison turned abruptly after a moment to Pale Face Harry.

"You, Harry," he said, laying a hand on the other's shoulder, "you're the only one of the four that can walk out of it—you don't show in the center of the stage—you go. You said ​the old folks would cry over you—twenty years is a long time to stay away from the old folks—I—I never knew mine. You go on back to the little farm out there in the West where you said you'd like to go, and—and give the old people a hand for the years they've got left."

Pale Face Harry shook his head.

"God knows I'd like to," he said, choking a little; "that's what I counted on. God knows I'd like to go out there and lead a decent life—but I don't go that way—I don't crawl out and leave you—what's coming to you is coming to me."

"That won't help us any, Harry," said Madison softly, and his hand tightened in an eloquent pressure on Pale Face Harry's shoulder. "You go—and God bless you!"

Again Pale Face Harry shook his head.

"No," he said. "I stick. If the game's got you, it's got me too—to the limit. There's no use talking about that."

The Flopper licked his lips miserably.

"Swipe me!" he mumbled. "Hell wasn't never like dis! Me an' Mamie we've got it fixed, an' her old man says he'll take me inter de store. Say, Doc, say—ain't dere a chanst ter live straight now we wants ter?"

But Madison did not hear the Flopper save in a vague, inconsequential way—he was looking at Helena. She had drooped forward a little over the table, her chin in her hands, her lips quivering—and a white misery in her face seemed to bring ​a chill, a numbness to his heart. His hands clenched, and he began to pace up and down the room.

How buoyantly he had tackled the problem—buoyant in his own emancipation, buoyant in his love, in the future full of dreams, full of inspiration, full of the new life that Helena and he would live together! How confidently he had settled himself to undo in a moment the work of months, to outline a mere matter of detail, with never a thought that he was face to face with a problem that he could never solve—that brought him to the realization that the game, not he, was the master still, iron-handed, implacable—that though the mental chains were loosed it was but as if, in ironic justice, in grim punishment, only that he might look, clear-visioned, upon the ignominy of the physical shackles he himself had forged and fashioned so readily, whose breaking now was beyond his strength.

He had done his work well! In the first few moments, an hour ago, when he had begun to consider the problem, as seeming difficulties arose,he had turned coolly from one alternative to another. And then slowly a sickening sense of the truth had begun to dawn upon him—and like a man lost in a great forest, peril around him, he had plunged then desperately in this direction and in that, as a glimmering point of light here or there had seemed to promise an avenue of escape—only to find it vanish at almost the first step, the way closed as by some invisible, remorseless ​power. No, not invisible—it seemed to take the form of the Patriarch—for at every turn the majestic figure stood and would not let him pass.

Madison's face was gray now as he walked up and down the room—there was his own revulsion, his abhorrence at the part he had played, a frantic, honorable eagerness to be rid of it; there were these others too who looked to him, the Flopper and Pale Face Harry; and there was—Helena! He did not dare to look at the misery in her face again—he was unmanned enough now.

And then Helena spoke.

"It—it seems," she said, in a low broken way, "as if—as if God did not want to pardon us—as if our repentance had come too late, and that there was no Eleventh Hour for us." Then, in passionate pleading, facing Madison: "God cannot mean that—it is we who cannot see. There is some way out—there must be—there must be."

"It begins and ends with the Patriarch," said Madison monotonously. "We can't sacrifice him—can we! What's the use of going over it again? It all comes back to the same point—the Patriarch."

"Yes, yes; I know, I know," she said piteously. "But think, Doc—think! See now, we just send back all the money and jewels—we know to whom they belong."

"Well, what reason do we give?" Madison said heavily. "The Patriarch is alive and well. ​The immediate corollary is that from the moment we do that, to-morrow morning for instance, every gift, every offering here is suddenly refused. What reason do we give? If it were only the donors who were to be considered it might be done. It's human nature that ninety-nine out of every hundred of them"—his voice rose a little bitterly—"would probably be only too glad to get their money back—and the mere statement that you, as the Patriarch's grand-niece, his only relative, on mature thought did not consider the project as planned advisable might suffice. But this thing goes beyond that, beyond even the remaining few who are earnestly interested and would cause us trouble—it is worldwide in its publicity! Every newspaper in the land would snatch at it for a headline, and ask—why? And they would not be content with simply asking why—this thing is too big for that—too much before the people's eyes—too good 'copy.' They'd start in to find out—and the result is inevitable. Our safety so far has lain in the fact that there has been no suspicion aroused; but snooping around a bank vault at midnight with a mask on and a bull's-eye lantern fades to a whisper as a suspicion-arouser compared with anybody willingly coughing up a bunch of money once they've got their claws on it—and a yellow journal, let alone an army corps of them, on the scent of a possible sensation has all the detective bureaus in the country pinned to the ropes—they'd have us uncovered quicker than I like to think about it—and that means—"

​He stopped, and with a hurried motion carried his hands across his eyes—Helena, pure as one of God's own angels now, to come to that, to come to—

It was the Flopper who completed the sentence.

"Ten spaces up de river," said the Flopper, and shivered, and his tongue sought his lips; "or mabbe—mabbe twenty."

Pale Face Harry stirred uneasily.

"There's the other way," he said without looking up, his eyes on his finger nail that traced the grain of the wood again. "Get the money and the sparklers all done up and addressed to the ones they came from, send 'em off in a bunch to Thornton—and we fly the coop before he gets them, disappear, fade away—and take our chances of getting caught."

"An' den it's all off wid me an' Mamie"—the Flopper's face grew hard. "Nix on dat! Dat don't go!"

"We cannot do that, Harry," said Helena, in a tired voice. "There is—the Patriarch."

"Yes," said Madison, beginning his stride up and down the room again. "After all, whether we could give back the money without being caught, or whether we couldn't, is not the vital thing; there is—the Patriarch."

Helena's eyes were on the silent figure in the shadows by the fireplace.

"If if it were not for him," she said, "I think that perhaps—perhaps I might be brave enough to confess it all, and—and not try to ​escape from the punishment that I deserve. But he would know—he cannot see, nor hear, nor speak, but he would know—as he seems so strangely, so wonderfully, so supernaturally to know and understand everything. And, oh, he means so much to me, to us all, for it is he, more than any one else, who has saved us from—from what we were. And he loves us. It would shatter his faith, ruin all that his life has meant to him, and—and we cannot bring him grief and sorrow like that. Oh, what can we do! What can we do! We cannot stop—and we cannot go on! We cannot stay here even if we returned the money successfully, and we cannot stay here if we kept it as it is; for things would still have to go on as they are, even if we didn't mean to steal any more, no matter what we might say or do, for it's beyond our control now, and to stay means that we should still have to live and lead our double lives, still have to practise hypocrisy and deceit, and—and I cannot—we cannot do that any more. And the only way to get away from it all is to run away—and we can't do that, either! There is—the Patriarch. We cannot leave him—to break his heart—with none he loves to care for him. We can't do that. He is a very old, old man, and—and I think he has been happy with us, and—and we must make him happy always as long as he lives. We cannot go away and leave him. We can't do that." Then, in a heartbroken, despairing cry: "We can't do—anything!"

​No one answered her. She had begged Madison to go over it all again—and she had summed it up herself. There was—the Patriarch.

There was utter silence in the room now, save only for that low, solemn boom of distant surf—for Madison had stopped his nervous pacing up and down, and stood now by the Patriarch's armchair gazing into the fireplace.

The minutes passed, and the silence in that dim, shadowed room grew tense—and tenser still—until the very shadows themselves, as the lamp flickered now and then, seemed to creep and shift and readjust themselves in stealth. No sound—no movement—utter stillness—only, from without, the mourning of the surf, like a dirge now.

And then, with a sudden sob, Helena flung out her arms across the table toward the Patriarch.

"Oh, if he could only speak!" she cried pitifully. "If he could only speak—he would show us the way out."

The words seemed to come to Madison as an added pang. He turned his eyes instinctively from the fireplace to the Patriarch beside him—and then, a moment, as a man stricken, he stood there—and then reaching quickly for the lamp from the table he held it up, and leaned forward toward the figure in the chair.

Helena, startled at the act, rose almost unconsciously to her feet, her hands holding tightly to the table edge—looking at Madison, looking at the silent form where Pale Face Harry, where the Flopper looked.

​"What is it?" she asked tensely, under her breath.

Madison's lips moved—silently. His face was white, ashen—there was no color in it. Then his lips moved once more.

"The way out," he said; and again, in a low, awed way: "The way out. We can make restitution now—we can give it all back—he has shown us the way out."

Helena's lips were quivering, tears were dimming the brown eyes, trembling on the lashes, as she stepped now to Madison's side.

"It is God who has shown us the way out," she whispered brokenly—and dropping down before the chair, her little form shaken with sobs, she hid her face on the Patriarch's knees.

And serene and peaceful as a child in sleep, a smile like a benediction on the saintly face, the Patriarch sat in his armchair by the fireplace where he had been wont to sit in years gone by—and so he had passed on.

The Patriarch was dead.

— XXIV —

VALE!

THE years have passed—but in their passing have brought few changes to the little village nestling in the Maine pines that border on the sea. Not many changes—it is as though Time had touched it loath to touch at all; as though some spirit lingering there, sweet and fresh and vernal, had bade Time stay its hand.

Not many changes—the same familiar faces gather around the stove in the hotel office; and, neither as a memory, nor yet as of one who has gone, but as if he were amongst them, living still, they speak of the Patriarch as of yore.

And with this little circle of kindly, simple folk Time has dealt gently too, for there is only one who is no more—Cale Rodgers, the proprietor of the general store.

But the general store on the village street still flourishes, and in Cale Rodgers' place is one whose speech is still a marvelous thing in staid old New England ears—it is an Irish brogue perhaps, for his name is Michael Coogan. There are little Coogans too, and Mamie is a happy wife. ​And to the Coogans come sometimes letters from a far-western farm to say that things are well and that prosperity has come to one who signs himself—facetiously it always seems to Mamie who reads the letters to her husband—as Pale Face Harry.

And so the years have passed, and it is summer time again. The fields are green; the trees in leaf; the flowers in bloom. And there are visitors who have come again to the scenes of yesterday—a man and woman—and between them a sturdy little lad of eight. They stop at the end of the wagon track and look out across the lawn.

It is still and peaceful, tranquil—and to them comes the soft, low murmur of the surf. Slowly they walk across the lawn, and pass beneath the splendid maples—and pause again.

The cottage is like some poet's fancy, hidden shyly in its creepers and its vines; and seems to speak and breathe in its simple beauty of the gentle soul who once had lived there—and loved his fellow-men. It is as it always was, open, free for all to pass within who wish to enter; for loving hands have cared for it, and grateful purses, opened to its needs, have kept it as—a Shrine.

But they do not enter now, for Madison points to where the sunlight, as it glints through the trees at the far end of the cottage, falls on a slender shaft of marble.

"Let us go there, Helena," he said softly.

And so they walked that way, past the trellises ​laden with flowers, past the end of the cottage, and presently they stopped again where, beneath the maples' shade, rises the pure white stone—and beyond it is the sweep of the eternal sea.

Madison, his hair streaking just a little gray at the temples now, removed his hat and his face softened, saddened, as he read the simple inscription:

THE PATRIARCH

The boy glanced at his father a little wonderingly—and then spelt out the words. He shook his head.

"I don't know what that means," he said. "What does that word mean?"

Madison patted his head.

"You tell him, Helena," he said—and came and stood beside her.

And so Helena told the boy in simple language as much of the Patriarch's story as she thought he could understand—and when she had finished the boy's face was aglow.

"And!" he said breathlessly, "and—and did he ever do a really, truly-truly miracle?"

There was silence for an instant—then a tender smile came trembling to Helena's lips, and into the brown eyes crept the love-light, as she reached out to Madison and her hand found his and held it very tightly.

And Madison bent and kissed her; and drew the little lad between them and laid his hand on the boy's head, and answered for Helena.

​"Yes, my son," he said; "and some day when you are a man you will understand how great a miracle it was."

THE END

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