The Nebuly Coat Part 2

The organ was not silenced, nor was the service suspended. Sir George came down to Cullerne, inspected the arch, and rallied his subordinate for an anxiety which was considered to be unjustifiable. Yes, the wall above the arch had moved a little, but not more than was to be expected from the repairs which were being undertaken with the vaulting. It was only the old wall coming to its proper bearings—he would have been surprised, in fact, if no movement had taken place; it was much safer as it was.

Canon Parkyn was in high good-humour. He rejoiced in seeing the pert and officious young clerk of the works put in his proper place; and Sir George had lunched at the Rectory. There was a repetition of the facetious proposal that Sir George should wait for payment of his fees until the tower should fall, which acquired fresh point from the circumstance that all payments were now provided for by Lord Blandamer. The ha-ha-ing which accompanied this witticism palled at length even upon the robust Sir George, and he winced under a dig in the ribs, which an extra glass of port had emboldened the Canon to administer.

"Well, well, Mr Rector," he said, "we cannot put old heads on young shoulders. Mr Westray was quite justified in referring the matter to me. It has an ugly look; one needs experience to be able to see through things like this." And he pulled up his collar, and adjusted his tie.

Westray was content to accept his Chief's decision as a matter of faith, though not of conviction. The black lightning-flash was impressed on his mental retina, the restless cry of the arches was continually in his ear; he seldom passed the transept-crossing without hearing it. But he bore his rebuke with exemplary resignation—the more so that he was much interested in some visits which Lord Blandamer paid him at this period. Lord Blandamer called more than once at Bellevue Lodge in the evenings, even as late as nine o'clock, and would sit with Westray for two hours together, turning over plans and discussing the restoration. The architect learnt to appreciate the charm of his manner, and was continually astonished at the architectural knowledge and critical power which he displayed. Mr Sharnall would sometimes join them for a few minutes, but Lord Blandamer never appeared quite at his ease when the organist was present; and Westray could not help thinking that Mr Sharnall was sometimes tactless, and even rude, considering that he was beholden to Lord Blandamer for new pedals and new bellows and a water-engine in esse, and for the entire repair of the organ in posse.

"I can't help being 'beholden to him,' as you genteelly put it," Mr Sharnall said one evening, when Lord Blandamer had gone. "I can't stop his giving new bellows or a new pedal-board. And we do want the new board and the additional pipes. As it is, I can't play German music, can't touch a good deal of Bach's organ work. Who is to say this man nay, if he chooses to alter the organ? But I'm not going to truckle to anyone, and least of all to him. Do you want me to fall flat on my face because he is a lord? Pooh! we could all be lords like him. Give me another week with Martin's papers, and I'll open your eyes. Ay, you may stare and sniff if you please, but you'll open your eyes then. Ex oriente lux—that's where the light's coming from, out of Martin's papers. Once this Confirmation over, and you'll see. I can't settle to the papers till that's done with. What do people want to confirm these boys and girls for? It only makes hypocrites of wholesome children. I hate the whole business. If people want to make their views public, let them do it at five-and-twenty; then we should believe that they knew something of what they were about."

The day of the Bishop's visit had arrived; the Bishop had arrived himself; he had entered the door of Bellevue Lodge; he had been received by Miss Euphemia Joliffe as one who receives an angel awares; he had lunched in Mr Sharnall's room, and had partaken of the cold lamb, and the Stilton, and even of the cider-cup, to just such an extent as became a healthy and good-hearted and host-considering bishop.

"You have given me a regular Oxford lunch," he said. "Your landlady has been brought up in the good tradition." And he smiled, never doubting that he was partaking of the ordinary provision of the house, and that Mr Sharnall fared thus sumptuously every day. He knew not that the meal was as much a set piece as a dinner on the stage, and that cold lamb and Stilton and cider-cup were more often represented by the bottom of a tin of potted meat and—a gill of cheap whisky.

"A regular Oxford lunch." And then they fell to talking of old days, and the Bishop called Mr Sharnall "Nick," and Mr Sharnall called the Bishop of Carum "John"; and they walked round the room looking at pictures of college groups and college eights, and the Bishop examined very tenderly the little water-colour sketch that Mr Sharnall had once made of the inner quad; and they identified in it their own old rooms, and the rooms of several other men of their acquaintance.

The talk did Mr Sharnall good; he felt the better for it every moment. He had meant to be very proud and reserved with the Bishop—to be most dignified and coldly courteous. He had meant to show that, though John Willis might wear the gaiters, Nicholas Sharnall could retain his sturdy independence, and was not going to fawn or to admit himself to be the mental inferior of any man. He had meant to give a tirade against Confirmation, against the neglect of music, against rectors, with perhaps a back-thrust at the Bench of Bishops itself. But he had done none of these things, because neither pride nor reserve nor assertiveness were possible in John Willis's company. He had merely eaten a good lunch, and talked with a kindly, broad-minded gentleman, long enough to warm his withered heart, and make him feel that there were still possibilities in life.

There is a bell that rings for a few strokes three-quarters of an hour before every service at Cullerne. It is called the Burgess Bell—some say because it was meant to warn such burgesses as dwelt at a distance that it was time to start for church; whilst others will have it that Burgess is but a broken-down form of expergiscere—"Awake! awake!"—that those who dozed might rise for prayer. The still air of the afternoon was yet vibrating with the Burgess Bell, and the Bishop rose to take his leave.

If it was the organist of Cullerne who had been ill at ease when their interview began, it was the Bishop of Carisbury who was embarrassed at the end of it. He had asked himself to lunch with Mr Sharnall with a definite object, and towards the attainment of that object nothing had been done. He had learnt that his old friend had fallen upon evil times, and, worse, had fallen into evil courses—that the failing which had ruined his Oxford career had broken out again with a fresh fire in advancing age, that Nicholas Sharnall was in danger of a drunkard's judgment.

There had been lucid intervals in the organist's life; the plague would lie dormant for years, and then break out, to cancel all the progress that had been made. It was like a "race-game" where the little leaden horse is moved steadily forward, till at last the die falls on the fatal number, and the racer must lose a turn, or go back six, or, even in the worst issue, begin his whole course again. It was in the forlorn hope of doing something, however little, to arrest a man on the downward slope that the Bishop had come to Bellevue Lodge; he hoped to speak the word in season that should avail. Yet nothing had been said. He felt like a clerk who has sought an interview with his principal to ask for an increase of salary, and then, fearing to broach the subject, pretends to have come on other business. He felt like a son longing to ask his father's counsel in some grievous scrape, or like an extravagant wife waiting her opportunity to confess some heavy debt.

"A quarter past two," the Bishop said; "I must be going. It has been a great pleasure to recall the old times. I hope we shall meet again soon; but remember it is your turn now to come and see me. Carisbury is not so very far off, so do come. There is always a bed ready for you. Will you walk up the street with me now? I have to go to the Rectory, and I suppose you will be going to the church, will you not?"

"Yes," said Mr Sharnall; "I'll come with you if you wait one minute. I think I'll take just a drop of something before I go, if you'll excuse me. I feel rather run down, and the service is a long one. You won't join me, of course?" And he went to the cupboard.

The Bishop's opportunity was come.

"Don't, Sharnall. Don't, Nick," he said; "don't take that stuff. Forgive me for speaking openly, the time is so short. I am not speaking professionally or from the religious standpoint, but only just as one man of the world to another, just as one friend to another, because I cannot bear to see you going on like this without trying to stop you. Don't take offence, Nick," he added, as he saw the change of the other's countenance; "our old friendship gives me a right to speak; the story you are writing on your own face gives me a right to speak. Give it up. There is time yet to turn; give it up. Let me help you; is there nothing I can do to help?"

The angry look that crossed Mr Sharnall's face had given way to sadness.

"It is all very easy for you," he said; "you've done everything in life, and have a long row of milestones behind you to show how you've moved on. I have done nothing, only gone back, and have all the milestones in front to show how I've failed. It's easy to twit me when you've got everything you want—position, reputation, fortune, a living faith to keep you up to it. I am nobody, miserably poor, have no friends, and don't believe half we say in church. What am I to do? No one cares a fig about me; what have I got to live for? To drink is the only chance I have of feeling a little pleasure in life; of losing for a few moments the dreadful consciousness of being an outcast; of losing for a moment the remembrance of happy days long ago: that's the greatest torment of all, Willis. Don't blame me if I drink; it's the elixir vitæ for me just as much as for Paracelsus." And he turned the handle of the cupboard.

"Don't," the Bishop said again, putting his hand on the organist's arm; "don't do it; don't touch it. Don't make success any criterion of life; don't talk about 'getting on.' We shan't be judged by how we have got on. Come along with me; show you've got your old resolution, your old will-power."

"I haven't got the power," Mr Sharnall said; "I can't help it." But he took his hand from the cupboard-door.

"Then let me help it for you," said the Bishop; and he opened the cupboard, found a half-used bottle of whisky, drove the cork firmly into it, and put it under his arm inside the lappet of his coat. "Come along."

So the Bishop of Carisbury walked up the High Street of Cullerne with a bottle of whisky under his left arm. But no one could see that, because it was hid under his coat; they only saw that he had his right arm inside Mr Sharnall's. Some thought this an act of Christian condescension, but others praised the times that were past; bishops were losing caste, they said, and it was a sad day for the Church when they were found associating openly with persons so manifestly their inferiors.

"We must see more of each other," the Bishop said, as they walked under the arcade in front of the shops. "You must get out of this quag somehow. You can't expect to do it all at once, but we must make a beginning. I have taken away your temptation under my coat, and you must make a start from this minute; you must make me a promise now. I have to be in Cullerne again in six days' time, and will come and see you. You must promise me not to touch anything for these six days, and you must drive back with me to Carisbury when I go back then, and spend a few days with me. Promise me this, Nick; the time is pressing, and I must leave you, but you must promise me this first."

The organist hesitated for a moment, but the Bishop gripped his arm.

"Promise me this; I will not go till you promise."

"Yes, I promise."

And lying-and-mischief-making Mrs Flint, who was passing, told afterwards how she had overheard the Bishop discussing with Mr Sharnall the best means for introducing ritualism into the minster, and how the organist had promised to do his very best to help him so far as the musical part of the service was concerned.

The Confirmation was concluded without any contretemps, save that two of the Grammar School boys incurred an open and well-merited rebuke from the master for appearing in gloves of a much lighter slate colour than was in any way decorous, and that this circumstance reduced the youngest Miss Bulteel to such a state of hysteric giggling that her mother was forced to remove her from the church, and thus deprive her of spiritual privileges for another year.

Mr Sharnall bore his probation bravely. Three days had passed, and he had not broken his vow—no, not in one jot or tittle. They had been days of fine weather, brilliantly clear autumn days of blue sky and exhilarating air. They had been bright days for Mr Sharnall; he was himself exhilarated; he felt a new life coursing in his veins. The Bishop's talk had done him good; from his heart he thanked the Bishop for it. Giving up drinking had done him no harm; he felt all the better for his abstinence. It had not depressed him at all; on the contrary, he was more cheerful than he had been for years. Scales had fallen from his eyes since that talk; he had regained his true bearings; he began to see the verities of life. How he had wasted his time! Why had he been so sour? why had he indulged his spleen? why had he taken such a jaundiced view of life? He would put aside all jealousies; he would have no enmities; he would be broader-minded—oh, so much broader-minded; he would embrace all mankind—yes, even Canon Parkyn. Above all, he would recognise that he was well advanced in life; he would be more sober-thinking, would leave childish things, would resolutely renounce his absurd infatuation for Anastasia. What a ridiculous idea—a crabbed old sexagenarian harbouring affection for a young girl! Henceforth she should be nothing to him—absolutely nothing. No, that would be foolish; it would not be fair to her to cut her off from all friendship; he could feel for her a fatherly affection—it should be paternal and nothing more. He would bid adieu to all that folly, and his life should not be a whit the emptier for the loss. He would fill it with interests—all kinds of interests, and his music should be the first. He would take up again, and carry out to the end, that oratorio which he had turned over in his mind for years—the "Absalom." He had several numbers at his fingers' ends; he would work out the bass solo, "Oh, Absalom, my son, my son!" and the double chorus that followed it, "Make ready, ye mighty; up and bare your swords!"

So he discoursed joyfully with his own heart, and felt above measure elated at the great and sudden change that was wrought in him, not recognising that the clouds return after the rain, and that the leopard may change his spots as easily as man may change his habits. To change a habit at fifty-five or forty-five or thirty-five; to ordain that rivers shall flow uphill; to divert the relentless sequence of cause and effect—how often dare we say this happens? Nemo repente—no man ever suddenly became good. A moment's spiritual agony may blunt our instincts and paralyse the evil in us—for a while, even as chloroform may dull our bodily sense; but for permanence there is no sudden turning of the mind; sudden repentances in life or death are equally impossible.

Three halcyon days were followed by one of those dark and lowering mornings when the blank life seems blanker, and when the gloom of nature is too accurately reflected in the nervous temperament of man. On healthy youth climatic influences have no effect, and robust middle age, if it perceive them, goes on its way steadfast or stolid, with a cela passera, tout passera. But on the feeble and the failing such times fall with a weight of fretful despondency; and so they fell on Mr Sharnall.

He was very restless about the time of the mid-day meal. There came up a thick, dark fog from the sea, which went rolling in great masses over Cullerne Flat, till its fringe caught the outskirts of the town. After that, it settled in the streets, and took up its special abode in Bellevue Lodge; till Miss Euphemia coughed so that she had to take two ipecacuanha lozenges, and Mr Sharnall was forced to ring for a lamp to see his victuals. He went up to Westray's room to ask if he might eat his dinner upstairs, but he found that the architect had gone to London, and would not be back till the evening train; so he was thrown upon his own resources.

He ate little, and by the end of the meal depression had so far got the better of him, that he found himself standing before a well-known cupboard. Perhaps the abstemiousness of the last three days had told upon him, and drove him for refuge to his usual comforter. It was by instinct that he went to the cupboard; he was not even conscious of doing so till he had the open door in his hand. Then resolution returned to him, aided, it may be, by the reflection that the cupboard was bare (for the Bishop had taken away the whisky), and he shut the door sharply. Was it possible that he had so soon forgotten his promise—had come so perilously near falling back into the mire, after the bright prospects of the last days, after so lucid an interval? He went to his bureau and buried himself in Martin Joliffe's papers, till the Burgess Bell gave warning of the afternoon service.

The gloom and fog made way by degrees for a drizzling rain, which resolved itself into a steady downpour as the afternoon wore on. It was so heavy that Mr Sharnall could hear the indistinct murmur of millions of raindrops on the long lead roofs, and their more noisy splash and spatter as they struck the windows in the lantern and north transept. He was in a bad humour as he came down from the loft. The boys had sung sleepily and flat; Jaques had murdered the tenor solo with his strained and raucous voice; and old Janaway remembered afterwards that Mr Sharnall had never vouchsafed a good-afternoon as he strode angrily down the aisle.

Things were no better when he reached Bellevue Lodge. He was wet and chilled, and there was no fire in the grate, because it was too early in the year for such luxuries to be afforded. He would go to the kitchen, and take his tea there. It was Saturday afternoon. Miss Joliffe would be at the Dorcas meeting, but Anastasia would be in; and this reflection came to him as a ray of sunlight in a dark and lowering time. Anastasia would be in, and alone; he would sit by the fire and drink a cup of hot tea, while Anastasia should talk to him and gladden his heart. He tapped lightly at the kitchen-door, and as he opened it a gusty buffet of damp air smote him on the face; the room was empty. Through a half-open sash the wet had driven in, and darkened the top of the deal table which stood against the window; the fire was but a smouldering ash. He shut the window instinctively while he reflected. Where could Anastasia be? She must have left the kitchen some time, otherwise the fire would not be so low, and she would have seen that the rain was beating in. She must be upstairs; she had no doubt taken advantage of Westray's absence to set his room in order. He would go up to her; perhaps there was a fire in Westray's room.

He went up the circular stone staircase, that ran like a wide well from top to bottom of the old Hand of God. The stone steps and the stone floor of the hall, the stuccoed walls, and the coved stucco roof which held the skylight at the top, made a whispering-gallery of that gaunt staircase; and before Mr Sharnall had climbed half-way up he heard voices.

They were voices in conversation; Anastasia had company. And then he heard that one was a man's voice. What right had any man to be in Westray's room? What man had any right to be talking to Anastasia? A wild suspicion passed through his mind—no, that was quite impossible. He would not play the eavesdropper or creep near them to listen; but, as he reflected, he had mounted a step or two higher, and the voices were now more distinct. Anastasia had finished speaking, and the man began again. There was one second of uncertainty in Mr Sharnall's mind, while the hope that it was not, balanced the fear that it was; and then doubt vanished, and he knew the voice to be Lord Blandamer's.

The organist sprang up two or three steps very quickly. He would go straight to them—straight into Westray's room; he would— And then he paused; he would do, what? What right had he to go there at all? What had he to do with them? What was there for anyone to do? He paused, then turned and went downstairs again, telling himself that he was a fool—that he was making mountains of molehills, that there did not exist, in fact, even a molehill; yet having all the while a sickening feeling within him, as if some gripping hand had got hold of his poor physical and material heart, and was squeezing it. His room looked more gloomy than ever when he got back to it, but it did not matter now, because he was not going to remain there. He only stopped for a minute to sweep back into the bureau all those loose papers of Martin Joliffe's that were lying in a tumble on the open desk-flap. He smiled grimly as he put them back and locked them in. Le jour viendra qui tout paiera. These papers held a vengeance that would atone for all wrongs.

He took down his heavy and wet-sodden overcoat from the peg in the hall, and reflected with some satisfaction that the bad weather could not seriously damage it, for it had turned green with wear, and must be replaced as soon as he got his next quarter's salary. The rain still fell heavily, but he must go out. Four walls were too narrow to hold his chafing mood, and the sadness of outward nature accorded well with a gloomy spirit. So he shut the street-door noiselessly, and went down the semicircular flight of stone steps in front of the Hand of God, just as Lord Blandamer had gone down them on that historic evening when Anastasia first saw him. He turned back to look at the house, just as Lord Blandamer had turned back then; but was not so fortunate as his illustrious predecessor, for Westray's window was tight shut, and there was no one to be seen.

"I wish I may never look upon the place again," he said to himself, half in earnest, and half with that cynicism which men affect because they know Fate seldom takes them at their word.

For an hour or more he wandered aimlessly, and found himself, as night fell, on the western outskirts of the town, where a small tannery carries on the last pretence of commercial activity in Cullerne. It is here that the Cull, which has run for miles under willow and alder, through deep pastures golden with marsh marigolds or scented with meadow-sweet, past cuckoo-flower and pitcher-plant and iris and nodding bulrush, forsakes better traditions, and becomes a common town-sluice before it deepens at the wharves, and meets the sandy churn of the tideway. Mr Sharnall had become aware that he was tired, and he stood and leant over the iron paling that divides the roadway from the stream. He did not know how tired he was till he stopped walking, nor how the rain had wetted him till he bent his head a little forward, and a cascade of water fell from the brim of his worn-out hat.

It was a forlorn and dismal stream at which he looked. The low tannery buildings of wood projected in part over the water, and were supported on iron props, to which were attached water-whitened skins and repulsive portions of entrails, that swung slowly from side to side as the river took them. The water here is little more than three feet deep, and beneath its soiled current can be seen a sandy bottom on which grow patches of coarse duck-weed. To Mr Sharnall these patches of a green so dark and drain-soiled as to be almost black in the failing light, seemed tresses of drowned hair, and he weaved stories about them for himself as the stream now swayed them to and fro, and now carried them out at length.

He observed things with that vacant observation which the body at times insists on maintaining, when the mind is busy with some overmastering preoccupation. He observed the most trivial details; he made an inventory of the things which he could see lying on the dirty bed of the river underneath the dirty water. There was a tin bucket with a hole in the bottom; there was a brown teapot without a spout; there was an earthenware blacking-bottle too strong to be broken; there were other shattered glass bottles and shards of crockery; there was a rim of a silk hat, and more than one toeless boot. He turned away, and looked down the road towards the town. They were beginning to light the lamps, and the reflections showed a criss-cross of white lines on the muddy road, where the water stood in the wheel-tracks. There was a dark vehicle coming down the road now, making a fresh track in the mud, and leaving two shimmering lines behind it as it went. He gave a little start when it came nearer, and he saw that it was the undertaker's cart carrying out a coffin for some pauper at the Union Workhouse.

He gave a start and a shiver; the wet had come through his overcoat; he could feel it on his arms; he could feel the cold and clinging wet striking at his knees. He was stiff with standing so long, and a rheumatic pain checked him suddenly as he tried to straighten himself. He would walk quickly to warm himself—would go home at once. Home—what home had he? That great, gaunt Hand of God. He detested it and all that were within its walls. That was no home. Yet he was walking briskly towards it, having no other whither to go.

He was in the mean little streets, he was within five minutes of his goal, when he heard singing. He was passing the same little inn which he had passed the first night that Westray came. The same voice was singing inside which had sung the night that Westray came. Westray had brought discomfort; Westray had brought Lord Blandamer. Things had never been the same since; he wished Westray had never come at all; he wished—oh, how he wished!—that all might be as it was before—that all might jog along quietly as it had for a generation before. She certainly had a fine voice, this woman. It really would be worth while seeing who she was; he wished he could just look inside the door. Stay, he could easily make an excuse for looking in: he would order a little hot whisky-and-water. He was so wet, it was prudent to take something to drink. It might ward off a bad chill. He would only take a very little, and only as a medicine, of course; there could be no harm in that—it was mere prudence.

He took off his hat, shook the rain from it, turned the handle of the door very gently, with the consideration of a musician who will do nothing to interrupt another who is making music, and went in.

He found himself in that sanded parlour which he had seen once before through the window. It was a long, low room, with heavy beams crossing the roof, and at the end was an open fireplace, where a kettle hung above a smouldering fire. In a corner sat an old man playing on a fiddle, and near him the Creole woman stood singing; there were some tables round the room, and behind them benches on which a dozen men were sitting. There was no young man among them, and most had long passed the meridian of life. Their faces were sun-tanned and mahogany-coloured; some wore earrings in their ears, and strange curls of grey hair at the side of their heads. They looked as if they might have been sitting there for years—as if they might be the crew of some long-foundered vessel to whom has been accorded a Nirvana of endless tavern-fellowship. None of them took any notice of Mr Sharnall, for music was exercising its transporting power, and their thoughts were far away. Some were with old Cullerne whalers, with the harpoon and the ice-floe; some dreamt of square-stemmed timber-brigs, of the Baltic and the white Memel-logs, of wild nights at sea and wilder nights ashore; and some, remembering violet skies and moonlight through the mango-groves, looked on the Creole woman, and tried to recall in her faded features, sweet, swart faces that had kindled youthful fires a generation since.

"Then the grog, boys—the grog, boys, bring hither,"

sang the Creole.

"Fill it up true to the brim.
May the mem'ry of Nelson ne'er wither
Nor the star of his glory grow dim."

There were rummers standing on the tables, and now and then a drinking-brother would break the sugar-knobs in his liquor with a glass stirrer, or take a deep draught of the brown jorum that steamed before him. No one spoke to Mr Sharnall; only the landlord, without asking what he would take, set before him a glass filled with the same hot spirit as the other guests were drinking.

The organist accepted his fate with less reluctance than he ought perhaps to have displayed, and a few minutes later was drinking and smoking with the rest. He found the liquor to his liking, and soon experienced the restoring influences of the warm room and of the spirit. He hung his coat up on a peg, and in its dripping condition, and in the wet which had penetrated to his skin, found ample justification for accepting without demur a second bumper with which the landlord replaced his empty glass. Rummer followed rummer, and still the Creole woman sang at intervals, and still the company smoked and drank.

Mr Sharnall drank too, but by-and-by saw things less clearly, as the room grew hotter and more clouded with tobacco-smoke. Then he found the Creole woman standing before him, and holding out a shell for contributions. He had in his pocket only one single coin—a half-crown that was meant to be a fortnight's pocket-money; but he was excited, and had no hesitation.

"There," he said, with an air of one who gives a kingdom—"there, take that: you deserve it; but sing me a song that I heard you sing once before, something about the rolling sea."

She nodded that she understood, and after the collection was finished, gave the money to the blind man, and bade him play for her.

It was a long ballad, with many verses and a refrain of:

"Oh, take me back to those I love,
Or bring them here to me;
I have no heart to rove, to rove
Across the rolling sea."

At the end she came back, and sat down on the bench by Mr Sharnall.

"Will you not give me something to drink?" she said, speaking in very good English. "You all drink; why should not I?"

He beckoned to the landlord to bring her a glass, and she drank of it, pledging the organist.

"You sing well," he said, "and with a little training should sing very well indeed. How do you come to be here? You ought to do better than this; if I were you, I would not sing in such company."

She looked at him angrily.

"How do I come to be here? How do you come to be here? If I had a little training, I should sing better, and if I had your training, Mr Sharnall"—and she brought out his name with a sneering emphasis—"I should not be here at all, drinking myself silly in a place like this."

She got up, and went back to the old fiddler, but her words had a sobering influence on the organist, and cut him to the quick. So all his good resolutions had vanished. His promise to the Bishop was broken; the Bishop would be back again on Monday, and find him as bad as ever—would find him worse; for the devil had returned, and was making riot in the garnished house. He turned to pay his reckoning, but his half-crown had gone to the Creole; he had no money, he was forced to explain to the landlord, to humiliate himself, to tell his name and address. The man grumbled and made demur. Gentlemen who drank in good company, he said, should be prepared to pay their shot like gentlemen. Mr Sharnall had drunk enough to make it a serious thing for a poor man not to get paid. Mr Sharnall's story might be true, but it was a funny thing for an organist to come and drink at the Merrymouth, and have no money in his pocket. It had stopped raining; he could leave his overcoat as a pledge of good faith, and come back and fetch it later. So Mr Sharnall was constrained to leave this part of his equipment, and was severed from a well-worn overcoat, which had been the companion of years. He smiled sadly to himself as he turned at the open door, and saw his coat still hang dripping on the peg. If it were put up to auction, would it ever fetch enough to pay for what he had drunk?

It was true that it had stopped raining, and though the sky was still overcast, there was a lightness diffused behind the clouds that spoke of a rising moon. What should he do? Whither should he turn? He could not go back to the Hand of God; there were some there who did not want him—whom he did not want. Westray would not be home, or, if he were, Westray would know that he had been drinking; he could not bear that they should see that he had been drinking again.

And then there came into his mind another thought: he would go to the church, the water-engine should blow for him, and he would play himself sober. Stay, should he go to the church—the great church of Saint Sepulchre alone? Would he be alone there? If he thought that he would be alone, he would feel more secure; but might there not be someone else there, or something else? He gave a little shiver, but the drink was in his veins; he laughed pot-valiantly, and turned up an alley towards the centre tower, that loomed dark in the wet, misty whiteness of the cloud screened moon.

 

Westray returned to Cullerne by the evening train. It was near ten o'clock, and he was finishing his supper, when someone tapped at the door, and Miss Euphemia Joliffe came in.

"I beg your pardon for interrupting you, sir," she said; "I am a little anxious about Mr Sharnall. He was not in at teatime, and has not come back since. I thought you might know perhaps where he was. It is years since he has been out so late in the evening."

"I haven't the least idea where he is," Westray said rather testily, for he was tired with a long day's work. "I suppose he has gone out somewhere to supper."

"No one ever asks Mr Sharnall out. I do not think he can be gone out to supper."

"Oh, well, I dare say he will turn up in due course; let me hear before you go to bed if he has come back;" and he poured himself out another cup of tea, for he was one of those thin-blooded and old-womanly men who elevate the drinking of tea instead of other liquids into a special merit. "He could not understand," he said, "why everybody did not drink tea. It was so much more refreshing—one could work so much better after drinking tea."

He turned to some calculations for the section of a tie-rod, with which Sir George Farquhar had at last consented to strengthen the south side of the tower, and did not notice how time passed till there came another irritating tap, and his landlady reappeared.

"It is nearly twelve o'clock," she said, "and we have seen nothing of Mr Sharnall. I am so alarmed! I am sure I am very sorry to trouble you, Mr Westray, but my niece and I are so alarmed."

"I don't quite see what I am to do," Westray said, looking up. "Could he have gone out with Lord Blandamer? Do you think Lord Blandamer could have asked him to Fording?"

"Lord Blandamer was here this afternoon," Miss Joliffe answered, "but he never saw Mr Sharnall, because Mr Sharnall was not at home."

"Oh, Lord Blandamer was here, was he?" asked Westray. "Did he leave no message for me?"

"He asked if you were in, but he left no message for you. He drank a cup of tea with us. I think he came in merely as a friendly visitor," Miss Joliffe said with some dignity. "I think he came in to drink a cup of tea with me. I was unfortunately at the Dorcas meeting when he first arrived, but on my return he drank tea with me."

"It is curious; he seems generally to come on Saturday afternoons," said Westray. "Are you always at the Dorcas meeting on Saturday afternoons?"

"Yes," Miss Joliffe said, "I am always at the meeting on Saturday afternoons."

There was a minute's pause—Westray and Miss Joliffe were both thinking.

"Well, well," Westray said, "I shall be working for some time yet, and will let Mr Sharnall in if he comes; but I suspect that he has been invited to spend the night at Fording. Anyhow, you can go to bed with a clear conscience, Miss Joliffe; you have waited up far beyond your usual time."

So Miss Euphemia went to bed, and left Westray alone; and a few minutes later the four quarter-chimes rang, and the tenor struck twelve, and then the bells fell to playing a tune, as they did every three hours day and night. Those who dwell near Saint Sepulchre's take no note of the bells. The ear grows so accustomed to them, that quarter by quarter and hour by hour strike unperceived. If strangers come to stop under the shadow of the church the clangour disturbs their sleep for the first night, and after that they, too, hear nothing. So Westray would sit working late night by night, and could not say whether the bells had rung or not. It was only when attention was too wide awake that he heard them, but he heard them this night, and listened while they played the sober melody of "Mount Ephraim."

He got up, flung his window open, and looked out. The storm had passed; the moon, which was within a few hours of the full, rode serenely in the blue heaven with a long bank of dappled white cloud below, whose edge shone with an amber iridescence. He looked over the clustered roofs and chimneys of the town; the upward glow from the market-place showed that the lamps were still burning, though he could not see them. Then, as the glow lessened gradually and finally became extinct, he knew that the lights were being put out because midnight was past. The moonlight glittered on the roofs, which were still wet, and above all towered in gigantic sable mass the centre tower of Saint Sepulchre's.

Westray felt a curious physical tension. He was excited, he could not tell why; he knew that sleep would be impossible if he were to go to bed. It was an odd thing that Sharnall had not come home; Sharnall must have gone to Fording. He had spoken vaguely of an invitation to Fording that he had received; but if he had gone there he must have taken some things with him for the night, and he had not taken anything, or Miss Euphemia would have said so. Stay, he would go down to Sharnall's room and see if he could find any trace of his taking luggage; perhaps he had left some message to explain his absence. He lit a candle and went down, down the great well-staircase where the stone steps echoed under his feet. A patch of bright moonshine fell on the stairs from the skylight at the top, and a noise of someone moving in the attics told him that Miss Joliffe was not yet asleep. There was nothing in the organist's room to give any explanation of his absence. The light of the candle was reflected on the front of the piano, and Westray shuddered involuntarily as he remembered the conversation which he had a few weeks before with this friend, and Mr Sharnall's strange hallucinations as to the man that walked behind him with a hammer. He looked into the bedroom with a momentary apprehension that his friend might have been seized with illness, and be lying all this time unconscious; but there was no one there—the bed was undisturbed. So he went back to his own room upstairs, but the night had turned so chill that he could no longer bear the open window. He stood with his hand upon the sash looking out for a moment before he pulled it down, and noticed how the centre tower dominated and prevailed over all the town. It was impossible, surely, that this rock-like mass could be insecure; how puny and insufficient to uphold such a tottering giant seemed the tie-rods whose section he was working out. And then he thought of the crack above the south transept arch that he had seen from the organ-loft, and remembered how "Sharnall in D flat" had been interrupted by the discovery. Why, Mr Sharnall might be in the church; perhaps he had gone down to practise and been shut in. Perhaps his key had broken, and he could not get out; he wondered that he had not thought of the church before.

In a minute he had made up his mind to go to the minster. As resident architect he possessed a master key which opened all the doors; he would walk round, and see if he could find anything of the missing organist before going to bed. He strode quickly through the deserted streets. The lamps were all put out, for Cullerne economised gas at times of full moon. There was nothing moving, his footsteps rang on the pavement, and echoed from wall to wall. He took the short-cut by the wharves, and in a few minutes came to the old Bonding-house.

The shadows hung like black velvet in the spaces between the brick buttresses that shored up the wall towards the quay. He smiled to himself as he thought of the organist's nervousness, of those strange fancies as to someone lurking in the black hiding-holes, and as to buildings being in some way connected with man's fate. Yet he knew that his smile was assumed, for he felt all the while the oppression of the loneliness, of the sadness of a half-ruined building, of the gurgling mutter of the river, and instinctively quickened his pace. He was glad when he had passed the spot, and again that night, as he looked back, he saw the strange effect of light and darkness which produced the impression of someone standing in the shadow of the last buttress space. The illusion was so perfect that he thought he could make out the figure of a man, in a long loose cape that napped in the wind.

He had passed the wrought-iron gates now—he was in the churchyard, and it was then that he first became aware of a soft, low, droning, sound which seemed to fill the air all about him. He stopped for a moment to listen; what was it? Where was the noise? It grew more distinct as he passed along the flagged stone path which led to the north door. Yes, it certainly came from inside the church. What could it be? What could anyone be doing in the church at this hour of night?

He was in the north porch now, and then he knew what it was. It was a low note of the organ—a pedal-note; he was almost sure it was that very pedal-point which the organist had explained to him with such pride. The sound reassured him nothing had happened to Mr Sharnall—he was practising in the church; it was only some mad freak of his to be playing so late; he was practising that service "Sharnall in D flat."

He took out his key to unlock the wicket, and was surprised to find it already open, because he knew that it was the organist's habit to lock himself in. He passed into the great church. It was strange, there was no sound of music; there was no one playing; there was only the intolerably monotonous booming of a single pedal-note, with an occasional muffled thud when the water-engine turned spasmodically to replenish the emptying bellows.

"Sharnall!" he shouted—"Sharnall, what are you doing? Don't you know how late it is?"

He paused, and thought at first that someone was answering him—he thought that he heard people muttering in the choir; but it was only the echo of his own voice, his own voice tossed from pillar to pillar and arch to arch, till it faded into a wail of "Sharnall, Sharnall!" in the lantern.

It was the first time that he had been in the church at night, and he stood for a moment overcome with the mystery of the place, while he gazed at the columns of the nave standing white in the moonlight like a row of vast shrouded figures. He called again to Mr Sharnall, and again received no answer, and then he made his way up the nave to the little doorway that leads to the organ-loft stairs.

This door also was open, and he felt sure now that Mr Sharnall was not in the organ-loft at all, for had he been he would certainly have locked himself in. The pedal-note must be merely ciphering, or something, perhaps a book, might have fallen upon it, and was holding it down. He need not go up to the loft now; he would not go up. The throbbing of the low note had on him the same unpleasant effect as on a previous occasion. He tried to reassure himself, yet felt all the while a growing premonition that something might be wrong, something might be terribly wrong. The lateness of the hour, the isolation from all things living, the spectral moonlight which made the darkness darker—this combination of utter silence, with the distressing vibration of the pedal-note, filled him with something akin to panic. It seemed to him as if the place was full of phantoms, as if the monks of Saint Sepulchre's were risen from under their gravestones, as if there were other dire faces among them such as wait continually on deeds of evil. He checked his alarm before it mastered him. Come what might, he would go up to the organ-loft, and he plunged into the staircase that leads up out of the nave.

It is a circular stair, twisted round a central pillar, of which mention has already been made, and though short, is very dark even in bright daylight. But at night the blackness is inky and impenetrable, and Westray fumbled for an appreciable time before he had climbed sufficiently far up to perceive the glimmer of moonlight at the top. He stepped out at last into the loft, and saw that the organ seat was empty. The great window at the end of the south transept shone full in front of him; it seemed as if it must be day and not night—the light from the window was so strong in comparison with the darkness which he had left. There was a subdued shimmer in the tracery where the stained glass gleamed diaphanous—amethyst and topaz, chrysoprase and jasper, a dozen jewels as in the foundations of the city of God. And in the midst, in the head of the centre light, shone out brighter than all, with an inherent radiance of its own, the cognisance of the Blandamers, the sea-green and silver of the nebuly coat.

Westray gave a step forward into the loft, and then his foot struck against something, and he nearly fell. It was something soft and yielding that he had struck, something of which the mere touch filled him with horrible surmise. He bent down to see what it was, and a white object met his eyes. It was the white face of a man turned up towards the vaulting; he had stumbled over the body of Mr Sharnall, who lay on the floor with the back of his head on the pedal-note. Westray had bent low down, and he looked full in the eyes of the organist, but they were fixed and glazing.

The moonlight that shone on the dead face seemed to fall on it through that brighter spot in the head of the middle light; it was as if the nebuly coat had blighted the very life out of the man who lay so still upon the floor.


No evidence of any importance was given at the inquest except Westray's and the doctor's, and no other evidence was, in fact, required. Dr Ennefer had made an autopsy, and found that the immediate cause of death was a blow on the back of the head. But the organs showed traces of alcoholic habit, and the heart was distinctly diseased. It was probable that Mr Sharnall had been seized with a fainting fit as he left the organ-stool, and had fallen backwards with his head on the pedal-board. He must have fallen with much violence, and the pedal-note had made a bad wound, such as would be produced by a blunt instrument.

The inquest was nearly finished when, without any warning, Westray found himself, as by intuition, asking:

"The wound was such a one, you mean, as might have been produced by the blow of a hammer?"

The doctor seemed surprised, the jury and the little audience stared, but most surprised of all was Westray at his own question.

"You have no locus standi, sir," the coroner said severely; "such an interrogation is irregular. You are to esteem it an act of grace if I allow the medical man to reply."

"Yes," said Dr Ennefer, with a reserve in his voice that implied that he was not there to answer every irrelevant question that it might please foolish people to put to him—"yes, such a wound as might have been caused by a hammer, or by any other blunt instrument used with violence."

"Even by a heavy stick?" Westray suggested.

The doctor maintained a dignified silence, and the coroner struck in:

"I must say I think you are wasting our time, Mr Westray. I am the last person to stifle legitimate inquiry, but no inquiry is really needed here; it is quite certain that this poor man came to his end by falling heavily, and dashing his head against this wooden note in the pedals."

"Is it quite certain?" Westray asked. "Is Dr Ennefer quite sure that the wound could have been caused by a mere fall; I only want to know that Dr Ennefer is quite sure."

The coroner looked at the doctor with a deprecating glance, which implied apologies that so much unnecessary trouble should be given, and a hope that he would be graciously pleased to put an end to it by an authoritative statement.

"Oh, I am quite sure," the doctor responded. "Yes"—and he hesitated for the fraction of a second—"oh yes, there is no doubt such a wound could be caused by a fall."

"I merely wish to point out," said Westray, "that the pedal-note on which he fell is to a certain extent a yielding substance; it would yield, you must remember, at the first impact."

"That is quite true," the doctor said; "I had taken that into account, and admit that one would scarcely expect so serious an injury to have been caused. But, of course, it was so caused, because there is no other explanation; you don't suggest, I presume, that there was any foul play. It is certainly a case of accident or foul play."

"Oh no, I don't suggest anything."

The coroner raised his eyebrows; he was tired, and could not understand such waste of time. But the doctor, curiously enough, seemed to have grown more tolerant of interruption.

"I have examined the injury very carefully," he said, "and have come to the deliberate conclusion that it must have been caused by the wooden key. We must also recollect that the effect of any blow would be intensified by a weak state of health. I don't wish to rake up anything against the poor fellow's memory, or to say any word that may cause you pain, Mr Westray, as his friend; but an examination of the body revealed traces of chronic alcoholism. We must recollect that."

"The man was, in fact, a confirmed drunkard," the coroner said. He lived at Carisbury, and, being a stranger both to Cullerne and its inhabitants, had no scruple in speaking plainly; and, besides this, he was nettled at the architect's interference. "You mean the man was a confirmed drunkard," he repeated.

"He was nothing of the kind," Westray said hotly. "I do not say that he never took more than was good for him, but he was in no sense an habitual drunkard."

"I did not ask your opinion," retorted the coroner; "we do not want any lay conjectures. What do you say, Mr Ennefer?"

The surgeon was vexed in his turn at not receiving the conventional title of doctor, the more so because he knew that he had no legal right to it. To be called "Mr" demeaned him, he considered, in the eyes of present or prospective patients, and he passed at once into an attitude of opposition.

"Oh no, you quite mistake me, Mr Coroner. I did not mean that our poor friend was an habitual drunkard. I never remember to have actually seen him the worse for liquor."

"Well, what do you mean? You say the body shows traces of alcoholism, but that he was not a drunkard."

"Have we any evidence as to Mr Sharnall's state on the evening of his death?" a juror asked, with a pleasant consciousness that he was taking a dispassionate view, and making a point of importance.

"Yes, we have considerable evidence," said the coroner. "Call Charles White."

There stepped forward a little man with a red face and blinking eyes. His name was Charles White; he was landlord of the Merrymouth Inn. The deceased visited his inn on the evening in question. He did not know deceased by sight, but found out afterwards who he was. It was a bad night, deceased was very wet, and took something to drink; he drank a fairish amount, but not that much, not more than a gentleman should drink. Deceased was not drunk when he went away.

"He was drunk enough to leave his top-coat behind him, was he not?" the coroner asked. "Did you not find this coat after he was gone?" and he pointed to a poor masterless garment, that looked greener and more outworn than ever as it hung over the back of a chair.

"Yes, deceased had certainly left his coat behind him, but he was not drunk."

"There are different standards of drunkenness, gentlemen," said the coroner, imitating as well as he might the facetious cogency of a real judge, "and I imagine that the standard of the Merrymouth may be more advanced than in some other places. I don't think"—and he looked sarcastically at Westray—"I do not think we need carry this inquiry farther. We have a man who drinks, not an habitual drunkard, Mr Ennefer says, but one who drinks enough to bring himself into a thoroughly diseased state. This man sits fuddling in a low public-house all the evening, and is so far overtaken by liquor when he goes away, that he leaves his overcoat behind him. He actually leaves his coat behind him, though we have it that it was a pouring wet night. He goes to the organ-loft in a tipsy state, slips as he is getting on to his stool, falls heavily with the back of his head on a piece of wood, and is found dead some hours later by an unimpeachable and careful witness"—and he gave a little sniff—"with his head still on this piece of wood. Take note of that—when he was found his head was still on this very pedal which had caused the fatal injury. Gentlemen, I do not think we need any further evidence; I think your course is pretty clear."

All was, indeed, very clear. The jury with a unanimous verdict of accidental death put the colophon to the sad history of Mr Sharnall, and ruled that the same failing which had blighted his life, had brought him at last to a drunkard's end.

Westray walked back to the Hand of God with the forlorn old top-coat over his arm. The coroner had formally handed it over to him. He was evidently a close friend of the deceased, he would perhaps take charge of his wearing apparel. The architect's thoughts were too preoccupied to allow him to resent the sneer which accompanied these remarks; he went off full of sorrow and gloomy forebodings.

Death in so strange a shape formed a topic of tavern discussion in Cullerne, second only to a murder itself. Not since Mr Leveritt, the timber-merchant, shot a barmaid at the Blandamer Arms, a generation since, had any such dramatic action taken place on Cullerne boards. The loafers swore over it in all its bearings as they spat upon the pavement at the corner of the market square. Mr Smiles, the shop-walker in Rose and Storey's general drapery mart, discussed it genteelly with the ladies who sat before the counter on the high wicker-seated chairs.

Dr Ennefer was betrayed into ill-advised conversation while being shaved, and got his chin cut. Mr Joliffe gave away a packet of moral reflections gratis with every pound of sausage, and turned up the whites of his eyes over the sin of intemperance, which had called away his poor friend in so terrible a state of unpreparedness. Quite a crowd followed the coffin to its last resting-place, and the church was unusually full on the Sunday morning which followed the catastrophe. People expected a "pulpit reference" from Canon Parkyn, and there were the additional, though subordinate, attractions of the playing of the Dead March, and the possibility of an amateur organist breaking down in the anthem.

Church-going, which sprung from such unworthy motives, was very properly disappointed. Canon Parkyn would not, he said, pander to sensationalism by any allusion in his discourse, nor could the Dead March, he conceived, be played with propriety under such very unpleasant circumstances. The new organist got through the service with provokingly colourless mediocrity, and the congregation came out of Saint Sepulchre's in a disappointed mood, as people who had been defrauded of their rights.

Then the nine days' wonder ceased, and Mr Sharnall passed into the great oblivion of middle-class dead. His successor was not immediately appointed. Canon Parkyn arranged that the second master at the National School, who had a pretty notion of music, and was a pupil of Mr Sharnall, should be spared to fill the gap. As Queen Elizabeth, of pious memory, recruited the privy purse by keeping in her own hand vacant bishoprics, so the rector farmed the post of organist at Cullerne Minster. He thus managed to effect so important a reduction in the sordid emoluments of that office, that he was five pounds in pocket before a year was ended.

But if the public had forgotten Mr Sharnall, Westray had not. The architect was a man of gregarious instinct. As there is a tradition and bonding of common interest about the Universities, and in a less degree about army, navy, public schools, and professions, which draws together and marks with its impress those who are attached to them, so there is a certain cabala and membership among lodgers which none can understand except those who are free of that guild.

The lodging-house life, call it squalid, mean, dreary if you will, is not without its alleviations and counterpoises. It is a life of youth for the most part, for lodgers of Mr Sharnall's age are comparatively rare; it is a life of simple needs and simple tastes, for lodgings are not artistic, nor favourable to the development of any undue refinement; it is not a rich life, for men as a rule set up their own houses as soon as they are able to do so; it is a life of work and buoyant anticipation, where men are equipping for the struggle, and laying the foundations of fortune, or digging the pit of indigence. Such conditions beget and foster good fellowship, and those who have spent time in lodgings can look back to whole-hearted and disinterested friendships, when all were equal before high heaven, hail-fellows well met, who knew no artificial distinctions of rank—when all were travelling the first stage of life's journey in happy chorus together, and had not reached that point where the high road bifurcates, and the diverging branches of success and failure lead old comrades so very far apart. Ah, what a camaraderie and fellowship, knit close by the urgency of making both ends meet, strengthened by the necessity of withstanding rapacious, or negligent, or tyrannous landladies, sweetened by kindnesses and courtesies which cost the giver little, but mean much to the receiver! Did sickness of a transitory sort (for grievous illness is little known in lodgings) fall on the ground-floor tenant, then did not the first-floor come down to comfort him in the evenings? First-floor might be tired after a long day's work, and note when his frugal meal was done that 'twas a fine evening, or that a good company was billed for the local theatre; yet he would grudge not his leisure, but go down to sit with ground-floor, and tell him the news of the day, perhaps even would take him a few oranges or a tin of sardines. And ground-floor, who had chafed all the day at being shut in, and had read himself stupid for want of anything else to do, how glad he was to see first-floor, and how the chat did him more good than all the doctor's stuff!

And later on, when some ladies came to lunch with first-floor on the day of the flower-show, did not ground-floor go out and place his sitting-room completely at his fellow-lodger's disposal, so that the company might find greater convenience and change of air after meat? They were fearful joys, these feminine visits, when ladies who were kind enough to ask a young man to spend a Sunday with them, still further added to their kindness, by accepting with all possible effusion the invitation which he one day ventured to give. It was a fearful joy, and cost the host more anxious preparation than a state funeral brings to Earl-marshal. As brave a face as might be must be put on everything; so many details were to be thought out, so many little insufficiencies were to be masked. But did not the result recompense all? Was not the young man conscious that, though his rooms might be small, there was about them a delicate touch which made up for much, that everything breathed of refinement from the photographs and silver toddy-spoon upon the mantelpiece to Rossetti's poems and "Marius the Epicurean," which covered negligently a stain on the green tablecloth? And these kindly ladies came in riant mood, well knowing all his little anxieties and preparations, yet showing they knew none of them; resolved to praise his rooms, his puny treasures, even his cookery and perilous wine, and skilful to turn little contretemps into interesting novelties. Householders, yours is a noble lot, ye are the men, and wisdom shall die with you. Yet pity not too profoundly him that inhabiteth lodgings, lest he turn and rend you, pitying you in turn that have bound on your shoulders heavy burdens of which he knows nothing; saying to you that seed time is more profitable than harvest, and the wandering years than the practice of the master. Refrain from too much pity, and believe that loneliness is not always lonely.

Westray was of a gregarious temperament, and missed his fellow-lodger. The cranky little man, with all his soured outlook, must still have had some power of evoking sympathy, some attractive element in his composition. He concealed it under sharp words and moody bitterness, but it must still have been there, for Westray felt his loss more than he had thought possible. The organist and he had met twice and thrice a day for a year past. They had discussed the minster that both loved so well, within whose walls both were occupied; they had discussed the nebuly coat, and the Blandamers, and Miss Euphemia. There was only one subject which they did not discuss—namely, Miss Anastasia Joliffe, though she was very often in the thoughts of both.

It was all over now, yet every day Westray found himself making a mental note to tell this to Mr Sharnall, to ask Mr Sharnall's advice on that, and then remembering that there is no knowledge in the grave. The gaunt Hand of God was ten times gaunter now that there was no lodger on the ground-floor. Footfalls sounded more hollow at night on the stone steps of the staircase, and Miss Joliffe and Anastasia went early to bed.

"Let us go upstairs, my dear," Miss Euphemia would say when the chimes sounded a quarter to ten. "These long evenings are so lonely, are they not? and be sure you see that the windows are properly hasped." And then they hurried through the hall, and went up the staircase together side by side, as if they were afraid to be separated by a single step. Even Westray knew something of the same feeling when he returned late at night to the cavernous great house. He tried to put his hand as quickly as he might upon the matchbox, which lay ready for him on the marble-topped sideboard in the dark hall; and sometimes when he had lit the candle would instinctively glance at the door of Mr Sharnall's room, half expecting to see it open, and the old face look out that had so often greeted him on such occasions. Miss Joliffe had made no attempt to find a new lodger. No "Apartments to Let" was put in the window, and such chattels as Mr Sharnall possessed remained exactly as he left them. Only one thing was moved—the collection of Martin Joliffe's papers, and these Westray had taken upstairs to his own room.

When they opened the dead man's bureau with the keys found in his pocket to see whether he had left any will or instructions, there was discovered in one of the drawers a note addressed to Westray. It was dated a fortnight before his death, and was very short:


"If I go away and am not heard of, or if anything happens to me, get hold of Martin Joliffe's papers at once. Take them up to your own room, lock them up, and don't let them out of your hands. Tell Miss Joliffe it is my wish, and she will hand them over to you. Be very careful there isn't a fire, or lest they should be destroyed in any other way. Read them carefully, and draw your own conclusions; you will find some notes of mine in the little red pocket-book."


The architect had read these words many times. They were no doubt the outcome of the delusions of which Mr Sharnall had more than once spoken—of that dread of some enemy pursuing him, which had darkened the organist's latter days. Yet to read these things set out in black and white, after what had happened, might well give rise to curious thoughts. The coincidence was so strange, so terribly strange. A man following with a hammer—that had been the organist's hallucination; the vision of an assailant creeping up behind, and doing him to death with an awful, stealthy blow. And the reality—an end sudden and unexpected, a blow on the back of the head, which had been caused by a heavy fall. Was it mere coincidence, was it some inexplicable presentiment, or was it more than either? Had there, in fact, existed a reason why the organist should think that someone had a grudge against him, that he was likely to be attacked? Had some dreadful scene been really enacted in the loneliness of the great church that night? Had the organist been taken unawares, or heard some movement in the silence, and, turning round, found himself alone with his murderer? And if a murderer, whose was the face into which the victim looked? And as Westray thought he shuddered; it seemed it might have been no human face at all, but some fearful presence, some visible presentment of the evil that walketh in darkness.

Then the architect would brush such follies away like cobwebs, and, turning back, consider who could have found his interest in such a deed. Against whom did the dead man urge him to be on guard lest Martin's papers should be spirited away? Was there some other claimant of that ill-omened peerage of whom he knew nothing, or was it—And Westray resolutely quenched the thought that had risen a hundred times before his mind, and cast it aside as a malign and baseless suspicion.

If there was any clue it must lie in those same papers, and he followed the instruction given him, and took them to his own room. He did not show Miss Joliffe the note; to do so could only have shaken her further, and she had felt the shock too severely already. He only told her of Mr Sharnall's wishes for the temporary disposal of her brother's papers. She begged him not to take them.

"Dear Mr Westray," she said, "do not touch them, do not let us have anything to do with them. I wanted poor dear Mr Sharnall not to go meddling with them, and now see what has happened. Perhaps it is a judgment"—and she uttered the word under her breath, having a medieval faith in the vengeful irritability of Providence, and seeing manifestations of it in any untoward event, from the overturning of an inkstand to the death of a lodger. "Perhaps it is a judgment, and he might have been alive now if he had refrained. What good would it do us if all dear Martin hoped should turn out true? He always said, poor fellow, that he would be 'my lord' some day; but now he is gone there is no one except Anastasia, and she would never wish to be 'my lady,' I am sure, poor girl. You would not, darling, wish to be 'my lady' even if you could, would you?"

Anastasia looked up from her book with a deprecating smile, which lost itself in an air of vexation, when she found that the architect's eyes were fixed steadfastly upon her, and that a responsive smile spread over his face. She flushed very slightly, and turned back abruptly to her book, feeling quite unjustifiably annoyed at the interest in her doings which the young man's gaze was meant to imply. What right had he to express concern, even with a look, in matters which affected her? She almost wished she was indeed a peeress, and could slay him with her noble birth, as did one Lady Clara of old times. It was only lately that she had become conscious of this interested, would-be interesting, look, which Westray assumed in her presence. Was it possible that he was falling in love with her? And at the thought there rose before her fancy the features of someone else, haughty, hard, perhaps malign, but oh, so powerful, and quite eclipsed and blotted out the lifeless amiability of this young man who hung upon her lips.

Could Mr Westray be thinking of falling in love with her? It was impossible, and yet this following her with his eyes, and the mellific manner which he adopted when speaking to her, insisted on its possibility. She ran over hastily in her mind, as she had done several times of late, the course of their relations. Was she to blame? Could anything that she had ever done be wrested into predilection or even into appreciation? Could natural kindness or courtesy have been so utterly misunderstood? She was victoriously acquitted by this commission of mental inquiry, and left the court without a stain upon her character. She certainly had never given him the very least encouragement. At the risk of rudeness she must check these attentions in their beginning. Short of actual discourtesy, she must show him that this warm interest in her doings, these sympathetic glances, were exceedingly distasteful. She never would look near him again, she would keep her eyes rigorously cast down whenever he was present, and as she made this prudent resolution she quite unintentionally looked up, and found his patient gaze again fixed upon her.

"Oh, you are too severe, Miss Joliffe," the architect said; "we should all be delighted to see a title come to Miss Anastasia, and," he added softly, "I am sure no one would become it better."

He longed to drop the formal prefix of Miss, and to speak of her simply as Anastasia. A few months before he would have done so naturally and without reflection, but there was something in the girl's manner which led him more recently to forego this pleasure.

Then the potential peeress got up and left the room.

"I am just going to look after the bread," she said; "I think it ought to be baked by this time."

Miss Joliffe's scruples were at last overborne, and Westray retained the papers, partly because it was represented to her that if he did not examine them it would be a flagrant neglect of the wishes of a dead man—wishes that are held sacred above all others in the circles to which Miss Joliffe belonged—and partly because possession is nine points of the law, and the architect already had them safe under lock and key in his own room. But he was not able to devote any immediate attention to them, for a crisis in his life was approaching, which tended for the present to engross his thoughts.

He had entertained for some time an attachment to Anastasia Joliffe. When he originally became aware of this feeling he battled vigorously against it, and his efforts were at first attended with some success. He was profoundly conscious that any connection with the Joliffes would be derogatory to his dignity; he feared that the discrepancy between their relative positions was sufficiently marked to attract attention, if not to provoke hostile criticism. People would certainly say that an architect was marrying strangely below him, in choosing a landlady's niece. If he were to do such a thing, he would no doubt be throwing himself away socially. His father, who was dead, had been a Wesleyan pastor; and his mother, who survived, entertained so great a respect for the high position of that ministry that she had impressed upon Westray from boyhood the privileges and responsibilities of his birth. But apart from this objection, there was the further drawback that an early marriage might unduly burden him with domestic cares, and so arrest his professional progress. Such considerations had due weight with an equally-balanced mind, and Westray was soon able to congratulate himself on having effectually extinguished any dangerous inclinations by sheer strength of reason.

This happy and philosophic state of things was not of long duration. His admiration smouldered only, and was not quenched, but it was a totally extraneous influence, rather than the constant contemplation of Anastasia's beauty and excellencies, which fanned the flame into renewed activity. This extraneous factor was the entrance of Lord Blandamer into the little circle of Bellevue Lodge. Westray had lately become doubtful as to the real object of Lord Blandamer's visits, and nursed a latent idea that he was using the church, and the restoration, and Westray himself, to gain a pied-à-terre at Bellevue Lodge for the prosecution of other plans. The long conversations in which the architect and the munificent donor still indulged, the examination of plans, the discussion of details, had lost something of their old savour. Westray had done his best to convince himself that his own suspicions were groundless; he had continually pointed out to himself, and insisted to himself, that the mere fact of Lord Blandamer contributing such sums to the restoration as he either had contributed, or had promised to contribute, showed that the church was indeed his primary concern. It was impossible to conceive that any man, however wealthy, should spend many thousand pounds to obtain an entree to Bellevue Lodge; moreover, it was impossible to conceive that Lord Blandamer should ever marry Anastasia—the disparity in such a match would, Westray admitted, be still greater than in his own. Yet he was convinced that Anastasia was often in Lord Blandamer's thoughts. It was true that the Master of Fording gave no definite outward sign of any predilection when Westray was present. He never singled Anastasia out either for regard or conversation on such occasions as chance brought her into his company. At times he even made a show of turning away from her, of studiously neglecting her presence.

But Westray felt that the fact was there.

There is some subtle effluence of love which hovers about one who entertains a strong affection for another. Looks may be carefully guarded, speech may be framed to mislead, yet that pervading ambient of affection is strong to betray where perception is sharpened by jealousy.

Now and then the architect would persuade himself that he was mistaken; he would reproach himself with his own suspicious disposition, with his own lack of generosity. But then some little episode would occur, some wholly undemonstrable trifle, which swept his cooler judgment to the winds, and gave him a quite incommensurate heartburn. He would recall, for instance, the fact that for their interviews Lord Blandamer had commonly selected a Saturday afternoon. Lord Blandamer had explained this by saying that he was busy through the week; but then a lord was not like a schoolboy with a Saturday half-holiday. What business could he have to occupy him all the week, and leave him free on Saturdays? It was strange enough, and stranger from the fact that Miss Euphemia Joliffe was invariably occupied on that particular afternoon at the Dorcas meeting; stranger from the fact that there had been some unaccountable misunderstandings between Lord Blandamer and Westray as to the exact hour fixed for their interviews, and that more than once when the architect had returned at five, he had found that Lord Blandamer had taken four as the time of their meeting, and had been already waiting an hour at Bellevue Lodge.

Poor Mr Sharnall also must have noticed that something was going on, for he had hinted as much to Westray a fortnight or so before he died. Westray was uncertain as to Lord Blandamer's feelings; he gave the architect the idea of a man who had some definite object to pursue in making himself interesting to Anastasia, while his own affections were not compromised. That object could certainly not be marriage, and if it was not marriage, what was it? In ordinary cases an answer might have been easy, yet Westray hesitated to give it. It was hard to think that this grave man, of great wealth and great position, who had roamed the world, and known men and manners, should stoop to common lures. Yet Westray came to think it, and his own feelings towards Anastasia were elevated by the resolve to be her knightly champion against all base attempts.

Can man's deepest love be deepened? Then it must surely be by the knowledge that he is protector as well as lover, by the knowledge that he is rescuing innocence, and rescuing it for—himself. Thoughts such as these bring exaltation to the humblest-minded, and they quickened the slow-flowing and thin fluid that filled the architect's veins.

He came back one evening from the church weary with a long day's work, and was sitting by the fire immersed in a medley of sleepy and half-conscious consideration, now of the crack in the centre tower, now of the tragedy of the organ-loft, now of Anastasia, when the elder Miss Joliffe entered.

"Dear me, sir," she said, "I did not know you were in! I only came to see your fire was burning. Are you ready for your tea? Would you like anything special to-night? You do look so very tired. I am sure you are working too hard; all the running about on ladders and scaffolds must be very trying. I think indeed, sir, if I may make so bold, that you should take a holiday; you have not had a holiday since you came to live with us."

"It is not impossible, Miss Joliffe, that I may take your advice before very long. It is not impossible that I may before long go for a holiday."

He spoke with that preternatural gravity which people are accustomed to throw into their reply, if asked a trivial question when their own thoughts are secretly occupied with some matter that they consider of deep importance. How could this commonplace woman guess that he was thinking of death and love? He must be gentle with her and forgive her interruption. Yes, fate might, indeed, drive him to take a holiday. He had nearly made up his mind to propose to Anastasia. It was scarcely to be doubted that she would at once accept him, but there must be no half-measures, he would brook no shilly-shallying, he would not be played fast and loose with. She must either accept him fully and freely, and at once, or he would withdraw his offer, and in that case, or still more in the entirely improbable case of refusal, he would leave Bellevue Lodge forthwith.

"Yes, indeed, I may ere long have to go away for a holiday."

The conscious forbearance of replying at all gave a quiet dignity to his tone, and an involuntary sigh that accompanied his words was not lost upon Miss Joliffe. To her this speech seemed oracular and ominous; there was a sepulchral mystery in so vague an expression. He might have to take a holiday. What could this mean? Was this poor young man completely broken by the loss of his friend Mr Sharnall, or was he conscious of the seeds of some fell disease that others knew nothing of? He might have to take a holiday. Ah, it was not a mere holiday of which he spoke—he meant something more serious than that; his grave, sad manner could only mean some long absence. Perhaps he was going to leave Cullerne.

To lose him would be a very serious matter to Miss Joliffe from the material point of view; he was her sheet-anchor, the last anchor that kept Bellevue Lodge from drifting into bankruptcy. Mr Sharnall was dead, and with him had died the tiny pittance which he contributed to the upkeep of the place, and lodgers were few and far between in Cullerne. Miss Joliffe might well have remembered these things, but she did not. The only thought that crossed her mind was that if Mr Westray went away she would lose yet another friend. She did not approach the matter from the material point of view, she looked on him only as a friend; she viewed him as no money-making machine, but only as that most precious of all treasures—a last friend.

"I may have to leave you for awhile," he said again, with the same portentous solemnity.

"I hope not, sir," she interrupted, as though by her very eagerness she might avert threatened evil—"I hope not; we should miss you terribly, Mr Westray, with dear Mr Sharnall gone too. I do not know what we should do having no man in the house. It is so very lonely if you are away even for a night. I am an old woman now, and it does not matter much for me, but Anastasia is so nervous at night since the dreadful accident."

Westray's face brightened a little at the mention of Anastasia's name. Yes, his must certainly be a very deep affection, that the naming of her very name should bring him such pleasure. It was on his protection, then, that she leant; she looked on him as her defender. The muscles of his not gigantic arms seemed to swell and leap to bursting in his coat-sleeves. Those arms should screen his loved one from all evil. Visions of Perseus, and Sir Galahad, and Cophetua, swept before his eyes; he had almost cried to Miss Euphemia, "You need have no fear, I love your niece. I shall bow down and raise her to my throne. They that would touch her shall only do so over my dead body," when hesitating common-sense plucked him by the sleeve; he must consult his mother before taking this grave step.

It was well that reason thus restrained him, for such a declaration might have brought Miss Joliffe to a swoon. As it was, she noticed the cloud lifting on his face, and was pleased to think that her conversation cheered him. A little company was no doubt good for him, and she sought in her mind for some further topic of interest. Yes, of course, she had it.

"Lord Blandamer was here this afternoon. He came just like anyone else might have come, in such a very kind and condescending way to ask after me. He feared that dear Mr Sharnall's death might have been too severe a shock for us both, and, indeed, it has been a terrible blow. He was so considerate, and sat for nearly an hour—for forty-seven minutes I should say by the clock, and took tea with us in the kitchen as if he were one of the family. I never could have expected such condescension, and when he went away he left a most polite message for you, sir, to say that he was sorry that you were not in, but he hoped to call again before long."

The cloud had returned to Westray's face. If he had been the hero of a novel his brow would have been black as night; as it was he only looked rather sulky.

"I shall have to go to London to-night," he said stiffly, without acknowledging Miss Joliffe's remarks; "I shall not be back to-morrow, and may be away a few days. I will write to let you know when I shall be back."

Miss Joliffe started as if she had received an electric shock.

"To London to-night," she began—"this very night?"

"Yes," Westray said, with a dryness that would have suggested of itself that the interview was to be terminated, even if he had not added: "I shall be glad to be left alone now; I have several letters to write before I can get away."

So Miss Euphemia went to impart this strange matter to the maiden who was ex hypothesi leaning on the architect's strong arm.

"What do you think, Anastasia?" she said. "Mr Westray is going to London to-night, perhaps for some days."

"Is he?" was all her niece's comment; but there was a languor and indifference in the voice, that might have sent the thermometer of the architect's affection from boiling-point to below blood-heat, if he could have heard her speak.

Westray sat moodily for a few moments after his landlady had gone. For the first time in his life he wished he was a smoker. He wished he had a pipe in his mouth, and could pull in and puff out smoke as he had seen Sharnall do when he was moody. He wanted some work for his restless body while his restless mind was turning things over. It was the news of Lord Blandamer's visit, as on this very afternoon, that fanned smouldering thoughts into flame. This was the first time, so far as Westray knew, that Lord Blandamer had come to Bellevue Lodge without at least a formal excuse of business. With that painful effort which we use to convince ourselves of things of which we wish to be convinced in the face of all difficulties; with that blind, stumbling hope against hope with which we try to reconcile things irreconcilable, if only by so doing we can conjure away a haunting spectre, or lull to sleep a bitter suspicion; the architect had hitherto resolved to believe that if Lord Blandamer came with some frequency to Bellevue Lodge, he was only prompted to do so by a desire to keep in touch with the restoration, to follow with intelligence the expenditure of money which he was so lavishly providing. It had been the easier for Westray to persuade himself that Lord Blandamer's motives were legitimate, because he felt that the other must find a natural attraction in the society of a talented young professional man. An occasional conversation with a clever architect on things architectural, or on other affairs of common interest (for Westray was careful to avoid harping unduly on any single topic) must undoubtedly prove a relief to Lord Blandamer from the monotony of bachelor life in the country; and in such considerations Westray found a subsidiary, and sometimes he was inclined to imagine primary, interest for these visits to Bellevue Lodge.

If various circumstances had conspired of late to impugn the sufficiency of these motives, Westray had not admitted as much in his own mind; if he had been disquieted, he had constantly assured himself that disquietude was unreasonable. But now disillusion had befallen him. Lord Blandamer had visited Bellevue Lodge as it were in his own right; he had definitely abandoned the pretence of coming to see Westray; he had been drinking tea with Miss Joliffe; he had spent an hour in the kitchen with Miss Joliffe and—Anastasia. It could only mean one thing, and Westray's resolution was taken.

An object which had seemed at best but mildly desirable, became of singular value when he believed that another was trying to possess himself of it; jealousy had quickened love, duty and conscience insisted that he should save the girl from the snare that was being set for her. The great renunciation must be made; he, Westray, must marry beneath him, but before doing so he would take his mother into his confidence, though there is no record of Perseus doing as much before he cut loose Andromeda.

Meanwhile, no time must be lost; he would start this very night. The last train for London had already left, but he would walk to Cullerne Road Station and catch the night-mail from thence. He liked walking, and need take no luggage, for there were things that he could use at his mother's house. It was seven o'clock when he came to this resolve, and an hour later he had left the last house in Cullerne behind him, and entered upon his night excursion.

The line of the Roman way which connected Carauna (Carisbury) with its port Culurnum (Cullerne) is still followed by the modern road, and runs as nearly straight as may be for the sixteen miles which separate those places. About half-way between them the Great Southern main line crosses the highway at right angles, and here is Cullerne Road Station. The first half of the way runs across a flat sandy tract called Mallory Heath, where the short greensward encroaches on the road, and where the eye roaming east or west or north can discern nothing except a limitless expanse of heather, broken here and there by patches of gorse and bracken, or by clumps of touselled and wind-thinned pines and Scotch firs. The tawny-coloured, sandy, track is difficult to follow in the dark, and there are posts set up at intervals on the skirts of the way for travellers' guidance. These posts show out white against a starless night, and dark against the snow which sometimes covers the heath with a silvery sheet.

On a clear night the traveller can see the far-off lamps of the station at Cullerne Road a mile after he has left the old seaport town. They stand out like a thin line of light in the distant darkness, a line continuous at first, but afterwards resolvable into individual units of lamps as he walks further along the straight road. Many a weary wayfarer has watched those lamps hang changeless in the distance, and chafed at their immobility. They seem to come no nearer to him for all the milestones, with the distance from Hyde Park Corner graven in old figures on their lichened faces, that he has passed. Only the increasing sound of the trains tells him that he is nearing his goal, and by degrees the dull rumble becomes a clanking roar as the expresses rush headlong by. On a crisp winter day they leave behind them a trail of whitest wool, and in the night-time a fiery serpent follows them when the open furnace-door flings on the cloud a splendid radiance. But in the dead heats of midsummer the sun dries up the steam, and they speed along, the more wonderful because there is no trace to tell what power it is that drives them.

Of all these things Westray saw nothing. A soft white fog had fallen upon everything. It drifted by in delicate whirling wreaths, that seemed to have an innate motion of their own where all had been still but a minute before. It covered his clothes with a film of the finest powdery moisture that ran at a touch into heavy drops, it hung in dripping dew on his moustache, and hair, and eyebrows, it blinded him, and made him catch his breath. It had come rolling in from the sea as on that night when Mr Sharnall was taken, and Westray could hear the distant groaning of fog-horns in the Channel; and looking backwards towards Cullerne, knew from a blurred glare, now green, now red, that a vessel in the offing was signalling for a coastwise pilot. He plodded steadily forward, stopping now and then when he found his feet on the grass sward to recover the road, and rejoicing when one of the white posts assured him that he was still keeping the right direction. The blinding fog isolated him in a strange manner; it cut him off from Nature, for he could see nothing of her; it cut him off from man, for he could not have seen even a legion of soldiers had they surrounded him. This removal of outside influences threw him back upon himself, and delivered him to introspection; he began for the hundredth time to weigh his position, to consider whether the momentous step that he was taking was necessary to his ease of mind, was right, was prudent.

To make a proposal of marriage is a matter that may give the strongest-minded pause, and Westray's mind was not of the strongest. He was clever, imaginative, obstinate, scrupulous to a fault; but had not that broad outlook on life which comes of experience, nor the power and resolution to readily take a decision under difficult circumstances, and to abide by it once taken. So it was that reason made a shuttlecock of his present resolve, and half a dozen times he stopped in the road meaning to abandon his purpose, and turn back to Cullerne. Yet half a dozen times he went on, though with slow feet, thinking always, Was he right in what he was doing, was he right? And the fog grew thicker; it seemed almost to be stifling him; he could not see his hand if he held it at arm's length before his face. Was he right, was there any right or any wrong, was anything real, was not everything subjective—the creation of his own brain? Did he exist, was he himself, was he in the body or out of the body? And then a wild dismay, a horror of the darkness and the fog, seized hold of him. He stretched out his arms, and groped in the mist as if he hoped to lay hold of someone, or something, to reassure him as to his own identity, and at last a mind-panic got the better of him; he turned and started back to Cullerne.

It was only for a moment, and then reason began to recover her sway; he stopped, and sat down on the heather at the side of the road, careless that every spray was wet and dripping, and collected his thoughts. His heart was beating madly as in one that wakes from a nightmare, but he was now ashamed of his weakness and of the mental débâcle, though there had been none to see it. What could have possessed him, what madness was this? After a few minutes he was able to turn round once more, and resumed his walk towards the railway with a firm, quick step, which should prove to his own satisfaction that he was master of himself.

For the rest of his journey he dismissed bewildering questions of right and wrong, of prudence and imprudence, laying it down as an axiom that his emprise was both right and prudent, and busied himself with the more material and homely considerations of ways and means. He amused himself in attempting to fix the sum for which it would be possible for him and Anastasia to keep house, and by mentally straining to the utmost the resources at his command managed to make them approach his estimate. Another man in similar circumstances might perhaps have given himself to reviewing the chances of success in his proposal, but Westray did not trouble himself with any doubts on this point. It was a foregone conclusion that if he once offered himself Anastasia would accept him; she could not be so oblivious to the advantages which such a marriage would offer, both in material considerations and in the connection with a superior family. He only regarded the matter from his own standpoint; once he was convinced that he cared enough for Anastasia to make her an offer, then he was sure that she would accept him.

It was true that he could not, on the spur of the moment, recollect many instances in which she had openly evinced a predilection for him, but he was conscious that she thought well of him, and she was no doubt too modest to make manifest, feelings which she could never under ordinary circumstances hope to see returned. Yet he certainly had received encouragement of a quiet and unobtrusive kind, quite sufficient to warrant the most favourable conclusions. He remembered how many, many times their eyes had met when they were in one another's company; she must certainly have read the tenderness which had inspired his glances, and by answering them she had given perhaps the greatest encouragement that true modesty would permit. How delicate and infinitely gracious her acknowledgment had been, how often had she looked at him as it were furtively, and then, finding his passionate gaze upon her, had at once cast her own eyes shyly to the ground! And in his reveries he took not into reckoning, the fact that through these later weeks he had scarcely ever taken his gaze off her, so long as she was in the same room with him. It would have been strange if their eyes had not sometimes met, because she must needs now and then obey that impulse which forces us to look at those who are looking at us. Certainly, he meditated, her eyes had given him encouragement, and then she had accepted gratefully a bunch of lilies of the valley which he said lightly had been given him, but which he had really bought ad hoc at Carisbury. But, again, he ought perhaps to have reflected that it would have been difficult for her to refuse them. How could she have refused them? How could any girl under the circumstances do less than take with thanks a few lilies of the valley? To decline them would be affectation; by declining she might attach a false and ridiculous significance to a kindly act. Yes, she had encouraged him in the matter of the lilies, and if she had not worn some of them in her bosom, as he had hoped she might, that, no doubt, was because she feared to show her preference too markedly. He had noticed particularly the interest she had shown when a bad cold had confined him for a few days to the house, and this very evening had he not heard that she missed him when he was absent even for a night? He smiled at this thought, invisibly in the fog; and has not a man a right to some complacence, on whose presence in the house hang a fair maiden's peace and security? Miss Joliffe had said that Anastasia felt nervous whenever he, Westray, was away; it was very possible that Anastasia had given her aunt a hint that she would like him to be told this, and he smiled again in the fog; he certainly need have no fear of any rejection of his suit.

He had been so deeply immersed in these reassuring considerations that he walked steadily on unconscious of all exterior objects and conditions until he saw the misty lights of the station, and knew that his goal was reached. His misgivings and tergiversations had so much delayed him by the way, that it was past midnight, and the train was already due. There were no other travellers on the platform, or in the little waiting-room where a paraffin-lamp with blackened chimney struggled feebly with the fog. It was not a cheery room, and he was glad to be called back from a contemplation of a roll of texts hanging on the wall, and a bottle of stale water on the table, to human things by the entry of a drowsy official who was discharging the duties of station-master, booking-clerk, and porter all at once.

"Are you waiting for the London train, sir?" he asked in a surprised tone, that showed that the night-mail found few passengers at Cullerne Road. "She will be in now in a few minutes; have you your ticket?"

They went together to the booking-office. The station-master handed him a third-class ticket, without even asking how he wished to travel.

"Ah, thank you," Westray said, "but I think I will go first-class to-night. I shall be more likely to have a compartment to myself, and shall be less disturbed by people getting in and out."

"Certainly, sir," said the station-master, with the marked increase of respect due to a first-class passenger—"certainly, sir; please give me back the other ticket. I shall have to write you one—we do not keep them ready; we are so very seldom asked for first-class at this station."

"No, I suppose not," Westray said.

"Things happen funny," the station-master remarked while he got his pen. "I wrote one by this same train a month ago, and before that I don't think we have ever sold one since the station was opened."

"Ah," Westray said, paying little attention, for he was engaged in a new mental disputation as to whether he was really justified in travelling first-class. He had just settled that at such a life-crisis as he had now reached, it was necessary that the body should be spared fatigue in order that the mind might be as vigorous as possible for dealing with a difficult situation, and that the extra expense was therefore justified; when the station-master went on:

"Yes, I wrote a ticket, just as I might for you, for Lord Blandamer not a month ago. Perhaps you know Lord Blandamer?" he added venturously; yet with a suggestion that even the sodality of first-class travelling was not in itself a passport to so distinguished an acquaintance. The mention of Lord Blandamer's name gave a galvanic shock to Westray's flagging attention.

"Oh yes," he said, "I know Lord Blandamer."

"Do you, indeed, sir"—and respect had risen by a skip greater than any allowed in counterpoint. "Well, I wrote a ticket for his lordship by this very train not a month ago; no, it was not a month ago, for 'twas the very night the poor organist at Cullerne was took."

"Yes," said the would-be indifferent Westray; "where did Lord Blandamer come from?"

"I do not know," the station-master replied—"I do not know, sir," he repeated, with the unnecessary emphasis common to the uneducated or unintelligent.

"Was he driving?"

"No, he walked up to this station just as you might yourself. Excuse me, sir," he broke off; "here she comes."

They heard the distant thunder of the approaching train, and were in time to see the gates of the level-crossing at the end of the platform swing silently open as if by ghostly hands, till their red lanterns blocked the Cullerne Road.

No one got out, and no one but Westray got in; there was some interchanging of post-office bags in the fog, and then the station-master-booking-clerk-porter waved a lamp, and the train steamed away. Westray found himself in a cavernous carriage, of which the cloth seats were cold and damp as the lining of a coffin. He turned up the collar of his coat, folded his arms in a Napoleonic attitude, and threw himself back into a corner to think. It was curious—it was very curious. He had been under the impression that Lord Blandamer had left Cullerne early on the night of poor Sharnall's accident; Lord Blandamer had told them at Bellevue Lodge that he was going away by the afternoon train when he left them. Yet here he was at Cullerne Road at midnight, and if he had not come from Cullerne, whence had he come? He could not have come from Fording, for from Fording he would certainly have taken the train at Lytchett. It was curious, and while he was so thinking he fell asleep.


A day or two later Miss Joliffe said to Anastasia:

"I think you had a letter from Mr Westray this morning, my dear, had you not? Did he say anything about his return? Did he say when he was coming back?"

"No, dear aunt, he said nothing about coming back. He only wrote a few lines on a matter of business."

"Oh yes, just so," Miss Joliffe said dryly, feeling a little hurt at what seemed like any lack of confidence on her niece's part.

Miss Joliffe would have said that she knew Anastasia's mind so well that no secrets were hid from her. Anastasia would have said that her aunt knew everything except a few little secrets, and, as a matter of fact, the one perhaps knew as much of the other as it is expedient that age should know of youth. "The mind is its own place, and in itself can make a hell of heaven, a heaven of hell." Of all earthly consolations this is the greatest, that the mind is its own place. The mind is an impregnable fortress which can be held against all comers, the mind is a sanctuary open day or night to the pursued, the mind is a flowery pleasance where shade refreshes even in summer droughts. To some trusted friend we try to give the clue of the labyrinth, but the ball of silk is too short to guide any but ourselves along all the way. There are sunny mountain-tops, there are innocent green arbours, or closes of too highly-perfumed flowers, or dank dungeons of despair, or guilty mycethmi black as night, where we walk alone, whither we may lead no one with us by the hand.

Miss Euphemia Joliffe would have liked to ignore altogether the matter of Westray's letter, and to have made no further remarks thereon; but curiosity is in woman a stronger influence than pride, and curiosity drove her to recur to the letter.

"Thank you, my dear, for explaining about it. I am sure you will tell me if there are any messages for me in it."

"No, there was no message at all for you, I think," said Anastasia. "I will get it for you by-and-by, and you shall see all he says;" and with that she left the room as if to fetch the letter. It was only a subterfuge, for she felt Westray's correspondence burning a hole in her pocket all the while; but she was anxious that her aunt should not see the letter until an answer to it had been posted; and hoped that if she once escaped from the room, the matter would drop out of memory. Miss Joliffe fired a parting shot to try to bring her niece to her bearings as she was going out:

"I do not know, my dear, that I should encourage any correspondence from Mr Westray, if I were you. It would be more seemly, perhaps, that he should write to me on any little matter of business than to you." But Anastasia feigned not to hear her, and held on her course.

She betook herself to the room that had once been Mr Sharnall's, but was now distressingly empty and forlorn, and there finding writing materials, sat down to compose an answer to Westray's letter. She knew its contents thoroughly well, she knew its expressions almost by heart, yet she spread it out on the table before her, and read and re-read it as many times as if it were the most difficult of cryptograms.

"Dearest Anastasia," it began, and she found a grievance in the very first word, "Dearest." What right had he to call her "Dearest"? She was one of those unintelligible females who do not shower superlatives on every chance acquaintance. She must, no doubt, have been callous as judged by modern standards, or at least, singularly unimaginative, for among her few correspondents she had not one whom she addressed as "dearest." No, not even her aunt, for at such rare times of absence from home as she had occasion to write to Miss Joliffe, "My dear Aunt Euphemia" was the invocation.

It was curious that this same word "Dearest" had occasioned Westray also considerable thought and dubiety. Should he call her "Dearest Anastasia," or "Dear Miss Joliffe"? The first sounded too forward, the second too formal. He had discussed this and other details with his mother, and the die had at last fallen on "Dearest." At the worst such an address could only be criticised as proleptic, since it must be justified almost immediately by Anastasia's acceptance of his proposal.


"Dearest Anastasia—for dearest you are and ever will be to me—I feel sure that your heart will go out to meet my heart in what I am saying; that your kindness will support me in the important step which has now to be taken."

Anastasia shook her head, though there was no one to see her. There was a suggestion of fate overbearing prudence in Westray's words, a suggestion that he needed sympathy in an unpleasant predicament, that jarred on her intolerably.

"I have known you now a year, and know that my happiness is centred in you; you too have known me a year, and I trust that I have read aright the message that your eyes have been sending to me.

"'For I shall happiest be to-night,
Or saddest in the town;
Heaven send I read their message right,
Those eyes of hazel brown.'"

Anastasia found space in the press of her annoyance to laugh. It was more than a smile, it was a laugh, a quiet little laugh to herself, which in a man would have been called a buckle. Her eyes were not hazel brown, they were no brown at all; but then brown rhymed with town, and after all the verse might perhaps be a quotation, and must so be taken only to apply to the situation in general. She read the sentence again, "I have known you now a year; you too have known me a year." Westray had thought this poetic insistence gave a touch of romance, and balanced the sentence; but to Anastasia it seemed the reiteration of a platitude. If he had known her a year, then she had known him a year, and to a female mind the sequitur was complete.

"Have I read the message right, dearest? Is your heart my own?"

Message? What message did he speak of? What message did he imagine she had wished to give him with her eyes? He had stared at her persistently for weeks past, and if her eyes sometimes caught his, that was only because she could not help it; except when between whiles she glanced at him of set purpose, because it amused her to see how silly a man in love may look.

"Say that it is; tell me that your heart is my own" (and the request seemed to her too preposterous to admit even of comment).

"I watch your present, dear Anastasia, with solicitude. Sometimes I think that you are even now exposed to dangers of whose very existence you know nothing; and sometimes I look forward with anxiety to the future, so undecipherable, if misfortune or death should overtake your aunt. Let me help you to decipher this riddle. Let me be your shield now, and your support in the days to come. Be my wife, and give me the right to be your protector. I am detained in London by business for some days more; but I shall await your answer here with overwhelming eagerness, yet, may I say it? not without hope.

"Your most loving and devoted
"Edward Westray."


She folded the letter up with much deliberation, and put it back into its envelope. If Westray had sought far and wide for means of damaging his own cause, he could scarcely have found anything better calculated for that purpose than these last paragraphs. They took away much of that desire to spare, to make unpleasantness as little unpleasant as may be, which generally accompanies a refusal. His sententiousness was unbearable. What right had he to advise before he knew whether she would listen to him? What were these dangers to which she was even now exposed, and from which Mr Westray was to shield her? She asked herself the question formally, though she knew the answer all the while. Her own heart had told her enough of late, to remove all difficulty in reading between Mr Westray's lines. A jealous man is, if possible, more contemptible than a jealous woman. Man's greater strength postulates a broader mind and wider outlook; and if he fail in these, his failure is more conspicuous than woman's. Anastasia had traced to jealousy the origin of Westray's enigmatic remarks; but if she was strong enough to hold him ridiculous for his pains, she was also weak enough to take a woman's pleasure in having excited the interest of the man she ridiculed.

She laughed again at the proposal that she should join him in deciphering any riddles, still more such as were undecipherable; and the air of patronage involved in his anxiety to provide for her future was the more distasteful in that she had great ideas of providing for it herself. She had told herself a hundred times that it was only affection for her aunt that kept her at home. Were "anything to happen" to Miss Joliffe, she would at once seek her own living. She had often reckoned up the accomplishments which would aid her in such an endeavour. She had received her education—even if it were somewhat desultory and discontinuous—at good schools. She had always been a voracious reader, and possessed an extensive knowledge of English literature, particularly of the masters of fiction; she could play the piano and the violin tolerably, though Mr Sharnall would have qualified her estimate. She had an easy touch in oils and water-colour, which her father said she must have inherited from his mother—from that Sophia Joliffe who painted the great picture of the flowers and caterpillar, and her spirited caricatures had afforded much merriment to her schoolfellows. She made her own clothes, and was sure that she had a taste in matters of dress design and manufacture that would bring her distinction if she were only given the opportunity of employing it; she believed that she had an affection for children, and a natural talent for training them, though she never saw any at Cullerne. With gifts such as these, which must be patent to others as well as herself, there would surely be no difficulty in obtaining an excellent place as governess if she should ever determine to adopt that walk of life; and she was sometimes inclined to gird at Fate, which for the present led her to deprive the world of these benefits.

In her inmost heart, however, she doubted whether she would be really justified in devoting herself to teaching; for she was conscious that she might be called to fill a higher mission, and to instruct by the pen rather than by word of mouth. As every soldier carries in his knapsack the baton of the Field Marshal, so every girl in her teens knows that there lie hidden in the recesses of her armoire, the robes and coronet and full insignia of a first-rate novelist. She may not choose to take them out and air them, the crown may tarnish by disuse, the moth of indolence may corrupt, but there lies the panoply in which she may on any day appear fully dight, for the astonishment of an awakening world. Jane Austen and Maria Edgworth are heroines, whose aureoles shine in the painted windows of such airy castles; Charlotte Bronte wrote her masterpieces in a seclusion as deep as that of Bellevue Lodge; and Anastasia Joliffe thought many a time of that day when, afar off from her watch-tower in quiet Cullerne, she would follow the triumphant progress of an epoch-making romance.

It would be published under a nom de plume, of course, she would not use her own name till she had felt her feet; and the choice of the pseudonym was the only definite step towards this venture that she had yet made. The period was still uncertain. Sometimes the action was to be placed in the eighteenth century, with tall silver urns and spindled-legged tables, and breast-waisted dresses; sometimes in the struggle of the Roses, when barons swam rivers in full armour after a bloody bout; sometimes in the Civil War, when Vandyke drew the arched eyebrow and taper hand, and when the shadow of death was over all.

It was to the Civil War that her fancy turned oftenest, and now and again, as she sat before her looking-glass, she fancied that she had a Vandyke face herself. And so it was indeed; and if the mirror was fogged and dull and outworn, and if the dress that it reflected was not of plum or amber velvet, one still might fancy that she was a loyalist daughter whose fortunes were fallen with her master's. The Limner of the King would have rejoiced to paint the sweet, young, oval face and little mouth; he would have found the space between the eyebrow and the eyelid to his liking.

If the plot were still shadowy, her characters were always with her, in armour or sprigged prints; and, the mind being its own place, she took about a little court of her own, where dreadful tragedies were enacted, and valorous deeds done; where passionate young love suffered and wept, and where a mere girl of eighteen, by consummate resolution, daring, beauty, genius, and physical strength, always righted the situation, and brought peace at the last.

With resources such as these, the future did not present itself in dark colours to Anastasia; nor did its riddle appear to her nearly so undecipherable as Mr Westray had supposed. She would have resented, with all the confidence of inexperience, any attempt to furnish her with prospects; and she resented Westray's offer all the more vigorously because it seemed to carry with it a suggestion of her own forlorn position, to insist unduly on her own good fortune in receiving such a proposal, and on his condescension in making it.

There are women who put marriage in the forefront of life, whose thoughts revolve constantly about it as a centre, and with whom an advantageous match, or, failing that, a match of some sort, is the primary object. There are others who regard marriage as an eventuality, to be contemplated without either eagerness or avoidance, to be accepted or declined according as its circumstances may be favourable or unfavourable. Again, there are some who seem, even from youth, to resolutely eliminate wedlock from their thoughts, to permit themselves no mental discussion upon this subject. Though a man profess that he will never marry, experience has shown that his resolve is often subject to reconsideration. But with unmarrying women the case is different, and unmarried for the most part they remain, for man is often so weak-kneed a creature in matters of the heart, that he refrains from pursuing where an unsympathetic attitude discourages pursuit. It may be that some of these women, also, would wish to reconsider their verdict, but find that they have reached an age when there is no place for repentance; yet, for the most part, woman's resolve upon such matters is more stable than man's, and that because the interests at stake in marriage are for her more vital than can ever be the case with man.

It was to the class of indifferentists that Anastasia belonged; she neither sought nor shunned a change of state, but regarded marriage as an accident that, in befalling her, might substantially change the outlook. It would render a life of teaching, no doubt, impossible; domestic or maternal cares might to some extent trammel even literary activity (for, married or not married, she was determined to fulfil her mission of writing), but in no case was she inclined to regard marriage as an escape from difficulties, as the solution of so trivial a problem as that of existence.

She read Westray's letter once more from beginning to end. It was duller than ever. It reflected its writer; she had always thought him unromantic, and now he seemed to her intolerably prosaic, conceited, pettifogging, utilitarian. To be his wife! She had rather slave as a nursery-governess all her life! And how could she write fiction with such a one for mentor and company? He would expect her to be methodic, to see that eggs were fresh, and beds well aired. So, by thinking, she reasoned herself into such a theoretic reprobation of this attempt upon her, that his offer became a heinous crime. If she answered him shortly, brusquely, nay rudely, it would be but what he deserved for making her ridiculous to herself by so absurd a proposal, and she opened her writing-case with much firmness and resolution.

It was a little wooden case covered in imitation leather, with Papeterie stamped in gold upon the top. She had no exaggerated notions as to its intrinsic worth, but it was valuable in her eyes as being a present from her father. It was, in fact, the only gift he ever had bestowed upon her; but on this he had expended at least half a crown, in a fit of unusual generosity when he sent her with a great flourish of trumpets to Mrs Howard's school at Carisbury. She remembered his very words. "Take this, child," he said; "you are now going to a first-class place of education, and it is right that you should have a proper equipment," and so gave her the papeterie. It had to cover a multitude of deficiencies, and poor Anastasia lamented that it had not been a new hair-brush, half a dozen pocket-handkerchiefs, or even a sound pair of shoes.

Still it had stood in good stead, for with it she had written all her letters ever since, and being the only receptacle with lock and key to which she had access, she had made it a little ark and coffer for certain girlish treasures. With such it was stuffed so full that they came crowding out as she opened it. There were several letters to which romance attached, relics of that delightful but far too short school-time at Carisbury; there was her programme, with rudely-scribbled names of partners, for the splendid dance at the term's end, to which a selection of other girls' brothers were invited; a pressed rose given her by someone which she had worn in her bosom on that historic occasion, and many other equally priceless mementoes. Somehow these things seemed now neither so romantic nor so precious as on former occasions; she was even inclined to smile, and to make light of them, and then a little bit of paper fluttered off the table on to the floor. She stooped and picked up the flap of an envelope with the coronet and "Fording" stamped in black upon it which she had found one day when Westray's waste-paper basket was emptied. It was a simple device enough, but it must have furnished her food for thought, for it lay under her eyes on the table for at least ten minutes before she put it carefully back into the papeterie, and began her letter to Westray.

She found no difficulty in answering, but the interval of reflection had soothed her irritation, and blunted her animosity. Her reply was neither brusque nor rude, it leant rather to conventionalism than to originality, and she used, after all, those phrases which have been commonplaces in such circumstances, since man first asked and woman first refused. She thanked Mr Westray for the kind interest which he had taken in her, she was deeply conscious of the consideration which he had shown her. She was grieved—sincerely grieved—to tell him that things could not be as he wished. She was so afraid that her letter would seem unkind; she did not mean it to be unkind. However difficult it was to say it now, she thought it was the truest kindness not to disguise from him that things never could be as he wished. She paused a little to review this last sentiment, but she allowed it to remain, for she was anxious to avoid any recrudescence of the suppliant's passion, and to show that her decision was final. She should always feel the greatest esteem for Mr Westray; she trusted that the present circumstances would not interrupt their friendship in any way. She hoped that their relations might continue as in the past, and in this hope she remained very truly his.

She gave a sigh of relief when the letter was finished, and read it through carefully, putting in commas and semicolons and colons at what she thought appropriate places. Such punctilio pleased her; it was, she considered, due from one who aspired to a literary style, and aimed at making a living by the pen. Though this was the first answer to a proposal that she had written on her own account, she was not altogether without practice in such matters, as she had composed others for her heroines who had found themselves in like position. Her manner, also, was perhaps unconsciously influenced by a perusal of "The Young Person's Compleat Correspondent, and Guide to Answers to be given in the Various Circumstances of Life," which, in a tattered calf covering, formed an item in Miss Euphemia's library.

It was not till the missive was duly sealed up and posted that she told her aunt of what had happened. "There is Mr Westray's letter," she said, "if you would care to read it," and passed over to Miss Joliffe the piece of white paper on which a man had staked his fate.

Miss Joliffe took the letter with an attempt to assume an indifferent manner, which was unsuccessful, because an offer of marriage has about it a certain exhalation and atmosphere that betrays its importance even to the most unsuspicious. She was a slow reader, and, after wiping and adjusting her spectacles, sat down for a steady and patient consideration of the matter before her.

But the first word that she deciphered, "Dearest," startled her composure, and she pressed on through the letter with a haste that was foreign to her disposition. Her mouth grew rounder as she read, and she sighed out "Dear's" and "Dear Anastasia's" and "Dear Child's" at intervals as a relief to her feelings.

Anastasia stood by her, following the lines of writing that she knew by heart, with all the impatience of one who is reading ten times faster than another who turns the page.

Miss Joliffe's mind was filled with conflicting emotions; she was glad at the prospect of a more assured future that was opening before her niece, she was hurt at not having been taken sooner into confidence, for Anastasia must certainly have known that he was going to propose; she was chagrined at not having noticed a courtship which had been carried on under her very eyes; she was troubled at the thought that the marriage would entail the separation from one who was to her as a child.

How weary she would find it to walk alone down the long paths of old age! how hard it was to be deprived of a dear arm on whose support she had reckoned for when "the slow dark hours begin"! But she thrust this reflection away from her as selfish, and contrition for having harboured it found expression in a hand wrinkled and roughened by hard wear, which stole into Anastasia's.

"My dear," she said, "I am very glad at your good fortune; this is a great thing that has befallen you." A general content that Anastasia should have received a proposal silenced her misgivings.

To the recipient, an offer of marriage, be it good, bad, or indifferent, to be accepted or to be refused, brings a certain complacent satisfaction. She may pretend to make light of it, to be displeased at it, to resent it, as did Anastasia; but in her heart of hearts there lurks the self-appreciating reflection that she has won the completest admiration of a man. If he be a man that she would not marry under any conditions, if he be a fool, or a spendthrift, or an evil-liver, he is still a man, and she has captured him. Her relations share in the same pleasurable reflections. If the offer is accepted, then a future has been provided for one whose future, maybe, was not too certain; if it is declined, then they congratulate themselves on the high morale or strong common-sense of a kinswoman who refuses to be won by gold, or to link her destiny with an unsuitable partner.

"It is a great thing, my dear, that has befallen you," Miss Joliffe repeated. "I wish you all happiness, dear Anastasia, and may all blessings wait upon you in this engagement."

"Aunt," interrupted her niece, "please don't say that. I have refused him, of course; how could you think that I should marry Mr Westray? I never have thought of any such thing with him. I never had the least idea of his writing like this."

"You have refused him?" said the elder lady with a startled emphasis. Again a selfish reflection crossed her mind—they were not to be parted after all—and again she put it resolutely away. She ran over in her mind all the possible objections that could have influenced her niece in arriving at such a conclusion. Religion was the keynote of Miss Joliffe's life; to religion her thought reverted as the needle to the pole, and to it she turned for an explanation now. It must be some religious consideration that had proved an obstacle to Anastasia.

"I do not think you need find any difficulty in his having been brought up as a Wesleyan," she said, with a profound conviction that she had put her finger on the matter, and with some consciousness of her own perspicacity. "His father has been dead some time, and though his mother is still alive, you would not have to live with her. I do not think, dear, she would at all wish you to become a Methodist. As for our Mr Westray, your Mr Westray, I should say now," and she assumed that expression of archness which is considered appropriate to such occasions, "I am sure he is a sound Churchman. He goes regularly to the minster on Sundays, and I dare say, being an architect, and often in church on week-days, he has found out that the order of the Church of England is more satisfactory than that of any other sect. Though I am sure I do not wish to say one word against Wesleyans; they are no doubt true Protestants, and a bulwark against more serious errors. I rejoice that your lover's early training will have saved him from any inclination to ritualism."

"My dear aunt," Anastasia broke in, with a stress of earnest deprecation on the "dear" that startled her aunt, "please do not go on like that. Do not call Mr Westray my lover; I have told you that I will have nothing to do with him."

Miss Joliffe's thoughts had moved through a wide arc. Now that this offer of marriage was about to be refused, now that this engagement was not to be, the advantages that it offered stood out in high relief. It seemed too sad that the curtain should be rung down just as the action of a drama of intense interest was beginning, that the good should slip through their fingers just as they were grasping it. She gave no thought now to that fear of a lonely old age which had troubled her a few minutes before; she only saw the provision for the future which Anastasia was wilfully sacrificing. Her hand tightened automatically, and crumpled a long piece of paper that she was holding. It was only a milkman's bill, and yet it might perhaps have unconsciously given a materialistic colour to her thoughts.

"We should not reject any good thing that is put before us," she said a little stiffly, "without being very certain that we are right to do so. I do not know what would become of you, Anastasia, if anything were to happen to me."

"That is exactly what he says, that is the very argument which he uses. Why should you take such a gloomy view of things? Why should something happening always mean something bad. Let us hope something good will happen, that someone else will make me a better offer." She laughed, and went on reflectively: "I wonder whether Mr Westray will come back here to lodge; I hope he won't."

Hardly were the words out of her mouth when she was sorry for uttering them, for she saw the look of sadness which overspread Miss Joliffe's face.

"Dear aunt," she cried, "I am so sorry; I didn't mean to say that. I know what a difference it would make; we cannot afford to lose our last lodger. I hope he will come back, and I will do everything I can to make things comfortable, short of marrying him. I will earn some money myself. I will write."

"How will you write? Who is there to write to?" Miss Joliffe said, and then the blank look on her face grew blanker, and she took out her handkerchief. "There is no one to help us. Anyone who ever cared for us is dead long ago; there is no one to write to now."


Westray played the rôle of rejected lover most conscientiously; he treated the episode of his refusal on strictly conventional lines. He assured himself and his mother that the light of his life was extinguished, that he was the most unhappy of mortals. It was at this time that he wrote some verses called "Autumn," with a refrain of—

"For all my hopes are cold and dead,
And fallen like the fallen leaves,"

which were published in the Clapton Methodist, and afterwards set to music by a young lady who wished to bind up another wounded heart. He attempted to lie awake of nights with indifferent success, and hinted in conversation at the depressing influence which insomnia exerts over its victims. For several meals in succession he refused to eat heartily of such dishes as he did not like, and his mother felt serious anxiety as to his general state of health. She inveighed intemperately against Anastasia for having refused her son, but then she would have inveighed still more intemperately had Anastasia accepted him. She wearied him with the portentous gloom which she affected in his presence, and quoted Lady Clara Vere de Vere's cruelty in turning honest hearts to gall, till even the rejected one was forced to smile bitterly at so inapposite a parallel.

Though Mrs Westray senior poured out the vials of her wrath on Anastasia for having refused to become Mrs Westray junior, she was at heart devoutly glad at the turn events had taken. At heart Westray could not have said whether he was glad or sorry. He told himself that he was deeply in love with Anastasia, and that this love was further ennobled by a chivalrous desire to shield her from evil; but he could not altogether forget that the unfortunate event had at least saved him from the unconventionality of marrying his landlady's niece. He told himself that his grief was sincere and profound, but it was possible that chagrin and wounded pride were after all his predominant feelings. There were other reflections which he thrust aside as indecorous at this acute stage of the tragedy, but which, nevertheless, were able to exercise a mildly consoling influence in the background. He would be spared the anxieties of early and impecunious marriage, his professional career would not be weighted by family cares, the whole world was once more open before him, and the slate clean. These were considerations which could not prudently be overlooked, though it would be unseemly to emphasise them too strongly when the poignancy of regret should dominate every other feeling.

He wrote to Sir George Farquhar, and obtained ten days' leave of absence on the score of indisposition; and he wrote to Miss Euphemia Joliffe to tell her that he intended to seek other rooms. From the first he had decided that this latter step was inevitable. He could not bear the daily renewal of regret, the daily opening of the wound that would be caused by the sight of Anastasia, or by such chance intercourse with her as further residence at Bellevue Lodge must entail. There is no need to speculate whether his decision was influenced in part by a concession to humiliated pride; men do not take pleasure in revisiting the scenes of a disastrous rout, and it must be admitted that the possibility of summoning a lost love to his presence when he rang for boiling water, had in it something of the grotesque. He had no difficulty in finding other lodgings by correspondence, and he spared himself the necessity of returning at all to his former abode by writing to ask Clerk Janaway to move his belongings.

One morning, a month later, Miss Joliffe sat in that room which had been occupied by the late Mr Sharnall. She was alone, for Anastasia had gone to the office of the Cullerne Advertiser with an announcement in which one A.J. intimated that she was willing to take a post as nursery-governess. It was a bright morning but cold, and Miss Joliffe drew an old white knitted shawl closer about her, for there was no fire in the grate. There was no fire because she could not afford it, yet the sun pouring in through the windows made the room warmer than the kitchen, where the embers had been allowed to die out since breakfast. She and Anastasia did without fire on these bright autumn days to save coals; they ate a cold dinner, and went early to bed for the same reason, yet the stock in the cellar grew gradually less. Miss Joliffe had examined it that very morning, and found it terribly small; nor was there any money nor any credit left with which to replenish it.

On the table before her was a pile of papers, some yellow, some pink, some white, some blue, but all neatly folded. They were folded lengthways and to the same breadth, for they were Martin Joliffe's bills, and he had been scrupulously neat and orderly in his habits. It is true that there were among them some few that she had herself contracted, but then she had always been careful to follow exactly her brother's method both of folding and also of docketing them on the exterior. Yes, no doubt she was immediately responsible for some, and she knew just which they were from the outside without any need to open them. She took up one of them: "Rose and Storey, importers of French millinery, flowers, feathers, ribbons, etcetera. Mantle and jacket show-rooms." Alas, alas! how frail is human nature! Even in the midst of her misfortunes, even in the eclipse of old age, such words stirred Miss Joliffe's interest—flowers, feathers, ribbons, mantles, and jackets; she saw the delightful show-room 19, 20, 21, and 22, Market Place, Cullerne—saw it in the dignified solitude of a summer morning when a dress was to be tried on, saw it in the crush and glorious scramble of a remnant sale. "Family and complimentary mourning, costumes, skirts, etcetera; foreign and British silks, guaranteed makes." After that the written entry seemed mere bathos: "Material and trimming one bonnet, 11s. and 9d.; one hat, 13s 6d. Total, £1 5s. 3d." It really was not worth while making a fuss about, and the bunch of cherries and bit of spangled net were well worth the 1s. 9d., that Anastasia's had cost more than hers.

Hole, pharmaceutical chemist: "Drops, 1s. 6d.; liniment, 1s.; mixture, 1s 9d.," repeated many times. "Cod-liver oil, 1s. 3d., and 2s. 6d., and 1s. 3d. again. £2 13s. 2d., with 4s. 8d. interest," for the bill was four years old. That was for Anastasia at a critical time when nothing seemed to suit her, and Dr Ennefer feared a decline; but all the medicine for poor Martin was entered in Dr Ennefer's own account.

Pilkington, the shoemaker, had his tale to tell: "Miss Joliffe: Semi-pold. lace boots, treble soles, £1 1s. 0d. Miss A. Jol.: Semi-pold. lace boots, treble soles, £1 1s. 0d. 6 pair mohair laces, 9d. 3 ditto, silk, 1s." Yes, she was indeed a guilty woman. It was she that had "run up" these accounts, and she grew red to think that her own hand should have helped to build so dismal a pile.

Debt, like every other habit that runs counter to the common good, brings with it its own punishment, because society protects itself by making unpleasant the ways of such as inconvenience their neighbours. It is true that some are born with a special talent and capacity for debt—they live on it, and live merrily withal, but most debtors feel the weight of their chains, and suffer greater pangs than those which they inflict on any defrauded creditor. If the millstone grinds slowly it grinds small, and undischarged accounts bring more pain than the goods to which they relate ever brought pleasure. Among such bitternesses surely most bitter are the bills for things of which the fruition has ceased—for worn-out finery, for withered flowers, for drunk wine. Pilkington's boots, were they never so treble soled, could not endure for ever, and Miss Joliffe's eyes followed unconsciously under the table to where a vertical fissure showed the lining white at the side of either boot. Where were new boots to come from now, whence was to come clothing to wear, and bread to eat?

Nay, more, the day of passive endurance was past; action had begun. The Cullerne Water Company threatened to cut off the water, the Cullerne Gas Company threatened to cut off the gas. Eaves, the milkman, threatened a summons unless that long, long bill of his (all built up of pitiful little pints) was paid forthwith. The Thing had come to the Triarii, Miss Joliffe's front was routed, the last rank was wavering. What was she to do, whither was she to turn? She must sell some of the furniture, but who would buy such old stuff? And if she sold furniture, what lodger would take half-empty rooms? She looked wildly round, she thrust her hands into the pile of papers, she turned them over with a feverish action, till she seemed to be turning hay once more as a little girl in the meadows at Wydcombe. Then she heard footsteps on the pavement outside, and thought for a moment that it was Anastasia returned before she was expected, till a heavy tread told her that a man was coming, and she saw that it was Mr Joliffe, her cousin, churchwarden and pork-butcher. His bulky and unwieldy form moved levelly past the windows; he paused and looked up at the house as if to make sure that he was not mistaken, and then he slowly mounted the semicircular flight of stone steps and rang the bell.

In person he was tall, but disproportionately stout for his height. His face was broad, and his loose double chin gave it a flabby appearance. A pallid complexion and black-grey hair, brushed straightly down where he was not bald, produced an impression of sanctimoniousness which was increased by a fawning manner of speech. Mr Sharnall was used to call him a hypocrite, but the aspersion was false, as such an aspersion commonly is.

Hypocrites, in the pure and undiluted sense, rarely exist outside the pages of fiction. Except in the lower classes, where deceit thrives under the incentive of clerical patronage, men seldom assume deliberately the garb of religion to obtain temporal advantages or to further their own ends. It is probable that in nine cases out of ten, where practice does not accord sufficiently with profession to please the censorious, the discrepancy is due to inherent weakness of purpose, to the duality of our nature, and not to any conscious deception. If a man leading the lower life should find himself in religious, or high-minded, or pure society, and speak or behave as if he were religious, or high-minded, or pure, he does so in nine cases out of ten not with any definite wish to deceive, but because he is temporarily influenced by better company. For the time he believes what he says, or has persuaded himself that he believes it. If he is froward with the froward, so he is just with the just, and the more sympathetic and susceptible his nature, the more amenable is he to temporary influences. It is this chameleon adaptability that passes for hypocrisy.

Cousin Joliffe was no hypocrite, he acted up to his light; and even if the light be a badly-trimmed, greasy, evil-smelling paraffin-lamp, the man who acts up to it is only the more to be pitied. Cousin Joliffe was one of those amateur ecclesiastics whose talk is of things religious, whom Church questions interest, and who seem to have missed their vocation in not having taken Orders. If Canon Parkyn had been a High Churchman, Cousin Joliffe would have been High Church; but the Canon being Low-Church, Cousin Joliffe was an earnest evangelical, as he delighted to describe himself. He was rector's churchwarden, took a leading part in prayer-meetings, with a keen interest in school-treats, ham teas, and magic lanterns, and was particularly proud of having been asked more than once to assist in the Mission Room at Carisbury, where the Vicar of Christ Church carried on revival work among the somnolent surroundings of a great cathedral. He was without any sense of humour or any refinement of feeling—self-important, full of the dignity of his office, thrifty to meanness, but he acted up to his light, and was no hypocrite.

In that petty middle-class, narrow-minded and penuriously pretentious, which was the main factor of Cullerne life, he possessed considerable influence and authority. Among his immediate surroundings a word from Churchwarden Joliffe carried more weight than an outsider would have imagined, and long usage had credited him with the delicate position of censor morum to the community. Did the wife of a parishioner venture into such a place of temptation as the theatre at Carisbury, was she seen being sculled by young Bulteel in his new skiff of a summer evening, the churchwarden was charged to interview her husband, to point out to him privately the scandal that was being caused, and to show him how his duty lay in keeping his belongings in better order. Was a man trying to carry fire in his bosom by dalliance at the bar of the Blandamer Arms, then a hint was given to his spouse that she should use such influence as would ensure evenings being spent at home. Did a young man waste the Sabbath afternoon in walking with his dog on Cullerne Flat, he would receive "The Tishbite's Warning, a Discourse showing the Necessity of a Proper Observance of the Lord's Day." Did a pig-tailed hoyden giggle at the Grammar School boys from her pew in the minster, the impropriety was reported by the churchwarden to her mother.

On such occasions he was scrupulous in assuming a frock-coat and a silk hat. Both were well-worn, and designed in the fashion of another day; but they were in his eyes insignia of office, and as he felt the tails of the coat about his knees they seemed to him as it were the skirts of Aaron's garment. Miss Joliffe was not slow to notice that he was thus equipped this morning; she knew that he had come to pay her a visit of circumstance, and swept her papers hurriedly into a drawer. She felt as if they were guilty things these bills, as if she had been engaged in a guilty action in even "going through" them, as if she had been detected in doing that which she should not do, and guiltiest of all seemed the very hurry of concealment with which she hid such compromising papers.

She tried to perform that feat of mental gymnastics called retaining one's composure, the desperate and forced composure which the coiner assumes when opening the door to the police, the composure which a woman assumes in returning to her husband with the kisses of a lover tingling on her lips. It is a feat to change the current of the mind, to let the burning thought that is dearest or bitterest to us go by the board, to answer coherently to the banalities of conversation, to check the throbbing pulse. The feat was beyond Miss Joliffe's powers; she was but a poor actress, and the churchwarden saw that she was ill at ease as she opened the door.

"Good-morning, cousin," he said with one of those interrogative glances which are often more irritating and more difficult to parry than a direct question; "you are not looking at all the thing this morning. I hope you are not feeling unwell; I hope I do not intrude."

"Oh no," she said, making as good an attempt at continuous speech as the quick beating of her heart allowed; "it is only that your visit is a little surprise. I am a little flurried; I am not quite so young as I was."

"Ay," he said, as she showed him into Mr Sharnall's room, "we are all of us growing older; it behoves us to walk circumspectly, for we never know when we may be taken." He looked at her so closely and compassionately that she felt very old indeed; it really seemed as if she ought to be "taken" at once, as if she was neglecting her duty in not dying away incontinently. She drew the knitted shawl more tightly round her spare and shivering body.

"I am afraid you will find this room a little cold," she said; "we are having the kitchen chimney cleaned, so I was sitting here." She gave a hurried glance at the bureau, feeling a suspicion that she might not have shut the drawer tight, or that one of the bills might have somehow got left out. No, all was safe, but her excuse had not deceived the churchwarden.

"Phemie," he said, not unkindly, though the word brought tears to her eyes, for it was the first time that anyone had called her by the old childhood name since the night that Martin died—"Phemie, you should not stint yourself in fires. It is a false economy; you must let me send you a coal ticket."

"Oh no, thank you very much; we have plenty," she cried, speaking quickly, for she would rather have starved outright, than that it should be said a member of the Dorcas Society had taken a parish coal ticket. He urged her no more, but took the chair that she offered him, feeling a little uncomfortable withal, as a well-clothed and overfed man should, in the presence of penury. It was true he had not been to see her for some time; but, then, Bellevue Lodge was so far off, and he had been so pressed with the cares of the parish and of his business. Besides that, their walks of life were so different, and there was naturally a strong objection to any kinswoman of his keeping a lodging-house. He felt sorry now that compassion had betrayed him into calling her "cousin" and "Phemie"; she certainly was a distant kinswoman, but not, he repeated to himself, a cousin; he hoped she had not noticed his familiarity. He wiped his face with a pocket-handkerchief that had seen some service, and gave an introductory cough.

"There is a little matter on which I should like to have a few words with you," he said, and Miss Joliffe's heart was in her mouth; he had heard, then, of these terrible debts and of the threatened summons.

"Forgive me if I go direct to business. I am a business man and a plain man, and like plain speaking."

It is wonderful to what rude remarks, and unkind remarks and untrue remarks such words as these commonly form the prelude, and how very few of these plain speakers enjoy being plainly spoken to in turn.

"We were talking just now," he went on, "of the duty of walking circumspectly, but it is our duty, Miss Joliffe, to see that those over whom we are set in authority walk circumspectly as well. I mean no reproach to you, but others beside me think it would be well that you should keep closer watch over your niece. There is a nobleman of high station that visits much too often at this house. I will not name any names"—and this with a tone of magnanimous forbearance—"but you will guess who I mean, because the nobility is not that frequent hereabout. I am sorry to have to speak of such things which ladies generally see quick enough for themselves, but as churchwarden I can't shut my ears to what is matter of town talk; and more by token when a namesake of my own is concerned."

The composure which Miss Joliffe had been seeking in vain, came back to her at the pork-butcher's words, partly in the relief that he had not broached the subject of debts which had been foremost in her mind, partly in the surprise and indignation occasioned by his talk of Anastasia. Her manner and very appearance changed, and none would have recognised the dispirited and broken-down old lady in the sharpness of her rejoinder.

"Mr Joliffe," she apostrophised with tart dignity, "you must forgive me for thinking that I know a good deal more about the nobleman in question than you do, and I can assure you he is a perfect gentleman. If he has visited this house, it has been to see Mr Westray about the restoration of the minster. I should have thought one that was churchwarden would have known better than to go bandying scandals about his betters; it is small encouragement for a nobleman to take an interest in the church if the churchwarden is to backbite him for it."

She saw that her cousin was a little taken aback, and she carried the war into the enemy's country, and gave another thrust.

"Not but what Lord Blandamer has called upon me too, apart from Mr Westray. And what have you to say to that? If his lordship has thought fit to honour me by drinking a cup of tea under my roof, there are many in Cullerne would have been glad to get out their best china if he had only asked himself to their houses. And there are some might well follow his example, and show themselves a little oftener to their friends and relations."

The churchwarden wiped his face again, and puffed a little.

"Far be it from me," he said, dwelling on the expression with all the pleasure that a man of slight education takes in a book phrase that he has got by heart—"far be it from me to set scandals afloat—'twas you that used the word scandal—but I have daughters of my own to consider. I have nothing to say against Anastasia, who, I believe, is a good girl enough"—and his patronising manner grated terribly on Miss Joliffe—"though I wish I could see her take more interest in the Sunday-school, but I won't hide from you that she has a way of carrying herself and mincing her words which does not befit her station. It makes people take notice, and 'twould be more becoming she should drop it, seeing she will have to earn her own living in service. I don't want to say anything against Lord Blandamer either—he seems to be well-intentioned to the church—but if tales are true the old lord was no better than he should be, and things have happened before now on your side of the family, Miss Joliffe, that make connections feel uncomfortable about Anastasia. We are told that the sins of the fathers will be visited to the third and fourth generation."

"Well," Miss Joliffe said, and made a formidable pause on this adverb, "if it is the manners of your side of the family to come and insult people in their own houses, I am glad I belong to the other side."

She was alive to the profound gravity of such a sentiment, yet was prepared to take her stand upon it, and awaited another charge from the churchwarden with a dignity and confidence that would have become the Old Guard. But no fierce passage of arms followed; there was a pause, and if a dignified ending were desired the interview should here have ended. But to ordinary mortals the sound of their own voices is so musical as to deaden any sense of anticlimax; talking is continued for talking's sake, and heroics tail off into desultory conversation. Both sides were conscious that they had overstated their sentiments, and were content to leave main issues undecided.

Miss Joliffe did not take the bills out of their drawer again after the churchwarden had left her. The current of her ideas had been changed, and for the moment she had no thought for anything except the innuendoes of her visitor. She rehearsed to herself without difficulty the occasions of Lord Blandamer's visits, and although she was fully persuaded that any suspicions as to his motives were altogether without foundation, she was forced to admit that he had been at Bellevue Lodge more than once when she had been absent. This was no doubt a pure coincidence, but we were enjoined to be wise as serpents as well as innocent as doves, and she would take care that no further occasion was given for idle talk.

Anastasia on her return found her aunt unusually reserved and taciturn. Miss Joliffe had determined to behave exactly as usual to Anastasia because her niece was entirely free from fault; but she was vexed at what the churchwarden had said, and her manner was so mysterious and coldly dignified as to convince Anastasia that some cause for serious annoyance had occurred. Did Anastasia remark that it was a close morning, her aunt looked frowningly abstracted and gave no reply; did Anastasia declare that she had not been able to get any 14 knitting-needles, they were quite out of them, her aunt said, "Oh!" in a tone of rebuke and resignation which implied that there were far more serious matters in the world than knitting-needles.

This dispensation lasted a full half-hour, but beyond that the kindly old heart was quite unequal to supporting a proper hauteur. The sweet warmth of her nature thawed the chilly exterior; she was ashamed of her moodiness, and tried to "make up" for it to Anastasia by manifestation of special affection. But she evaded her niece's attempts at probing the matter, and was resolved that the girl should know nothing of Cousin Joliffe's suggestions or even of the fact of his visit.

But if Anastasia knew nothing of these things, she was like to be singular in her ignorance. All Cullerne knew; it was in the air. The churchwarden had taken a few of the elders into his confidence, and asked their advice as to the propriety of his visit of remonstrance. The elders, male and female, heartily approved of his action, and had in their turn taken into confidence a few of their intimate and specially-to-be-trusted friends. Then ill-natured and tale-bearing Miss Sharp told lying and mischief-making Mrs Flint, and lying and mischief-making Mrs Flint talked the matter over at great length with the Rector, who loved all kinds of gossip, especially of the highly-spiced order. It was speedily matter of common knowledge that Lord Blandamer was at the Hand of God (so ridiculous of a lodging-house keeper christening a public-house Bellevue Lodge!) at all hours of the day and night, and that Miss Joliffe was content to look at the ceiling on such occasions; and worse, to go to meetings so as to leave the field undisturbed (what intolerable hypocrisy making an excuse of the Dorcas meetings!); that Lord Blandamer loaded—simply loaded—that pert and good-for-nothing girl with presents; that even the young architect was forced to change his lodgings by such disreputable goings-on. People wondered how Miss Joliffe and her niece had the effrontery to show themselves at church on Sundays; the younger creature, at least, must have some sense of shame left, for she never ventured to exhibit in public either the fine dresses or the jewellery that her lover gave her.

Such stories came to Westray's ears, and stirred in him the modicum of chivalry which leavens the lump of most men's being. He was still smarting under his repulse, but he would have felt himself disgraced if he had allowed the scandal to pass unchallenged, and he rebutted it with such ardour that people shrugged their shoulders, and hinted that there had been something between him, too, and Anastasia.

Clerk Janaway was inclined to take a distressingly opportunist and matter-of-fact view of the question. He neither reprobated nor defended. In his mind the Divine right of peers was firmly established. So long as they were rich and spent their money freely, we should not be too particular. They were to be judged by standards other than those of common men; for his part, he was glad they had got in place of an old curmudgeon a man who would take an interest in the Church, and spend money on the place and the people. If he took a fancy to a pretty face, where was the harm? 'Twas nothing to the likes of them, best let well alone; and then he would cut short the churchwarden's wailings and godly lamentations by "decanting" on the glories of Fording, and the boon it was to the countryside to have the place kept up once more.

"Clerk Janaway, your sentiments do you no credit," said the pork-butcher on one such occasion, for he was given to gossip with the sexton on terms of condescending equality. "I have seen Fording myself, having driven there with the Carisbury Field Club, and felt sure it must be a source of temptation if not guarded against. That one man should live in such a house is an impiety; he is led to go about like Nebuchadnezzar, saying: 'Is not this great Babylon that I have builded?'"

"He never builded it," said the clerk with some inconsequence; "'twere builded centuries ago. I've heard 'tis that old no one don't know who builded it. Your parents was Dissenters, Mr Joliffe, and never taught you the Catechism when you was young; but as for me, I order myself to my betters as I should, so long as they orders themselves to me. 'Taint no use to say as how we're all level; you've only got to go to Mothers' Meetings, my old missus says, to see that. 'Tis no use looking for too much, nor eating salt with red herrings."

"Well, well," the other deprecated, "I'm not blaming his lordship so much as them that lead him on."

"Don't go for to blame the girl, neither, too hardly; there's faults on both sides. His grandfather didn't always toe the line, and there were some on her side didn't set too good an example, neither. I've seen many a queer thing in my time, and have got to think blood's blood, and forerunners more to blame than children. If there's drink in fathers, there'll be drink in sons and grandsons till 'tis worked out; and if there's wild love in the mothers, daughters 'll likely sell their apples too. No, no, God-amighty never made us equal, and don't expect us all to be churchwardens. Some on us comes of virtuous forerunners, and are born with wings at the back of our shoulders like you"—and he gave a whimsical look at his listener's heavy figure—"to lift us up to the vaulting; and some on us our fathers fits out with lead soles to the bottom of our boots to keep us on the floor."

Saturday afternoon was Lord Blandamer's hour, and for three Saturdays running Miss Joliffe deserted the Dorcas meeting in order to keep guard at home. It rejoiced the moral hearts of ill-natured and tale-bearing Miss Sharp and of lying and mischief-making Mrs Flint that the disreputable old woman had at least the decency not to show herself among her betters, but such defection was a sore trial to Miss Joliffe. She told herself on each occasion that she could not make such a sacrifice again, and yet the love of Anastasia constrained her. To her niece she offered the patent excuse of being unwell, but the girl watched her with wonder and dismay chafe feverishly through the two hours, which had been immemorially consecrated to these meetings. The recurrence of a weekly pleasure, which seems so limitless in youth and middle age, becomes less inexhaustible as life turns towards sunset. Thirty takes lightly enough the foregoing of a Saturday reunion, the uncongenial spending of a Sunday; but seventy can see the end of the series, and grudges every unit of the total that remains.

For three Saturdays Miss Joliffe watched, and for three Saturdays no suspicious visitor appeared.

"We have seen nothing of Lord Blandamer lately," she would remark at frequent intervals with as much indifference as the subject would allow.

"There is nothing to bring him here now that Mr Westray has gone. Why should he come?"

Why, indeed, and what difference would it make to her if he never came again? These were questions that Anastasia had discussed with herself, at every hour of every day of those blank three weeks. She had ample time for such foolish discussions, for such vain imaginings, for she was left much to herself, having no mind-companions either of her own age or of any other. She was one of those unfortunate persons whose education and instincts' unfit them for their position. The diversions of youth had been denied her, the pleasures of dress or company had never been within her reach. For pastime she was turned back continually to her own thoughts, and an active imagination and much desultory reading had educated her in a school of romance, which found no counterpart in the life of Cullerne. She was proud at heart (and it is curious that those are often the proudest who in their neighbours' estimation have least cause for pride), but not conceited in manner in spite of Mr Joliffe's animadversion on the mincing of her words. Yet it was not her pride that had kept her from making friends, but merely the incompatibility of mental temperament, which builds the barrier not so much between education and ignorance, as between refinement and materialism, between romance and commonplace.

That barrier is so insurmountable that any attempt upon it must end in failure that is often pathetic from its very hopelessness; even the warmth of ardent affection has never yet succeeded in evolving a mental companionship from such discordant material. By kindly dispensation of nature the breadth of the gulf, indeed, is hidden from those who cannot cross it. They know it is there, they have some inkling of the difference of view, but they think that love may build a bridge across, or that in time they may find some other access to the further side. Sometimes they fancy that they are nearer to the goal, that they walk step and step with those they love; but this, alas! is not to be, because the mental sympathy, the touch of illumination that welds minds together, is wanting.

It was so with Miss Joliffe the elder—she longed to be near her niece, and was so very far away; she thought that they went hand in hand, when all the while a different mental outlook set them poles asunder. With all her thousand good honest qualities, she was absolutely alien to the girl; and Anastasia felt as if she was living among people of another nation, among people who did not understand her language, and she took refuge in silence.

The dulness of Cullerne had grown more oppressive to her in the last year. She longed for a life something wider, she longed for sympathy. She longed for what a tall and well-favoured maiden of her years most naturally desires, however much she may be ignorant of her desire; she longed for someone to admire her and to love her; she longed for someone about whom she could weave a romance.

The junior partner in Rose and Storey perhaps discerned her need, and tried to supply it. He paid her such odious compliments on the "hang of her things," that she would never have entered the shop again, were it not that Bellevue Lodge was bound hand and foot to Rose and Storey, for they were undertakers as well as milliners; and, besides, the little affair of the bonnets, the expenses of Martin's funeral, were still unsatisfied. There was a young dairy farmer, with a face like a red harvest moon, who stopped at her aunt's door on his way to market. He would sell Miss Joliffe eggs and butter at wholesale prices, and grinned in a most tiresome way whenever he caught sight of Anastasia. The Rector patronised her insufferably; and though old Mr Noot was kind, he treated her like a small child, and sometimes patted her cheek, which she felt to be disconcerting at eighteen.

And then the Prince of Romance appeared in Lord Blandamer. The moment that she first saw him on the doorstep that windy autumn afternoon, when yellow leaves were flying, she recognised him for a prince. The moment that he spoke to her she knew that he recognised her for a lady, and for this she felt unspeakably glad and grateful. Since then the wonder had grown. It grew all the faster from the hero's restraint. He had seen Anastasia but little, he spoke but little to her, he never gave her even a glance of interest, still less such glances as Westray launched at her so lavishly. And yet the wonder grew. He was so different from other men she had seen, so different from all the other people she had ever met. She could not have told how she knew this, and yet she knew. It must have been an atmosphere which followed him wherever he went—that penumbra with which the gods wrap heroes—which told her he was different.

The gambits of the great game of love are strangely limited, and there is little variation in the after-play. If it were not for the personal share we take, such doings would lack interest by reason of their monotony, by their too close resemblance to the primeval type. This is why the game seems dull enough to onlookers; they shock us with the callousness with which they are apt to regard our ecstasies. This is why the straightforward game palls sometimes on the players themselves after a while; and why they are led to take refuge from dulness in solving problems, in the tangled irregularities of the knight's move.

Anastasia would have smiled if she had been told that she had fallen in love; it might have been a thin smile, pale as winter's sunshine, but she would have smiled. It was impossible for her to fall in love, because she knew that kings no longer marry beggar-maids, and she was far too well brought up to fall in love, except as a preliminary to marriage. No heroine of Miss Austen would permit herself even to feel attraction to a quarter from which no offer of marriage was possible; therefore Anastasia could not have fallen in love. She certainly was not in the least in love, but it was true Lord Blandamer interested her. He interested her so much, in fact, as to be in her thoughts at all hours of the day; it was strange that no matter with what things her mind was occupied, his image should continually present itself. She wondered why this was; perhaps it was his power—she thought it was the feeling of his power, a very insolence of power that dominated all these little folk, and yet was most powerful in its restraint. She liked to think of the compact, close-knit body, of the curling, crisp, iron-grey hair, of the grey eyes, and of the hard, clear-cut face. Yes, she liked the face because it was hard, because it had a resolute look in it that said he meant to go whither he wished to go.

There was no doubt she must have taken considerable interest in him, for she found herself dreading to pronounce his name even in the most ordinary conversation, because she felt it difficult to keep her voice at the dead level of indifference. She dreaded when others spoke of him, and yet there was no other subject that occupied her so much. And sometimes when they talked of him she had a curious feeling of jealousy, a feeling that no one had a right even to talk of him except herself; and she would smile to herself with a little scornful smile, because she thought that she knew more about him, could understand him better than them all. It was fortunate, perhaps, that the arbitrament of Cullerne conversation did not rest with Anastasia, or there would have been but little talking at this time; for if it seemed preposterous that others should dare to discuss Lord Blandamer, it seemed equally preposterous that they should take an interest in discussing anything else.

She certainly was not in love; it was only the natural interest, she told herself, that anyone—anyone with education and refinement—must take in a strange and powerful character. Every detail about him interested her. There was a fascination in his voice, there was a melody in his low, clear voice that charmed, and made even trifling remarks seem important. Did he but say it was a rainy afternoon, did he but ask if Mr Westray were at home, there was such mystery in his tone that no rabbinical cabalist ever read more between the lines than did Miss Anastasia Joliffe. Even in her devotions thought wandered far from the pew where she and her aunt sat in Cullerne Church; she found her eyes looking for the sea-green and silver, for the nebuly coat in Abbot Vinnicomb's window; and from the clear light yellow of the aureole round John Baptist's head, fancy called up a whirl of faded lemon-coloured acacia leaves, that were in the air that day the hero first appeared.

Yet, if heart wavered, head stood firm. He should never know her interest in him; no word, no changing colour should ever betray her; he should never guess that agitation sometimes scarcely left her breath to make so short a rejoinder as "Good-night."

For three Saturdays, then, Miss Joliffe the elder sat on guard at Bellevue Lodge; for three Saturday afternoons in succession, she sat and chafed as the hours of the Dorcas meeting came and went. But nothing happened; the heavens remained in their accustomed place, the minster tower stood firm, and then she knew that the churchwarden had been duped, that her own judgment had been right, that Lord Blandamer's only motive for coming to her house had been to see Mr Westray, and that now Mr Westray was gone Lord Blandamer would come no more. The fourth Saturday arrived; Miss Joliffe was brighter than her niece had seen her for a calendar month.

"I feel a good deal better, my dear, this afternoon," she said; "I think I shall be able to go to the Dorcas meeting. The room gets so close that I have avoided going of late, but I think I shall not feel it too much to-day. I will just change, and put on my bonnet; you will not mind staying at home while I am away, will you?" And so she went.

Anastasia sat in the window-seat of the lower room. The sash was open, for the spring days were lengthening, and a soft, sweet air was moving about sundown. She told herself that she was making a bodice; an open workbox stood beside her, and there was spread around just such a medley of patterns, linings, scissors, cotton-reels, and buttons as is required for the proper and ceremonious carrying on of "work." But she was not working. The bodice itself, the very cause and spring of all these preparations, lay on her lap, and there, too, had fallen her hands. She half sat, half lay back on the window-seat, roaming in fancy far away, while she drank in the breath of the spring, and watched a little patch of transparent yellow sky between the houses grow pinker and more golden, as the sunset went on.

Then a man came down the street and mounted the steps in front of Bellevue Lodge; but she did not see him, because he was walking in from the country, and so did not pass her window. It was the door-bell that first broke her dreams. She slid down from her perch, and hastened to let her aunt in, for she had no doubt that it was Miss Joliffe who had come back from the meeting. The opening of the front-door was not a thing to be hurried through, for though there was little indeed in Bellevue Lodge to attract burglars, and though if burglars came they would surely select some approach other than the main entrance, yet Miss Joliffe insisted that when she was from home the door should be secured as if to stand a siege. So Anastasia drew the top bolt, and slipped the chain, and unlocked the lock. There was a little difficulty with the bottom bolt, and she had to cry out: "I am sorry for keeping you waiting; this fastening will stick." But it gave at last; she swung the heavy door back, and found herself face to face with Lord Blandamer.


They stood face to face, and looked at one another for a second. Anyone seeing those two figures silhouetted against the yellow sunset sky might have taken them for cousins, or even for brother and sister. They were both dressed in black, were both dark, and of nearly the same height, for though the man was not short, the girl was very tall.

The pause that Anastasia made was due to surprise. A little while ago it would have been a natural thing enough to open the door and find Lord Blandamer, but the month that had elapsed since last he came to Bellevue Lodge had changed the position. It seemed to her that she stood before him confessed, that he must know that all these weeks she had been thinking of him, had been wondering why he did not come, had been longing for him to come, that he must know the pleasure which filled her now because he was come back again. And if he knew all this, she, too, had learnt to know something, had learnt to know how great a portion of her thoughts he filled. This eating of the tree of knowledge had abashed her, for now her soul stood before her naked. Did it so stand naked before him too? She was shocked that she should feel this attraction where there could be no thought of marriage; she thought that she should die if he should ever guess that one so lowly had gazed upon the sun and been dazzled.

The pause that Lord Blandamer made was not due to surprise, for he knew quite well that it would be Anastasia who opened the door. It was rather that pause which a man makes who has undertaken a difficult business, and hesitates for a moment when it comes to the touch. She cast her eyes down to the ground; he looked full at her, looked at her from head to foot, and knew that his resolution was strong enough to carry to a conclusion the affair on which he had come. She spoke first.

"I am sorry my aunt is not at home," and kept her right hand on the edge of the open door, feeling grateful for any support. As the words came out she was relieved to find that it was indeed she herself who was speaking, that it was her own voice, and that her voice sounded much as usual.

"I am sorry she is not in," he said, and he, too, spoke after all in just those same low, clear tones to which she was accustomed—"I am sorry she is not in, but it was you that I came to see."

She said nothing; her heart beat so fast that she could not have spoken even in monosyllables. She did not move, but kept her hand still on the edge of the door, feeling afraid lest she should fall if she let it go.

"I have something I should like to say to you; may I come in?"

She hesitated for a moment, as he knew that she would hesitate, and then let him in, as he knew that she would let him in. He shut the heavy front-door behind them, and there was no talk now of turning locks or shooting bolts; the house was left at the mercy of any burglars who might happen to be thereabout.

Anastasia led the way. She did not take him into Mr Sharnall's old room, partly because she had left half-finished clothes lying there, and partly from the more romantic reflection that it was in Westray's room that they had met before. They walked through the hall and up the stairs, she going first and he following, and she was glad of the temporary respite which the long flights secured her. They entered the room, and again he shut the door behind them. There was no fire, and the window was open, but she felt as if she were in a fiery furnace. He saw her distress, but made as if he saw nothing, and pitied her for the agitation which he caused. For the past six months Anastasia had concealed her feelings so very well that he had read them like a book. He had watched the development of the plot without pride, or pleasure of success, without sardonic amusement, without remorse; with some dislike for a rôle which force of circumstances imposed on him, but with an unwavering resolve to walk the way which he had set before him. He knew the exact point which the action of the play had reached, he knew that Anastasia would grant whatever he asked of her.

They were standing face to face again. To the girl it all seemed a dream; she did not know whether she was waking or sleeping; she did not know whether she was in the body or out of the body. It was all a dream, but it was a delightful dream; there was no bitterness of reflection now, no anxiety, no regard for past or future, only utter absorption in the present moment. She was with the man who had possessed her thoughts for a month past; he had come back to her. She had not to consider whether she should ever see him again; he was with her now. She had not to think whether he was there for good or evil, she had lost all volition in the will of the man who stood before her; she was the slave of his ring, rejoicing in her slavery, and ready to do his bidding as all the other slaves of that ring.

He was sorry for the feelings which he had aroused, sorry for the affection he had stirred, sorry for the very love of himself that he saw written in her face. He took her hand in his, and his touch filled her with an exquisite content; her hand lay in his neither lifelessly nor entirely passively, yet only lightly returning the light pressure of his fingers. To her the situation was the supreme moment of a life; to him it was passionless as the betrothal piece in a Flemish window.

"Anastasia," he said, "you guess what it is I have to tell you; you guess what it is that I have to ask you."

She heard him speaking, and his voice was as delightful music in her delightful dream; she knew that he was going to ask something of her, and she knew that she would give him anything and all that he asked.

"I know that you love me," he went on, with an inversion of the due order of the proposition, and an assumption that would have been intolerable in anyone else, "and you know that I love you dearly." It was a proper compliment to her perspicuity that she should know already that he loved her, but his mind smiled as he thought how insufficient sometimes are the bases of knowledge. "I love you dearly, and am come to ask you to be my wife."

She heard what he said, and understood it; she had been prepared for his asking anything save this one thing that he had asked. The surprise of it overwhelmed her, the joy of it stunned her; she could neither speak nor move. He saw that she was powerless and speechless, and drew her closer to him. There was none of the impetuous eagerness of a lover in the action; he drew her gently towards him because it seemed appropriate to the occasion that he should do so. She lay for a minute in his arms, her head bent down, and her face hidden, while he looked not so much at her as above her. His eyes wandered over the mass of her dark-brown wavy hair that Mrs Flint said was not wavy by nature, but crimped to make her look like a Blandamer, and so bolster up her father's nonsensical pretensions. His eyes took full account of that wave and the silken fineness of her dark-brown hair, and then looked vaguely out beyond till they fell on the great flower-picture that hung on the opposite wall.

The painting had devolved upon Westray on Mr Sharnall's death, but he had not yet removed it, and Lord Blandamer's eyes rested on it now so fixedly, that he seemed to be thinking more of the trashy flowers and of the wriggling caterpillar, than of the girl in his arms. His mind came back to the exigencies of the situation.

"Will you marry me, Anastasia—will you marry me, dear Anstice?" The home name seemed to add a touch of endearment, and he used it advisedly. "Anstice, will you let me make you my wife?"

She said nothing, but threw her arms about his neck, and raised her face a little for the first time. It was an assent that would have contented any man, and to Lord Blandamer it came as a matter of course; he had never for a moment doubted her acceptance of his offer. If she had raised her face to be kissed, her expectation was gratified; he kissed her indeed, but only lightly on the brow, as actor may kiss actress on the stage. If anyone had been there to see, they would have known from his eyes that his thoughts were far from his body, that they were busied with somebody or something, that seemed to him of more importance than the particular action in which he was now engaged. But Anastasia saw nothing; she only knew that he had asked her to marry him, and that she was in his arms.

He waited a moment, as if wondering how long the present position would continue, and what was the next step to take; but the girl was the first to relieve the tension. The wildest intoxication of the first surprise was passing off, and with returning capacity for reflection a doubt had arisen that flung a shadow like a cloud upon her joy. She disengaged herself from his arms that strove in orthodox manner to retain her.

"Don't," she said—"don't. We have been too rash. I know what you have asked me. I shall remember it always, and love you for it to my dying day, but it cannot be. There are things you must know before you ask me. I do not think you would ask me if you knew all."

For the first time he seemed a little more in earnest, a little more like a man living life, a little less like a man rehearsing a part that he had got by heart. This was an unexpected piece of action, an episode that was not in his acting edition, that put him for the moment at a loss; though he knew it could not in any way affect the main issues of the play. He expostulated, he tried to take her hand again.

"Tell me what it is, child, that is troubling you," he said; "there can be nothing, nothing under heaven that could make me wish to unsay what I have said, nothing that could make us wish to undo what we have done. Nothing can rob me now of the knowledge that you love me. Tell me what it is."

"I cannot tell you," she answered him. "It is something I cannot tell; don't ask me. I will write it. Leave me now—please leave me; no one shall know that you have been here, no one must know what has passed between us."

Miss Joliffe came back from the Dorcas meeting a little downhearted and out of humour. Things had not gone so smoothly as usual. No one had inquired after her health, though she had missed three meetings in succession; people had received her little compliments and cheery small-talk with the driest of negatives or affirmatives; she had an uncomfortable feeling that she was being cold-shouldered. That high moralist, Mrs Flint, edged her chair away from the poor lady of set purpose, and Miss Joliffe found herself at last left isolated from all, except Mrs Purlin, the builder's wife, who was far too fat and lethargic to be anything but ignorantly good-natured. Then, in a fit of pained abstraction, Miss Joliffe had made such a bad calculation as entirely to spoil a flannel petticoat with a rheumatic belt and camphor pockets, which she had looked upon as something of a chef d'œuvre.

But when she got back to Bellevue Lodge her vexation vanished, and was entirely absorbed in solicitude for her niece.

Anstice was unwell, Anstice was quite ill, quite flushed, and complaining of headache. If Miss Joliffe had feigned indisposition for three Saturdays as an excuse for not leaving the house, Anastasia had little need for simulation on this the fourth Saturday. She was, in effect, so dazed by the event which had happened, and so preoccupied by her own thoughts, that she could scarcely return coherent replies to her aunt's questions. Miss Joliffe had rung and received no answer, had discovered that the front-door was unlocked, and had at last found Anastasia sitting forlorn in Mr Westray's room with the window open. A chill was indicated, and Miss Joliffe put her to bed at once.

Bed is a first aid that even ambulance classes have not entirely taught us to dispense with; it is, moreover, a poor man's remedy, being exceedingly cheap, if, indeed, the poor man is rich enough to have a bed at all. Had Anastasia been Miss Bulteel, or even Mrs Parkyn, or lying and mischief-making Mrs Flint, Dr Ennefer would have been summoned forthwith; but being only Anastasia, and having the vision of debt before her eyes, she prevailed on her aunt to wait to see what the night brought forth, before sending for the doctor. Meanwhile Dr Bed, infinitely cleverest and infinitely safest of physicians, was called in, and with him was associated that excellent general practitioner Dr Wait. Hot flannels, hot bottles, hot possets, and a bedroom fire were exhibited, and when at nine o'clock Miss Joliffe kissed her niece and retired for the night, she by no means despaired of the patient's speedy recovery from so sudden and unaccountable an attack.

Anastasia was alone; what a relief to be alone again, though she felt that such a thought was treasonable and unkind to the warm old heart that had just left her, to that warm old heart which yearned so deeply to her, but with which she had not shared her story! She was alone, and she lay a little while in quiet content looking at the fire through the iron bars at the foot of her bedstead. It was the first bedroom fire she had had for two years, and she enjoyed the luxury with a pleasure proportionate to its rarity. She was not sleepy, but grew gradually more composed, and was able to reflect on the letter which she had promised to write. It would be difficult, and she assured herself with much vigour that it must raise insurmountable obstacles, that they were obstacles which one in Lord Blandamer's position must admit to be quite insurmountable. Yes, in this letter she would write the colophon of so wondrous a romance, the epilogue of so amazing a tragedy. But it was her conscience that demanded the sacrifice, and she took the more pleasure in making it, because she felt at heart that the pound of flesh might never really after all be cut.

How thoroughly do we enjoy these sacrifices to conscience, these followings of honour's code severe, when we know that none will be mean enough to take us at our word! To what easily-gained heights of morality does it raise us to protest that we never could accept the gift that will eventually be forced into our reluctant hands, to insist that we regard as the shortest of loans the money which we never shall be called upon to repay. It was something of the same sort with Anastasia. She told herself that by her letter she would give the death-blow to her love, and perhaps believed what she told, yet all the while kept hope hidden at the bottom of the box, even as in the most real perils of a dream we sometimes are supported by the sub-waking sense that we are dreaming.

A little later Anastasia was sitting before her bedroom fire writing. It has a magic of its own—the bedroom fire. Not such a one as night by night warms hothouse bedrooms of the rich, but that which burns but once or twice a year. How the coals glow between the bars, how the red light shimmers on the black-lead bricks, how the posset steams upon the hob! Milk or tea, cocoa or coffee, poor commonplace liquids, are they not transmuted in the alembic of a bedroom fire, till they become nepenthe for a heartache or a philtre for romance? Ah, the romance of it, when youth forestalls to-morrow's conquest, when middle life forgets that yesterday is past for ever, when even querulous old age thinks it may still have its "honour and its toil"!

An old blue cloak, which served the turn of dressing-gown, had fallen apart in the exigencies of composition, and showed underlying tracts of white nightgown. Below, the firelight fell on bare feet resting on the edge of the brass fender till the heat made her curl up her toes, and above, the firelight contoured certain generous curves. The roundness and the bloom of maidenhood was upon her, that bloom so transient, so irreplaceable, that renders any attempt to simulate it so profoundly ludicrous. The mass of dark hair, which turned lying-and-mischief-making Mrs Flint so envious, was gathered behind with a bow of black ribbon, and hung loosely over the back of her chair. She sat there writing and rewriting, erasing, blotting, tearing up, till the night was far spent, till she feared that the modest resources of the papeterie would be exhausted before toil came to fruition.

It was finished at last, and if it was a little formal or high-flown, or stilted, is not a certain formality postulated on momentous occasions? Who would write that he was "delighted" to accept a bishopric? Who would go to a levée in a straw hat?


"Dear Lord Blandamer" (the letter ran),

"I do not know how I ought to write to you, for I have little experience of life to guide me. I thank you with all my heart for what you have told me. I am glad to think of it, and I always shall be. I believe there must be many strong reasons why you should not think of marrying me, yet if there are, you must know them far better than I, and you have disregarded them. But there is one reason that you cannot know, for it is known to very few; I hope it is known only to some of our own relations. Perhaps I ought not to write of it at all, but I have no one to advise me. I mean what is right, and if I am doing wrong you will forgive me, will you not? and burn this letter when you have read it.

"I have no right to the name I am called by; my cousins in the Market Place think we should use some other, but we do not even know what our real name would be. When my grandmother married old Mr Joliffe, she had already a son two or three years old. This son was my father, and Mr Joliffe adopted him; but my grandmother had no right to any but her maiden name. We never knew what that was, though my father tried all his life to find it out, and thought he was very near finding out when he fell into his last illness. We think his head must have been affected, for he used to say strange things about his parentage. Perhaps the thought of this disgrace troubled him, as it has often troubled me, though I never thought it would trouble me so much as now.

"I have not told my aunt about what you have said to me, and no one else shall ever know it, but it will be the sweetest memory to me of all my life.

"Your very sincere friend,
"Anastasia Joliffe."


It was finished at last; she had slain all her hopes, she had slain her love. He would never marry her, he would never come near her again; but she had unburdened herself of her secret, and she could not have married him with that secret untold. It was three o'clock when she crept back again to bed. The fire had gone out, she was very cold, and she was glad to get back to her bed. Then Nature came to her aid and sent her kindly sleep, and if her sleep was not dreamless, she dreamt of dresses, and horses, and carriages, of men-servants, and maid-servants, of Lady Blandamer's great house of Fording, and of Lady Blandamer's husband.

Lord Blandamer also sat up very late that night. As he read before another bedroom fire he turned the pages of his book with the utmost regularity; his cigar never once went out. There was nothing to show that his thoughts wandered, nothing to show that his mind was in any way preoccupied. He was reading Eugenid's "Aristeia" of the pagans martyred under Honorius; and weighed the pros and cons of the argument as dispassionately as if the events of the afternoon had never taken place, as if there had been no such person as Anastasia Joliffe in the world.

Anastasia's letter reached him the next day at lunch, but he finished his meal before opening it. Yet he must have known whence it came, for there was a bold "Bellevue Lodge" embossed in red on the flap of the envelope. Martin Joliffe had ordered stamped paper and envelopes years ago, because he said that people of whom he made genealogical inquiries paid more attention to stamped than to plain paper—it was a credential of respectability. In Cullerne this had been looked upon as a gross instance of his extravagance; Mrs Bulteel and Canon Parkyn alone could use headed paper with propriety, and even the rectory only printed, and did not emboss. Martin had exhausted his supply years ago, and never ordered a second batch, because the first was still unpaid for; but Anastasia kept by her half a dozen of these fateful envelopes. She had purloined them when she was a girl at school, and to her they were still a cherished remnant of gentility, that pallium under which so many of us would fain hide our rags. She had used one on this momentous occasion; it seemed a fitting cover for despatches to Fording, and might divert attention from the straw paper on which her letter was written.

Lord Blandamer had seen the Bellevue Lodge, had divined the genesis of the embossed inscription, had unravelled all Anastasia's thoughts in using it, yet let the letter lie till he had finished lunch. When he read it afterwards he criticised it as he might the composition of a stranger, as a document with which he had no very close concern. Yet he appreciated the effort which it must have cost the girl to write it, was touched by her words, and felt a certain grave compassion for her. But it was the strange juggle of circumstance, the Sophoclean irony of a position of which he alone held the key, that most impressed themselves upon his mood.

He ordered his horse, and took the road to Cullerne, but his agent met him before he had passed the first lodge, and asked some further instructions for the planting at the top of the park. So he turned and rode up to the great belt of beeches which was then being planted, and was so long engaged there that dusk forced him to abandon his journey to the town. He rode back to Fording at a foot-pace, choosing devious paths, and enjoying the sunset in the autumn woods. He would write to Anastasia, and put off his visit till the next day.

With him there was no such wholesale destruction of writing-paper as had attended Anastasia's efforts on the previous night. One single sheet saw his letter begun and ended, a quarter of an hour sufficed for committing his sentiments very neatly to writing; he flung off his sentences ῥηιδίως, as easily as Odysseus tossed his heavy stone beyond all the marks of the Phaeacians:


"My dearest Child,

"I need not speak now of the weary hours of suspense which I passed in waiting for your letter. They are over, and all is sunshine after the clouds. I need not tell you how my heart beat when I saw an envelope with your address, nor how eagerly my fingers tore it open, for now all is happiness. Thank you, a thousand times thank you for your letter; it is like you, all candour, all kindness, and all truth. Put aside your scruples; everything that you say is not a featherweight in the balance; do not trouble about your name in the past, for you will have a new name in the future. It is not I, but you, who overlook obstacles, for have you not overlooked all the years that lie between your age and mine? I have but a moment to scribble these lines; you must forgive their weakness, and take for said all that should be said. I shall be with you to-morrow morning, and till then am, in all love and devotion,

"Yours,
"Blandamer."


He did not even read it through before he sealed it up, for he was in a hurry to get back to Eugenid and to the "Aristeia" of the heathens martyred under Honorius.

Two days later, Miss Joliffe put on her Sunday mantle and bonnet in the middle of the week, and went down to the Market Place to call on her cousin the pork-butcher. Her attire at once attracted attention. The only justification for such extravagance would be some parish function or festivity, and nothing of that sort could be going on without the knowledge of the churchwarden's family. Nor was it only the things which she wore, but the manner in which she wore them, that was so remarkable. As she entered the parlour at the back of the shop, where the pork-butcher's lady and daughters were sitting, they thought that they had never seen their cousin look so well dressed. She had lost the pinched, perplexed, down-trodden air which had overcast her later years; there was in her face a serenity and content which communicated itself in some mysterious way even to her apparel.

"Cousin Euphemia looks quite respectable this morning," whispered the younger to the elder daughter; and they had to examine her closely before they convinced themselves that only a piece of mauve ribbon in her bonnet was new, and that the coat and dress were just the same as they had seen every Sunday for two years past.

With "nods and becks and wreathed smiles" Miss Euphemia seated herself. "I have just popped in," she began, and the very phrase had something in it so light and flippant that her listeners started—"I have just popped in for a minute to tell you some news. You have always been particular, my dears, that no one except your branch had a right to the name of Joliffe in this town. You can't deny, Maria," she said deprecatingly to the churchwarden's wife, "that you have always held out that you were the real Joliffes, and been a little sore with me and Anstice for calling ourselves by what we thought we had a right to. Well, now there will be one less outside your family to use the name of Joliffe, for Anstice is going to give it up. Somebody has offered to find another name for her."

The real Joliffes exchanged glances, and thought of the junior partner in the drapery shop, who had affirmed with an oath that Anastasia Joliffe did as much justice to his goods as any girl in Cullerne; and thought again of the young farmer who was known for certain to let Miss Euphemia have eggs at a penny cheaper than anyone else.

"Yes, Anstice is going to change her name, so that will be one grievance the less. And another thing that will make matters straighter between us, Maria: I can promise the little bit of silver shall never go out of the family. You know what I mean—the teapot and the spoons marked with 'J' that you've always claimed for yours by right. I shall leave them all back to you when my time comes; Anstice will never want such odds and ends in the station to which she's called now."

The real Joliffes looked at each other again, and thought of young Bulteel, who had helped Anastasia with the gas-standards when the minster was decorated at Christmas. Or was it possible that her affected voice and fine lady airs had after all caught Mr Westray, that rather good-looking and interesting young man, on whom both the churchwarden's daughters were not without hopes of making an impression?

Miss Joliffe enjoyed their curiosity; she was in a teasing and mischievous mood, to which she had been a stranger for thirty years.

"Yes," she said, "I am one that like to own up to it when I make a mistake, and I will state I have made a mistake. I suppose I must take to spectacles; it seems I cannot see things that are going on under my very eyes—no, not even when they are pointed out to me. I've come round to tell you, Maria, one and all, that I was completely mistaken when I told the churchwarden that it was not on Anstice's account that Lord Blandamer has been visiting at Bellevue Lodge. It seems it was just for that he came, and the proof of it is he's going to marry her. In three weeks' time she will be Lady Blandamer, and if you want to say goodbye to her you'd better come back and have tea with me now, for she's packed her box, and is off to London to-morrow. Mrs Howard, who keeps the school in Carisbury where Anstice went in dear Martin's lifetime, will meet her and take charge of her, and get her trousseau. Lord Blandamer has arranged it all, and he is going to marry Anstice and take her for a long tour on the Continent, and I'm sure I don't know where else."

It was all true. Lord Blandamer made no secret of the matter, and his engagement to Anastasia, only child of the late Martin Joliffe, Esquire, of Cullerne, was duly announced in the London papers. It was natural that Westray should have known vacillation and misgiving before he made up his mind to offer marriage. It is with a man whose family or position are not strong enough to bear any extra strain, that public opinion plays so large a part in such circumstances. If he marries beneath him he falls to the wife's level, because he has no margin of resource to raise her to his own. With Lord Blandamer it was different: his reliance upon himself was so great, that he seemed to enjoy rather than not, the flinging down of a gauntlet to the public in this marriage.

Bellevue Lodge became a centre of attraction. The ladies who had contemned a lodging-house keeper's daughter courted the betrothed of a peer. From themselves they did not disguise the motive for this change, they did not even attempt to find an excuse in public. They simply executed their volte face simultaneously and with most commendable regularity, and felt no more reluctance or shame in the process than a cat feels in following the man who carries its meat. If they were disappointed in not seeing Anastasia herself (for she left for London almost immediately after the engagement was made public), they were in some measure compensated by the extreme readiness of Miss Euphemia to discuss the matter in all its bearings. Each and every detail was conscientiously considered and enlarged upon, from the buttons on Lord Blandamer's boots to the engagement-ring on Anastasia's finger; and Miss Joliffe was never tired of explaining that this last had an emerald—"A very large emerald, my dear, surrounded by diamonds, green and white being the colours of his lordship's shield, what they call the nebuly coat, you know."

A variety of wedding gifts found their way to Bellevue Lodge. "Great events, such as marriages and deaths, certainly do call forth the sympathy of our neighbours in a wonderful way," Miss Joliffe said, with all the seriousness of an innocent belief in the general goodness of mankind. "Till Anstice was engaged, I never knew, I am sure, how many friends I had in Cullerne." She showed "the presents" to successive callers, who examined them with the more interest because they had already seen most of them in the shop-windows of Cullerne, and so were able to appreciate the exact monetary outlay with which their acquaintances thought it prudent to conciliate the Fording interest. Every form of useless ugliness was amply represented among them— vulgarity masqueraded as taste, niggardliness figured as generosity—and if Miss Joliffe was proud of them as she forwarded them from Cullerne, Anastasia was heartily ashamed of them when they reached her in London.

"We must let bygones be bygones," said Mrs Parkyn to her husband with truly Christian forbearance, "and if this young man's choice has not fallen exactly where we could have wished, we must remember, after all, that he is Lord Blandamer, and make the best of the lady for his sake. We must give her a present; in your position as Rector you could not afford to be left out. Everyone, I hear, is giving something."

"Well, don't let it be anything extravagant," he said, laying down his paper, for his interest was aroused by any question of expense. "A too costly gift would be quite out of place under the circumstances. It should be rather an expression of goodwill to Lord Blandamer than anything of much intrinsic value."

"Of course, of course. You may trust me not to do anything foolish. I have my eye on just the thing. There is a beautiful set of four salt-cellars with their spoons at Laverick's, in a case lined with puffed satin. They only cost thirty-three shillings, and look worth at least three pounds."


The wedding was quiet, and there being no newspapers at that time to take such matters for their province, Cullerne curiosity had to be contented with the bare announcement: "At Saint Agatha's-at-Bow, Horatio Sebastian Fynes, Lord Blandamer, to Anastasia, only child of the late Michael Joliffe, of Cullerne Wharfe." Mrs Bulteel had been heard to say that she could not allow dear Lord Blandamer to be married without her being there. Canon Parkyn and Mrs Parkyn felt that their presence also was required ex-officio, and Clerk Janaway averred with some redundancies of expletive that he, too, "must see 'em turned off." He hadn't been to London for twenty year. If 'twere to cost a sovereign, why, 'twas a poor heart that never made merry, and he would never live to see another Lord Blandamer married. Yet none of them went, for time and place were not revealed.

But Miss Joliffe was there, and on her return to Cullerne she held several receptions at Bellevue Lodge, at which only the wedding and the events connected with it were discussed. She was vested for these functions in a new dress of coffee-coloured silk, and what with a tea-urn hissing in Mr Sharnall's room, and muffins, toast, and sweet-cakes, there were such goings-on in the house, as had not been seen since the last coach rolled away from the old Hand of God thirty years before. The company were very gracious and even affectionate, and Miss Joliffe, in the exhilaration of the occasion, forgot all those cold-shoulderings and askance looks which had grieved her at a certain Dorcas meeting only a few weeks before.

At these reunions many important particulars transpired. The wedding had been celebrated early in the morning at the special instance of the bride; only Mrs Howard and Miss Euphemia herself were present. Anstice had worn a travelling dress of dark-green cloth, so that she might go straight from the church to the station. "And, my dears," she said, with a glance of all-embracing benevolence, "she looked a perfect young peeress."

The kind and appreciative audience, who had all been expecting and hoping for the past six weeks, that some bolt might fall from the blue to rob Anastasia of her triumph, were so astonished at the wedding having finally taken place that they could not muster a sneer among them. Only lying-and-mischief-making Mrs Flint found courage for a sniff, and muttered something to her next neighbour about there being such things as mock marriages.

The honeymoon was much extended. Lord and Lady Blandamer went first to the Italian lakes, and thence, working their way home by Munich, Nuremburg, and the Rhine, travelled by such easy stages that autumn had set in when they reached Paris. There they wintered, and there in the spring was born a son and heir to all the Blandamer estates. The news caused much rejoicing in the domain; and when it was announced that the family were returning to Cullerne, it was decided to celebrate the event by ringing a peal from the tower of Saint Sepulchre's. The proposal originated with Canon Parkyn.

"It is a graceful compliment," he said, "to the nobleman to whose munificence the restoration is so largely due. We must show him how much stronger we have made our old tower, eh, Mr Westray? We must get the Carisbury ringers over to teach Cullerne people how such things should be done. Sir George will have to stand out of his fees longer than ever, if he is to wait till the tower tumbles down now. Eh, eh?"

"Ah, I do so dote on these old customs," assented his wife. "It is so delightful, a merry peal. I do think these good old customs should always be kept up." It was the cheapness of the entertainment that particularly appealed to her. "But is it necessary, my dear," she demurred, "to bring the ringers over from Carisbury? They are a sad drunken lot. I am sure there must be plenty of young men in Cullerne, who would delight to help ring the bells on such an occasion."

But Westray would have none of it. It was true, he said, that the tie-rods were fixed, and the tower that much the stronger; but he could countenance no ringing till the great south-east pier had been properly under-pinned.

His remonstrances found little favour. Lord Blandamer would think it so ungracious. Lady Blandamer, to be sure, counted for very little; it was ridiculous, in fact, to think of ringing the minster bells for a landlady's niece, but Lord Blandamer would certainly be offended.

"I call that clerk of the works a vain young upstart," Mrs Parkyn said to her husband. "I cannot think how you keep your temper with such a popinjay. I hope you will not allow yourself to be put upon again. You are so sweet-tempered and forbearing, that everyone takes advantage of you."

So she stirred him up till he assured her with considerable boldness that he was not a man to be dictated to; the bells should be rung, and he would get Sir George's views to fortify his own. Then Sir George wrote one of those cheery little notes for which he was famous, with a proper admixture of indifferent puns and a classic conceit: that when Gratitude was climbing the temple steps to lay an offering on Hymen's altar, Prudence must wait silent at the base till she came down.

Sir George should have been a doctor, his friends said; his manner was always so genial and reassuring. So having turned these happy phrases, and being overwhelmed with the grinding pressure of a great practice, he dismissed the tower of Saint Sepulchre from his mind, and left Rector and ringers to their own devices.

Thus on an autumn afternoon there was a sound in Cullerne that few of the inhabitants had ever heard, and the little town stopped its business to listen to the sweetest peal in all the West Country. How they swung and rung and sung together, the little bells and the great bells, from Beata Maria, the sweet, silver-voiced treble, to Taylor John, the deep-voiced tenor, that the Guild of Merchant Taylors had given three hundred years ago. There was a charm in the air like the singing of innumerable birds; people flung up their windows to listen, people stood in the shop-doors to listen, and the melody went floating away over the salt-marshes, till the fishermen taking up their lobster-pots paused in sheer wonder at a music that they had never heard before.

It seemed as if the very bells were glad to break their long repose; they sang together like the morning stars, they shouted together like the sons of God for joy. They remembered the times that were gone, and how they had rung when Abbot Harpingdon was given his red hat, and rung again when Henry defended the Faith by suppressing the Abbey, and again when Mary defended the Faith by restoring the Mass, and again when Queen Bess was given a pair of embroidered gloves as she passed through the Market Place on her way to Fording. They remembered the long counter-change of life and death that had passed under the red roofs at their feet, they remembered innumerable births and marriages and funerals of old time; they sang together like the morning stars, they shouted together like the sons of God for joy, they shouted for joy.

The Carisbury ringers came over after all; and Mrs Parkyn bore their advent with less misgiving, in the hope that directly Lord Blandamer heard of the honour that was done him, he would send a handsome donation for the ringers as he had already sent to the workhouse, and the old folk, and the school-children of Cullerne. The ropes and the cage, and the pins and the wheels, had all been carefully overhauled; and when the day came, the ringers stood to their work like men, and rang a full peal of grandsire triples in two hours and fifty-nine minutes.

There was a little cask of Bulteel's brightest tenpenny that some magician's arm had conjured up through the well-hole in the belfry floor: and Clerk Janaway, for all he was teetotaler, eyed the foaming pots wistfully as he passed them round after the work was done.

"Well," he said, "there weren't no int'rupted peal this time, were there? These here old bells never had a finer set of ringing-men under them, and I lay you never had a finer set of bells above your heads, my lads; now did 'ee? I've heard the bells swung many a time in Carisbury tower, and heard 'em when the Queen was set upon her throne, but, lor'! they arn't so deep-like nor yet so sweet as this here old ring. Perhaps they've grow'd the sweeter for lying by a bit, like port in the cellars of the Blandamer Arms, though I've heard Dr Ennefer say some of it was turned so like sherry, that no man living couldn't tell the difference."

Westray had bowed like loyal subaltern to the verdict of his Chief. Sir George's decision that the bells might safely be rung lifted the responsibility from the young man's shoulders, but not the anxiety from his mind. He never left the church while the peal was ringing. First he was in the bell-chamber steadying himself by the beams of the cage, while he marked the wide-mouthed bells now open heavenwards, now turn back with a rush into the darkness below. Then he crept deafened with the clangour down the stairs into the belfry, and sat on the sill of a window watching the ringers rise and fall at their work. He felt the tower sway restlessly under the stress of the swinging metal, but there was nothing unusual in the motion; there was no falling of mortar, nothing to attract any special attention. Then he went down into the church, and up again into the organ-loft, whence he could see the wide bow of that late Norman arch which spanned the south transept.

Above the arch ran up into the lantern the old fissure, zigzag like a baleful lightning-flash, that had given him so much anxiety. The day was overcast, and heavy masses of cloud drifting across the sky darkened the church. But where the shadows hung heaviest, under a stone gallery passage that ran round the inside of the lantern, could be traced one of those heavy tie-rods with which the tower had recently been strengthened. Westray was glad to think that the ties were there; he hoped that they might indeed support the strain which this bell-ringing was bringing on the tower; he hoped that Sir George was right, and that he, Westray, was wrong. Yet he had pasted a strip of paper across the crack, so that by tearing it might give warning if any serious movement were taking place.

As he leant over the screen of the organ-loft, he thought of that afternoon when he had first seen signs of the arch moving, of that afternoon when the organist was playing "Sharnall in D flat." How much had happened since then! He thought of that scene which had happened in this very loft, of Sharnall's end, of the strange accident that had terminated a sad life on that wild night. What a strange accident it was, what a strange thing that Sharnall should have been haunted by that wandering fancy of a man following him with a hammer, and then have been found in this very loft, with the desperate wound on him that the pedal-note had dealt! How much had happened—his own proposal to Anastasia, his refusal, and now that event for which the bells were ringing! How quickly the scenes changed! What a creature of an hour was he, was every man, in face of these grim walls that had stood enduring, immutable, for generation after generation, for age after age! And then he smiled as he thought that these eternal realities of stone were all created by ephemeral man; that he, ephemeral man, was even now busied with schemes for their support, with anxieties lest they should fall and grind to powder all below.

The bells sounded fainter and far off inside the church. As they reached his ears through the heavy stone roof they were more harmonious, all harshness was softened; the sordino of the vaulting produced the effect of a muffled peal. He could hear deep-voiced Taylor John go striding through his singing comrades in the intricacies of the Treble Bob Triples, and yet there was another voice in Westray's ears that made itself heard even above the booming of the tenor bell. It was the cry of the tower arches, the small still voice that had haunted him ever since he had been at Cullerne. "The arch never sleeps," they said—"the arch never sleeps;" and again, "They have bound on us a burden too heavy to be borne; but we are shifting it. The arch never sleeps."

The ringers were approaching the end; they had been at their work for near three hours, the 5,040 changes were almost finished. Westray went down from the organ-loft, and as he walked through the church the very last change was rung. Before the hum and mutter had died out of the air, and while the red-faced ringers in the belfry were quaffing their tankards, the architect had made his way to the scaffolding, and stood face to face with the zigzag crack. He looked at it carefully, as a doctor might examine a wound; he thrust his hand like Thomas into the dark fissure. No, there was no change; the paper strip was unbroken, the tie-rods had done their work nobly. Sir George had been quite right after all.

And as he looked there was the very faintest noise heard—a whisper, a mutter, a noise so slight that it might have passed a hundred times unnoticed. But to the architect's ear it spoke as loudly as a thunderclap. He knew exactly what it was and whence it came; and looking at the crack, saw that the broad paper strip was torn half-way across. It was a small affair; the paper strip was not quite parted, it was only torn half-way through. Though Westray watched for an hour, no further change took place. The ringers had left the tower, the little town had resumed its business. Clerk Janaway was walking across the church, when he saw the architect leaning against a cross-pole of the scaffolding, on the platform high up under the arch of the south transept.

"I'm just a-locking up," he called out. "You've got your own key, sir, no doubt?"

Westray gave an almost imperceptible nod.

"Well, we haven't brought the tower down this time," the clerk went on. But Westray made no answer; his eyes were fixed on the little half-torn strip of paper, and he had no thought for anything else. A minute later the old man stood beside him on the platform, puffing after the ladders that he had climbed. "No int'rupted peal this time," he said; "we've fair beat the neb'ly coat at last. Lord Blandamer back, and an heir to keep the family going. Looks as if the neb'ly coat was losing a bit of his sting, don't it?" But Westray was moody, and said nothing. "Why what's the matter? You bain't took bad, be you?"

"Don't bother me now," the architect said sharply. "I wish to Heaven the peal had been interrupted. I wish your bells had never been rung. Look there"—and he pointed at the strip of paper.

The clerk went closer to the crack, and looked hard at the silent witness. "Lor' bless you! that ain't nothing," he said; "'tis only just the jarring of the bells done that. You don't expect a mushet of paper to stand as firm as an anvil-stone, when Taylor John's a-swinging up aloft."

"Look you," Westray said; "you were in church this morning. Do you remember the lesson about the prophet sending his servant up to the top of a hill, to look at the sea? The man went up ever so many times and saw nothing. Last he saw a little cloud like a man's hand rising out of the sea, and after that the heaven grew black, and the storm broke. I'm not sure that bit of torn paper isn't the man's hand for this tower."

"Don't bother yourself," rejoined the clerk; "the man's hand showed the rain was a-coming, and the rain was just what they wanted. I never can make out why folks twist the Scripture round and make the man's hand into something bad. 'Twas a good thing, so take heart and get home to your victuals; you can't mend that bit of paper for all your staring at it."

Westray paid no attention to his remarks, and the old man wished him good-night rather stiffly. "Well," he said, as he turned down the ladder, "I'm off. I've got to be in my garden afore dark, for they're going to seal the leek leaves to-night against the leek-show next week. My grandson took first prize last year, and his old grandad had to put up with eleventh; but I've got half a dozen leeks this season as'll beat any plant that's growed in Cullerne."

By the next morning the paper strip was entirely parted. Westray wrote to Sir George, but history only repeated itself; for his Chief again made light of the matter, and gave the young man a strong hint that he was making mountains of molehills, that he was unduly nervous, that his place was to diligently carry out the instructions he had received. Another strip of paper was pasted across the crack, and remained intact. It seemed as if the tower had come to rest again, but Westray's scruples were not so easily allayed this time, and he took measures for pushing forward the under-pinning of the south-east pier with all possible despatch.


That inclination or predilection of Westray's for Anastasia, which he had been able to persuade himself was love, had passed away. His peace of mind was now completely restored, and he discounted the humiliation of refusal, by reflecting that the girl's affections must have been already engaged at the time of his proposal. He was ready to admit that Lord Blandamer would in any case have been a formidable competitor, but if they had started for the race at the same time he would have been quite prepared to back his own chances. Against his rival's position and wealth, might surely have been set his own youth, regularity of life, and professional skill; but it was a mere tilting against windmills to try to win a heart that was already another's. Thus disturbing influences were gradually composed, and he was able to devote an undivided attention to his professional work.

As the winter evenings set in, he found congenial occupation in an attempt to elucidate the heraldry of the great window at the end of the south transept. He made sketches of the various shields blazoned in it, and with the aid of a county history, and a manual which Dr Ennefer had lent him, succeeded in tracing most of the alliances represented by the various quarterings. These all related to marriages of the Blandamer family, for Van Linge had filled the window with glass to the order of the third Lord Blandamer, and the sea-green and silver of the nebuly coat was many times repeated, beside figuring in chief at the head of the window. In these studies Westray was glad to have Martin Joliffe's papers by him. There was in them a mass of information which bore on the subject of the architect's inquiries, for Martin had taken the published genealogy of the Blandamer family, and elaborated and corrected it by all kinds of investigation as to marriages and collaterals.

The story of Martin's delusion, the idea of the doited grey-beard whom the boys called "Old Nebuly," had been so firmly impressed on Westray's mind, that when he first turned over the papers he expected to find in them little more than the hallucinations of a madman. But by degrees he became aware that however disconnected many of Martin's notes might appear, they possessed a good deal of interest, and the coherence which results from a particular object being kept more or less continuously in view. Besides endless genealogies and bits of family history extracted from books, there were recorded all kinds of personal impressions and experiences, which Martin had met with in his journeyings. But in all his researches and expeditions he professed to have but one object—the discovery of his father's name; though what record he hoped to find, or where or how he hoped to find it, whether in document or register or inscription, was nowhere set out.

It was evident that the old fancy that he was the rightful owner of Fording, which had been suggested to him in his Oxford days, had taken such hold of his mind that no subsequent experience had been able to dislodge it. Of half his parentage there was no doubt. His mother was that Sophia Flannery who had married Yeoman Joliffe, had painted the famous picture of the flowers and caterpillar, and done many other things less reputable; but over his father hung a veil of obscurity which Martin had tried all his life to lift. Westray had heard those early stories from Clerk Janaway a dozen times, how that when Yeoman Joliffe took Sophia to church she brought him a four-year-old son by a former marriage. By a former marriage Martin had always stoutly maintained, as in duty bound, for any other theory would have dishonoured himself. With his mother's honour he had little concern, for where was the use of defending the memory of a mother who had made shipwreck of her own reputation with soldiers and horse-copers? It was this previous marriage that Martin had tried so hard to establish, tried all the harder because other folk had wagged their heads and said there was no marriage to discover, that Sophia was neither wife nor widow.

Towards the end of his notes it seemed as if he had found some clue—had found some clue, or thought that he had found it. In this game of hunt the slipper he had imagined that he was growing "hotter" and "hotter" till death balked him at the finish. Westray recollected Mr Sharnall saying more than once that Martin had been on the brink of solving the riddle when the end overtook him. And Sharnall, too, had he not almost grasped the Will-of-the-wisp when fate tripped him on that windy night? Many thoughts came to Westray's mind as he turned these papers, many memories of others who had turned them before him. He thought of clever, worthless Martin, who had wasted his days on their writing, who had neglected home and family for their sake; he thought of the little organist who had held them in his feverish hands, who had hoped by some dramatic discovery to illumine the dark setting of his own life. And as Westray read, the interest grew with him too, till it absorbed the heraldry of the Blandamer window from which the whole matter had started. He began to comprehend the vision that had possessed Martin, that had so stirred the organist's feelings; he began to think that it was reserved for himself to make the long-sought discovery, and that he had in his own hand the clue to the strangest of romances.

One evening as he sat by the fire, with a plan in his hands and a litter of Martin's papers lying on a table at his side, there was a tap at the door, and Miss Joliffe entered. They were still close friends in spite of his leaving Bellevue Lodge. However sorry she had been at the time to lose her lodger, she recognised that the course he had taken was correct, and, indeed, obligatory. She was glad that he had seen his duty in this matter; it would have been quite impossible for any man of ordinary human feelings, to continue to live on in the same house under such circumstances. To have made a bid for Anstice's hand, and to have been refused, was a blow that moved her deepest pity, and she endeavoured in many ways to show her consideration for the victim. Providence had no doubt overruled everything for the best in ordaining that Anstice should refuse Mr Westray, but Miss Joliffe had favoured his suit, and had been sorry at the time that it was not successful. So there existed between them that curious sympathy, which generally exists between a rejected lover and a woman who has done her best to further his proposal. They had since met not unfrequently, and the year which had elapsed had sufficiently blunted the edge of Westray's disappointment, to enable him to talk of the matter with equanimity. He took a sad pleasure in discussing with Miss Joliffe the motives which might have conduced to so inexplicable a refusal, and in considering whether his offer would have been accepted if it had been made a little sooner or in another manner. Nor was the subject in any way distasteful to her, for she felt a reflected glory in the fact of her niece having first refused a thoroughly eligible proposal, and having afterwards accepted one transcendently better.

"Forgive me, sir—forgive me, Mr Westray," she corrected herself, remembering that their relation was no longer one of landlady and lodger. "I am sorry to intrude on you so late, but it is difficult to find you in during the day. There is a matter that has been weighing lately on my mind. You have never taken away the picture of the flowers, which you and dear Mr Sharnall purchased of me. I have not hurried in the matter, feeling I should like to see you nicely settled in before it was moved, but now it is time all was set right, so I have brought it over to-night."

If her dress was no longer threadbare, it was still of the neatest black, and if she had taken to wearing every day the moss-agate brooch which had formerly been reserved for Sundays, she was still the very same old sweet-tempered, spontaneous, Miss Joliffe as in time past. Westray looked at her with something like affection.

"Sit down," he said, offering her a chair; "did you say you had brought the picture with you?" and he scanned her as if he expected to see it produced from her pocket.

"Yes," she said; "my maid is bringing it upstairs"—and there was just a suspicion of hesitation on the word "maid," that showed that she was still unaccustomed to the luxury of being waited on.

It was with great difficulty that she had been persuaded to accept such an allowance at Anastasia's hands, as would enable her to live on at Bellevue Lodge and keep a single servant; and if it brought her infinite relief to find that Lord Blandamer had paid all Martin's bills within a week of his engagement, such generosity filled her at the same time with a multitude of scruples. Lord Blandamer had wished her to live with them at Fording, but he was far too considerate and appreciative of the situation to insist on this proposal when he saw that such a change would be uncongenial to her. So she remained at Cullerne, and spent her time in receiving with dignity visits from the innumerable friends that she found she now possessed, and in the fullest enjoyment of church services, meetings, parish work, and other privileges.

"It is very good of you, Miss Joliffe," Westray said; "it is very kind of you to think of the picture. But," he went on, with a too vivid recollection of the painting, "I know how much you have always prized it, and I could not bear to take it away from Bellevue Lodge. You see, Mr Sharnall, who was part owner with me, is dead; I am only making you a present of half of it, so you must accept that from me as a little token of gratitude for all the kindness you have shown me. You have been very kind to me, you know," he said with a sigh, which was meant to recall Miss Joliffe's friendliness, and his own grief, in the affair of the proposal.

Miss Joliffe was quick to take the cue, and her voice was full of sympathy. "Dear Mr Westray, you know how glad I should have been if all could have happened as you wished. Yet we should try to recognise the ordering of Providence in these things, and bear sorrow with meekness. But about the picture, you must let me have my own way this once. There may come a time, and that before very long, when I shall be able to buy it back from you just as we arranged, and then I am sure you will let me have it. But for the present it must be with you, and if anything should happen to me I should wish you to keep it altogether."

Westray had meant to insist on her retaining the picture; he would not for a second time submit to be haunted with the gaudy flowers and the green caterpillar. But while she spoke, there fell upon him one of those gusty changes of purpose to which he was peculiarly liable. There came into his mind that strange insistence with which Sharnall had begged him at all hazards to retain possession of the picture. It seemed as if there might be some mysterious influence which had brought Miss Joliffe with it just now, and that he might be playing false to his trust with Sharnall if he sent it back again. So he did not remain obdurate, but said: "Well, if you really wish it, I will keep the picture for a time, and whenever you want it you can take it back again." While he was speaking there was a sound of stumbling on the stairs outside, and a bang as if something heavy had been let drop.

"It is that stupid girl again," Miss Joliffe said; "she is always tumbling about. I am sure she has broken more china in the six months she has been with me than was broken before in six years."

They went to the door, and as Westray opened it great red-faced and smiling Anne Janaway walked in, bearing the glorious picture of the flowers and caterpillar.

"What have you been doing now?" her mistress asked sharply.

"Very sorry, mum," said the maid, mingling some indignation with her apology, "this here gurt paint tripped I up. I'm sure I hope I haven't hurt un"—and she planted the picture on the floor against the table.

Miss Joliffe scanned the picture with an eye which was trained to detect the very flakiest chip on a saucer, the very faintest scratch upon a teapot.

"Dear me, dear me!" she said, "the beautiful frame is ruined; the bottom piece is broken almost clean off."

"Oh, come," Westray said in a pacifying tone, while he lifted the picture and laid it flat on the table, "things are not so bad as all that."

He saw that the piece which formed the bottom of the frame was indeed detached at both corners and ready to fall away, but he pushed it back into position with his hand till it stuck in its place, and left little damage apparent to a casual observer.

"See," he said, "it looks nearly all right. A little glue will quite repair the mischief to-morrow I am sure I wonder how your servant managed to get it up here at all—it is such a weight and size."

As a matter of fact, Miss Joliffe herself had helped Ann to carry the picture as far as the Grands Mulets of the last landing. The final ascent she thought could be accomplished in safety by the girl alone, while it would have been derogatory to her new position of an independent lady to appear before Westray carrying the picture herself.

"Do not vex yourself," Westray begged; "look, there is a nail in the wall here under the ceiling which will do capitally for hanging it till I can find a better place; the old cord is just the right length." He climbed on a chair and adjusted the picture, standing back as if to admire it, till Miss Joliffe's complacency was fairly restored.

Westray was busied that night long after Miss Joliffe had left him, and the hands of the loud-ticking clock on the mantelpiece showed that midnight was near before he had finished his work. Then he sat a little while before the dying fire, thinking much of Mr Sharnall, whom the picture had recalled to his mind, until the blackening embers warned him that it was time to go to bed. He was rising from his chair, when he heard behind him a noise as of something falling, and looking round, saw that the bottom of the picture-frame, which he had temporarily pushed into position, had broken away again of its own weight, and was fallen on the floor. The frame was handsomely wrought with a peculiar interlacing fillet, as he had noticed many times before. It was curious that so poor a picture should have obtained a rich setting, and sometimes he thought that Sophia Flannery must have bought the frame at a sale, and had afterwards daubed the flower-piece to fill it.

The room had grown suddenly cold with the chill which dogs the heels of a dying fire on an early winter's night. An icy breath blew in under the door, and made something flutter that lay on the floor close to the broken frame. Westray stooped to pick it up, and found that he had in his hand a piece of folded paper.

He felt a curious reluctance in handling it. Those fantastic scruples to which he was so often a prey assailed him. He asked himself had he any right to examine this piece of paper? It might be a letter; he did not know whence it had come, nor whose it was, and he certainly did not wish to be guilty of opening someone else's letter. He even went so far as to put it solemnly on the table, like a skipper on whose deck the phantom whale-boat of the Flying Dutchman has deposited a packet of mails. After a few minutes, however, he appreciated the absurdity of the situation, and with an effort unfolded the mysterious missive.

It was a long narrow piece of paper, yellowed with years, and lined with the creases of a generation; and had on it both printed and written characters. He recognised it instantly for a certificate of marriage—those "marriage lines" on which so often hang both the law and the prophets. There it was with all the little pigeon-holes duly filled in, and set forth how that on "March 15, 1800, at the Church of Saint Medard Within, one Horatio Sebastian Fynes, bachelor, aged twenty-one, son of Horatio Sebastian Fynes, gentleman, was married to one Sophia Flannery, spinster, aged twenty-one, daughter of James Flannery, merchant," with witnesses duly attesting. And underneath an ill-formed straggling hand had added a superscription in ink that was now brown and wasted: "Martin born January 2, 1801, at ten minutes past twelve, night." He laid it on the table and folded it out flat, and knew that he had under his eyes that certificate of the first marriage (of the only true marriage) of Martin's mother, which Martin had longed all his life to see, and had not seen; that patent of legitimacy which Martin thought he had within his grasp when death overtook him, that clue which Sharnall thought that he had within his grasp when death overtook him also.

On March 15, 1800, Sophia Flannery was married by special licence to Horatio Sebastian Fynes, gentleman, and on January 2, 1801, at ten minutes past twelve, night, Martin was born. Horatio Sebastian—the names were familiar enough to Westray. Who was this Horatio Sebastian Fynes, son of Horatio Sebastian Fynes, gentleman? It was only a formal question that he asked himself, for he knew the answer very well. This document that he had before him might be no legal proof, but not all the lawyers in Christendom could change his conviction, his intuition, that the "gentleman" Sophia Flannery had married was none other than the octogenarian Lord Blandamer deceased three years ago. There was to his eyes an air of authenticity about that yellowed strip of paper that nothing could upset, and the date of Martin's birth given in the straggling hand at the bottom coincided exactly with his own information. He sat down again in the cold with his elbows on the table and his head between his hands while he took in some of the corollaries of the position. If the old Lord Blandamer had married Sophia Flannery on March 15, 1800, then his second marriage was no marriage at all, for Sophia was living long after that, and there had been no divorce. But if his second marriage was no marriage, then his son, Lord Blandamer, who was drowned in Cullerne Bay, had been illegitimate, and his grandson, Lord Blandamer, who now sat on the throne of Fording, was illegitimate too. And Martin's dream had been true. Selfish, thriftless, idle Martin, whom the boys called "Old Nebuly," had not been mad after all, but had been Lord Blandamer.

It all hung on this strip of paper, this bolt fallen from the blue, this message that had come from no one knew where. Whence had it come? Could Miss Joliffe have dropped it? No, that was impossible; she would certainly have told him if she had any information of this kind, for she knew that he had been trying for months to unravel the tangle of Martin's papers. It must have been hidden behind the picture, and have fallen out when the bottom piece of the frame fell.

He went to the picture. There was the vase of flaunting, ill-drawn flowers, there was the green caterpillar wriggling on the table-top, but at the bottom was something that he had never seen before. A long narrow margin of another painting was now visible where the frame was broken away; it seemed as if the flower-piece had been painted over some other subject, as if Sophia Flannery had not even been at the pains to take the canvas out, and had only carried her daub up to the edge of the frame. There was no question that the flowers masked some better painting, some portrait, no doubt, for enough was shown at the bottom to enable him to make out a strip of a brown velvet coat, and even one mother-of-pearl button of a brown velvet waistcoat. He stared at the flowers, he held a candle close to them in the hope of being able to trace some outline, to discover something of what lay behind. But the colour had been laid on with no sparing hand, the veil was impenetrable. Even the green caterpillar seemed to mock him, for as he looked at it closely, he saw that Sophia in her wantonness had put some minute touches of colour, which gave its head two eyes and a grinning mouth.

He sat down again at the table where the certificate still lay open before him. That entry of Martin's birth must be in the handwriting of Sophia Flannery, of faithless, irresponsible Sophia Flannery, flaunting as her own flowers, mocking as the face of her own caterpillar.

There was a dead silence over all, the utter blank silence that falls upon a country town in the early morning hours. Only the loud-ticking clock on the mantelpiece kept telling of time's passage till the carillon of Saint Sepulchre's woke the silence with New Sabbath. It was three o'clock, and the room was deadly cold, but that chill was nothing to the chill that was rising to his own heart. He knew it all now, he said to himself—he knew the secret of Anastasia's marriage, and of Sharnall's death, and of Martin's death.


The foreman of the masons at work in the under-pinning of the south-east pier came to see Westray at nine o'clock the next morning. He was anxious that the architect should go down to the church at once, for the workmen, on reaching the tower shortly after daybreak, found traces of a fresh movement which had taken place during the night. But Westray was from home, having left Cullerne for London by the first train.

About ten of the same forenoon, the architect was in the shop of a small picture-dealer in Westminster. The canvas of the flowers and caterpillar picture lay on the counter, for the man had just taken it out of the frame.

"No," said the dealer, "there is no paper or any kind of lining in the frame—just a simple wood backing, you see. It is unusual to back at all, but it is done now and again"—and he tapped the loose frame all round. "It is an expensive frame, well made, and with good gilding. I shouldn't be surprised if the painting underneath this daub turned out to be quite respectable; they would never put a frame like this on anything that wasn't pretty good."

"Do you think you can clean off the top part without damaging the painting underneath?"

"Oh dear, yes," the man said; "I've had many harder jobs. You leave it with me for a couple of days, and we'll see what we can make of it."

"Couldn't it be done quicker than that?" Westray said. "I'm in rather a hurry. It is difficult for me to get up to London, and I should rather like to be by, when you begin to clean it."

"Don't make yourself anxious," the other said; "you can leave it in my hands with perfect confidence. We're quite used to this business."

Westray still looked unsatisfied. The dealer gave a glance round the shop. "Well," he said, "things don't seem very busy this morning; if you're in such a hurry, I don't mind just trying a little bit of it now. We'll put it on the table in the back-room. I can see if anyone comes into the shop."

"Begin where the face ought to be," Westray said; "let us see whose portrait it is."

"No, no," said the dealer; "we won't risk the face yet. Let us try something that doesn't matter much. We shall see how this stuff peels off; that'll give us a guide for the more important part. Here, I'll start with the table-top and caterpillar. There's something queer about that caterpillar, beside the face some joker's fitted it up with. I'm rather shy about the caterpillar. Looks to me as if it was a bit of the real picture left showing through, though I don't very well see how a caterpillar would fit in with a portrait." The dealer passed the nail of his forefinger lightly over the surface of the picture. "It seems as if 'twas sunk. You can feel the edges of this heavy daubing rough all round it."

It was as he pointed out; the green caterpillar certainly appeared to form some part of the underlying picture. The man took out a bottle, and with a brush laid some solution on the painting. "You must wait for it to dry. It will blister and frizzle up the surface, then we can rub off the top gently with a cloth, and you'll see what you will see."

"The fellow who painted this table-top didn't spare his colours," said the dealer half an hour later, "and that's all the better for us. See, it comes off like a skin"—and he worked away tenderly with a soft flannel. "Well, I'm jiggered," he went on, "if here isn't another caterpillar higher up! No, it ain't a caterpillar; but if it ain't a caterpillar, what is it?"

There was indeed another wavy green line, but Westray knew what it was directly he saw it. "Be careful," he said; "they aren't caterpillars at all, but just part of a coat of arms—a kind of bars in an heraldic shield, you know. There will be another shorter green line lower down."

It was as he said, and in a minute more there shone out the silver field and the three sea-green bars of the nebuly coat, and below it the motto Aut Fynes aut finis, just as it shone in the top light of the Blandamer window. It was the middle bar that Sophia had turned into a caterpillar, and in pure wantonness left showing through, when for her own purposes she had painted out the rest of the picture. Westray's excitement was getting the better of him—he could not keep still; he stood first on one leg and then on another, and drummed on the table with his fingers.

The dealer put his hand on the architect's arm. "For God's sake keep quiet!" he said; "don't excite yourself. You needn't think you have found a gold mine. It ain't a ten thousand-guinea Vandyke. We can't see enough yet to say what it is, but I'll bet my life you never get a twenty-pound note for it."

But for all Westray's impatience, the afternoon was well advanced before the head of the portrait was approached. There had been so few interruptions, that the dealer felt called upon to extenuate the absence of custom by explaining more than once that it was a very dull season. He was evidently interested in his task, for he worked with a will till the light began to fail. "Never mind," he said; "I will get a lamp; now we have got so far we may as well go a bit further."

It was a full-face picture, as they saw a few minutes afterwards. Westray held the lamp, and felt a strange thrill go through him, as he began to make out the youthful and unwrinkled brow. Surely he knew that high forehead—it was Anastasia's, and there was Anastasia's dark wavy hair above it. "Why, it's a woman after all," the dealer said. "No, it isn't; of course, how could it be with a brown velvet coat and waistcoat? It's a young man with curly hair."

Westray said nothing; he was too much excited, too much interested to say a word, for two eyes were peering at him through the mist. Then the mist lifted under the dealer's cloth, and the eyes gleamed with a startling brightness. They were light-grey eyes, clear and piercing, that transfixed him and read the very thoughts that he was thinking. Anastasia had vanished. It was Lord Blandamer that looked at him out of the picture.

They were Lord Blandamer's eyes, impenetrable and observant as to-day, but with the brightness of youth still in them; and the face, untarnished by middle age, showed that the picture had been painted some years ago. Westray put his elbows on the table and his head between his hands, while he gazed at the face which had thus come back to life. The eyes pursued him, he could not escape from them, he could scarcely spare a glance even for the nebuly coat that was blazoned in the corner. There were questions revolving in his mind for which he found as yet no answer. There was some mystery to which this portrait might be the clue. He was on the eve of some terrible explanation; he remembered all kinds of incidents that seemed connected with this picture, and yet could find no thread on which to string them. Of course, this head must have been painted when Lord Blandamer was young, but how could Sophia Flannery have ever seen it? The picture had only been the flowers and the table-top and caterpillar all through Miss Euphemia's memory, and that covered sixty years. But Lord Blandamer was not more than forty; and as Westray looked at the face he found little differences for which no change from youth to middle age could altogether account. Then he guessed that this was not the Lord Blandamer whom he knew, but an older one—that octogenarian who had died three years ago, that Horatio Sebastian Fynes, gentleman, who had married Sophia Flannery.

"It ain't a real first-rater," the dealer said, "but it ain't bad. I shouldn't be surprised if 'twas a Lawrence, and, anyway, it's a sight better than the flowers. Beats me to know how anyone ever came to paint such stuff as them on top of this respectable young man."

Westray was back in Cullerne the next evening. In the press of many thoughts he had forgotten to tell his landlady that he was coming, and he stood chafing while a maid-of-all-work tried to light the recalcitrant fire. The sticks were few and damp, the newspaper below them was damp, and the damp coal weighed heavily down on top of all, till the thick yellow smoke shied at the chimney, and came curling out under the worsted fringe of the mantelpiece into the chilly room. Westray took this discomfort the more impatiently, in that it was due to his own forgetfulness in having sent no word of his return.

"Why in the world isn't the fire lit?" he said sharply. "You must have known I couldn't sit without a fire on a cold evening like this;" and the wind sang dismally in the joints of the windows to emphasise the dreariness of the situation.

"It ain't nothing to do with me," answered the red-armed, coal-besmeared hoyden, looking up from her knees; "it's the missus. 'He was put out with the coal bill last time,' she says, 'and I ain't going to risk lighting up his fire with coal at sixpence a scuttle, and me not knowing whether he's coming back to-night.'"

"Well, you might see at any rate that the fire was properly laid," the architect said, as the lighting process gave evident indications of failing for the third time.

"I do my best," she said in a larmoyant tone, "but I can't do everything, what with having to cook, and clean, and run up and down stairs with notes, and answer the bell every other minute to lords."

"Has Lord Blandamer been here?" asked Westray.

"Yes, he came yesterday and twice to-day to see you," she said, "and then he left a note. There 'tis"—and she pointed to the end of the mantelpiece.

Westray looked round, and saw an envelope edged in black. He knew the strong, bold hand of the superscription well enough, and in his present mood it sent something like a thrill of horror through him.

"You needn't wait," he said quickly to the servant; "it isn't your fault at all about the fire. I'm sure it's going to burn now."

The girl rose quickly to her feet, gave an astonished glance at the grate, which was once more enveloped in impotent blackness, and left the room.

An hour later, when the light outside was failing, Westray sat in the cold and darkening room. On the table lay open before him Lord Blandamer's letter:


"Dear Mr Westray,

"I called to see you yesterday, but was unfortunate in finding you absent from home, and so write these lines. There used to hang in your sitting-room at Bellevue Lodge an old picture of flowers which has some interest for my wife. Her affection for it is based on early associations, and not, of course, on any merits of the painting itself. I thought that it belonged to Miss Joliffe, but I find on inquiry from her that she sold it to you some little time ago, and that it is with you now. I do not suppose that you can attach any great value to it, and, indeed, I suspect that you bought it of Miss Joliffe as an act of charity. If this is so, I should be obliged if you would let me know if you are disposed to part with it again, as my wife would like to have it here.

"I am sorry to hear of fresh movement in the tower. It would be a bitter thought to me, if the peal that welcomed us back were found to have caused damage to the structure, but I am sure you will know that no expense should be spared to make all really secure as soon as possible.

"Very faithfully yours,
"Blandamer."


Westray was eager, impressionable, still subject to all the exaltations and depressions of youth. Thoughts crowded into his mind with bewildering rapidity; they trod so close upon each other's heels that there was no time to marshal them in order; excitement had dizzied him. Was he called to be the minister of justice? Was he chosen for the scourge of God? Was his the hand that must launch the bolt against the guilty? Discovery had come directly to him. What a piece of circumstantial evidence were these very lines that lay open on the table, dim and illegible in the darkness that filled the room! Yet clear and damning to one who had the clue.

This man that ruled at Fording was a pretender, enjoying goods that belonged to others, a shameless evil-doer, who had not stuck at marrying innocent Anastasia Joliffe, if by so stooping he might cover up the traces of his imposture. There was no Lord Blandamer, there was no title; with a breath he could sweep it all away like a house of cards. And was that all? Was there nothing else?

Night had fallen. Westray sat alone in the dark, his elbows on the table, his head still between his hands. There was no fire, there was no light, only the faint shimmer of a far-off street lamp brought a perception of the darkness. It was that pale uncertain luminosity that recalled to his mind another night, when the misty moon shone through the clerestory windows of Saint Sepulchre's. He seemed once more to be making his way up the ghostly nave, on past the pillars that stood like gigantic figures in white winding-sheets, on under the great tower arches. Once more he was groping in the utter darkness of the newel stair, once more he came out into the organ-loft, and saw the baleful silver and sea-green of the nebuly coat gleaming in the transept window. And in the corners of the room lurked presences of evil, and a thin pale shadow of Sharnall wrung its hands, and cried to be saved from the man with the hammer. Then the horrible suspicion that had haunted him these last days stared out of the darkness as a fact, and he sprung to his feet in a shiver of cold and lit a candle.

An hour, two hours, three hours passed before he had written an answer to the letter that lay before him, and in the interval a fresh vicissitude of mind had befallen him. He, Westray, had been singled out as the instrument of vengeance; the clue was in his hands; his was the mouth that must condemn. Yet he would do nothing underhand, he would take no man unawares; he would tell Lord Blandamer of his discovery, and give him warning before he took any further steps. So he wrote:

"My lord," and of the many sheets that were begun and flung away before the letter was finished, two were spoiled because the familiar address "Dear Lord Blandamer" came as it were automatically from Westray's pen. He could no longer bring himself to use those words now, even as a formality, and so he began:


"My Lord,

"I have just received your note about the picture bought by me of Miss Joliffe. I cannot say whether I should have been willing to part with it under ordinary circumstances. It had no apparent intrinsic value, but for me it was associated with my friend the late Mr Sharnall, organist of Saint Sepulchre's. We shared in its purchase, and it was only on his death that I came into sole possession of it. You will not have forgotten the strange circumstances of his end, and I have not forgotten them either. My friend Mr Sharnall was well-known among his acquaintances to be much interested in this picture. He believed it to be of more importance than appeared, and he expressed himself strongly to that effect in my presence, and once also, I remember, in yours.

"But for his untimely death I think he would have long ago made the discovery to which chance has now led me. The flowers prove to be a mere surface painting which concealed what is undoubtedly a portrait of the late Lord Blandamer, and at the back of the canvas were found copies of certain entries in parish registers relating to him. I most earnestly wish that I could end here by making over these things to you, but they seem to me to throw so strange a light on certain past events that I must hold myself responsible for them, and can give them up to no private person. At the same time, I do not feel justified in refusing to let you see picture and papers, if you should wish to do so, and to judge yourself of their importance. I am at the above address, and shall be ready to make an appointment at any time before Monday next, after which date I shall feel compelled to take further steps in this matter."


Westray's letter reached Lord Blandamer the next morning. It lay at the bottom of a little heap of correspondence on the breakfast-table, like the last evil lot to leap out of the shaken urn, an Ephedrus, like that Adulterer who at the finish tripped the Conqueror of Troy. He read it at a glance, catching its import rather by intuition than by any slavish following of the written characters. If earth was darkness at the core, and dust and ashes all that is, there was no trace of it in his face. He talked gaily, he fulfilled the duties of a host with all his charm of manner, he sped two guests who were leaving that morning with all his usual courtesy. After that he ordered his horse, and telling Lady Blandamer that he might not be back to lunch, he set out for one of those slow solitary rides on the estate that often seemed congenial to his mood. He rode along by narrow lanes and bridle-paths, not forgetting a kindly greeting to men who touched their hats, or women who dropped a curtsey, but all the while he thought.

The letter had sent his memory back to another black day, more than twenty years before, when he had quarrelled with his grandfather. It was in his second year at Oxford, when as an undergraduate he first felt it his duty to set the whole world in order. He held strong views as to the mismanagement of the Fording estates; and as a scholar and man of the world, had thought it weakness to shirk the expression of them. The timber was being neglected, there was no thinning and no planting. The old-fashioned farmhouses were being let fall into disrepair, and then replaced by parsimonious eaveless buildings; the very grazing in the park was let, and fallow-deer and red-deer were jostled by sheep and common mongrel cows. The question of the cows had galled him till he was driven to remonstrate strongly with his grandfather. There had never been much love lost between the pair, and on this occasion the young man found the old man strangely out of sympathy with suggestions of reform.

"Thank you," old Lord Blandamer had said; "I have heard all you have to say. You have eased your mind, and now you can go back to Oxford in peace. I have managed Fording for forty years, and feel myself perfectly competent to manage it for forty years more. I don't quite see what concern you have in the matter. What business is it of yours?"

"You don't see what concern I have in it," said the reformer impetuously; "you don't know what business it is of mine? Why, damage is being done here that will take a lifetime to repair."

A man must be on good terms with his heir not to dislike the idea of making way for him, and the old lord flew into one of those paroxysms of rage which fell upon him more frequently in his later years.

"Now, look you," he said; "you need not trouble yourself any more about Fording, nor think you will be so great a sufferer by my mismanagement. It is by no means certain that I shall ever burden you with the place at all."

Then the young man was angry in his turn. "Don't threaten me, sir," he said sharply; "I am not a boy any longer to be cowed by rough words, so keep your threats for others. You would disgrace the family and disgrace yourself, if you left the property away from the title."

"Make your mind easy," said the other; "the property shall follow the title. Get away, and let me hear no more, or you may find both left away from you."

The words were lightly spoken, perhaps in mere petulance at being taken to task by a boy, perhaps in the exasperating pangs of gout; but they had a bitter sound, and sank deep into the heart of youth. The threat of the other possible heirs was new, and yet was not new to him. It seemed as if he had heard something of this before, though he could not remember where; it seemed as if there had always been some ill-defined, intangible suspicion in the air of Fording to make him doubt, since he came to thinking years, whether the title ever really would be his.

Lord Blandamer remembered these things well, as he walked his horse through the beech-leaves with Westray's letter in his breast-pocket. He remembered how his grandfather's words had sent him about with a sad face, and how his grandmother had guessed the reason. He wondered how she had guessed it; but she too, perhaps, had heard these threats before, and so came at the cause more easily. Yet when she had forced his confidence she had little comfort to give.

He could see her now, a stately woman with cold blue eyes, still handsome, though she was near sixty.

"Since we are speaking of this matter," she said with chilling composure, "let us speak openly. I will tell you everything I know, which is nothing. Your grandfather threatened me once, many years ago, as he has threatened you now, and we have never forgotten nor forgiven." She moved herself in her chair, and there came a little flush of red to her cheek. "It was about the time of your father's birth; we had quarrelled before, but this was our first serious quarrel, and the last. Your father was different from me, you know, and from you; he never quarrelled, and he never knew this story. So far as I was concerned I took the responsibility of silence, and it was wisest so." She looked sterner than ever as she went on. "I have never heard or discovered anything more. I am not afraid of your grandfather's intentions. He has a regard for the name, and he means to leave all to you, who have every right, unless, indeed, it may be, a legal right. There is one more thing about which I was anxious long ago. You have heard about a portrait of your grandfather that was stolen from the gallery soon after your father's birth? Suspicion fell upon no one in particular. Of course, the stable door was locked after the horse was gone, and we had a night-watchman at Fording for some time; but little stir was made, and I do not believe your grandfather ever put the matter in the hands of the police. It was a spiteful trick, he said; he would not pay whoever had done it the compliment of taking any trouble to recover the portrait. The picture was of himself; he could have another painted any day.

"By whatever means that picture was removed, I have little doubt that your grandfather guessed what had become of it. Does it still exist? Was it stolen? Or did he have it taken away to prevent its being stolen? We must remember that, though we are quite in the dark about these people, there is nothing to prevent their being shown over the house like any other strangers." Then she drew herself up, and folded her hands in her lap, and he saw the great rings flashing on her white fingers. "That is all I know," she finished, "and now let us agree not to mention the subject again, unless one of us should discover anything more. The claim may have lapsed, or may have been compounded, or may never have existed; I think, anyhow, we may feel sure now that no move will be made in your grandfather's lifetime. My advice to you is not to quarrel with him; you had better spend your long vacations away from Fording, and when you leave Oxford you can travel."

So the young man went out from Fording, for a wandering that was to prove half as long as that of Israel in the wilderness. He came home for a flying visit at wide intervals, but he kept up a steady correspondence with his grandmother as long as she lived. Only once, and that in the last letter which he ever received from her, did she allude to the old distasteful discussion. "Up to this very day," she wrote, "I have found out nothing; we may still hope that there is nothing to find out."

In all those long years he consoled himself by the thought that he was bearing expatriation for the honour of the family, that he was absenting himself so that his grandfather might find the less temptation to drag the nebuly coat in the mire. To make a fetish of family was a tradition with Blandamers, and the heir as he set out on his travels, with the romance of early youth about him, dedicated himself to the nebuly coat, with a vow to "serve and preserve" as faithfully as any ever taken by Templar.

Last of all the old lord passed away. He never carried out his threat of disinheritance, but died intestate, and thus the grandson came to his own. The new Lord Blandamer was no longer young when he returned; years of wild travel had hardened his face, and made his heart self-reliant, but he came back as romantic as he went away. For Nature, if she once endows man or woman with romance, gives them so rich a store of it as shall last them, life through, unto the end. In sickness or health, in poverty or riches, through middle age and old age, through loss of hair and loss of teeth, under wrinkled face and gouty limbs, under crow's-feet and double chins, under all the least romantic and most sordid malaisances of life, romance endures to the end. Its price is altogether above rubies; it can never be taken away from those that have it, and those that have it not, can never acquire it for money, nor by the most utter toil—no, nor ever arrive at the very faintest comprehension of it.

The new lord had come back to Fording full of splendid purpose. He was tired of wandering; he would marry; he would settle down and enjoy his own; he would seek the good of the people, and make his great estates an example among landowners. And then within three weeks he had learned that there was a pretender to the throne, that in Cullerne there was a visionary who claimed to be the very Lord Blandamer. He had had this wretched man pointed out to him once in the street—a broken-down fellow who was trailing the cognisance of all the Blandamers in the mud, till the very boys called him Old Nebuly. Was he to fight for land, and house, and title, to fight for everything, with a man like that? And yet it might come to fighting, for within a little time he knew that this was the heir who had been the intangible shadow of his grandmother's life and of his own; and that Martin might stumble any day upon the proof that was lacking. And then death set a term to Martin's hopes, and Lord Blandamer was free again.

But not for long, for in a little while he heard of an old organist who had taken up Martin's rôle—a meddlesome busybody who fished in troubled waters, for the trouble's sake. What had such a mean man as this to do with lands, and titles, and coats of arms? And yet this man was talking under his breath in Cullerne of crimes, and clues, and retribution near at hand. And then death put a term to Sharnall's talk, and Lord Blandamer was free again.

Free for a longer space, free this time finally for ever; and he married, and marriage set the seal on his security, and the heir was born, and the nebuly coat was safe. But now a new confuter had risen to balk him. Was he fighting with dragon's spawn? Were fresh enemies to spring up from the—— The simile did not suit his mood, and he truncated it. Was this young architect, whose very food and wages in Cullerne were being paid for by the money that he, Lord Blandamer, saw fit to spend upon the church, indeed to be the avenger? Was his own creature to turn and rend him? He smiled at the very irony of the thing, and then he brushed aside reflections on the past, and stifled even the beginnings of regret, if, indeed, any existed. He would look at the present, he would understand exactly how matters stood.

Lord Blandamer came back to Fording at nightfall, and spent the hour before dinner in his library. He wrote some business letters which could not be postponed, but after dinner read aloud to his wife. He had a pleasant and well-trained voice, and amused Lady Blandamer by reading from the "Ingoldsby Legends," a new series of which had recently appeared.

Whilst he read Anastasia worked at some hangings, which had been left unfinished by the last Lady Blandamer. The old lord's wife had gone out very little, but passed her time for the most part with her gardens, and with curious needlework. For years she had been copying some moth-eaten fragments of Stuart tapestry, and at her death left the work still uncompleted. The housekeeper had shown these half-finished things and explained what they were, and Anastasia had asked Lord Blandamer whether it would be agreeable to him that she should go on with them. The idea pleased him, and so she plodded away evening by evening, very carefully and slowly, thinking often of the lonely old lady whose hands had last been busied with the same task. This grandmother of her husband seemed to have been the only relation with whom he had ever been on intimate terms, and Anastasia's interest was quickened by an excellent portrait of her as a young girl by Lawrence, which hung in the long gallery. Could the old lady have revisited for once the scene of her labours, she would have had no reason to be dissatisfied with her successor. Anastasia looked distinguished enough as she sat at her work-frame, with the skeins of coloured silks in her lap and the dark-brown hair waved on her high forehead; and a dress of a rich yellow velvet might have supported the illusion that a portrait of some bygone lady of the Blandamers had stepped down out of its frame.

That evening her instinct told her that something was amiss, in spite of all her husband's self-command. Something very annoying must have happened among the grooms, gardeners, gamekeepers, or other dependents; he had been riding about to set the matter straight, and it was no doubt of a nature that he did not care to mention to her.


Westray passed a day of painful restlessness. He had laid his hand to a repugnant business, and the burden of it was too heavy for him to bear. He felt the same gnawing anxiety, that is experienced by one whom doctors have sentenced to a lethal operation. One man may bear himself more bravely in such circumstances than another, but by nature every man is a coward; and the knowledge that the hour is approaching, when the surgeon's knife shall introduce him to a final struggle of life and death cannot be done away. So it was with Westray; he had undertaken a task for which he was not strong enough, and only high principle, and a sense of moral responsibility, kept him from panic and flight. He went to the church in the morning, and endeavoured to concentrate attention on his work, but the consciousness of what was before him would not be thrust aside. The foreman-mason saw that his master's thoughts were wandering, and noticed the drawn expression on his face.

In the afternoon his restlessness increased, and he wandered listlessly through the streets and narrow entries of the town, till he found himself near nightfall at that place by the banks of the Cull, where the organist had halted on the last evening of his life. He stood leaning over the iron railing, and looked at the soiled river, just as Mr Sharnall had looked. There were the dark-green tresses of duck-weed swaying to and fro in the shallow eddies, there was the sordid collection of broken and worthless objects that lay on the bottom, and he stared at them till the darkness covered them one by one, and only the whiteness of a broken dish still flickered under the water.

Then he crept back to his room as if he were a felon, and though he went early to bed, sleep refused to visit him till the day began to break. With daylight he fell into a troubled doze, and dreamt that he was in a witness-box before a crowded court. In the dock stood Lord Blandamer dressed in full peer's robes, and with a coronet on his head. The eyes of all were turned upon him, Westray, with fierce enmity and contempt, and it was he, Westray, that a stern-faced judge was sentencing, as a traducer and lying informer. Then the people in the galleries stamped with their feet and howled against him in their rage; and waking with a start, he knew that it was the postman's sharp knock on the street-door, that had broken his slumber.

The letter which he dreaded lay on the table when he came down. He felt an intense reluctance in opening it. He almost wondered that the handwriting was still the same; it was as if he had expected that the characters should be tremulous, or the ink itself blood-red. Lord Blandamer acknowledged Mr Westray's letter with thanks. He should certainly like to see the picture and the family papers of which Mr Westray spoke; would Mr Westray do him the favour of bringing the picture to Fording? He apologised for putting him to so much trouble, but there was another picture in the gallery at Fording, with which it might be interesting to compare the one recently discovered. He would send a carriage to meet any train; Mr Westray would no doubt find it more convenient to spend the night at Fording.

There was no expression of surprise, curiosity, indignation or alarm; nothing, in fact, except the utmost courtesy, a little more distant perhaps than usual, but not markedly so.

Westray had been unable to conjecture what would be the nature of Lord Blandamer's answer. He had thought of many possibilities, of the impostor's flight, of lavish offers of hush-money, of passionate appeals for mercy, of scornful and indignant denial. But in all his imaginings he had never imagined this. Ever since he had sent his own letter, he had been doubtful of its wisdom, and yet he had not been able to think of any other course that he would have preferred. He knew that the step he had taken in warning the criminal was quixotic, and yet it seemed to him that Lord Blandamer had a certain right to see his own family portrait and papers, before they were used against him. He could not feel sorry that he had given the opportunity, though he had certainly hoped that Lord Blandamer would not avail himself of it.

But go to Fording he would not. That, at any rate, no fantastic refinement of fair play could demand of him. He knew his mind at least on this point; he would answer at once, and he got out a sheet of paper for his refusal. It was easy to write the number of his house, and the street, and Cullerne, and the formal "My lord," which he used again for the address. But what then? What reason was he to give for his refusal? He could allege no business appointment or other serious engagement as an obstacle, for he himself had said that he was free for a week, and had offered Lord Blandamer to make an appointment on any day. He himself had offered an interview; to draw back now would be mean and paltry in the extreme. It was true that the more he thought of this meeting the more he shrank from it. But it could not be evaded now. It was, after all, only the easiest part of the task that he had set before him, only a prolusion to the tragedy that he would have to play to a finish. Lord Blandamer deserved, no doubt, all the evil that was to fall on him; but in the meanwhile he, Westray, was incapable of refusing this small favour, asked by a man who was entirely at his mercy.

Then he wrote with a shrinking heart, but with yet another fixed purpose, that he would bring the picture to Fording the next day. He preferred not to be met at the station; he would arrive some time during the afternoon, but could only stay an hour at the most, as he had business which would take him on to London the same evening.

It was a fine Autumn day on the morrow, and when the morning mists had cleared away, the sun came out with surprising warmth, and dried the dew on the lawns of many-gardened Cullerne. Towards mid-day Westray set forth from his lodgings to go to the station, carrying under his arm the picture, lightly packed in lath, and having in his pocket those papers which had fallen out from the frame. He chose a route through back-streets, and walked quickly, but as he passed Quandrill's, the local maker of guns and fishing-rods, a thought struck him. He stopped and entered the shop.

"Good-morning," he said to the gunsmith, who stood behind the counter; "have you any pistols? I want one small enough to carry in the pocket, but yet something more powerful than a toy."

Mr Quandrill took off his spectacles.

"Ah," he said, tapping the counter with them meditatively. "Let me see. Mr Westray, is it not, the architect at the minster?"

"Yes," Westray answered. "I require a pistol for some experiments. It should carry a fairly heavy bullet."

"Oh, just so," the man said, with an air of some relief, as Westray's coolness convinced him that he was not contemplating suicide. "Just so, I see; some experiments. Well, in that case, I suppose, you would not require any special facilities for loading again quickly, otherwise I should have recommended one of these," and he took up a weapon from the counter. "They are new-fangled things from America, revolving pistols they call them. You can fire them four times running, you see, as quick as you like," and he snapped the piece to show how well it worked.

Westray handled the pistol, and looked at the barrels.

"Yes," he said, "that will suit my purpose very well, though it is rather large to carry in the pocket."

"Oh, you want it for the pocket," the gunmaker said with renewed surprise in his tone.

"Yes; I told you that already. I may have to carry it about with me. Still, I think this will do. Could you kindly load it for me now?"

"You are sure it's quite safe," said the gunmaker.

"I ought to ask you that," Westray rejoined with a smile. "Do you mean it may go off accidentally in my pocket?"

"Oh no, it's safe enough that way," said the gunmaker. "It won't go off unless you pull the trigger." And he loaded the four barrels, measuring out the powder and shot carefully, and ramming in the wads. "You'll be wanting more powder and shot than this, I suppose," he said.

"Very likely," rejoined the architect, "but I can call for that later."

He found a heavy country fly waiting for him at Lytchett, the little wayside station which was sometimes used by people going to Fording. It is a seven-mile drive from the station to the house, but he was so occupied in his own reflections, that he was conscious of nothing till the carriage pulled up at the entrance of the park. Here he stopped for a moment while the lodge-keeper was unfastening the bolt, and remembered afterwards that he had noticed the elaborate iron-work, and the nebuly coat which was set over the great gates. He was in the long avenue now, and he wished it had been longer, he wished that it might never end; and then the fly stopped again, and Lord Blandamer on horseback was speaking to him through the carriage window.

There was a second's pause, while the two men looked each other directly in the eyes, and in that look all doubt on either side was ended. Westray felt as if he had received a staggering blow as he came face to face with naked truth, and Lord Blandamer read Westray's thoughts, and knew the extent of his discovery.

Lord Blandamer was the first to speak.

"I am glad to see you again," he said with perfect courtesy, "and am very much obliged to you for taking this trouble in bringing the picture." And he glanced at the crate that Westray was steadying with his hand on the opposite seat. "I only regret that you would not let me send a carriage to Lytchett."

"Thank you," said the architect; "on the present occasion I preferred to be entirely independent." His words were cold, and were meant to be cold, and yet as he looked at the other's gentle bearing, and the grave face in which sadness was a charm; he felt constrained to abate in part the effect of his own remark, and added somewhat awkwardly: "You see, I was uncertain about the trains."

"I am riding back across the grass," Lord Blandamer said, "but shall be at the house before you;" and as he galloped off, Westray knew that he rode exceedingly well.

This meeting, he guessed, had been contrived to avoid the embarrassment of a more formal beginning. It was obvious that their terms of former friendship could no longer be maintained. Nothing would have induced him to have shaken hands, and this Lord Blandamer must have known.

As Westray stepped into the hall through Inigo Jones' Ionic portico, Lord Blandamer entered from a side-door.

"You must be cold after your long drive. Will you not take a biscuit and a glass of wine?"

Westray motioned away the refreshment which a footman offered him.

"No, thank you," he said; "I will not take anything." It was impossible for him to eat or drink in this house, and yet again he softened his words by adding: "I had something to eat on the way."

The architect's refusal was not lost upon Lord Blandamer. He had known before he spoke that his offer would not be accepted.

"I am afraid it is useless to ask you to stop the night with us," he said; and Westray had his rejoinder ready:

"No; I must leave Lytchett by the seven five train. I have ordered the fly to wait."

He had named the last train available for London, and Lord Blandamer saw that his visitor had so arranged matters, that the interview could not be prolonged for more than an hour.

"Of course, you could catch the night-mail at Cullerne Road," he said. "It is a very long drive, but I sometimes go that way to London myself."

His words called suddenly to Westray's recollection that night walk when the station lights of Cullerne Road were seen dimly through the fog, and the station-master's story that Lord Blandamer had travelled by the mail on the night of poor Sharnall's death. He said nothing, but felt his resolution strengthened.

"The gallery will be the most convenient place, perhaps, to unpack the picture," Lord Blandamer said; and Westray at once assented, gathering from the other's manner that this would be a spot where no interruption need be feared.

They went up some wide and shallow stairs, preceded by a footman, who carried the picture.

"You need not wait," Lord Blandamer said to the man; "we can unpack it ourselves."

When the wrappings were taken off, they stood the painting on the narrow shelf formed by the top of the wainscot which lined the gallery, and from the canvas the old lord surveyed them with penetrating light-grey eyes, exactly like the eyes of the grandson who stood before him.

Lord Blandamer stepped back a little, and took a long look at the face of this man, who had been the terror of his childhood, who had darkened his middle life, who seemed now to have returned from the grave to ruin him. He knew himself to be in a desperate pass. Here he must make the last stand, for the issue lay between him and Westray. No one else had learned the secret. He understood and relied implicitly on Westray's fantastic sense of honour. Westray had written that he would "take no steps" till the ensuing Monday, and Lord Blandamer was sure that no one would be told before that day, and that no one had been told yet. If Westray could be silenced all was saved; if Westray spoke, all was lost. If it had been a question of weapons, or of bodily strength, there was no doubt which way the struggle would have ended. Westray knew this well now, and felt heartily ashamed of the pistol that was bulging the breast-pocket on the inside of his coat. If it had been a question of physical attack, he knew now that he would have never been given time, or opportunity for making use of his weapon.

Lord Blandamer had travelled north and south, east and west; he had seen and done strange things; he had stood for his life in struggles whence only one could come out alive; but here was no question of flesh and blood—he had to face principles, those very principles on which he relied for respite; he had to face that integrity of Westray which made persuasion or bribery alike impossible. He had never seen this picture before, and he looked at it intently for some minutes; but his attention was all the while concentrated on the man who stood beside him. This was his last chance—he could afford to make no mistake; and his soul, or whatever that thing may be called which is certainly not the body, was closing with Westray's soul in a desperate struggle for mastery.

Westray was not seeing the picture for the first time, and after one glance he stood aloof. The interview was becoming even more painful than he had expected. He avoided looking Lord Blandamer in the face, yet presently, at a slight movement, turned and met his eye.

"Yes, it is my grandfather," said the other.

There was nothing in the words, and yet it seemed to Westray as if some terrible confidence was being thrust upon him against his will; as if Lord Blandamer had abandoned any attempt to mislead, and was tacitly avowing all that might be charged against him. The architect began to feel that he was now regarded as a personal enemy, though he had never so considered himself. It was true that picture and papers had fallen into his hands, but he knew that a sense of duty was the only motive of any action that he might be taking.

"You promised, I think, to show me some papers," Lord Blandamer said.

Most painfully Westray handed them over; his knowledge of their contents made it seem that he was offering a deliberate insult. He wished fervently that he never had made any proposal for this meeting; he ought to have given everything to the proper authorities, and have let the blow fall as it would. Such an interview could only end in bitterness: its present result was that here in Lord Blandamer's own house, he, Westray, was presenting him with proofs of his father's illegitimacy, with proofs that he had no right to this house—no, nor to anything else.

It was a bitter moment for Lord Blandamer to find such information in the possession of a younger man; but, if there was more colour in his face than usual, his self-command stood the test, and he thrust resentment aside. There was no time to say or do useless things, there was no time for feeling; all his attention must be concentrated on the man before him. He stood still, seeming to examine the papers closely, and, as a matter of fact, he did take note of the name, the place, and the date, that so many careful searchings had failed ever to find. But all the while he was resolutely considering the next move, and giving Westray time to think and feel. When he looked up, their eyes met again, and this time it was Westray that coloured.

"I suppose you have verified these certificates?" Lord Blandamer asked very quietly.

"Yes," Westray said, and Lord Blandamer gave them back to him without a word, and walked slowly away down the gallery.

Westray crushed the papers into his pocket where most of the room was taken up by the pistol; he was glad to get them out of his sight; he could not bear to hold them. It was as if a beaten fighter had given up his sword. With these papers Lord Blandamer seemed to resign into his adversary's hands everything of which he stood possessed, his lands, his life, the honour of his house. He made no defence, no denial, no resistance, least of all any appeal. Westray was left master of the situation, and must do whatever he thought fit. This fact was clearer to him now than it had ever been before, the secret was his alone; with him rested the responsibility of making it public. He stood dumb before the picture, from which the old lord looked at him with penetrating eyes. He had nothing to say; he could not go after Lord Blandamer; he wondered whether this was indeed to be the end of the interview, and turned sick at the thought of the next step that must be taken.

At the distance of a few yards Lord Blandamer paused, and looked round, and Westray understood that he was being invited, or commanded, to follow. They stopped opposite the portrait of a lady, but it was the frame to which Lord Blandamer called attention by laying his hand on it.

"This was my grandmother," he said; "they were companion pictures. They are the same size, the moulding on the frame is the same, an interlacing fillet, and the coat of arms is in the same place. You see?" he added, finding Westray still silent.

Westray was obliged to meet his look once more.

"I see," he said, most reluctantly. He knew now, that the unusual moulding and the size of the picture that hung in Miss Joliffe's house, must have revealed its identity long ago to the man who stood before him; that during all those visits in which plans for the church had been examined and discussed, Lord Blandamer must have known what lay hid under the flowers, must have known that the green wriggling caterpillar was but a bar of the nebuly coat. Confidences were being forced upon Westray that he could not forget, and could not reveal. He longed to cry out, "For God's sake, do not tell me these things; do not give me this evidence against yourself!"

There was another short pause, and then Lord Blandamer turned. He seemed to expect Westray to turn with him, and they walked back over the soft carpet down the gallery in a silence that might be heard. The air was thick with doom; Westray felt as if he were stifling. He had lost mental control, his thoughts were swallowed up in a terrible chaos. Only one reflection stood out, the sense of undivided responsibility. It was not as if he were adding a link, as in duty bound, to a long chain of other evidence: the whole matter was at rest; to set it in motion again would be his sole act, his act alone. There was a refrain ringing in his ears, a verse that he had heard read a few Sundays before in Cullerne Church, "Am I God, to kill and make alive? Am I God, to kill and make alive?" Yet duty commanded him to go forward, and go forward he must, though the result was certain: he would be playing the part of executioner.

The man whose fate he must seal was keeping pace with him quietly, step by step. If he could only have a few moments to himself, he might clear his distracted thoughts. He paused before some other picture, feigning to examine it, but Lord Blandamer paused also, and looked at him. He knew Lord Blandamer's eye was upon him, though he refused to return the look. It seemed a mere act of courtesy on Lord Blandamer's part to stop. Mr Westray might be specially interested in some of the pictures, and, if any information was required, it was the part of the host to see that it was forthcoming. Westray stopped again once or twice, but always with the same result. He did not know whether he was looking at portraits or landscapes, though he was vaguely aware that half-way down the gallery, there stood on the floor what seemed to be an unfinished picture, with its face turned to the wall.

Except when Westray stopped, Lord Blandamer looked neither to the right nor to the left; he walked with his hands folded lightly behind him, and with his eyes upon the ground, yet did not feign to have his thoughts disengaged. His companion shrank from any attempt to understand or fathom what those thoughts could be, but admired, against his will, the contained and resolute bearing. Westray felt as a child beside a giant, yet had no doubt as to his own duty, or that he was going to do it. But how hard it was! Why had he been so foolish as to meddle with the picture? Why had he read papers that did not belong to him? Why, above all, had he come down to Fording to have his suspicions confirmed? What business was it of his to ferret out these things? He felt all the unutterable aversion of an upright mind for playing the part of a detective; all the sovereign contempt even for such petty meanness as allows one person to examine the handwriting or postmark of letters addressed to another. Yet he knew this thing, and he alone; he could not do away with this horrible knowledge.

The end of the gallery was reached; they turned with one accord and paced slowly, silently back, and the time was slipping away fast. It was impossible for Westray to consider anything now, but he had taken his decision before he came to Fording; he must go through with it; there was no escape for him any more than for Lord Blandamer. He would keep his word. On Monday, the day he had mentioned, he would speak, and once begun, the matter would pass out of his hands. But how was he to tell this to the man who was walking beside him, and silently waiting for his sentence? He could not leave him in suspense; to do so would be cowardice and cruelty. He must make his intention clear, but how? in what form of words? There was no time to think; already they were repassing that canvas which stood with its face to the wall.

The suspense, the impenetrable silence, was telling upon Westray; he tried again to rearrange his thoughts, but they were centred only on Lord Blandamer. How calm he seemed, with his hands folded behind him, and never a finger twitching! What did he mean to do—to fly, or kill himself, or stand his ground and take his trial on a last chance? It would be a celebrated trial. Hateful and inevitable details occurred to Westray's imagination: the crowded, curious court as he saw it in his dream, with Lord Blandamer in the dock, and this last thought sickened him. His own place would be in the witness-box. Incidents that he wished to forget would be recalled, discussed, dwelt on; he would have to search his memory for them, narrate them, swear to them. But this was not all. He would have to give an account of this very afternoon's work. It could not be hushed up. Every servant in the house would know how he had come to Fording with a picture. He heard himself cross-examined as to "this very remarkable interview." What account was he to give of it? What a betrayal of confidence it would be to give any account. Yet he must, and his evidence would be given under the eyes of Lord Blandamer in the dock. Lord Blandamer would be in the dock watching him. It was unbearable, impossible; rather than this he would fly himself, he would use the pistol that bulged his pocket against his own life.

Lord Blandamer had noted Westray's nervous movements, his glances to right and left, as though seeking some way of escape; he saw the clenched hands, and the look of distress as they paced to and fro. He knew that each pause before a picture was an attempt to shake him off, but he would not be shaken off; Westray was feeling the grip, and must not have a moment's breathing space. He could tell exactly how the minutes were passing, he knew what to listen for, and could catch the distant sound of the stable clock striking the quarters. They were back at the end of the gallery. There was no time to pace it again; Westray must go now if he was to catch his train.

They stopped opposite the old lord's portrait; the silence wrapped Westray round, as the white fog had wrapped him round that night on his way to Cullerne Road. He wanted to speak, but his brain was confused, his throat was dry; he dreaded the sound of his own voice.

Lord Blandamer took out his watch.

"I have no wish to hurry you, Mr Westray," he said, "but your train leaves Lytchett in little over an hour. It will take you nearly that time to drive to the station. May I help you to repack this picture?"

His voice was clear, level, and courteous, as on the day when Westray had first met him at Bellevue Lodge. The silence was broken, and Westray found himself speaking quickly in answer:

"You invited me to stay here for the night. I have changed my mind, and will accept your offer, if I may." He hesitated for a moment, and then went on: "I shall be thankful if you will keep the picture and these documents. I see now that I have no business with them."

He took the crumpled papers from his pocket, and held them out without looking up.

Then silence fell on them again, and Westray's heart stood still; till after a second that seemed an eternity Lord Blandamer took the papers with a short "I thank you," and walked a little way further, to the end of the gallery. The architect leant against the side of a window opposite which he found himself, and, looking out without seeing anything, presently heard Lord Blandamer tell a servant that Mr Westray would stop the night, and that wine was to be brought them in the gallery. In a few minutes the man came back with a decanter on a salver, and Lord Blandamer filled glasses for Westray, and himself. He felt probably that both needed something of the kind, but to the other more was implied. Westray remembered that an hour ago he had refused to eat or drink under this roof. An hour ago—how his mood had changed in that short time! How he had flung duty and principle to the winds! Surely this glass of red wine was a very sacrament of the devil, which made him a partner of iniquity.

As he raised the glass to his lips a slanting sunbeam shot through the window, and made the wine glow red as blood. The drinkers paused glass in hand, and glancing up saw the red sun setting behind the trees in the park. Then the old lord's picture caught the evening light, the green bars of the nebuly coat danced before Westray's eyes, till they seemed to live, to be again three wriggling caterpillars, and the penetrating grey eyes looked out from the canvas as if they were watching the enactment of this final scene. Lord Blandamer pledged him in a bumper, and Westray answered without hesitation, for he had given his allegiance, and would have drunk poison in token that there was to be no turning back now.

An engagement kept Lady Blandamer from home that evening. Lord Blandamer had intended to accompany her, but afterwards told her that Mr Westray was coming on important business, and so she went alone. Only Lord Blandamer and Westray sat down to dinner, and some subtle change of manner made the architect conscious that for the first time since their acquaintance, his host was treating him as a real equal. Lord Blandamer maintained a flow of easy and interesting conversation, yet never approached the subject of architecture even near enough to seem to be avoiding it. After dinner he took Westray to the library, where he showed him some old books, and used all his art to entertain him and set him at his ease. Westray was soothed for a moment by the other's manner, and did his best to respond to the courtesy shown him; but everything had lost its savour, and he knew that black Care was only waiting for him to be alone, to make herself once more mistress of his being.

A wind which had risen after sunset began to blow near bed-time with unusual violence. The sudden gusts struck the library windows till they rattled again, and puffs of smoke came out from the fireplace into the room.

"I shall sit up for Lady Blandamer," said the host, "but I dare say you will not be sorry to turn in;" and Westray, looking at his watch, saw that it wanted but ten minutes of midnight.

In the hall, and on the staircase, as they went up, the wind blowing with cold rushes made itself felt still more strongly.

"It is a wild night," Lord Blandamer said, as he stopped for a moment before a barometer, "but I suspect that there is yet worse to come; the glass has fallen in an extraordinary way. I hope you have left all snug with the tower at Cullerne; this wind will not spare any weak places."

"I don't think it should do any mischief at Saint Sepulchre's," Westray answered, half unconsciously. It seemed as though he could not concentrate his thought even upon his work.

His bedroom was large, and chilly in spite of a bright fire. He locked the door, and drawing an easy-chair before the hearth, sat a long while in thought. It was the first time in his life that he had with deliberation acted against his convictions, and there followed the reaction and remorse inseparable from such conditions.

Is there any depression so deep as this? is there any night so dark as this first eclipse of the soul, this first conscious stilling of the instinct for right? He had conspired to obscure truth, he had made himself partaker in another man's wrong-doing, and, as the result, he had lost his moral foothold, his self-respect, his self-reliance. It was true that, even if he could, he would not have changed his decision now, yet the weight of a guilty secret, that he must keep all his life long, pressed heavily upon him. Something must be done to lighten this weight; he must take some action that would ease the galling of his thoughts. He was in that broken mood for which the Middle Ages offered the cloister as a remedy; he felt the urgent need of sacrifice and abnegation to purge him. And then he knew the sacrifice that he must make: he must give up his work at Cullerne. He was thankful to find that there was still enough of conscience left to him to tell him this. He could not any longer be occupied on work for which the money was being found by this man. He would give up his post at Cullerne, even if it meant giving up his connection with his employers, even if it meant the giving up of his livelihood. He felt as if England itself were not large enough to hold him and Lord Blandamer. He must never more see the associate of his guilt; he dreaded meeting his eyes again, lest the other's will should constrain his will to further wrong. He would write to resign his work the very next day; that would be an active sacrifice, a definite mark from which he might begin a painful retracing of the way, a turning-point from which he might hope in time to recover some measure of self-respect and peace of mind. He would resign his work at Cullerne the very next day; and then a wilder gust of wind buffeted the windows of his room, and he thought of the scaffolding on Saint Sepulchre's tower. What a terrible night it was! Would the thin bows of the tower arches live through such a night, with the weight of the great tower rocking over them? No, he could not resign to-morrow. It would be deserting his post. He must stand by till the tower was safe, that was his first duty. After that he would give up his post at once.

Later on he went to bed, and in those dark watches of the night, that are not kept by reason, there swept over him thoughts wilder than the wind outside. He had made himself sponsor for Lord Blandamer, he had assumed the burden of the other's crime. It was he that was branded with the mark of Cain, and he must hide it in silence from the eyes of all men. He must fly from Cullerne, and walk alone with his burden for the rest of his life, a scapegoat in the isolation of the wilderness.

In sleep the terror that walketh in darkness brooded heavily on him. He was in the church of Saint Sepulchre, and blood dripped on him from the organ-loft. Then as he looked up to find out whence it came he saw the four tower arches falling to grind him to powder, and leapt up in his bed, and struck a light to make sure that there were no red patches on him. With daylight he grew calmer. The wild visions vanished, but the cold facts remained: he was sunk in his own esteem, he had forced himself into an evil secret which was no concern of his, and now he must keep it for ever.

Westray found Lady Blandamer in the breakfast-room. Lord Blandamer had met her in the hall on her return the night before, and though he was pale, she knew before he had spoken half a dozen words, that the cloud of anxiety which had hung heavily on him for the last few days was past. He told her that Mr Westray had come over on business, and, in view of the storm that was raging, had been persuaded to remain for the night. The architect had brought with him a picture which he had accidentally come across, a portrait of the old Lord Blandamer which had been missing for many years from Fording. It was very satisfactory that it had been recovered; they were under a great obligation to Mr Westray for the trouble which he had taken in the matter.

In the events of the preceding days Westray had almost forgotten Lady Blandamer's existence, and since the discovery of the picture, if her image presented itself to his mind, it had been as that of a deeply wronged and suffering woman. But this morning she appeared with a look of radiant content that amazed him, and made him shudder as he thought how near he had been only a day before to plunging her into the abyss. The more careful nurture of the year that had passed since her marriage, had added softness to her face and figure, without detracting from the refinement of expression that had always marked her. He knew that she was in her own place, and wondered now that the distinction of her manner had not led him sooner to the truth of her birth. She looked pleased to meet him, and shook hands with a frank smile that acknowledged their former relations, without any trace of embarrassment. It seemed incredible that she should ever have brought him up his meals and letters.

She made a polite reference to his having restored to them an interesting family picture, and finding him unexpectedly embarrassed, changed the subject by asking him what he thought of her own portrait.

"I think you must have seen it yesterday," she went on, as he appeared not to understand. "It has only just come home, and is standing on the floor in the long gallery."

Lord Blandamer glanced at the architect, and answered for him that Mr Westray had not seen it. Then he explained with a composure that shed a calm through the room:

"It was turned to the wall. It is a pity to show it unhung, and without a frame. We must get it framed at once, and decide on a position for it. I think we shall have to shift several paintings in the gallery."

He talked of Snyders and Wouverman, and Westray made some show of attention, but could only think of the unframed picture standing on the ground, which had helped to measure the passing of time in the terrible interview of yesterday. He guessed now that Lord Blandamer had himself turned the picture with its face to the wall, and in doing so had deliberately abandoned a weapon that might have served him well in the struggle. Lord Blandamer must have deliberately foregone the aid of recollections such as Anastasia's portrait would have called up in his antagonist's mind. "Non tali auxilio nec defensoribus istis."

Westray's haggard air had not escaped his host's notice. The architect looked as if he had spent the night in a haunted room, and Lord Blandamer was not surprised, knowing that the other's scruples had died hard, and were not likely to lie quiet in their graves. He thought it better that the short time which remained before Westray's departure should be spent out of the house, and proposed a stroll in the grounds. The gardener reported, he said, that last night's gale had done considerable damage to the trees. The top of the cedar on the south lawn had been broken short off. Lady Blandamer begged that she might accompany them, and as they walked down the terrace steps into the garden a nurse brought to her the baby heir.

"The gale must have been a cyclone," Lord Blandamer said. "It has passed away as suddenly as it arose."

The morning was indeed still and sunshiny, and seemed more beautiful by contrast with the turmoil of the previous night. The air was clear and cold after the rain, but paths and lawns were strewn with broken sticks and boughs, and carpeted with prematurely fallen leaves.

Lord Blandamer described the improvements that he was making or projecting, and pointed out the old fish-ponds which were to be restocked, the bowling-green and the ladies' garden arranged on an old-world plan by his grandmother, and maintained unchanged since her death. He had received an immense service from Westray, and he would not accept it ungraciously or make little of it. In taking the architect round the place, in showing this place that his ancestors had possessed for so many generations, in talking of his plans for a future that had only so recently become assured, he was in a manner conveying his thanks, and Westray knew it.

Lady Blandamer was concerned for Westray. She saw that he was downcast, and ill at ease, and in her happiness that the cloud had passed from her husband, she wanted everyone to be happy with her. So, as they were returning to the house, she began, in the kindness of her heart, to talk of Cullerne Minster. She had a great longing, she said, to see the old church again. She should so much enjoy it if Mr Westray would some day show her over it. Would he take much longer in the restorations?

They were in an alley too narrow for three to walk abreast. Lord Blandamer had fallen behind, but was within earshot.

Westray answered quickly, without knowing what he was going to say. He was not sure about the restorations—that was, they certainly were not finished; in fact, they would take some time longer, but he would not be there, he believed, to superintend them. That was to say, he was giving up his present appointment.

He broke off, and Lady Blandamer knew that she had again selected an unfortunate subject. She dropped it, and hoped he would let them know when he was next at leisure, and come for a longer visit.

"I am afraid it will not be in my power to do so," Westray said; and then, feeling that he had given a curt and ungracious answer to a kindly-meant invitation, turned to her and explained with unmistakable sincerity that he was giving up his connection with Farquhar and Farquhar. This subject also was not to be pursued, so she only said that she was sorry, and her eyes confirmed her words.

Lord Blandamer was pained at what he had heard. He knew Farquhar and Farquhar, and knew something of Westray's position and prospects—that he had a reasonable income, and a promising future with the firm. This resolve must be quite sudden, a result of yesterday's interview. Westray was being driven out into the wilderness like a scapegoat with another man's guilt on his head. The architect was young and inexperienced. Lord Blandamer wished he could talk with him quietly. He understood that Westray might find it impossible to go on with the restoration at Cullerne, where all was being done at Lord Blandamer's expense. But why sever his connection with a leading firm? Why not plead ill-health, nervous breakdown, those doctor's orders which have opened a way of escape from impasses of the mind as well as of the body? An archæologic tour in Spain, a yachting cruise in the Mediterranean, a winter in Egypt—all these things would be to Westray's taste; the blameless herb nepenthe might anywhere be found growing by the wayside. He must amuse himself, and forget. He wished he could assure Westray that he would forget, or grow used to remembering; that time heals wounds of conscience as surely as it heals heart-wounds and flesh-wounds; that remorse is the least permanent of sentiments. But then Westray might not yet wish to forget. He had run full counter to his principles. It might be that he was resolved to take the consequences, and wear them like a hair-shirt, as the only means of recovering his self-esteem. No; whatever penance, voluntary or involuntary, Westray might undergo, Lord Blandamer could only look on in silence. His object had been gained. If Westray felt it necessary to pay the price, he must be let pay it. Lord Blandamer could neither inquire nor remonstrate. He could offer no compensation, because no compensation would be accepted.

The little party were nearing the house when a servant met them.

"There is a man come over from Cullerne, my lord," he said. "He is anxious to see Mr Westray at once on important business."

"Show him into my sitting-room, and say that Mr Westray will be with him immediately."

Westray met Lord Blandamer in the hall a few minutes later.

"I am sorry to say there is bad news from Cullerne," the architect said hurriedly. "Last night's gale has strained and shaken the tower severely. A very serious movement is taking place. I must get back at once."

"Do, by all means. A carriage is at the door. You can catch the train at Lytchett, and be in Cullerne by mid-day."

The episode was a relief to Lord Blandamer. The architect's attention was evidently absorbed in the tower. It might be that he had already found the blameless herb growing by the wayside.

The nebuly coat shone on the panel of the carriage-door. Lady Blandamer had noticed that her husband had been paying Westray special attention. He was invariably courteous, but he had treated this guest as he treated few others. Yet now, at the last moment, he had fallen silent; he was standing, she fancied, aloof. He held his hands behind him, and the attitude seemed to her to have some significance. But on Lord Blandamer's part it was a mark of consideration. There had been no shaking of hands up to the present; he was anxious not to force Westray to take his hand by offering it before his wife and the servants.

Lady Blandamer felt that there was something going on which she did not understand, but she took leave of Westray with special kindness. She did not directly mention the picture, but said how much they were obliged to him, and glanced for confirmation at Lord Blandamer. He looked at Westray, and said with deliberation:

"I trust Mr Westray knows how fully I appreciate his generosity and courtesy."

There was a moment's pause, and then Westray offered his hand. Lord Blandamer shook it cordially, and their eyes met for the last time.


On the afternoon of the same day Lord Blandamer was himself in Cullerne. He went to the office of Mr Martelet, solicitor by prescriptive right to the family at Fording, and spent an hour closeted with the principal.

The house which the solicitor used for offices, was a derelict residence at the bottom of the town. It still had in front of it an extinguisher for links, and a lamp-bracket over the door of wasted iron scroll-work. It was a dingy place, but Mr Martelet had a famous county connection, and rumour said that more important family business was done here even than in Carisbury itself. Lord Blandamer sat behind the dusty windows.

"I think I quite understand the nature of the codicil," the solicitor said. "I will have a draft forwarded to your lordship to-morrow."

"No, no; it is short enough. Let us finish with it now," said his client. "There is no time like the present. It can be witnessed here. Your head clerk is discreet, is he not?"

"Mr Simpkin has been with me thirty years," the solicitor said deprecatingly, "and I have had no reason to doubt his discretion hitherto."

The sun was low when Lord Blandamer left Mr Martelet's office. He walked down the winding street that led to the market-place, with his long shadow going before him on the pavement. Above the houses in the near distance stood up the great tower of Saint Sepulchre's, pink-red in the sunset rays. What a dying place was Cullerne! How empty were the streets! The streets were certainly strangely empty. He had never seen them so deserted. There was a silence of the grave over all. He took out his watch. The little place is gone to tea, he thought, and walked on with a light heart, and more at his ease than he had ever felt before in his life.

He came round a bend in the street, and suddenly saw a great crowd before him, between him and the market-place over which the minster church watched, and knew that something must be happening, that had drawn the people from the other parts of the town. As he came nearer it seemed as if the whole population was there collected. Conspicuous was pompous Canon Parkyn, and by him stood Mrs Parkyn, and tall and sloping-shouldered Mr Noot. The sleek dissenting minister was there, and the jovial, round-faced Catholic priest. There stood Joliffe, the pork-butcher, in shirt-sleeves and white apron in the middle of the road; and there stood Joliffe's wife and daughters, piled up on the steps of the shop, and craning their necks towards the market-place. The postmaster and his clerk and two letter-carriers had come out from the post-office. All the young ladies and young gentlemen from Rose and Storey's establishment were herded in front of their great glittering shop-window, and among them shone the fair curls of Mr Storey, the junior partner, himself. A little lower down was a group of masons and men employed on the restorations, and near them Clerk Janaway leant on his stick.

Many of these people Lord Blandamer knew well by sight, and there was beside a great throng of common folk, but none took any notice of him.

There was something very strange about the crowd. Everyone was looking towards the market-place, and everyone's face was upturned as if they were watching a flight of birds. The square was empty, and no one attempted to advance further into it; nay, most stood in an alert attitude, as if prepared to run the other way. Yet all remained spellbound, looking up, with their heads turned towards the market-place, over which watched the minster church. There was no shouting, nor laughter, nor chatter; only the agitated murmur of a multitude of people speaking under their breath.

The single person that moved was a waggoner. He was trying to get his team and cart up the street, away from the market-place, but made slow progress, for the crowd was too absorbed to give him room. Lord Blandamer spoke to the man, and asked him what was happening. The waggoner stared for a moment as if dazed; then recognised his questioner, and said quickly:

"Don't go on, my lord! For God's sake, don't go on; the tower's coming down."

Then the spell that bound all the others fell on Lord Blandamer too. His eyes were drawn by an awful attraction to the great tower that watched over the market-place. The buttresses with their broad set-offs, the double belfry windows with their pierced screens and stately Perpendicular tracery, the open battlemented parapet, and clustered groups of soaring pinnacles, shone pink and mellow in the evening sun. They were as fair and wonderful as on that day when Abbot Vinnicomb first looked upon his finished work, and praised God that it was good.

But on this still autumn evening there was something terribly amiss with the tower, in spite of all brave appearances. The jackdaws knew it, and whirled in a mad chattering cloud round their old home, with wings flashing and changing in the low sunlight. And on the west side, the side nearest the market-place, there oozed out from a hundred joints a thin white dust that fell down into the churchyard like the spray of some lofty Swiss cascade. It was the very death-sweat of a giant in his agony, the mortar that was being ground out in powder from the courses of collapsing masonry. To Lord Blandamer it seemed like the sand running through an hour-glass.

Then the crowd gave a groan like a single man. One of the gargoyles at the corner, under the parapet, a demon figure that had jutted grinning over the churchyard for three centuries, broke loose and fell crashing on to the gravestones below. There was silence for a minute, and then the murmurings of the onlookers began again. Everyone spoke in short, breathless sentences, as though they feared the final crash might come before they could finish. Churchwarden Joliffe, with pauses of expectation, muttered about a "judgment in our midst." The Rector, in Joliffe's pauses, seemed trying to confute him by some reference to "those thirteen upon whom the tower of Siloam fell and slew them." An old charwoman whom Miss Joliffe sometimes employed wrung her hands with an "Ah! poor dear—poor dear!" The Catholic priest was reciting something in a low tone, and crossing himself at intervals. Lord Blandamer, who stood near, caught a word or two of the commendatory prayer for the dying, the "Proficiscere," and "liliata rutilantium," that showed how Abbot Vinnicomb's tower lived in the hearts of those that abode under its shadow.

And all the while the white dust kept pouring out of the side of the wounded fabric; the sands of the hour-glass were running down apace.

The foreman of the masons saw Lord Blandamer, and made his way to him.

"Last night's gale did it, my lord," he said; "we knew 'twas touch and go when we came this morning. Mr Westray's been up the tower since mid-day to see if there was anything that could be done, but twenty minutes ago he came sharp into the belfry and called to us, 'Get out of it, lads—get out quick for your lives; it's all over now.' It's widening out at bottom; you can see how the base wall's moved and forced up the graves on the north side." And he pointed to a shapeless heap of turf and gravestones and churchyard mould against the base of the tower.

"Where is Mr Westray?" Lord Blandamer said. "Ask him to speak to me for a minute."

He looked round about for the architect; he wondered now that he had not seen him among the crowd. The people standing near had listened to Lord Blandamer's words. They of Cullerne looked on the master of Fording as being almost omnipotent. If he could not command the tower, like Joshua's sun in Ajalon, to stand still forthwith and not fall down, yet he had no doubt some sage scheme to suggest to the architect whereby the great disaster might be averted. Where was the architect? they questioned impatiently. Why was he not at hand when Lord Blandamer wanted him? Where was he? And in a moment Westray's name was on all lips.

And just then was heard a voice from the tower, calling out through the louvres of the belfry windows, very clear and distinct for all it was so high up, and for all the chatter of the jackdaws. It was Westray's voice:

"I am shut up in the belfry," it called; "the door is jammed. For God's sake! someone bring a crowbar, and break in the door!"

There was despair in the words, that sent a thrill of horror through those that heard them. The crowd stared at one another. The foreman-mason wiped the sweat off his brow; he was thinking of his wife and children. Then the Catholic priest stepped out.

"I will go," he said; "I have no one depending on me."

Lord Blandamer's thoughts had been elsewhere; he woke from his reverie at the priest's words.

"Nonsense!" said he; "I am younger than you, and know the staircase. Give me a lever." One of the builder's men handed him a lever with a sheepish air. Lord Blandamer took it, and ran quickly towards the minster.

The foreman-mason called after him:

"There is only one door open, my lord—a little door by the organ."

"Yes, I know the door," Lord Blandamer shouted, as he disappeared round the church.

A few minutes later he had forced open the belfry door. He pulled it back towards him, and stood behind it on the steps higher up, leaving the staircase below clear for Westray's escape. The eyes of the two men did not meet, for Lord Blandamer was hidden by the door; but Westray was much overcome as he thanked the other for rescuing him.

"Run for your life!" was all Lord Blandamer said; "you are not saved yet."

The younger man dashed headlong down the steps, and then Lord Blandamer pushed the door to, and followed with as little haste or excitement as if he had been coming down from one of his many inspections of the restoration work.

As Westray ran through the great church, he had to make his way through a heap of mortar and débris that lay upon the pavement. The face of the wall over the south transept arch had come away, and in its fall had broken through the floor into the vaults below. Above his head that baleful old crack, like a black lightning-flash, had widened into a cavernous fissure. The church was full of dread voices, of strange moanings and groanings, as if the spirits of all the monks departed were wailing for the destruction of Abbot Vinnicomb's tower. There was a dull rumbling of rending stone and crashing timbers, but over all the architect heard the cry of the crossing-arches: "The arch never sleeps, never sleeps. They have bound upon us a burden too heavy to be borne; we are shifting it. The arch never sleeps."

Outside, the people in the market-place held their breath, and the stream of white dust still poured out of the side of the wounded tower. It was six o'clock; the four quarters sounded, and the hour struck. Before the last stroke had died away Westray ran out across the square, but the people waited to cheer until Lord Blandamer should be safe too. The chimes began "Bermondsey" as clearly and cheerfully as on a thousand other bright and sunny evenings.

And then the melody was broken. There was a jangle of sound, a deep groan from Taylor John, and a shrill cry from Beata Maria, a roar as of cannon, a shock as of an earthquake, and a cloud of white dust hid from the spectators the ruin of the fallen tower:


On the same evening Lieutenant Ennefer, R.N., sailed down Channel in the corvette Solebay, bound for the China Station. He was engaged to the second Miss Bulteel, and turned his glass on the old town where his lady dwelt as he passed by. It was then he logged that Cullerne Tower was not to be seen, though the air was clear and the ship but six miles from shore. He rubbed his glass, and called some other officers to verify the absence of the ancient seamark, but all they could make out was a white cloud, that might be smoke or dust or mist hanging over the town. It must be mist, they said; some unusual atmospheric condition must have rendered the tower invisible.

It was not for many months afterwards that Lieutenant Ennefer heard of the catastrophe, and when he came up Channel again on his return four years later, there was the old seamark clear once more, whiter a little, but still the same old tower. It had been rebuilt at the sole charge of Lady Blandamer, and in the basement of it was a brass plate to the memory of Horatio Sebastian Fynes, Lord Blandamer, who had lost his own life in that place whilst engaged in the rescue of others.

The rebuilding was entrusted to Mr Edward Westray, whom Lord Blandamer, by codicil dictated only a few hours before his death, had left co-trustee with Lady Blandamer, and guardian of the infant heir.



Tunes played by the Chimes of St. Sepulchre's Church at Cullerne

At 3 o'clock

New Sabbath.


At 6 o'clock

Sermondsey.


At 9 o'clock

Sheldon.


At 12 o'clock

Mount Ephraim.