CHAPTER XII. "HELP!"
When Lupin afterward told me this episode of the tragic story, he said, not without a certain self-complacency:
"What astonished me then, and what astonishes me still, as one of the most amazing victories on which I am entitled to pride myself, is that I was able to admit Sauverand and Marie Fauville's innocence on the spot, as a problem solved once and for all. It was a first-class performance, I swear, and surpassed the most famous deductions of the most famous investigators both in psychological value and in detective merit.
"After all, taking everything into account, there was not the shadow of a fresh fact to enable me to alter the verdict. The charges accumulated against the two prisoners were the same, and were so grave that no examining magistrate would have hesitated for a second to commit them for trial, nor any jury to bring them in guilty. I will not speak of Marie Fauville: you had only to think of the marks of her teeth to be absolutely certain. But Gaston Sauverand, the son of Victor Sauverand and consequently the heir of Cosmo Mornington--Gaston Sauverand, the man with the ebony walking-stick and the murderer of Chief Inspector Ancenis--was he not just as guilty as Marie Fauville, incriminated with her by the mysterious letters, incriminated by the very revelation of the husband whom they had killed?
"And yet why did that sudden change take place in me?" he asked. "Why did I go against the evidence? Why did I credit an incredible fact? Why did I admit the inadmissible? Why? Well, no doubt, because truth has an accent that rings in the ears in a manner all its own. On the one side, every proof, every fact, every reality, every certainty; on the other, a story, a story told by one of the three criminals, and therefore, presumptively, absurd and untrue from start to finish. But a story told in a frank voice, a clear, dispassionate, closely woven story, free from complications or improbabilities, a story which supplied no positive solution, but which, by its very honesty, obliged any impartial mind to reconsider the solution arrived at. I believed the story."
The explanation which Lupin gave me was not complete. I asked:
"And Florence Levasseur?"
"Florence?"
"Yes, you don't tell me what you thought. What was your opinion about her? Everything tended to incriminate her not only in your eyes, because, logically speaking, she had taken part in all the attempts to murder you, but also in the eyes of the police. They knew that she used to pay Sauverand clandestine visits at his house on the Boulevard Richard-Wallace. They had found her photograph in Inspector Vérot's memorandum-book, and then--and then all the rest: your accusations, your certainties. Was all that modified by Sauverand's story? To your mind, was Florence innocent or guilty?"
He hesitated, seemed on the point of replying directly and frankly to my question, but could not bring himself to do so, and said:
"I wished to have confidence. In order to act, I must have full and entire confidence, whatever doubts might still assail me, whatever darkness might still enshroud this or that part of the adventure. I therefore believed. And, believing, I acted according to my belief."
Acting, to Don Luis Perenna, during those hours of forced inactivity, consisted solely in perpetually repeating to himself Gaston Sauverand's account of the events. He tried to reconstitute it in all its details, to remember the very least sentences, the apparently most insignificant phrases. And he examined those sentences, scrutinized those phrases one by one, in order to extract such particle of the truth as they contained.
For the truth was there. Sauverand had said so and Perenna did not doubt it. The whole sinister affair, all that constituted the case of the Mornington inheritance and the tragedy of the Boulevard Suchet, all that could throw light upon the plot hatched against Marie Fauville, all that could explain the undoing of Sauverand and Florence--all this lay in Sauverand's story. Don Luis had only to understand, and the truth would appear like the moral which we draw from some obscure fable.
Don Luis did not once deviate from his method. If any objection suggested itself to his mind, he at once replied:
"Very well. It may be that I am wrong and that Sauverand's story will not enlighten me on any point capable of guiding me. It may be that the truth lies outside it. But am I in a position to get at the truth in any other way? All that I possess as an instrument of research, without attaching undue importance to certain gleams of light which the regular appearance of the mysterious letters has shed upon the case, all that I possess is Gaston Sauverand's story. Must I not make use of it?"
And, once again, as when one follows a path by another person's tracks, be began to live through the adventure which Sauverand had been through. He compared it with the picture of it which he had imagined until then. The two were in opposition; but could not the very clash of their opposition be made to produce a spark of light?
"Here is what he said," he thought, "and there is what I believed. What does the difference mean? Here is the thing that was, and there is the thing that appeared to be. Why did the criminal wish the thing that was to appear under that particular aspect? To remove all suspicion from him? But, in that case, was it necessary that suspicion should fall precisely on those on whom it did?"
The questions came crowding one upon the other. He sometimes answered them at random, mentioning names and uttering words in succession, as though the name mentioned might be just that of the criminal, and the words uttered those which contained the unseen reality.
Then at once he would take up the story again, as schoolboys do when parsing and analyzing a passage, in which each expression is carefully sifted, each period discussed, each sentence reduced to its essential value.
* * * * *
Hours and hours passed. Suddenly, in the middle of the night, he gave a start. He took out his watch. By the light of his electric lamp he saw that it was seventeen minutes to twelve.
"So at seventeen minutes to twelve at night," he said, "I fathomed the mystery."
He tried to control his emotion, but it was too great; and his nerves were so immensely staggered by the trial that he began to shed tears. He had caught sight of the appalling truth, all of a sudden, as when at night one half sees a landscape under a lightning-flash.
There is nothing more unnerving than this sudden illumination when we have been groping and struggling in the dark. Already exhausted by his physical efforts and by the want of food, from which he was beginning to suffer, he felt the shock so intensely that, without caring to think a moment longer, he managed to go to sleep, or, rather, to sink into sleep, as one sinks into the healing waters of a bath.
When he woke, in the small hours, alert and well despite the discomfort of his couch, he shuddered on thinking of the theory which he had accepted; and his first instinct was to doubt it. He had, so to speak, no time.
All the proofs came rushing to his mind of their own accord and at once transformed the theory into one of those certainties which it would be madness to deny. It was that and nothing else. As he had foreseen, the truth lay recorded in Sauverand's story. And he had not been mistaken, either, in saying to Mazeroux that the manner in which the mysterious letters appeared had put him on the track of the truth.
And the truth was terrible. He felt, at the thought of it, the same fears that had maddened Inspector Vérot when, already tortured by the poison, he stammered:
"Oh, I don't like this, I don't like the look of this!... The whole thing has been planned in such an infernal manner!"
Infernal was the word! And Don Luis remained stupefied at the revelation of a crime which looked as if no human brain could have conceived it.
For two hours more he devoted all his mental powers to examining the situation from every point of view. He was not much disturbed about the result, because, being now in possession of the terrible secret, he had nothing more to do but make his escape and go that evening to the meeting on the Boulevard Suchet, where he would show them all how the murder was committed.
But when, wishing to try his chance of escaping, he went up through the underground passage and climbed to the top of the upper ladder--that is to say, to the level of the boudoir--he heard through the trapdoor the voices of men in the room.
"By Jove!" he said to himself, "the thing is not so simple as I thought! In order to escape the minions of the law I must first leave my prison; and here is at least one of the exits blocked. Let's look at the other."
He went down to Florence's apartments and worked the mechanism, which consisted of a counterweight. The panel of the cupboard moved in the groove.
Driven by horror and hoping to find some provisions which enable him to withstand a siege without being reduced to famine, he was about to pass through the alcove, behind the curtains, when he was stopped short by a sound of footsteps. Some one had entered the room.
"Well, Mazeroux, have you spent the night here? Nothing new!"
Don Luis recognized the Prefect of Police by his voice; and the question put by the Prefect told him, first, that Mazeroux had been released from the dark closet where he had bound him up, and, secondly, that the sergeant was in the next room. Fortunately, the sliding panel had worked without the least sound; and Don Luis was able to overhear the conversation between the two men.
"No, nothing new, Monsieur le Préfet," replied Mazeroux.
"That's funny. The confounded fellow must be somewhere. Or can he have got away over the roof?"
"Impossible, Monsieur le Préfet," said a third voice, which Don Luis recognized as that of Weber, the deputy chief detective. "Impossible. We made certain yesterday, that unless he has wings--"
"Then what do you think, Weber?"
"I think, Monsieur le Préfet, that he is concealed in the house. This is an old house and probably contains some safe hiding-place--"
"Of course, of course," said M. Desmalions, whom Don Luis, peeping through the curtains, saw walking to and fro in front of the alcove. "You're right; and we shall catch him in his burrow. Only, is it really necessary?"
"Monsieur le Préfet!"
"Well, you know my opinion on the subject, which is also the Prime Minister's opinion. Unearthing Lupin would be a blunder which we should end by regretting. After all, he's become an honest man, you know; he's useful to us and he does no harm--"
"No harm, Monsieur le Préfet? Do you think so?" said Weber stiffly.
M. Desmalions burst out laughing.
"Oh, of course, yesterday's trick, the telephone trick! You must admit it was funny. The Premier had to hold his sides when I told him of it."
"Upon my word, I see nothing to laugh at!"
"No, but, all the same, the rascal is never at a loss. Funny or not, the trick was extraordinarily daring. To cut the telephone wire before your eyes and then blockade you behind that iron curtain! By the way, Mazeroux, you must get the telephone repaired this morning, so as to keep in touch with the office. Have you begun your search in these two rooms?"
"As you ordered, Monsieur le Préfet. The deputy chief and I have been hunting round for the last hour."
"Yes," said M. Desmalions, "that Florence Levasseur strikes me as a troublesome creature. She is certainly an accomplice. But what were her relations with Sauverand and what was her connection with Don Luis Perenna? That's what I should like to know. Have you discovered nothing in her papers?"
"No, Monsieur le Préfet," said Mazeroux. "Nothing but bills and tradesmen's letters."
"And you, Weber?"
"I've found something very interesting, Monsieur le Préfet."
Weber spoke in a triumphant tone, and, in answer to M. Desmalions's question, went on:
"This is a volume of Shakespeare, Monsieur le Préfet, Volume VIII. You will see that, contrary to the other volumes, the inside is empty and the binding forms a secret receptacle for hiding documents."
"Yes. What sort of documents?"
"Here they are: sheets of paper, blank sheets, all but three. One of them gives a list of the dates on which the mysterious letters were to appear."
"Oho!" said M. Desmalions. "That's a crushing piece of evidence against Florence Levasseur. And also it tells us where Don Luis got his list from."
Perenna listened with surprise: he had utterly forgotten this particular; and Gaston Sauverand had made no reference to it in his narrative. And yet it was a strange and serious detail. From whom had Florence received that list of dates?
"And what's on the other two sheets?" asked M. Desmalions.
Don Luis pricked up his ears. Those two other sheets had escaped his attention on the day of his interview with Florence in this room.
"Here is one of them," said Weber.
M. Desmalions took the paper and read:
"Bear in mind that the explosion is independent of the letters, and that it will take place at three o'clock in the morning."
"Yes," he said, "the famous explosion which Don Luis foretold and which is to accompany the fifth letter, as announced on the list of dates. Tush! We have plenty of time, as there have been only three letters and the fourth is due to-night. Besides, blowing up that house on the Boulevard Suchet would be no easy job, by Jove! Is that all?"
"Monsieur le Préfet," said Weber, producing the third sheet, "would you mind looking at these lines drawn in pencil and enclosed in a large square containing some other smaller squares and rectangles of all sizes? Wouldn't you say that it was the plan of a house?"
"Yes, I should."
"It is the plan of the house in which we are," declared Weber solemnly. "Here you see the front courtyard, the main building, the porter's lodge, and, over there, Mlle. Levasseur's lodge. From this lodge, a dotted line, in red pencil, starts zigzagging toward the main building. The commencement of this line is marked by a little red cross which stands for the room in which we are, or, to be more correct, the alcove. You will see here something like the design of a chimney, or, rather, a cupboard--a cupboard recessed behind the bed and probably hidden by the curtains."
"But, in that case, Weber," said M. Desmalions, "this dotted line must represent a passage leading from this lodge to the main building. Look, there is also a little red cross at the other end of the line."
"Yes, Monsieur le Préfet, there is another cross. We shall discover later for certain what position it marks. But, meanwhile, and acting on a mere guess, I have posted some men in a small room on the second floor where the last secret meeting between Don Luis, Florence Levasseur, and Gaston Sauverand was held yesterday. And, meanwhile, at any rate, we hold one end of the line and, through that very fact, we know Don Luis Perenna's retreat."
There was a pause, after which the deputy chief resumed in a more and more solemn voice:
"Monsieur le Préfet, yesterday I suffered a cruel outrage at the hands of that man. It was witnessed by our subordinates. The servants must be aware of it. The public will know of it before long. This man has brought about the escape of Florence Levasseur. He tried to bring about the escape of Gaston Sauverand. He is a ruffian of the most dangerous type. Monsieur le Préfet, I am sure that you will not refuse me leave to dig him out of his hole. Otherwise--otherwise, Monsieur le Préfet, I shall feel obliged to hand in my resignation."
"With good reasons to back it up!" said the Prefect, laughing. "There's no doubt about it; you can't stomach the trick of the iron curtain. Well, go ahead! It's Don Luis's own lookout; he's brought it on himself. Mazeroux, ring me up at the office as soon as the telephone is put right. And both of you meet me at the Fauvilles' house this evening. Don't forget it's the night for the fourth letter."
"There won't be any fourth letter, Monsieur le Préfet," said Weber.
"Why not?"
"Because between this and then Don Luis will be under lock and key."
"Oh, so you accuse Don Luis also of--"
Don Luis did not wait to hear more. He softly retreated to the cupboard, took hold of the panel and pushed it back without a sound.
So his hiding-place was known!
"By Jingo," he growled, "this is a bit awkward! I'm in a nice plight!"
He had run halfway along the underground passage, with the intention of reaching the other exit. But he stopped.
"It's not worth while, as the exit's watched. Well, let's see; am I to let myself be collared? Wait a bit, let's see--"
Already there came from the alcove below a noise of blows striking on the panel, the hollow sound of which had probably attracted the deputy chief's attention. And, as Weber was not compelled to take the same precautions as Don Luis, and seemed to be breaking down the panel without delaying to look for the mechanism, the danger was close at hand.
"Oh, hang it all!" muttered Don Luis. "This is too silly. What shall I do? Have a dash at them? Ah, if I had all my strength!"
But he was exhausted by want of food. His legs shook beneath him and his brain seemed to lack its usual clearness.
The increasing violence of the blows in the alcove drove him, in spite of all, toward the upper exit; and, as he climbed the ladder, he moved his electric lantern over the stones of the wall and the wood of the trapdoor. He even tried to lift the door with his shoulder. But he again heard a sound of footsteps above his head. The men were still there.
Then, consumed with fury and helpless, he awaited the deputy's coming.
A crash came from below; its echo spread through the tunnel, followed by a tumult of voices.
"That's it," he said to himself. "The handcuffs, the lockup, the cell! Good Lord, what luck--and what nonsense! And Marie Fauville, who's sure to do away with herself. And Florence--Florence--"
Before extinguishing his lantern, he cast its light around him for the last time.
At a couple of yards' distance from the ladder, about three quarters of the way up and set a little way back, there was a big stone missing from the inner wall, leaving a space just large enough to crouch in.
Although the recess did not form much of a hiding-place, it was just possible that they might omit to inspect it. Besides, Don Luis had no choice. At all events, after putting out the light, he leaned toward the edge of the hole, reached it, and managed to scramble in by bending himself in two.
Weber, Mazeroux, and their men were coming along. Don Luis propped himself against the back of his hiding-hole to avoid as far as possible the glare of the lanterns, of which he was beginning to see the gleams. And an amazing thing happened: the stone against which he was pushing toppled over slowly, as though moving on a pivot, and he fell backward into a second cavity situated behind it.
He quickly drew his legs after him and the stone swung back as slowly as before, not, however, without sending down a quantity of small stones, crumbling from the wall and half covering his legs.
"Well, well!" he chuckled. "Can Providence be siding with virtue and righteousness?"
He heard Mazeroux's voice saying:
"Nobody! And here's the end of the passage. Unless he ran away as we came--look, through the trapdoor at the top of this ladder."
Weber replied:
"Considering the slope by which we've come, it's certain that the trapdoor is on a level with the second floor. Well, the other little cross ought to mark the boudoir on the second floor, next to Don Luis's bedroom. That's what I supposed, and why I posted three of our men there. If he's tried to get out on that side, he's caught."
"We've only got to knock," said Mazeroux. "Our men will find the trapdoor and let us out. If not, we will break it down."
More blows echoed down the passage. Fifteen or twenty minutes after, the trapdoor gave way, and other voices now mingled with Weber's and Mazeroux's.
During this time, Don Luis examined his domain and perceived how extremely small it was. The most that he could do was to sit in it. It was a gallery, or, rather, a sort of gut, a yard and a half long and ending in an orifice, narrower still, heaped up with bricks. The walls, besides, were formed of bricks, some of which were lacking; and the building-stones which these should have kept in place crumbled at the least touch. The ground was strewn with them.
"By Jove!" thought Lupin, "I must not wriggle about too much, or I shall risk being buried alive! A pleasant prospect!"
Not only this, but the fear of making a noise kept him motionless. As a matter of fact, he was close to two rooms occupied by the detectives, first the boudoir and then the study, for the boudoir, as he knew, was over that part of his study which included the telephone box.
The thought of this suggested another. On reflection, remembering that he used sometimes to wonder how Count Malonyi's ancestress had managed to keep alive behind the curtain on the days when she had to hide there, he realized that there must have been a communication between the secret passage and what was now the telephone box, a communication too narrow to admit a person's body, but serving as a ventilating shaft.
As a precaution, in case the secret passage was discovered, a stone concealed the upper aperture of this shaft. Count Malonyi must have closed up the lower end when he restored the wainscoting of the study.
So there he was, imprisoned in the thickness of the walls, with no very definite intention beyond that of escaping from the clutches of the police. More hours passed.
Gradually, tortured with hunger and thirst, he fell into a heavy sleep, disturbed by painful nightmares which he would have given much to be able to throw off. But he slept too deeply to recover consciousness until eight o'clock in the evening.
When he woke up, feeling very tired, he saw his position in an unexpectedly hideous light and, at the same time, so accurately that, yielding to a sudden change of opinion marked by no little fear, he resolved to leave his hiding-place and give himself up. Anything was better than the torture which he was enduring and the dangers to which longer waiting exposed him.
But, on turning round to reach the entrance to his hole, he perceived first that the stone did not swing over when merely pushed, and, next, after several attempts, that he could not manage to find the mechanism which no doubt worked the stone. He persisted. His exertions were all in vain. The stone did not budge. Only, at each exertion, a few bits of stone came crumbling from the upper part of the wall and still further narrowed the space in which he was able to move.
It cost him a considerable effort to master his excitement and to say, jokingly:
"That's capital! I shall be reduced now to calling for help. I, Arsène Lupin! Yes, to call in the help of those gentlemen of the police. Otherwise, the odds on my being buried alive will increase every minute. They're ten to one as it is!"
He clenched his fists.
"Hang it! I'll get out of this scrape by myself! Call for help? Not if I know it!"
He summoned up all his energies to think, but his jaded brain gave him none but confused and disconnected ideas. He was haunted by Florence's image and by Marie Fauville's as well.
"It's to-night that I'm to save them," he said to himself. "And I certainly will save them, as they are not guilty and as I know the real criminal. But how shall I set about it to succeed?"
He thought of the Prefect of Police, of the meeting that was to take place at Fauville's house on the Boulevard Suchet. The meeting had begun. The police were watching the house. And this reminded him of the sheet of paper found by Weber in the eighth volume of Shakespeare's plays, and of the sentence written on it, which the Prefect had read out:
"Bear in mind that the explosion is independent of the letters, and that it will take place at three o'clock in the morning."
"Yes," thought Don Luis, accepting M. Desmalions's reasoning, "yes, in ten days' time. As there have been only three letters, the fourth will appear to-night; and the explosion will not take place until the fifth letter appears--that is in ten days from now."
He repeated:
"In ten days--with the fifth letter--in ten days--"
And suddenly he gave a start of fright. A horrible vision had flashed across his mind, a vision only too real. The explosion was to occur that very night! And all at once, knowing that he knew the truth, all at once, in a revival of his usual clear-sightedness, he accepted the theory as certain.
No doubt only three letters had appeared out of the mysterious darkness, but four letters ought to have appeared, because one of them had appeared not on the date fixed, but ten days later; and this for a reason which Don Luis knew. Besides, it was not a question of all this. It was not a question of seeking the truth amid this confusion of dates and letters, amid this intricate tangle in which no one could lay claim to any certainty,
No; one thing alone stood out above the situation: the sentence, "Bear in mind that the explosion is independent of the letters." And, as the explosion was put down for the night of the twenty-fifth of May, it would occur that very night, at three o'clock in the morning!
"Help! Help!" he cried.
This time he did not hesitate. So far, he had had the courage to remain huddled in his prison and to wait for the miracle that might come to his assistance; but he preferred to face every danger and undergo every penalty rather than abandon the Prefect of Police, Weber, Mazeroux, and their companions to the death that threatened them.
"Help! Help!"
Fauville's house would be blown up in three or four hours. That he knew with the greatest certainty. Just as punctually as the mysterious letters had reached their destination in spite of all the obstacles in the way, so the explosion would occur at the hour named. The infernal artificer of the accursed work had wished it so. At three o'clock in the morning there would be nothing left of the Fauvilles' house.
"Help! Help!"
He recovered enough strength to raise desperate shouts and to make his voice carry beyond the stones and beyond the wainscoting.
Then, when there seemed to be no answer to his call, he stopped and listened for a long time. There was not a sound. The silence was absolute.
Thereupon a terrible anguish covered him with a cold sweat. Supposing the detectives had ceased to watch the upper floors and confined themselves to spending the night in the rooms on the ground floor?
He madly took a brick and struck it repeatedly against the stone that closed the entrance, hoping that the noise would spread through the house. But an avalanche of small stones, loosened by the blows, at once fell upon him, knocking him down again and fixing him where he lay.
"Help! Help!"
More silence--a great, ruthless silence.
"Help! Help!"
He felt that his shouts did not penetrate the walls that stifled him. Besides, his voice was growing fainter and fainter, producing a hoarse groan that died away in his strained throat.
He ceased his cries and again listened, with all his anxious attention, to the great silence that surrounded as with layers of lead the stone coffin in which he lay imprisoned. Still nothing, not a sound. No one would come, no one could come to his assistance.
He continued to be haunted by Florence's name and image. And he thought also of Marie Fauville, whom he had promised to save. But Marie would die of starvation. And, like her, like Gaston Sauverand and so many others, he in his turn was the victim of this monstrous horror.
An incident occurred to increase his dismay. All of a sudden his electric lantern, which he had left alight to dispel the terrors of the darkness, went out. It was eleven o'clock at night.
He was overcome with a fit of giddiness. He could hardly breathe in the close and vitiated air. His brain suffered, as it were, a physical and exceedingly painful ailment, from the repetition of images that seemed to encrust themselves there; and it was always Florence's beautiful features or Marie's livid face. And, in his distraught brain, while Marie lay dying, he heard the explosion at the Fauvilles' house and saw the Prefect of Police and Mazeroux lying hideously mutilated, dead.
A numbness crept over him. He fell into a sort of swoon, in which he continued to stammer confused syllables:
"Florence--Marie--Marie--"
CHAPTER XIII. THE EXPLOSION
The fourth mysterious letter! The fourth of those letters "posted by the devil and delivered by the devil," as one of the newspapers expressed it!
We all of us remember the really extraordinary agitation of the public as the night of the twenty-fifth of May drew near. And fresh news increased this interest to a yet higher degree.
People heard in quick succession of the arrest of Sauverand, the flight of his accomplice, Florence Levasseur, Don Luis Perenna's secretary, and the inexplicable disappearance of Perenna himself, whom they insisted, for the best of reasons, on identifying with Arsène Lupin.
The police, assured from this moment of victory and having nearly all the actors in the tragedy in their power, had gradually given way to indiscretion; and, thanks to the particulars revealed to this or that journalist, the public knew of Don Luis's change of attitude, suspected his passion for Florence Levasseur and the real cause of his right-about-face, and thrilled with excitement as they saw that astonishing figure enter upon a fresh struggle.
What was he going to do? If he wanted to save the woman he loved from prosecution and to release Marie and Sauverand from prison, he would have to intervene some time that night, to take part, somehow or other, in the event at hand, and to prove the innocence of the three accomplices, either by arresting the invisible bearer of the fourth letter or by suggesting some plausible explanation. In short, he would have to be there; and that was interesting indeed!
And then the news of Marie Fauville was not good. With unwavering obstinacy she persisted in her suicidal plans. She had to be artificially fed; and the doctors in the infirmary at Saint-Lazare did not conceal their anxiety. Would Don Luis Perenna arrive in time?
Lastly, there was that one other thing, the threat of an explosion which was to blow up Hippolyte Fauville's house ten days after the delivery of the fourth letter, a really impressive threat when it was remembered that the enemy had never announced anything that did not take place at the stated hour. And, although it was still ten days--at least, so people thought--from the date fixed for the catastrophe, the threat made the whole business look more and more sinister.
That evening, therefore, a great crowd made its way, through La Muette and Auteuil, to the Boulevard Suchet, a crowd coming not only from Paris, but also from the suburbs and the provinces. The spectacle was exciting, and people wanted to see.
They saw only from a distance, for the police had barred the approaches a hundred yards from either side of the house and were driving into the ditches of the fortifications all those who managed to climb the opposite slope.
The sky was stormy, with heavy clouds revealed at intervals by the light of a silver moon. There were lightning-flashes and peals of distant thunder. Men sang. Street-boys imitated the noises of animals. People formed themselves into groups on the benches and pavements and ate and drank while discussing the matter.
A part of the night was spent in this way and nothing happened to reward the patience of the crowd, who began to wonder, somewhat wearily, if they would not do better to go home, seeing that Sauverand was in prison and that there was every chance that the fourth letter would not appear in the same mysterious way as the others.
And yet they did not go: Don Luis Perenna was due to come!
From ten o'clock in the evening the Prefect of Police and his secretary general, the chief detective and Weber, his deputy, Sergeant Mazeroux, and two detectives were gathered in the large room in which Fauville had been murdered. Fifteen more detectives occupied the remaining rooms, while some twenty others watched the roofs, the outside of the house, and the garden.
Once again a thorough search had been made during the afternoon, with no better results than before. But it was decided that all the men should keep awake. If the letter was delivered anywhere in the big room, they wanted to know and they meant to know who brought it. The police do not recognize miracles.
At twelve o'clock M. Desmalions had coffee served to his subordinates. He himself took two cups and never ceased walking from one end to the other of the room, or climbing the staircase that led to the attic, or going through the passage and hall. Preferring that the watch should be maintained under the most favourable conditions, he left all the doors opened and all the electric lights on.
Mazeroux objected:
"It has to be dark for the letter to come. You will remember, Monsieur le Préfet, that the other experiment was tried before and the letter was not delivered."
"We will try it again," replied M. Desmalions, who, in spite of everything, was really afraid of Don Luis's interference, and increased his measures to make it impossible.
Meanwhile, as the night wore on, the minds of all those present became impatient. Prepared for the angry struggle as they were, they longed for the opportunity to show their strength. They made desperate use of their ears and eyes.
At one o'clock there was an alarm that showed the pitch which the nervous tension had reached. A shot was fired on the first floor, followed by shouts. On inquiry, it was found that two detectives, meeting in the course of a round, had not recognized each other, and one of them had discharged his revolver in the air to inform his comrades.
In the meantime the crowd outside had diminished, as M. Desmalions perceived on opening the garden gate. The orders had been relaxed and sightseers were allowed to come nearer, though they were still kept at a distance from the pavement.
Mazeroux said:
"It is a good thing that the explosion is due in ten days' time and not to-night, Monsieur le Préfet; otherwise, all those good people would be in danger as well as ourselves."
"There will be no explosion in ten days' time, any more than there will be a letter to-night," said M. Desmalions, shrugging his shoulders. And he added, "Besides, on that day, the orders will be strict."
It was now ten minutes past two.
At twenty-five minutes past, as the Prefect was lighting a cigar, the chief detective ventured to joke:
"That's something you will have to do without, next time, Monsieur le Préfet. It would be too risky."
"Next time," said M. Desmalions, "I shall not waste time in keeping watch. For I really begin to think that all this business with the letters is over."
"You can never tell," suggested Mazeroux.
A few minutes more passed. M. Desmalions had sat down. The others also were seated. No one spoke.
And suddenly they all sprang up, with one movement, and the same expression of surprise.
A bell had rung.
They at once heard where the sound came from.
"The telephone," M. Desmalions muttered.
He took down the receiver.
"Hullo! Who are you?"
A voice answered, but so distant and so faint that he could only catch an incoherent noise and exclaimed:
"Speak louder! What is it? Who are you?"
The voice spluttered out a few syllables that seemed to astound him.
"Hullo!" he said. "I don't understand. Please repeat what you said. Who is it speaking?"
"Don Luis Perenna," was the answer, more distinctly this time.
The Prefect made as though to hang up the receiver; and he growled:
"It's a hoax. Some rotter amusing himself at our expense."
Nevertheless, in spite of himself, he went on in a gruff voice:
"Look here, what is it? You say you're Don Luis Perenna?"
"Yes."
"What do you want?"
"What's the time?"
"What's the time!"
The Prefect made an angry gesture, not so much because of the ridiculous question as because he had really recognized Don Luis's voice beyond mistake.
"Well?" he said, controlling himself. "What's all this about? Where are you?"
"At my house, above the iron curtain, in the ceiling of my study."
"In the ceiling!" repeated the Prefect, not knowing what to think.
"Yes; and more or less done for, I confess."
"We'll send and help you out," said M. Desmalions, who was beginning to enjoy himself.
"Later on, Monsieur le Préfet. First answer me. Quickly! If not, I don't know that I shall have the strength. What's the time?"
"Oh, look here!"
"I beg of you--"
"It's twenty minutes to three."
"Twenty minutes to three!"
It was as though Don Luis found renewed strength in a sudden fit of fear. His weak voice recovered its emphasis, and, by turns imperious, despairing, and beseeching, full of a conviction which he did his utmost to impart to M. Desmalions, he said:
"Go away, Monsieur le Préfet! Go, all of you; leave the house. The house will be blown up at three o'clock. Yes, yes, I swear it will. Ten days after the fourth letter means now, because there has been a ten days' delay in the delivery of the letters. It means now, at three o'clock in the morning. Remember what was written on the sheet which Deputy Chief Weber handed you this morning: 'The explosion is independent of the letters. It will take place at three o'clock in the morning.' At three o'clock in the morning, to-day, Monsieur le Préfet!" The voice faltered and then continued:
"Go away, please. Let no one remain in the house. You must believe me. I know everything about the business. And nothing can prevent the threat from being executed. Go, go, go! This is horrible; I feel that you do not believe me--and I have no strength left. Go away, every one of you!"
He said a few more words which M. Desmalions could not make out. Then the voice ceased; and, though the Prefect still heard cries, it seemed to him that those cries were distant, as though the instrument were no longer within the reach of the mouth that uttered them.
He hung up the receiver.
"Gentlemen," he said, with a smile, "it is seventeen to three. In seventeen minutes we shall all be blown up together. At least, that is what our good friend Don Luis Perenna declares."
In spite of the jokes with which this threat was met, there was a general feeling of uneasiness. Weber asked:
"Was it really Don Luis, Monsieur le Préfet?"
"Don Luis in person. He has gone to earth in some hiding-hole in his house, above the study; and his fatigue and privations seem to have unsettled him a little. Mazeroux, go and ferret him out--unless this is just some fresh trick on his part. You have your warrant."
Sergeant Mazeroux went up to M. Desmalions. His face was pallid.
"Monsieur le Préfet, did _he_ tell you that we were going to be blown up?"
"He did. He relies on the note which M. Weber found in a volume of Shakespeare. The explosion is to take place to-night."
"At three o'clock in the morning?"
"At three o'clock in the morning--that is to say, in less than a quarter of an hour."
"And do you propose to remain, Monsieur le Préfet?"
"What next, Sergeant? Do you imagine that we are going to obey that gentleman's fancies?"
Mazeroux staggered, hesitated, and then, despite all his natural deference, unable to contain himself, exclaimed:
"Monsieur le Préfet, it's not a fancy. I have worked with Don Luis. I know the man. If he tells you that something is going to happen, it's because he has his reasons."
"Absurd reasons."
"No, no, Monsieur le Préfet," Mazeroux pleaded, growing more and more excited. "I swear that you must listen to him. The house will be blown up--he said so--at three o'clock. We have a few minutes left. Let us go. I entreat you, Monsieur le Préfet."
"In other words, you want us to run away."
"But it's not running away, Monsieur le Préfet. It's a simple precaution. After all, we can't risk--You, yourself, Monsieur le Préfet--"
"That will do."
"But, Monsieur le Préfet, as Don Luis said--"
"That will do, I say!" repeated the Prefect harshly. "If you're afraid, you can take advantage of the order which I gave you and go off after Don Luis."
Mazeroux clicked his heels together and, old soldier that he was, saluted:
"I shall stay here, Monsieur le Préfet."
And he turned and went back to his place at a distance.
* * * * *
Silence followed. M. Desmalions began to walk up and down the room, with his hands behind his back. Then, addressing the chief detective and the secretary general:
"You are of my opinion, I hope?" he said.
"Why, yes, Monsieur le Préfet."
"Well, of course! To begin with, that supposition is based on nothing serious. And, besides, we are guarded, aren't we? Bombs don't come tumbling on one's head like that. It takes some one to throw them. Well, how are they to come? By what way?"
"Same way as the letters," the secretary general ventured to suggest.
"What's that? Then you admit--?"
The secretary general did not reply and M. Desmalions did not complete his sentence. He himself, like the others, experienced that same feeling of uneasiness which gradually, as the seconds sped past, was becoming almost intolerably painful.
Three o'clock in the morning! ... The words kept on recurring to his mind. Twice he looked at his watch. There was twelve minutes left. There was ten minutes. Was the house really going to be blown up, by the mere effect of an infernal and all-powerful will?
"It's senseless, absolutely senseless!" he cried, stamping his foot.
But, on looking at his companions, he was amazed to see how drawn their faces were; and he felt his courage sink in a strange way. He was certainly not afraid; and the others were no more afraid than he. But all of them, from the chiefs to the simple detectives, were under the influence of that Don Luis Perenna whom they had seen accomplishing such extraordinary feats, and who had shown such wonderful ability throughout this mysterious adventure.
Consciously or unconsciously, whether they wished it or no, they looked upon him as an exceptional being endowed with special faculties, a being of whom they could not think without conjuring up the image of the amazing Arsène Lupin, with his legend of daring, genius, and superhuman insight.
And Lupin was telling them to fly. Pursued and hunted as he was, he voluntarily gave himself up to warn them of their danger. And the danger was immediate. Seven minutes more, six minutes more--and the house would be blown up.
With great simplicity, Mazeroux went on his knees, made the sign of the cross, and said his prayers in a low voice. The action was so impressive that the secretary general and the chief detective made a movement as though to go toward the Prefect of Police.
M. Desmalions turned away his head and continued his walk up and down the room. But his anguish increased; and the words which he had heard over the telephone rang in his ears; and all Perenna's authority, his ardent entreaties, his frenzied conviction--all this upset him. He had seen Perenna at work. He felt it borne in upon him that he had no right, in the present circumstances, to neglect the man's warning.
"Let's go," he said.
The words were spoken in the calmest manner; and it really seemed as if those who heard them regarded them merely as the sensible conclusion of a very ordinary state of affairs. They went away without hurry or disorder, not as fugitives, but as men deliberately obeying the dictates of prudence.
They stood back at the door to let the Prefect go first.
"No," he said, "go on; I'll follow you."
He was the last out, leaving the electric light full on.
In the hall he asked the chief detective to blow his whistle. When all the plain-clothesmen had assembled, he sent them out of the house together with the porter, and shut the door behind him. Then, calling the detectives who were watching the boulevard, he said:
"Let everybody stand a good distance away; push the crowd as far back as you can; and be quick about it. We shall enter the house again in half an hour."
"And you, Monsieur le Préfet?" whispered Mazeroux, "You won't remain here, I hope?"
"No, that I shan't!" he said, laughing. "If I take our friend Perenna's advice at all, I may as well take it thoroughly!"
"There is only two minutes left."
"Our friend Perenna spoke of three o'clock, not of two minutes to three. So--"
He crossed the boulevard, accompanied by his secretary general, the chief detective, and Mazeroux, and clambered up the slope of the fortifications opposite the house.
"Perhaps we ought to stoop down," suggested Mazeroux.
"Let's stoop, by all means," said the Prefect, still in a good humour. "But, honestly, if there's no explosion, I shall send a bullet through my head. I could not go on living after making myself look so ridiculous."
"There will be an explosion, Monsieur le Préfet," declared Mazeroux.
"What confidence you must have in our friend Don Luis!"
"You have just the same confidence, Monsieur le Préfet."
They were silent, irritated by the wait, and struggling with the absurd anxiety that oppressed them. They counted the seconds singly, by the beating of their hearts. It was interminable.
Three o'clock sounded from somewhere.
"You see," grinned M. Desmalions, in an altered voice, "you see! There's nothing, thank goodness!"
And he growled:
"It's idiotic, perfectly idiotic! How could any one imagine such nonsense!"
Another clock struck, farther away. Then the hour also rang from the roof of a neighbouring building.
Before the third stroke had sounded they heard a kind of cracking, and, the next moment, came the terrible blast, complete, but so brief that they had only, so to speak, a vision of an immense sheaf of flames and smoke shooting forth enormous stones and pieces of wall, something like the grand finale of a fireworks display. And it was all over. The volcano had erupted.
"Look sharp!" shouted the Prefect of Police, darting forward. "Telephone for the engines, quick, in case of fire!"
He caught Mazeroux by the arm:
"Run to my motor; you'll see her a hundred yards down the boulevard. Tell the man to drive you to Don Luis, and, if you find him, release him and bring him here."
"Under arrest, Monsieur le Préfet?"
"Under arrest? You're mad!"
"But, if the deputy chief--"
"The deputy chief will keep his mouth shut. I'll see to that. Be off!"
Mazeroux fulfilled his mission, not with greater speed than if he had been sent to arrest Don Luis, for Mazeroux was a conscientious man, but with extraordinary pleasure. The fight which he had been obliged to wage against the man whom he still called "the chief" had often distressed him to the point of tears. This time he was coming to help him, perhaps to save his life.
That afternoon the deputy chief had ceased his search of the house, by M. Desmalions's orders, as Don Luis's escape seemed certain, and left only three men on duty. Mazeroux found them in a room on the ground floor, where they were sitting up in turns. In reply to his questions, they declared that they had not heard a sound.
He went upstairs alone, so as to have no witnesses to his interview with the governor, passed through the drawing-room and entered the study.
Here he was overcome with anxiety, for, after turning on the light, the first glance revealed nothing to his eyes.
"Chief!" he cried, repeatedly. "Where are you, Chief?"
No answer.
"And yet," thought Mazeroux, "as he telephoned, he can't be far away."
In fact, he saw from where he stood that the receiver was hanging from its cord; and, going on to the telephone box, he stumbled over bits of brick and plaster that strewed the carpet. He then switched on the light in the box as well and saw a hand and arm hanging from the ceiling above him. The ceiling was broken up all around that arm. But the shoulder had not been able to pass through; and Mazeroux could not see the captive's head.
He sprang on to a chair and reached the hand. He felt it and was reassured by the warmth of its touch.
"Is that you, Mazeroux?" asked a voice that seemed to the sergeant to come from very far away.
"Yes, it's I. You're not wounded, are you? Nothing serious?"
"No, only stunned--and a bit faint--from hunger.... Listen to me."
"I'm listening."
"Open the second drawer on the left in my writing-desk.... You'll find--"
"Yes, Chief?"
"An old stick of chocolate."
"But--"
"Do as I tell you, Alexandre; I'm famished."
Indeed, Don Luis recovered after a moment or two and said, in a gayer voice:
"That's better. I can wait now. Go to the kitchen and fetch me some bread and some water."
"I'll be back at once, Chief."
"Not this way. Come back by Florence Levasseur's room and the secret passage to the ladder which leads to the trapdoor at the top."
And he told him how to make the stone swing out and how to enter the hollow in which he had expected to meet with such a tragic end.
The thing was done in ten minutes. Mazeroux cleared the opening, caught hold of Don Luis by the legs and pulled him out of his hole.
"Oh, dear, oh dear!" he moaned, in a voice full of pity. "What a position, Chief! How did you manage it all? Yes, I see: you must have dug down, where you lay, and gone on digging--for more than a yard! And it took some pluck, I expect, on an empty stomach!"
When Don Luis was seated in his bedroom and had swallowed a few bits of bread and drunk what he wanted, he told his story:
"Yes, it took the devil's own pluck, old man. By Jingo! when a chap's ideas are whirling in his head and he can't use his brain, upon my word, all he asks is to die? And then there was no air, you see. I couldn't breathe. I went on digging, however, as you saw, went on digging while I was half asleep, in a sort of nightmare. Just look: my fingers are in a jelly. But there, I was thinking of that confounded business of the explosion and I wanted to warn you at all costs, and I dug away at my tunnel. What a job! And then, oof! I felt space at last!
"I got my hand through and next my arm. Where was I? Why, over the telephone, of course! I knew that at once by feeling the wall and finding the wires. Then it took me quite half an hour to get hold of the instrument. I couldn't reach it with my arm.
"I managed at last with a piece of string and a slip-knot to fish up the receiver and hold it near my mouth, or, say, at ten inches from my mouth. And then I shouted and roared to make my voice carry; and, all the time, I was in pain. And then, at last, my string broke.... And then--and then--I hadn't an ounce of strength left in my body. Besides, you fellows had been warned; and it was for you to get yourselves out of the mess."
He looked at Mazeroux and asked him, as though certain of the reply:
"The explosion took place, didn't it?"
"Yes, Chief."
"At three o'clock exactly?"
"Yes."
"And of course M. Desmalions had the house cleared?"
"Yes."
"At the last minute?"
"At the last minute."
Don Luis laughed and said:
"I knew he would wait about and not give way until the crucial moment. You must have had a bad time of it, my poor Mazeroux, for of course you agreed with me from the start."
He kept on eating while he talked; and each mouthful seemed to bring back a little of his usual animation.
"Funny thing, hunger!" he said. "Makes you feel so light-headed. I must practise getting used to it, however."
"At any rate, Chief, no one would believe that you have been fasting for nearly forty-eight hours."
"Ah, that comes of having a sound constitution, with something to fall back upon! I shall be a different man in half an hour. Just give me time to shave and have a bath."
When he had finished dressing, he sat down to the breakfast of eggs and cold meat which Mazeroux had prepared for him; and then, getting up, said:
"Now, let's be off."
"But there's no hurry, Chief. Why don't you lie down for a few hours? The Prefect can wait."
"You're mad! What about Marie Fauville?"
"Marie Fauville?"
"Why, of course! Do you think I'm going to leave her in prison, or Sauverand, either? There's not a second to lose, old chap."
Mazeroux thought to himself that the chief had not quite recovered his wits yet. What? Release Marie Fauville and Sauverand, one, two, three, just like that! No, no, it was going a bit too far.
However, he took down to the Prefect's car a new Perenna, merry, brisk, and as fresh as though he had just got out of bed.
"Very flattering to my pride," said Don Luis to Mazeroux, "most flattering, that hesitation of the Prefect's, after I had warned him over the telephone, followed by his submission at the decisive moment. What a hold I must have on all those jokers, to make them sit up at a sign from little me! 'Beware, gentlemen!' I telephone to them from the bottomless pit. 'Beware! At three o'clock, a bomb!' 'Nonsense!' say they. 'Not a bit of it!' say I. 'How do you know?' 'Because I do.' 'But what proof have you?' 'What proof? That I say so.' 'Oh, well, of course, if you say so!' And, at five minutes to three, out they march. Ah, if I wasn't built up of modesty--"
They came to the Boulevard Suchet, where the crowd was so dense that they had to alight from the car. Mazeroux passed through the cordon of police protecting the approaches to the house and took Don Luis to the slope across the road.
"Wait for me here, Chief. I'll tell the Prefect of Police."
On the other side of the boulevard, under the pale morning sky in which a few black clouds still lingered, Don Luis saw the havoc wrought by the explosion. It was apparently not so great as he had expected. Some of the ceilings had fallen in and their rubbish showed through the yawning cavities of the windows; but the house remained standing. Even Fauville's built-out annex had not suffered overmuch, and, strange to say, the electric light, which the Prefect had left burning on his departure, had not gone out. The garden and the road were covered with stacks of furniture, over which a number of soldiers and police kept watch.
"Come with me, Chief," said Mazeroux, as he fetched Don Luis and led him toward the engineer's workroom.
A part of the floor was demolished. The outer walls on the left, near the passage, were cracked; and two workmen were fixing up beams, brought from the nearest timber yard, to support the ceiling. But, on the whole, the explosion had not had the results which the man who prepared it must have anticipated.
M. Desmalions was there, together with all the men who had spent the night in the room and several important persons from the public prosecutor's office. Weber, the deputy chief detective, alone had gone, refusing to meet his enemy.
Don Luis's arrival caused great excitement. The Prefect at once came up to him and said:
"All our thanks, Monsieur. Your insight is above praise. You have saved our lives; and these gentlemen and I wish to tell you so most emphatically. In my case, it is the second time that I have to thank you."
"There is a very simple way of thanking me, Monsieur le Préfet," said Don Luis, "and that is to allow me to carry out my task to the end."
"Your task?"
"Yes, Monsieur le Préfet. My action of last night is only the beginning. The conclusion is the release of Marie Fauville and Gaston Sauverand."
M. Desmalions smiled.
"Oh!"
"Am I asking too much, Monsieur le Préfet?"
"One can always ask, but the request should be reasonable. And the innocence of those people does not depend on me."
"No; but it depends on you, Monsieur le Préfet, to let them know if I prove their innocence to you."
"Yes, I agree, if you prove it beyond dispute."
"Just so."
Don Luis's calm assurance impressed M. Desmalions in spite of everything and even more than on the former occasions; and he suggested:
"The results of the hasty inspection which we have made will perhaps help you. For instance, we are certain that the bomb was placed by the entrance to the passage and probably under the boards of the floor."
"Please do not trouble, Monsieur le Préfet. These are only secondary details. The great thing now is that you should know the whole truth, and that not only through words."
The Prefect had come closer. The magistrate and detectives were standing round Don Luis, watching his lips and movements with feverish impatience. Was it possible that that truth, as yet so remote and vague, in spite of all the importance which they attached to the arrests already effected, was known at last?
It was a solemn moment. Every one was on tenterhooks. The manner in which Don Luis had foretold the explosion lent the value of an accomplished fact to his predictions; and the men whom he had saved from the terrible catastrophe were almost ready to accept as certainties the most improbable statements which a man of his stamp might make.
"Monsieur le Préfet," he said, "you waited in vain last night for the fourth letter to make its appearance. We shall now be able, by an unexpected miracle of chance, to be present at the delivery of the letter. You will then know that it was the same hand that committed all the crimes--and you will know whose hand that was."
And, turning to Mazeroux:
"Sergeant, will you please make the room as dark as you can? The shutters are gone; but you might draw the curtains across the windows and close the doors. Monsieur le Préfet, is it by accident that the electric light is on?"
"Yes, by accident. We will have it turned out."
"One moment. Have any of you gentlemen a pocket lantern about you? Or, no, it doesn't matter. This will do."
There was a candle in a sconce. He took it and lit it.
Then he switched off the electric light.
There was a half darkness, amid which the flame of the candle flickered in the draught from the windows. Don Luis protected the flame with his hand and moved to the table.
"I do not think that we shall be kept waiting long," he said. "As I foresee it, there will be only a few seconds before the facts speak for themselves and better than I could do."
Those few seconds, during which no one broke the silence, were unforgettable. M. Desmalions has since declared, in an interview in which he ridicules himself very cleverly, that his brain, over-stimulated by the fatigues of the night and by the whole scene before him, imagined the most unlikely events, such as an invasion of the house by armed assailants, or the apparition of ghosts and spirits.
He had the curiosity, however, he said, to watch Don Luis. Sitting on the edge of the table, with his head thrown a little back and his eyes roaming over the ceiling, Don Luis was eating a piece of bread and nibbling at a cake of chocolate. He seemed very hungry, but quite at his ease.
The others maintained that tense attitude which we put on at moments of great physical effort. Their faces were distorted with a sort of grimace. They were haunted by the memory of the explosion as well as obsessed by what was going to happen. The flame of the candle cast shadows on the wall.
More seconds elapsed than Don Luis Perenna had said, thirty or forty seconds, perhaps, that seemed endless. Then Perenna lifted the candle a little and said:
"There you are."
They had all seen what they now saw almost as soon as he spoke. A letter was descending from the ceiling. It spun round slowly, like a leaf falling from a tree without being driven by the wind. It just touched Don Luis and alighted on the floor between two legs of the table.
Picking up the paper and handing it to M. Desmalions, Don Luis said:
"There you are, Monsieur le Préfet. This is the fourth letter, due last night."
CHAPTER XIV. THE "HATER"
M. Desmalions looked at him without understanding, and looked from him to the ceiling. Perenna said:
"Oh, there's no witchcraft about it; and, though no one has thrown that letter from above, though there is not the smallest hole in the ceiling, the explanation is quite simple!"
"Quite simple, is it?" said M. Desmalions.
"Yes, Monsieur le Préfet. It all looks like an extremely complicated conjuring trick, done almost for fun. Well, I say that it is quite simple--and, at the same time, terribly tragic. Sergeant Mazeroux, would you mind drawing back the curtains and giving us as much light as possible?"
While Mazeroux was executing his orders and M. Desmalions glancing at the fourth letter, the contents of which were unimportant and merely confirmed the previous ones, Don Luis took a pair of steps which the workmen had left in the corner, set it up in the middle of the room and climbed to the top, where, seated astride, he was able to reach the electric chandelier.
It consisted of a broad, circular band in brass, beneath which was a festoon of crystal pendants. Inside were three lamps placed at the corners of a brass triangle concealing the wires.
He uncovered the wires and cut them. Then be began to take the whole fitting to pieces. To hasten matters, he asked for a hammer and broke up the plaster all round the clamps that held the chandelier in position.
"Lend me a hand, please," he said to Mazeroux.
Mazeroux went up the steps; and between them they took hold of the chandelier and let it slide down the uprights. The detectives caught it and placed it on the table with some difficulty, for it was much heavier than it looked.
On inspection, it proved to be surmounted by a cubical metal box, measuring about eight inches square, which box, being fastened inside the ceiling between the iron clamps, had obliged Don Luis to knock away the plaster that concealed it.
"What the devil's this?" exclaimed M. Desmalions.
"Open it for yourself, Monsieur le Préfet: there's a lid to it," said Perenna.
M. Desmalions raised the lid. The box was filled with springs and wheels, a whole complicated and detailed mechanism resembling a piece of clockwork.
"By your leave, Monsieur le Préfet," said Don Luis.
He took out one piece of machinery and discovered another beneath it, joined to the first by the gearing of two wheels; and the second was more like one of those automatic apparatuses which turn out printed slips.
Right at the bottom of the box, just where the box touched the ceiling, was a semicircular groove, and at the edge of it was a letter ready for delivery.
"The last of the five letters," said Don Luis, "doubtless continuing the series of denunciations. You will notice, Monsieur le Préfet, that the chandelier originally had a fourth lamp in the centre. It was obviously removed when the chandelier was altered, so as to make room for the letters to pass."
He continued his detailed explanations:
"So the whole set of letters was placed here, at the bottom. A clever piece of machinery, controlled by clockwork, took them one by one at the appointed time, pushed them to the edge of the groove concealed between the lamps and the pendants, and projected them into space."
None of those standing around Don Luis spoke, and all of them seemed perhaps a little disappointed. The whole thing was certainly very clever; but they had expected something better than a trick of springs and wheels, however surprising.
"Have patience, gentlemen," said Don Luis. "I promised you something ghastly; and you shall have it."
"Well, I agree," said the Prefect of Police, "that this is where the letters started from. But a good many points remain obscure; and, apart from this, there is one fact in particular which it seems impossible to understand. How were the criminals able to adapt the chandelier in this way? And, in a house guarded by the police, in a room watched night and day, how were they able to carry out such a piece of work without being seen or heard?"
"The answer is quite easy, Monsieur le Préfet: the work was done before the house was guarded by the police."
"Before the murder was committed, therefore?"
"Before the murder was committed."
"And what is to prove to me that that is so?"
"You have said so yourself, Monsieur le Préfet: because it could not have been otherwise."
"But do explain yourself, Monsieur!" cried M. Desmalions, with a gesture of irritation. "If you have important things to tell us, why delay?"
"It is better, Monsieur le Préfet, that you should arrive at the truth in the same way as I did. When you know the secret of the letters, the truth is much nearer than you think; and you would have already named the criminal if the horror of his crime had not been so great as to divert all suspicion from him."
M. Desmalions looked at him attentively. He felt the importance of Perenna's every word and he was really anxious.
"Then, according to you," he said, "those letters accusing Madame Fauville and Gaston Sauverand were placed there with the sole object of ruining both of them?"
"Yes, Monsieur le Préfet."
"And, as they were placed there before the crime, the plot must have been schemed before the murder?"
"Yes, Monsieur le Préfet, before the murder. From the moment that we admit the innocence of Mme. Fauville and Gaston Sauverand, we are obliged to conclude that, as everything accuses them, this is due to a series of deliberate acts. Mme. Fauville was out on the night of the murder: a plot! She was unable to say how she spent her time while the murder was being committed: a plot! Her inexplicable drive in the direction of La Muette and her cousin Sauverand's walk in the neighbourhood of the house: plots! The marks left in the apple by those teeth, by Mme. Fauville's own teeth: a plot and the most infernal of all!
"I tell you, everything is plotted beforehand, everything is, so to speak, prepared, measured out, labelled, and numbered. Everything takes place at the appointed time. Nothing is left to chance. It is a work very nicely pieced together, worthy of the most skilful artisan, so solidly constructed that outside happenings have not been able to throw it out of gear; and that the scheme works exactly, precisely, imperturbably, like the clockwork in this box, which is a perfect symbol of the whole business and, at the same time, gives a most accurate explanation of it, because the letters denouncing the murderers were duly posted before the crime and delivered after the crime on the dates and at the hours foreseen."
M. Desmalions remained thinking for a time and then objected:
"Still, in the letters which he wrote, M. Fauville accuses his wife."
"He does."
"We must therefore admit either that he was right in accusing her or that the letters are forged?"
"They are not forged. All the experts have recognized M. Fauville's handwriting."
"Then?"
"Then--"
Don Luis did not finish his sentence; and M. Desmalions felt the breath of the truth fluttering still nearer round him.
The others, one and all as anxious as himself, were silent. He muttered:
"I do not understand--"
"Yes, Monsieur le Préfet, you do. You understand that, if the sending of those letters forms an integrate part of the plot hatched against Mme. Fauville and Gaston Sauverand, it is because their contents were prepared in such a way as to be the undoing of the victims."
"What! What! What are you saying?"
"I am saying what I said before. Once they are innocent, everything that tells against them is part of the plot."
Again there was a long silence. The Prefect of Police did not conceal his agitation. Speaking very slowly, with his eyes fixed on Don Luis's eyes, he said:
"Whoever the culprit may be, I know nothing more terrible than this work of hatred."
"It is an even more improbable work than you can imagine, Monsieur le Préfet," said Perenna, with growing animation, "and it is a hatred of which you, who do not know Sauverand's confession, cannot yet estimate the violence. I understood it completely as I listened to the man; and, since then, all my thoughts have been overpowered by the dominant idea of that hatred. Who could hate like that? To whose loathing had Marie Fauville and Sauverand been sacrificed? Who was the inconceivable person whose perverted genius had surrounded his two victims with chains so powerfully forged?
"And another idea came to my mind, an earlier idea which had already struck me several times and to which I have already referred in Sergeant Mazeroux's presence: I mean the really mathematical character of the appearance of the letters. I said to myself that such grave documents could not be introduced into the case at fixed dates unless some primary reason demanded that those dates should absolutely be fixed. What reason? If a _human_ agency had been at work each time, there would surely have been some irregularity dependent on this especially after the police had become cognizant of the matter and were present at the delivery of the letters.
"Well," Perenna continued, "in spite of every obstacle, the letters continued to come, as though they could not help it. And thus the reason of their coming gradually dawned upon me: they came mechanically, by some invisible process set going once and for all and working with the blind certainty of a physical law. This was a case not of a conscious intelligence and will, but just of material necessity.... It was the clash of these two ideas--the idea of the hatred pursuing the innocent and the idea of that machinery serving the schemes of the 'hater'--it was their clash that gave birth to the little spark of light. When brought into contact, the two ideas combined in my mind and suggested the recollection that Hippolyte Fauville was an engineer by profession!"
The others listened to him with a sort of uneasy oppression. What was gradually being revealed of the tragedy, instead of relieving the anxiety, increased it until it became absolutely painful.
M. Desmalions objected:
"Granting that the letters arrived on the dates named, you will nevertheless have noted that the hour varied on each occasion.
"That is to say, it varied according as we watched in the dark or not, and that is just the detail which supplied me with the key to the riddle. If the letters--and this was an indispensable precaution, which we are now able to understand--were delivered only under cover of the darkness, it must be because a contrivance of some kind prevented them from appearing when the electric light was on, and because that contrivance was controlled by a switch inside the room. There is no other explanation possible.
"We have to do with an automatic distributor that delivers the incriminating letters which it contains by clockwork, releasing them only between this hour and that on such and such a night fixed in advance and only at times when the electric light is off. You have the apparatus before you. No doubt the experts will admire its ingenuity and confirm my assertions. But, given the fact that it was found in the ceiling of this room, given the fact that it contained letters written by M. Fauville, am I not entitled to say that it was constructed by M. Fauville, the electrical engineer?"
Once more the name of M. Fauville returned, like an obsession; and each time the name stood more clearly defined. It was first M. Fauville; then M. Fauville, the engineer; then M. Fauville, the electrical engineer. And thus the picture of the "hater," as Don Luis said, appeared in its accurate outlines, giving those men, used though they were to the strangest criminal monstrosities, a thrill of terror. The truth was now no longer prowling around them. They were already fighting with it, as you fight with an adversary whom you do not see but who clutches you by the throat and brings you to the ground.
And the Prefect of Police, summing up all his impressions, said, in a strained voice:
"So M. Fauville wrote those letters in order to ruin his wife and the man who was in love with her?"
"Yes."
"In that case--"
"What?"
"Knowing, at the same time, that he was threatened with death, he wished, if ever the threat was realized, that his death should be laid to the charge of his wife and her friend?"
"Yes."
"And, in order to avenge himself on their love for each other and to gratify his hatred of them both, he wanted the whole set of facts to point to them as guilty of the murder of which he would be the victim?"
"Yes."
"So that--so that M. Fauville, in one part of his accursed work, was--what shall I say?--the accomplice of his own murder. He dreaded death. He struggled against it. But he arranged that his hatred should gain by it. That's it, isn't it? That's how it is?"
"Almost, Monsieur le Préfet. You are following the same stages by which I travelled and, like myself, you are hesitating before the last truth, before the truth which gives the tragedy its sinister character and deprives it of all human proportions."
The Prefect struck the table with his two fists and, in a sudden fit of revolt, cried:
"It's ridiculous! It's a perfectly preposterous theory! M. Fauville threatened with death and contriving his wife's ruin with that Machiavellian perseverance? Absurd! The man who came to my office, the man whom you saw, was thinking of only one thing: how to escape dying! He was obsessed by one dread alone, the dread of death.
"It is not at such moments," the Prefect emphasized, "that a man fits up clockwork and lays traps, especially when those traps cannot take effect unless he dies by foul play. Can you see M. Fauville working at his automatic machine, putting in with his own hands letters which he has taken the pains to write to a friend three months before and intercept, arranging events so that his wife shall appear guilty and saying, 'There! If I die murdered, I'm easy in my mind: the person to be arrested will be Marie!'
"No, you must confess, men don't take these gruesome precautions. Or, if they do--if they do, it means that they're sure of being murdered. It means that they agree to be murdered. It means that they are at one with the murderer, so to speak, and meet him halfway. In short, it means--"
He interrupted himself, as if the sentences which he had spoken had surprised him. And the others seemed equally disconcerted. And all of them unconsciously drew from those sentences the conclusions which they implied, and which they themselves did not yet fully perceive.
Don Luis did not remove his eyes from the Prefect, and awaited the inevitable words.
M. Desmalions muttered:
"Come, come, you are not going to suggest that he had agreed--"
"I suggest nothing, Monsieur le Préfet," said Don Luis. "So far, you have followed the logical and natural trend of your thoughts; and that brings you to your present position."
"Yes, yes, I know, but I am showing you the absurdity of your theory. It can't be correct, and we can't believe in Marie Fauville's innocence unless we are prepared to suppose an unheard-of thing, that M. Fauville took part in his own murder. Why, it's laughable!"
And he gave a laugh; but it was a forced laugh and did not ring true.
"For, after all," he added, "you can't deny that that is where we stand."
"I don't deny it."
"Well?"
"Well, M. Fauville, as you say, took part in his own murder."
This was said in the quietest possible fashion, but with an air of such certainty that no one dreamed of protesting. After the work of deduction and supposition which Don Luis had compelled his hearers to undertake, they found themselves in a corner which it was impossible for them to leave without stumbling against unanswerable objections.
There was no longer any doubt about M. Fauville's share in his own death. But of what did that share consist? What part had he played in the tragedy of hatred and murder? Had he played that part, which ended in the sacrifice of his life, voluntarily or under compulsion? Who, when all was said and done, had served as his accomplice or his executioner?
All these questions came crowding upon the minds of M. Desmalions and the others. They thought of nothing but of how to solve them, and Don Luis could feel certain that his solution was accepted beforehand. From that moment he had but to tell his story of what had happened without fear of contradiction. He did so briefly, after the manner of a succinct report limited to essentials:
"Three months before the crime, M. Fauville wrote a series of letters to one of his friends, M. Langernault, who, as Sergeant Mazeroux will have told you, Monsieur le Préfet, had been dead for several years, a fact of which M. Fauville cannot have been ignorant. These letters were posted, but were intercepted by some means which it is not necessary that we should know for the moment. M. Fauville erased the postmarks and the addresses and inserted the letters in a machine constructed for the purpose, of which he regulated the works so that the first letter should be delivered a fortnight after his death and the others at intervals of ten days.
"At this moment it is certain that his plan was concerted down to the smallest detail. Knowing that Sauverand was in love with his wife, watching Sauverand's movements, he must obviously have noticed that his detested rival used to pass under the windows of the house every Wednesday and that Marie Fauville would go to her window.
"This is a fact of the first importance, one which was exceedingly valuable to me; and it will impress you as being equal to a material proof. Every Wednesday evening, I repeat, Sauverand used to wander round the house. Now note this: first, the crime prepared by M. Fauville was committed on a Wednesday evening; secondly, it was at her husband's express request that Mme. Fauville went out that evening to go to the opera and to Mme. d'Ersinger's."
Don Luis stopped for a few seconds and then continued:
"Consequently, on the morning of that Wednesday, everything was ready, the fatal clock was wound up, the incriminating machinery was working to perfection, and the proofs to come would confirm the immediate proofs which M. Fauville held in reserve. Better still, Monsieur le Préfet, you had received from him a letter in which he told you of the plot hatched against him, and he implored your assistance for the morning of the next day--that is to say, _after his death_!
"Everything, in short, led him to think that things would go according to the 'hater's' wishes, when something occurred that nearly upset his schemes: the appearance of Inspector Vérot, who had been sent by you, Monsieur le Préfet, to collect particulars about the Mornington heirs. What happened between the two men? Probably no one will ever know. Both are dead; and their secret will not come to life again. But we can at least say for certain that Inspector Vérot was here and took away with him the cake of chocolate on which the teeth of the tiger were seen for the first time, and also that Inspector Vérot succeeded, thanks to circumstances with which we are unacquainted, in discovering M. Fauville's projects."
"This we know," explained Don Luis, "because Inspector Vérot said so in his own agonizing words; because it was through him that we learned that the crime was to take place on the following night; and because he had set down his discoveries in a letter which was stolen from him.
"And Fauville knew it also, because, to get rid of the formidable enemy who was thwarting his designs, he poisoned him; because, when the poison was slow in acting, he had the audacity, under a disguise which made him look like Sauverand and which was one day to turn suspicion against Sauverand, he had the audacity and the presence of mind to follow Inspector Vérot to the Café du Pont-Neuf, to purloin the letter of explanation which Inspector Vérot wrote you, to substitute a blank sheet of paper for it, and then to ask a passer-by, who might become a witness against Sauverand, the way to the nearest underground station for Neuilly, where Sauverand lived! There's your man, Monsieur le Préfet."
Don Luis spoke with increasing force, with the ardour that springs from conviction; and his logical and closely argued speech seemed to conjure up the actual truth,
"There's your man, Monsieur le Préfet," he repeated. "There's your scoundrel. And the situation in which he found himself was such, the fear inspired by Inspector Vérot's possible revelations was such, that, before putting into execution the horrible deed which he had planned, he came to the police office to make sure that his victim was no longer alive and had not been able to denounce him.
"You remember the scene, Monsieur le Préfet, the fellow's agitation and fright: 'To-morrow evening,' he said. Yes, it was for the morrow that he asked for your help, because he knew that everything would be over that same evening and that next day the police would be confronted with a murder, with the two culprits against whom he himself had heaped up the charges, with Marie Fauville, whom he had, so to speak, accused in advance....
"That was why Sergeant Mazeroux's visit and mine to his house, at nine o'clock in the evening, embarrassed him so obviously. Who were those intruders? Would they not succeed in shattering his plan? Reflection reassured him, even as we, by our insistence, compelled him to give way."
"After all, what he did care?" asked Perenna.
"His measures were so well taken that no amount of watching could destroy them or even make the watchers aware of them. What was to happen would happen in our presence and unknown to us. Death, summoned by him, would do its work.... And the comedy, the tragedy, rather, ran its course. Mme. Fauville, whom he was sending to the opera, came to say good-night. Then his servant brought him something to eat, including a dish of apples. Then followed a fit of rage, the agony of the man who is about to die and who fears death and a whole scene of deceit, in which he showed us his safe and the drab-cloth diary which was supposed to contain the story of the plot. ... That ended matters.
"Mazeroux and I retired to the hall passage, closing the door after us; and M. Fauville remained alone and free to act. Nothing now could prevent the fulfilment of his wishes. At eleven o'clock in the evening, Mme. Fauville--to whom no doubt, in the course of the day, imitating Sauverand's handwriting, he had sent a letter--one of those letters which are always torn up at once, in which Sauverand entreated the poor woman to grant him an interview at the Ranelagh--Mme. Fauville would leave the opera and, before going to Mme. d'Ersinger's party, would spend an hour not far from the house.
"On the other hand, Sauverand would be performing his usual Wednesday pilgrimage less than half a mile away, in the opposite direction. During this time the crime would be committed.
"Both of them would come under the notice of the police, either by M. Fauville's allusions or by the incident at the Cafe du Pont-Neuf; both of them, moreover, would be incapable either of providing an alibi or of explaining their presence so near the house: were not both of them bound to be accused and convicted of the crime? ... In the most unlikely event that some chance should protect them, there was an undeniable proof lying ready to hand in the shape of the apple containing the very marks of Marie Fauville's teeth! And then, a few weeks later, the last and decisive trick, the mysterious arrival at intervals of ten days, of the letters denouncing the pair. So everything was settled.
"The smallest details were foreseen with infernal clearness. You remember, Monsieur le Préfet, that turquoise which dropped out of my ring and was found in the safe? There were only four persons who could have seen it and picked it up. M. Fauville was one of them. Well, he was just the one, whom we all excepted; and yet it was he who, to cast suspicion upon me and to forestall an interference which he felt would be dangerous, seized the opportunity and placed the turquoise in the safe! ...
"This time the work was completed. Fate was about to be fulfilled. Between the 'hater' and his victims there was but the distance of one act. The act was performed. M. Fauville died."
Don Luis ceased. His words were followed by a long silence; and he felt certain that the extraordinary story which he had just finished telling met with the absolute approval of his hearers. They did not discuss, they believed. And yet it was the most incredible truth that he was asking them to believe.
M. Desmalions asked one last question.
"You were in that passage with Sergeant Mazeroux. There were detectives outside the house. Admitting that M. Fauville knew that he was to be killed that night and at that very hour of the night, who can have killed him and who can have killed his son? There was no one within these four walls."
"There was M. Fauville."
A sudden clamour of protests arose. The veil was promptly torn; and the spectacle revealed by Don Luis provoked, in addition to horror, an unforeseen outburst of incredulity and a sort of revolt against the too kindly attention which had been accorded to those explanations. The Prefect of Police expressed the general feeling by exclaiming:
"Enough of words! Enough of theories! However logical they may seem, they lead to absurd conclusions."
"Absurd in appearance, Monsieur le Préfet; but how do we know that M. Fauville's unheard-of conduct is not explained by very natural reasons? Of course, no one dies with a light heart for the mere pleasure of revenge. But how do we know that M. Fauville, whose extreme emaciation and pallor you must have noted as I did, was not stricken by some mortal illness and that, knowing himself doomed--"
"I repeat, enough of words!" cried the Prefect. "You go only by suppositions. What I want is proofs, a proof, only one. And we are still waiting for it."
"Here it is, Monsieur le Préfet."
"Eh? What's that you say?"
"Monsieur le Préfet, when I removed the chandelier from the plaster that supported it, I found, outside the upper surface of the metal box, a sealed envelope. As the chandelier was placed under the attic occupied by M. Fauville's son, it is evident that M. Fauville was able, by lifting the boards of the floor in his son's room, to reach the top of the machine which he had contrived. This was how, during that last night, he placed this sealed envelope in position, after writing on it the date of the murder, '31 March, 11 P.M.,' and his signature, 'Hippolyte Fauville.'"
M. Desmalions opened the envelope with an eager hand. His first glance at the pages of writing which it contained made him give a start.
"Oh, the villain, the villain!" he said. "How was it possible for such a monster to exist? What a loathsome brute!"
In a jerky voice, which became almost inaudible at times owing to his amazement, he read:
"The end is reached. My hour is striking. Put to sleep by me, Edmond is dead without having been roused from his unconsciousness by the fire of the poison. My own death-agony is beginning. I am suffering all the tortures of hell. My hand can hardly write these last lines. I suffer, how I suffer! And yet my happiness is unspeakable.
"This happiness dates back to my visit to London, with Edmond, four months ago. Until then, I was dragging on the most hideous existence, hiding my hatred of the woman who detested me and who loved another, broken down in health, feeling myself already eaten up with an unrelenting disease, and seeing my son grow daily more weak and languid.
"In the afternoon I consulted a great physician and I no longer had the least doubt left: the malady that was eating into me was cancer. And I knew besides that, like myself, my son Edmond was on the road to the grave, incurably stricken with consumption.
"That same evening I conceived the magnificent idea of revenge. And such a revenge! The most dreadful of accusations made against a man and a woman in love with each other! Prison! The assizes! Penal servitude! The scaffold! And no assistance possible, not a struggle, not a hope! Accumulated proofs, proofs so formidable as to make the innocent themselves doubt their own innocence and remain hopelessly and helplessly dumb. What a revenge!... And what a punishment! To be innocent and to struggle vainly against the very facts that accuse you, the very certainty that proclaims you guilty.
"And I prepared everything with a glad heart. Each happy thought, each invention made me shout with laughter. Lord, how merry I was! You would think that cancer hurts: not a bit of it! How can you suffer physical pain when your soul is quivering with delight? Do you think I feel the hideous burning of the poison at this moment?
"I am happy. The death which I have inflicted on myself is the beginning of their torment. Then why live and wait for a natural death which to them would mean the beginning of their happiness? And as Edmond had to die, why not save him a lingering illness and give him a death which would double the crime of Marie and Sauverand?
"The end is coming. I had to break off: the pain was too much for me. Now to pull myself together.... How silent everything is! Outside the house and in the house are emissaries of the police watching over my crime. At no great distance, Marie, in obedience to my letter, is hurrying to the trysting place, where her beloved will not come. And the beloved is roaming under the windows where his darling will not appear.
"Oh, the dear little puppets whose string I pull! Dance! Jump! Skip! Lord, what fun they are! A rope round your neck, sir; and, madam, a rope round yours. Was it not you, sir, who poisoned Inspector Vérot this morning and followed him to the Café du Pont-Neuf, with your grand ebony walking-stick? Why, of course it was! And at night the pretty lady poisons me and poisons her stepson. Prove it? Well, what about this apple, madam, this apple which you did _not_ bite into and which all the same will be found to bear the marks of your teeth? What fun! Dance! Jump! Skip!
"And the letters! The trick of my letters to the late lamented Langernault! That was my crowning triumph. Oh, the joy of it, when I invented and constructed my little mechanical toy! Wasn't it nicely thought out? Isn't it wonderfully neat and accurate? On the appointed day, click, the first letter! And, ten days after, click, the second letter! Come, there's no hope for you, my poor friends, you're nicely done for. Dance! Jump! Skip!
"And what amuses me--for I am laughing now--is to think that nobody will know what to make of it. Marie and Sauverand guilty: of that there is not the least doubt. But, outside that, absolute mystery.
"Nobody will know nor ever will know anything. In a few weeks' time, when the two criminals are irrevocably doomed, when the letters are in the hands of the police, on the 25th, or, rather, at 3 o'clock on the morning of the 26th of May, an explosion will destroy every trace of my work. The bomb is in its place. A movement entirely independent of the chandelier will explode it at the hour aforesaid.
"I have just laid beside it the drab-cloth manuscript book in which I pretended that I wrote my diary, the phials containing the poison, the needles which I used, an ebony walking-stick, two letters from Inspector Vérot, in short, anything that might save the culprits. Then how can any one know? No, nobody will know nor ever will know anything.
"Unless--unless some miracle happens--unless the bomb leaves the walls standing and the ceiling intact. Unless, by some marvel of intelligence and intuition, a man of genius, unravelling the threads which I have tangled, should penetrate to the very heart of the riddle and succeed, after a search lasting for months and months, in discovering this final letter.
"It is for this man that I write, well knowing that he cannot exist. But, after all, what do I care? Marie and Sauverand will be at the bottom of the abyss by then, dead no doubt, or in any case separated forever. And I risk nothing by leaving this evidence of my hatred in the hands of chance.
"There, that's finished. I have only to sign. My hand shakes more and more. The sweat is pouring from my forehead in great drops. I am suffering the tortures of the damned and I am divinely happy! Aha, my friends, you were waiting for my death!
"You, Marie, imprudently let me read in your eyes, which watched me stealthily, all your delight at seeing me so ill! And you were both of you so sure of the future that you had the courage to wait patiently for my death! Well, here it is, my death! Here it is and there are you, united above my grave, linked together with the handcuffs. Marie, be the wife of my friend Sauverand. Sauverand, I bestow my spouse upon you. Be joined together in holy matrimony. Bless you, my children!
"The examining magistrate will draw up the contract and the executioner will read the marriage service. Oh, the delight of it! I suffer agonies--but oh, the delight! What a fine thing is hatred, when it makes death a joy! I am happy in dying. Marie is in prison. Sauverand is weeping in the condemned man's cell. The door opens....
"Oh, horror! the men in black! They walk up to the bed: 'Gaston Sauverand, your appeal is rejected. Courage! Be a man!' Oh, the cold, dark morning--the scaffold! It's your turn, Marie, your turn! Would you survive your lover? Sauverand is dead: it's your turn. See, here's a rope for you. Or would you rather have poison? Die, will you, you hussy! Die with your veins on fire--as I am doing, I who hate you--hate you--hate you!"
M. Desmalions ceased, amid the silent astonishment of all those present. He had great difficulty in reading the concluding lines, the writing having become almost wholly shapeless and illegible.
He said, in a low voice, as he stared at the paper: "'Hippolyte Fauville,' The signature is there. The scoundrel found a last remnant of strength to sign his name clearly. He feared that a doubt might be entertained of his villainy. And indeed how could any one have suspected it?"
And, looking at Don Luis, he added:
"It needed, to solve the mystery, a really exceptional power of insight and gifts to which we must all do homage, to which I do homage. All the explanations which that madman gave have been anticipated in the most accurate and bewildering fashion."
Don Luis bowed and, without replying to the praise bestowed upon him, said:
"You are right, Monsieur le Préfet; he was a madman, and one of the most dangerous kind, the lucid madman who pursues an idea from which nothing will make him turn aside. He pursued it with superhuman tenacity and with all the resources of his fastidious mind, enslaved by the laws of mechanics.
"Another would have killed his victims frankly and brutally. He set his wits to work to kill at a long date, like an experimenter who leaves to time the duty of proving the excellence of his invention. And he succeeded only too well, because the police fell into the trap and because Mme. Fauville is perhaps going to die."
M. Desmalions made a gesture of decision. The whole business, in fact, was past history, on which the police proceedings would throw the necessary light. One fact alone was of importance to the present: the saving of Marie Fauville's life.
"It's true," he said, "we have not a minute to lose. Mme. Fauville must be told without delay. At the same time, I will send for the examining magistrate; and the case against her is sure to be dismissed at once."
He swiftly gave orders for continuing the investigations and verifying Don Luis's theories. Then, turning to Perenna:
"Come, Monsieur," he said. "It is right that Mme. Fauville should thank her rescuer. Mazeroux, you come, too."
The meeting was over, that meeting in the course of which Don Luis had given the most striking proofs of his genius. Waging war, so to speak, upon the powers beyond the grave, he had forced the dead man to reveal his secret. He disclosed, as though he had been present throughout, the hateful vengeance conceived in the darkness and carried out in the tomb.
* * * * *
M. Desmalions showed all his admiration by his silence and by certain movements of his head. And Perenna took a keen enjoyment in the strange fact that he, who was being hunted down by the police a few hours ago, should now be sitting in a motor car beside the head of that same force.
Nothing threw into greater relief the masterly manner in which he had conducted the business and the importance which the police attached to the results obtained. The value of his collaboration was such that they were willing to forget the incidents of the last two days. The grudge which Weber bore him was now of no avail against Don Luis Perenna.
M. Desmalions, meanwhile, began briefly to review the new solutions, and he concluded by still discussing certain points.
"Yes, that's it ... there is not the least shadow of a doubt.... We agree.... It's that and nothing else. Still, one or two things remain obscure. First of all, the mark of the teeth. This, notwithstanding the husband's admission, is a fact which we cannot neglect."
"I believe that the explanation is a very simple one, Monsieur le Préfet. I will give it to you as soon as I am able to support it with the necessary proofs."
"Very well. But another question: how is it that Weber, yesterday morning, found that sheet of paper relating to the explosion in Mlle. Levasseur's room?"
"And how was it," added Don Luis, laughing, "that I found there the list of the five dates corresponding with the delivery of the letters?"
"So you are of my opinion?" said M. Desmalions. "The part played by Mlle. Levasseur is at least suspicious."
"I believe that everything will be cleared up, Monsieur le Préfet, and that you need now only question Mme. Fauville and Gaston Sauverand in order to dispel these last obscurities and remove all suspicion from Mlle. Levasseur."
"And then," insisted M. Desmalions, "there is one more fact that strikes me as odd. Hippolyte Fauville does not once mention the Mornington inheritance in his confession. Why? Did he not know of it? Are we to suppose that there is no connection, beyond a mere casual coincidence, between the series of crimes and that bequest?"
"There, I am entirely of your opinion, Monsieur le Préfet. Hippolyte Fauville's silence as to that bequest perplexes me a little, I confess. But all the same I look upon it as comparatively unimportant. The main thing is Fauville's guilt and the prisoners' innocence."
Don Luis's delight was pure and unbounded. From his point of view, the sinister tragedy was at an end with the discovery of the confession written by Hippolyte Fauville. Anything not explained in those lines would be explained by the details to be supplied by Mme. Fauville, Florence Levasseur, and Gaston Sauverand. He himself had lost all interest in the matter.
The car drew up at Saint-Lazare, the wretched, sordid old prison which is still waiting to be pulled down.
The Prefect jumped out. The door was opened at once.
"Is the prison governor there?" he asked. "Quick! send for him, it's urgent."
Then, unable to wait, he at once hastened toward the corridors leading to the infirmary and, as he reached the first-floor landing, came up against the governor himself.
"Mme. Fauville," he said, without waste of time. "I want to see her--"
But he stopped short when he saw the expression of consternation on the prison governor's face.
"Well, what is it?" he asked. "What's the matter?"
"Why, haven't you heard, Monsieur le Préfet?" stammered the governor. "I telephoned to the office, you know--"
"Speak! What is it?"
"Mme. Fauville died this morning. She managed somehow to take poison."
M. Desmalions seized the governor by the arm and ran to the infirmary, followed by Perenna and Mazeroux.
He saw Marie Fauville lying on a bed in one of the rooms. Her pale face and her shoulders were stained with brown patches, similar to those which had marked the bodies of Inspector Vérot, Hippolyte Fauville, and his son Edmond.
Greatly upset, the Prefect murmured:
"But the poison--where did it come from?"
"This phial and syringe were found under her pillow, Monsieur le Préfet."
"Under her pillow? But how did they get there? How did they reach her? Who gave them to her?"
"We don't know yet, Monsieur le Préfet."
M. Desmalions looked at Don Luis. So Hippolyte Fauville's suicide had not put an end to the series of crimes! His action had done more than aim at Marie's death by the hand of the law: it had now driven her to take poison! Was it possible? Was it admissible that the dead man's revenge should still continue in the same automatic and anonymous manner?
Or rather--or rather, was there not some other mysterious will which was secretly and as audaciously carrying on Hippolyte Fauville's diabolical work?
* * * * *
Two days later came a fresh sensation: Gaston Sauverand was found dying in his cell. He had had the courage to strangle himself with his bedsheet. All efforts to restore him to life were vain.
On the table near him lay a half-dozen newspaper cuttings, which had been passed to him by an unknown hand. All of them told the news of Marie Fauville's death.
CHAPTER XV. THE HEIR TO THE HUNDRED MILLIONS
On the fourth evening after the tragic events related, an old cab-driver, almost entirely hidden in a huge great-coat, rang at Perenna's door and sent up a letter to Don Luis. He was at once shown into the study on the first floor. Hardly taking time to throw off his great-coat, he rushed at Don Luis:
"It's all up with you this time, Chief!" he exclaimed. "This is no moment for joking: pack up your trunks and be off as quick as you can!"
Don Luis, who sat quietly smoking in an easy chair, answered:
"Which will you have, Mazeroux? A cigar or a cigarette?"
Mazeroux at once grew indignant.
"But look here, Chief, don't you read the papers?"
"Worse luck!"
"In that case, the situation must appear as clear to you as it does to me and everybody else. During the last three days, since the double suicide, or, rather, the double murder of Marie Fauville and her cousin Gaston Sauverand, there hasn't been a newspaper but has said this kind of thing: 'And, now that M. Fauville, his son, his wife, and his cousin Gaston Sauverand are dead, there's nothing standing between Don Luis Perenna and the Mornington inheritance!'
"Do you understand what that means? Of course, people speak of the explosion on the Boulevard Suchet and of Fauville's posthumous revelations; and they are disgusted with that dirty brute of a Fauville; and they don't know how to praise your cleverness enough. But there is one fact that forms the main subject of every conversation and every discussion.
"Now that the three branches of the Roussel family are extinct, who remains? Don Luis Perenna. In default of the natural heirs, who inherits the property? Don Luis Perenna."
"Lucky dog!"
"That's what people are saying, Chief. They say that this series of murders and atrocities cannot be the effort of chance coincidences, but, on the contrary, points to the existence of an all-powerful will which began with the murder of Cosmo Mornington and ended with the capture of the hundred millions. And to give a name to that will, they pitch on the nearest, that of the extraordinary, glorious, ill-famed, bewildering, mysterious, omnipotent, and ubiquitous person who was Cosmo Mornington's intimate friend and who, from the beginning, has controlled events and pieced them together, accusing and acquitting people, getting them arrested, and helping them to escape.
"They say," he went on hurriedly, "that he manages the whole business and that, if he works it in accordance with his interests, there are a hundred millions waiting for him at the finish. And this person is Don Luis Perenna, in other words, Arsène Lupin, the man with the unsavoury reputation whom it would be madness not to think of in connection with so colossal a job."
"Thank you!"
"That's what they say, Chief; I'm only telling you. As long as Mme. Fauville and Gaston Sauverand were alive, people did not give much thought to your claims as residuary legatee. But both of them died. Then, you see, people can't help remarking the really surprising persistence with which luck looks after Don Luis Perenna's interests. You know the legal maxim: _fecit cui prodest_. Who benefits by the disappearance of all the Roussel heirs? Don Luis Perenna."
"The scoundrel!"
"The scoundrel: that's the word which Weber goes roaring out all along the passages of the police office and the criminal investigation department. You are the scoundrel and Florence Levasseur is your accomplice. And hardly any one dares protest.
"The Prefect of Police? What is the use of his defending you, of his remembering that you have saved his life twice over and rendered invaluable services to the police which he is the first to appreciate? What is the use of his going to the Prime Minister, though we all know that Valenglay protects you?
"There are others besides the Prefect of Police! There are others besides the Prime Minister! There's the whole of the detective office, there's the public prosecutor's staff, there's the examining magistrate, the press and, above all, public opinion, which has to be satisfied and which calls for and expects a culprit. That culprit is yourself or Florence Levasseur. Or, rather, it's you and Florence Levasseur."
Don Luis did not move a muscle of his face. Mazeroux waited a moment longer. Then, receiving no reply, he made a gesture of despair.
"Chief, do you know what you are compelling me to do? To betray my duty. Well, let me tell you this: to-morrow morning you will receive a summons to appear before the examining magistrate. At the end of your examination, whatever questions may have been put to you and whatever you may have answered, you will be taken straight to the lockup. The warrant is signed. That is what your enemies have done."
"The devil!"
"And that's not all. Weber, who is burning to take his revenge, has asked for permission to watch your house from this day onward, so that you may not slip away as Florence Levasseur did. He will be here with his men in an hour's time. What do you say to that, Chief?"
Without abandoning his careless attitude, Don Luis beckoned to Mazeroux.
"Sergeant, just look under that sofa between the windows."
Don Luis was serious. Mazeroux instinctively obeyed. Under the sofa was a portmanteau.
"Sergeant, in ten minutes, when I have told my servants to go to bed, carry the portmanteau to 143 _bis_ Rue de Rivoli, where I have taken a small flat under the name of M. Lecocq."
"What for, Chief? What does it mean?"
"It means that, having no trustworthy person to carry that portmanteau for me, I have been waiting for your visit for the last three days."
"Why, but--" stammered Mazeroux, in his confusion.
"Why but what?"
"Had you made up your mind to clear out?"
"Of course I had! But why hurry? The reason I placed you in the detective office was that I might know what was being plotted against me. Since you tell me that I'm in danger, I shall cut my stick."
And, as Mazeroux looked at him with increasing bewilderment, he tapped him on the shoulder and said severely:
"You see, Sergeant, that it was not worth while to disguise yourself as a cab-driver and betray your duty. You should never betray your duty, Sergeant. Ask your own conscience: I am sure that it will judge you according to your deserts."
Don Luis had spoken the truth. Recognizing how greatly the deaths of Marie Fauville and Sauverand had altered the situation, he considered it wise to move to a place of safety. His excuse for not doing so before was that he hoped to receive news of Florence Levasseur either by letter or by telephone. As the girl persisted in keeping silence, there was no reason why Don Luis should risk an arrest which the course of events made extremely probable.
And in fact his anticipations were correct. Next morning Mazeroux came to the little flat in the Rue de Rivoli looking very spry.
"You've had a narrow escape, Chief. Weber heard this morning that the bird had flown. He's simply furious! And you must confess that the tangle is getting worse and worse. They're utterly at a loss at headquarters. They don't even know how to set about prosecuting Florence Levasseur.
"You must have read about it in the papers. The examining magistrate maintains that, as Fauville committed suicide and killed his son Edmond, Florence Levasseur has nothing to do with the matter. In his opinion the case is closed on that side. Well, he's a good one, the examining magistrate! What about Gaston Sauverand's death? Isn't it as clear as daylight that Florence had a hand in it, as well as in all the rest?
"Wasn't it in her room, in a volume of Shakespeare, that documents were found relating to M. Fauville's arrangements about the letters and the explosion? And then--"
Mazeroux interrupted himself, frightened by the look in Don Luis's eyes and realizing that the chief was fonder of the girl then ever. Guilty or not, she inspired him with the same passion.
"All right," said Mazeroux, "we'll say no more about it. The future will bear me out, you'll see."
* * * * *
The days passed. Mazeroux called as often as possible, or else telephoned to Don Luis all the details of the two inquiries that were being pursued at Saint-Lazare and at the Santé Prison.
Vain inquiries, as we know. While Don Luis's statements relating to the electric chandelier and the automatic distribution of the mysterious letters were found to be correct, the investigation failed to reveal anything about the two suicides.
At most, it was ascertained that, before his arrest, Sauverand had tried to enter into correspondence with Marie through one of the tradesmen supplying the infirmary. Were they to suppose that the phial of poison and the hypodermic syringe had been introduced by the same means? It was impossible to prove; and, on the other hand, it was impossible to discover how the newspaper cuttings telling of Marie's suicide had found their way into Gaston Sauverand's cell.
And then the original mystery still remained, the unfathomable mystery of the marks of teeth in the apple. M. Fauville's posthumous confession acquitted Marie. And yet it was undoubtedly Marie's teeth that had marked the apple. The teeth that had been called the teeth of the tiger were certainly hers. Well, then!
In short, as Mazeroux said, everybody was groping in the dark, so much so that the Prefect, who was called upon by the will to assemble the Mornington heirs at a date not less than three nor more than four months after the testator's decease, suddenly decided that the meeting should take place in the course of the following week and fixed it for the ninth of June.
He hoped in this way to put an end to an exasperating case in which the police displayed nothing but uncertainty and confusion. They would decide about the inheritance according to circumstances and then close the proceedings. And gradually people would cease to talk about the wholesale slaughter of the Mornington heirs; and the mystery of the teeth of the tiger would be gradually forgotten.
It was strange, but these last days, which were restless and feverish like all the days that come before great battles--and every one felt that this last meeting meant a great battle--were spent by Don Luis in an armchair on his balcony in the Rue de Rivoli, where he sat quietly smoking cigarettes, or blowing soap-bubbles which the wind carried toward the garden of the Tuileries.
Mazeroux could not get over it.
"Chief, you astound me! How calm and careless you look!"
"I am calm and careless, Alexandre."
"But what do you mean? Doesn't the case interest you? Don't you intend to avenge Mme. Fauville and Sauverand? You are openly accused and you sit here blowing soap-bubbles!"
"There's no more delightful pastime, Alexandre."
"Shall I tell you what I think, Chief? You've discovered the solution of the mystery!"
"Perhaps I have, Alexandre, and perhaps I haven't."
Nothing seemed to excite Don Luis. Hours and hours passed; and he did not stir from his balcony. The sparrows now came and ate the crumbs which he threw to them. It really seemed as if the case was coming to an end for him and as if everything was turning out perfectly.
But, on the day of the meeting, Mazeroux entered with a letter in his hand and a scared look on his face.
"This is for you, Chief. It was addressed to me, but with an envelope inside it in your name. How do you explain that?"
"Quite easily, Alexandre. The enemy is aware of our cordial relations; and, as he does not know where I am staying--"
"What enemy?"
"I'll tell you to-morrow evening."
Don Luis opened the envelope and read the following words, written in red ink:
"There's still time, Lupin. Retire from the contest. If not, it means your death, too. When you think that your object is attained, when your hand is raised against me and you utter words of triumph, at that same moment the ground will open beneath your feet. The place of your death is chosen. The snare is laid. Beware, Lupin."
Don Luis smiled.
"Good," he said. "Things are taking shape,"
"Do you think so, Chief?"
"I do. And who gave you the letter?"
"Ah, we've been lucky for once, Chief! The policeman to whom it was handed happened to live at Les Ternes, next door to the bearer of the letter. He knows the fellow well. It was a stroke of luck, wasn't it?"
Don Luis sprang from his seat, radiant with delight.
"What do you mean? Out with it! You know who it is?"
"The chap's an indoor servant employed at a nursing-home in the Avenue des Ternes."
"Let's go there. We've no time to lose."
"Splendid, Chief! You're yourself again."
"Well, of course! As long as there was nothing to do I was waiting for this evening and resting, for I can see that the fight will be tremendous. But, as the enemy has blundered at last, as he's given me a trail to go upon, there's no need to wait, and I'll get ahead of him. Have at the tiger, Mazeroux!"
* * * * *
It was one o'clock in the afternoon when Don Luis and Mazeroux arrived at the nursing-home in the Avenue des Ternes. A manservant opened the door. Mazeroux nudged Don Luis. The man was doubtless the bearer of the letter. And, in reply to the sergeant's questions, he made no difficulty about saying that he had been to the police office that morning.
"By whose orders?" asked Mazeroux.
"The mother superior's."
"The mother superior?"
"Yes, the home includes a private hospital, which is managed by nuns."
"Could we speak to the superior?"
"Certainly, but not now: she has gone out."
"When will she be in?"
"Oh, she may be back at any time!"
The man showed them into the waiting-room, where they spent over an hour. They were greatly puzzled. What did the intervention of that nun mean? What part was she playing in the case?
People came in and were taken to the patients whom they had called to see. Others went out. There were also sisters moving silently to and fro and nurses dressed in their long white overalls belted at the waist.
"We're not doing any good here, Chief," whispered Mazeroux.
"What's your hurry? Is your sweetheart waiting for you?"
"We're wasting our time."
"I'm not wasting mine. The meeting at the Prefect's is not till five."
"What did you say? You're joking, Chief! You surely don't intend to go to it."
"Why not?"
"Why not? Well, the warrant--"
"The warrant? A scrap of paper!"
"A scrap of paper which will become a serious matter if you force the police to act. Your presence will be looked upon as a provocation--"
"And my absence as a confession. A gentleman who comes into a hundred millions does not lie low on the day of the windfall. So I must attend that meeting, lest I should forfeit my claim. And attend it I will."
"Chief!"
A stifled cry was heard in front of them; and a woman, a nurse, who was passing through the room, at once started running, lifted a curtain, and disappeared.
Don Luis rose, hesitating, not knowing what to do. Then, after four or five seconds of indecision, he suddenly rushed to the curtain and down a corridor, came up against a large, leather-padded door which had just closed, and wasted more time in stupidly fumbling at it with shaking hands.
When he had opened it, he found himself at the foot of a back staircase. Should he go up it? On the right, the same staircase ran down to the basement. He went down it, entered a kitchen and, seizing hold of the cook, said to her, in an angry voice:
"Has a nurse just gone out this way?"
"Do you mean Nurse Gertrude, the new one?"
"Yes, yes, quick! she's wanted upstairs."
"Who wants her?"
"Oh, hang it all, can't you tell me which way she went?"
"Through that door over there."
Don Luis darted away, crossed a little hall, and rushed out on to the Avenue des Ternes.
"Well, here's a pretty race!" cried Mazeroux, joining him.
Don Luis stood scanning the avenue. A motor bus was starting on the little square hard by, the Place Saint-Ferdinand.
"She's inside it," he declared. "This time, I shan't let her go."
He hailed a taxi.
"Follow that motor bus, driver, at fifty yards' distance."
"Is it Florence Levasseur?" asked Mazeroux.
"Yes."
"A nice thing!" growled the sergeant. And, yielding to a sudden outburst: "But, look here, Chief, don't you see? Surely you're not as blind as all that!"
Don Luis made no reply.
"But, Chief, Florence Levasseur's presence in the nursing-home proves as clearly as A B C that it was she who told the manservant to bring me that threatening letter for you! There's not a doubt about it: Florence Levasseur is managing the whole business.
"You know it as well as I do. Confess! It's possible that, during the last ten days, you've brought yourself, for love of that woman, to look upon her as innocent in spite of the overwhelming proofs against her. But to-day the truth hits you in the eye. I feel it, I'm sure of it. Isn't it so, Chief? I'm right, am I not? You see it for yourself?"
This time Don Luis did not protest. With a drawn face and set eyes he watched the motor bus, which at that moment was standing still at the corner of the Boulevard Haussmann.
"Stop!" he shouted to the driver.
The girl alighted. It was easy to recognize Florence Levasseur under her nurse's uniform. She cast round her eyes as if to make sure that she was not being followed, and then took a cab and drove down the boulevard and the Rue de la Pépinière, to the Gare Saint-Lazare.
Don Luis saw her from a distance climbing the steps that run up from the Cour de Rome; and, on following her, caught sight of her again at the ticket office at the end of the waiting hall.
"Quick, Mazeroux!" he said. "Get out your detective card and ask the clerk what ticket she's taken. Run, before another passenger comes."
Mazeroux hurried and questioned the ticket clerk and returned:
"Second class for Rouen."
"Take one for yourself."
Mazeroux did so. They found that there was an express due to start in a minute. When they reached the platform Florence was stepping into a compartment in the middle of the train.
The engine whistled.
"Get in," said Don Luis, hiding himself as best he could. "Telegraph to me from Rouen; and I'll join you this evening. Above all, keep your eyes on her. Don't let her slip between your fingers. She's very clever, you know."
"But why don't you come yourself, Chief? It would be much better--"
"Out of the question. The train doesn't stop before Rouen; and I couldn't be back till this evening. The meeting at the Prefect's is at five o'clock."
"And you insist on going?"
"More than ever. There, jump in!"
He pushed him into one of the end carriages. The train started and soon disappeared in the tunnel.
Then Don Luis flung himself on a bench in a waiting room and remained there for two hours, pretending to read the newspapers. But his eyes wandered and his mind was haunted by the agonizing question that once more forced itself upon him: was Florence guilty or not?
* * * * *
It was five o'clock exactly when Major Comte d'Astrignac, Maître Lepertuis, and the secretary of the American Embassy were shown into M. Desmalions's office. At the same moment some one entered the messengers' room and handed in his card.
The messenger on duty glanced at the pasteboard, turned his head quickly toward a group of men talking in a corner, and then asked the newcomer:
"Have you an appointment, sir?"
"It's not necessary. Just say that I'm here: Don Luis Perenna."
A kind of electric shock ran through the little group in the corner; and one of the persons forming it came forward. It was Weber, the deputy chief detective.
The two men looked each other straight in the eyes. Don Luis smiled amiably. Weber was livid; he shook in every limb and was plainly striving to contain himself.
Near him stood a couple of journalists and four detectives.
"By Jove! the beggars are there for me!" thought Don Luis. "But their confusion shows that they did not believe that I should have the cheek to come. Are they going to arrest me?"
Weber did not move, but in the end his face expressed a certain satisfaction as though he were saying:
"I've got you this time, my fine fellow, and you shan't escape me."
The office messenger returned and, without a word, led the way for Don Luis. Perenna passed in front of Weber with the politest of bows, bestowed a friendly little nod on the detectives, and entered.
The Comte d'Astrignac hurried up to him at once, with hands outstretched, thus showing that all the tittle-tattle in no way affected the esteem in which he continued to hold Private Perenna of the Foreign Legion. But the Prefect of Police maintained an attitude of reserve which was very significant. He went on turning over the papers which he was examining and conversed in a low voice with the solicitor and the American Secretary of Embassy.
Don Luis thought to himself:
"My dear Lupin, there's some one going to leave this room with the bracelets on his wrists. If it's not the real culprit, it'll be you, my poor old chap."
And he remembered the early part of the case, when he was in the workroom at Fauville's house, before the magistrates, and had either to deliver the criminal to justice or to incur the penalty of immediate arrest. In the same way, from the start to the finish of the struggle, he had been obliged, while fighting the invisible enemy, to expose himself to the attacks of the law with no means of defending himself except by indispensable victories.
Harassed by constant onslaughts, never out of danger, he had successively hurried to their deaths Marie Fauville and Gaston Sauverand, two innocent people sacrificed to the cruel laws of war. Was he at last about to fight the real enemy, or would he himself succumb at the decisive moment?
He rubbed his hands with such a cheerful gesture that M. Desmalions could not help looking at him. Don Luis wore the radiant air of a man who is experiencing a pure joy and who is preparing to taste others even greater.
The Prefect of Police remained silent for a moment, as though asking himself what that devil of a fellow could be so pleased with; then he fumbled through his papers once more and, in the end, said:
"We have met again, gentlemen, as we did two months ago, to come to a definite conclusion about the Mornington inheritance. Señor Caceres, the attaché of the Peruvian legation, will not be here. I have received a telegram from Italy to tell me that Señor Caceres is seriously ill. However, his presence was not indispensable. There is no one lacking, therefore--except those, alas, whose claims this meeting would gladly have sanctioned, that is to say, Cosmo Mornington's heirs."
"There is one other person absent, Monsieur le Préfet." M. Desmalions looked up. The speaker was Don Luis. The Prefect hesitated and then decided to ask him to explain.
"Whom do you mean? What person?"
"The murderer of the Mornington heirs."
This time again Don Luis compelled attention and, in spite of the resistance which he encountered, obliged the others to take notice of his presence and to yield to his ascendancy. Whatever happened, they had to listen to him. Whatever happened, they had to discuss with him things which seemed incredible, but which were possible because he put them into words.
"Monsieur le Préfet," he asked, "will you allow me to set forth the facts of the matter as it now stands? They will form a natural sequel and conclusion of the interview which we had after the explosion on the Boulevard Suchet."
M. Desmalions's silence gave Don Luis leave to speak. He at once continued:
"It will not take long, Monsieur le Préfet. It will not take long for two reasons: first, because M. Fauville's confessions remain at our disposal and we know definitely the monstrous part which he played; and, secondly, because, after all, the truth, however complicated it may seem, is really very simple.
"It all lies in the objection which you, Monsieur le Préfet, made to me on leaving the wrecked house on the Boulevard Suchet: 'How is it,' you asked, 'that the Mornington inheritance is not once mentioned in Hippolyte Fauville's confession?' It all lies in that, Monsieur le Préfet. Hippolyte Fauville did not say a word about the inheritance; and the reason evidently is that he did not know of it.
"And the reason why Gaston Sauverand was able to tell me his whole sensational story without making the least allusion to the inheritance was that the inheritance played no sort of part in Gaston Sauverand's story. He, too, knew nothing of it before those events, any more than Marie Fauville did, or Florence Levasseur. There is no denying the fact: Hippolyte Fauville was guided by revenge and by revenge alone. If not, why should he have acted as he did, seeing that Cosmo Mornington's millions reverted to him by the fullest of rights? Besides, if he had wished to enjoy those millions, he would not have begun by killing himself.
"One thing, therefore, is certain: the inheritance in no way affected Hippolyte Fauville's resolves or actions. And, nevertheless, one after the other, with inflexible regularity, as if they had been struck down in the very order called for by the terms of the Mornington inheritance, they all disappeared: Cosmo Mornington, then Hippolyte Fauville, then Edmond Fauville, then Marie Fauville, then Gaston Sauverand. First, the possessor of the fortune; next, all those whom he had appointed his legatees; and, I repeat, in the very order in which the will enabled them to lay claim to the fortune!"
"Is it not strange?" asked Perenna, "and are we not bound to suppose that there was a controlling mind at the back of it all? Are we not bound to admit that the formidable contest was influenced by that inheritance, and that, above the hatred and jealousy of the loathsome Fauville, there loomed a being endowed with even more tremendous energy, pursuing a tangible aim and driving to their deaths, one by one, like so many numbered victims, all the unconscious actors in the tragedy of which he tied and of which he is now untying the threads?"
Don Luis leaned forward and continued earnestly:
"Monsieur le Préfet, the public instinct so thoroughly agrees with me, a section of the police, with M. Weber, the deputy chief detective at its head, argues in a manner so exactly identical with my own, that the existence of that being is at once confirmed in every mind. There had to be some one to act as the controlling brain, to provide the will and the energy. That some one was myself. After all, why not? Did not I possess the condition which was indispensable to make any one interested in the murders? Was I not Cosmo Mornington's heir?
"I will not defend myself. It may be that outside interference, it may be that circumstances, will oblige you, Monsieur le Préfet, to take unjustifiable measures against me; but I will not insult you by believing for one second that you can imagine the man whose acts you have been able to judge for the last two months capable of such crimes. And yet the public instinct is right in accusing me.
"Apart from Hippolyte Fauville, there is necessarily a criminal; and that criminal is necessarily Cosmo Mornington's heir. As I am not the man, another heir of Cosmo Mornington exists. It is he whom I accuse, Monsieur le Préfet.
"There is something more than a dead man's will in the wicked business that is being enacted before us. We thought for a time that there was only that; but there is something more. I have not been fighting a dead man all the time; more than once I have felt the very breath of life strike against my face. More than once I have felt the teeth of the tiger seeking to tear me.
"The dead man did much, but he did not do everything. And, even then, was he alone in doing what he did? Was the being of whom I speak merely one who executed his orders? Or was he also the accomplice who helped him in his scheme? I do not know. But he certainly continued a work which he perhaps began by inspiring and which, in any case, he turned to his own profit, resolutely completed and carried out to the very end. And he did so because he knew of Cosmo Mornington's will. It is he whom I accuse, Monsieur le Préfet.
"I accuse him at the very least of that part of the crimes and felonies which cannot be attributed to Hippolyte Fauville. I accuse him of breaking open the drawer of the desk in which Maître Lepertuis, Cosmo Mornington's solicitor, had put his client's will. I accuse him of entering Cosmo Mornington's room and substituting a phial containing a toxic fluid for one of the phials of glycero-phosphate which Cosmo Mornington used for his hypodermic injections. I accuse him of playing the part of a doctor who came to certify Cosmo Mornington's death and of delivering a false certificate. I accuse him of supplying Hippolyte Fauville with the poison which killed successively Inspector Vérot, Edmond Fauville, and Hippolyte Fauville himself. I accuse him of arming and turning against me the hand of Gaston Sauverand, who, acting under his advice and his instructions, tried three times to take my life and ended by causing the death of my chauffeur. I accuse him of profiting by the relations which Gaston Sauverand had established with the infirmary in order to communicate with Marie Fauville, and of arranging for Marie Fauville to receive the hypodermic syringe and the phial of poison with which the poor woman was able to carry out her plans of suicide."
Perenna paused to note the effect of these charges. Then he went on:
"I accuse him of conveying to Gaston Sauverand, by some unknown means, the newspaper cuttings about Marie Fauville's death and, at the same time, foreseeing the inevitable results of his act. To sum up, therefore, without mentioning his share in the other crimes--the death of Inspector Vérot, the death of my chauffeur--I accuse him of killing Cosmo Mornington, Edmond Fauville, Hippolyte Fauville, Marie Fauville, and Gaston Sauverand; in plain words, of killing all those who stood between the millions and himself. These last words, Monsieur le Préfet, will tell you clearly what I have in my mind.
"When a man does away with five of his fellow creatures in order to secure a certain number of millions, it means that he is convinced that this proceeding will positively and mathematically insure his entering into possession of the millions. In short, when a man does away with a millionaire and his four successive heirs, it means that he himself is the millionaire's fifth heir. The man will be here in a moment."
"What!"
It was a spontaneous exclamation on the part of the Prefect of Police, who was forgetting the whole of Don Luis Perenna's powerful and closely reasoned argument, and thinking only of the stupefying apparition which Don Luis announced. Don Luis replied:
"Monsieur le Préfet, his visit is the logical outcome of my accusations. Remember that Cosmo Mornington's will explicitly states that no heir's claim will be valid unless he is present at to-day's meeting."
"And suppose he does not come?" asked the Prefect, thus showing that Don Luis's conviction had gradually got the better of his doubts.
"He will come, Monsieur le Préfet. If not, there would have been no sense in all this business. Limited to the crimes and other actions of Hippolyte Fauville, it could be looked upon as the preposterous work of a madman. Continued to the deaths of Marie Fauville and Gaston Sauverand, it demands, as its inevitable outcome, the appearance of a person who, as the last descendant of the Roussels of Saint-Etienne and consequently as Cosmo Mornington's absolute heir, taking precedence of myself, will come to claim the hundred millions which he has won by means of his incredible audacity."
"And suppose he does not come?" M. Desmalions once more exclaimed, in a more vehement tone.
"Then, Monsieur le Préfet, you may take it that I am the culprit; and you have only to arrest me. This day, between five and six o'clock, you will see before you, in this room, the person who killed the Mornington heirs. It is, humanly speaking, impossible that this should not be so. Consequently, the law will be satisfied in any circumstances. He or I: the position is quite simple."
M. Desmalions was silent. He gnawed his moustache thoughtfully and walked round and round the table, within the narrow circle formed by the others. It was obvious that objections to the supposition were springing up in his mind. In the end, he muttered, as though speaking to himself:
"No, no. For, after all, how are we to explain that the man should have waited until now to claim his rights?"
"An accident, perhaps, Monsieur le Préfet, an obstacle of some kind. Or else--one can never tell--the perverse longing for a more striking sensation. And remember, Monsieur le Préfet, how minutely and subtly the whole business was worked. Each event took place at the very moment fixed by Hippolyte Fauville. Cannot we take it that his accomplice is pursuing this method to the end and that he will not reveal himself until the last minute?"
M. Desmalions exclaimed, with a sort of anger:
"No, no, and again no! It is not possible. If a creature monstrous enough to commit such a series of murders exists, he will not be such a fool as to deliver himself into our hands."
"Monsieur le Préfet, he does not know the danger that threatens him if he comes here, because no one has even contemplated the theory of his existence. Besides, what risk does he run?"
"What risk? Why, if he has really committed those murders--"
"He has committed them, Monsieur le Préfet. He has _caused_ them to be committed, which is a different thing. And you now see where the man's unsuspected strength lies! He does not act in person. From the day when the truth appeared to me, I have succeeded in gradually discovering his means of action, in laying bare the machinery which he controls, the tricks which he employs. He does not act in person. There you have his method. You will find that it is the same throughout the series of murders.
"In appearance, Cosmo Mornington died of the results of a carelessly administered injection. In reality, it was this man who caused the injection to prove fatal. In appearance, Inspector Vérot was killed by Hippolyte Fauville. In reality, it must have been this man who contrived the murder by pointing out the necessity to Fauville and, so to speak, guiding his hand. And, in the same way, in appearance, Fauville killed his son and committed suicide; Marie Fauville committed suicide; Gaston Sauverand committed suicide. In reality, it was this man who wanted them dead, who prompted them to commit suicide, and who supplied them with the means of death.
"There you have the method, and there, Monsieur le Préfet, you have the man." And, in a lower voice, that contained a sort of apprehension, he added, "I confess that never before, in the course of a life that has been full of strange meetings, have I encountered a more terrifying person, acting with more devilish ability or greater psychological insight."
His words created an ever-increasing sensation among his hearers. They really saw that invisible being. He took shape in their imaginations. They waited for him to arrive. Twice Don Luis had turned to the door and listened. And his action did more than anything else to conjure up the image of the man who was coming.
M. Desmalions said:
"Whether he acted in person or caused others to act, the law, once it has hold of him, will know how to--"
"The law will find it no easy matter, Monsieur le Préfet! A man of his powers and resource must have foreseen everything, even his arrest, even the accusation of which he would be the subject; and there is little to be brought against him but moral charges without proofs."
"Then you think--"
"I think, Monsieur le Préfet, that the thing will be to accept his explanations as quite natural and not to show any distrust. What you want is to know who he is. Later on, before long, you will be able to unmask him."
The Prefect of Police continued to walk round the table. Major d'Astrignac kept his eyes fixed on Perenna, whose coolness amazed him. The solicitor and the secretary of Embassy seemed greatly excited. In fact nothing could be more sensational than the thought that filled all their minds. Was the abominable murderer about to appear before them?
"Silence!" said the Prefect, stopping his walk.
Some one had crossed the anteroom.
There was a knock at the door.
"Come in!"
The office messenger entered, carrying a card-tray. On the tray was a letter; and in addition there was one of those printed slips on which callers write their name and the object of their visit.
M. Desmalions hastened toward the messenger. He hesitated a moment before taking up the slip. He was very pale. Then he glanced at it quickly.
"Oh!" he said, with a start.
He looked toward Don Luis, reflected, and then, taking the letter, he said to the messenger:
"Is the bearer outside?"
"In the anteroom, Monsieur le Préfet."
"Show the person in when I ring."
The messenger left the room.
M. Desmalions stood in front of his desk, without moving. For the second time Don Luis met his eyes; and a feeling of perturbation came over him. What was happening?
With a sharp movement the Prefect of Police opened the envelope which he held in his hand, unfolded the letter and began to read it.
The others watched his every gesture, watched the least change of expression on his face. Were Perenna's predictions about to be fulfilled? Was a fifth heir putting in his claim?
The moment he had read the first lines, M. Desmalions looked up and, addressing Don Luis, murmured:
"You were right, Monsieur. This is a claim."
"On whose part, Monsieur le Préfet?" Don Luis could not help asking.
M. Desmalions did not reply. He finished reading the letter. Then he read it again, with the attention of a man weighing every word. Lastly, he read aloud:
"MONSIEUR LE PRÉFET:
"A chance correspondence has revealed to me the existence of an unknown heir of the Roussel family. It was only to-day that I was able to procure the documents necessary for identifying this heir; and, owing to unforeseen obstacles, it is only at the last moment that I am able to send them to you _by the person whom they concern_. Respecting a secret which is not mine and wishing, as a woman, to remain outside a business in which I have been only accidentally involved, I beg you, Monsieur le Préfet, to excuse me if I do not feel called upon to sign my name to this letter."
So Perenna had seen rightly and events were justifying his forecast. Some one was putting in an appearance within the period indicated. The claim was made in good time. And the very way in which things were happening at the exact moment was curiously suggestive of the mechanical exactness that had governed the whole business.
The last question still remained: who was this unknown person, the possible heir, and therefore the five or six fold murderer? He was waiting in the next room. There was nothing but a wall between him and the others. He was coming in. They would see him. They would know who he was.
The Prefect suddenly rang the bell.
A few tense seconds elapsed. Oddly enough, M. Desmalions did not remove his eyes from Perenna. Don Luis remained quite master of himself, but restless and uneasy at heart.
The door opened. The messenger showed some one in.
It was Florence Levasseur.
CHAPTER XVI. WEBER TAKES HIS REVENGE
Don Luis was for one moment amazed. Florence Levasseur here! Florence, whom he had left in the train under Mazeroux's supervision and for whom it was physically impossible to be back in Paris before eight o'clock in the evening!
Then, despite his bewilderment, he at once understood. Florence, knowing that she was being followed, had drawn them after her to the Gare Saint-Lazare and simply walked through the railway carriage, getting out on the other platform, while the worthy Mazeroux went on in the train to keep his eye on the traveller who was not there.
But suddenly the full horror of the situation struck him. Florence was here to claim the inheritance; and her claim, as he himself had said, was a proof of the most terrible guilt.
Acting on an irresistible impulse, Don Luis leaped to the girl's side, seized her by the arm and said, with almost malevolent force:
"What are you doing here? What have you come for? Why did you not let me know?"
M. Desmalions stepped between them. But Don Luis, without letting go of the girl's arm, exclaimed:
"Oh, Monsieur le Préfet, don't you see that this is all a mistake? The person whom we are expecting, about whom I told you, is not this one. The other is keeping in the background, as usual. Why it's impossible that Florence Levasseur--"
"I have no preconceived opinion on the subject of this young lady," said the Prefect of Police, in an authoritative voice. "But it is my duty to question her about the circumstances that brought her here; and I shall certainly do so."
He released the girl from Don Luis's grasp and made her take a seat. He himself sat down at his desk; and it was easy to see how great an impression the girl's presence made upon him. It afforded so to speak an illustration of Don Luis's argument.
The appearance on the scene of a new person, laying claim to the inheritance, was undeniably, to any logical mind, the appearance on the scene of a criminal who herself brought with her the proofs of her crimes. Don Luis felt this clearly and, from that moment, did not take his eyes off the Prefect of Police.
Florence looked at them by turns as though the whole thing was the most insoluble mystery to her. Her beautiful dark eyes retained their customary serenity. She no longer wore her nurse's uniform; and her gray gown, very simply cut and devoid of ornaments, showed her graceful figure. She was grave and unemotional as usual.
M. Desmalions said:
"Explain yourself, Mademoiselle."
She answered:
"I have nothing to explain, Monsieur le Préfet. I have come to you on an errand which I am fulfilling without knowing exactly what it is about."
"What do you mean? Without knowing what it is about?"
"I will tell you, Monsieur le Préfet. Some one in whom I have every confidence and for whom I entertain the greatest respect asked me to hand you certain papers. They appear to concern the question which is the object of your meeting to-day."
"The question of awarding the Mornington inheritance?"
"Yes."
"You know that, if this claim had not been made in the course of the present sitting, it would have had no effect?"
"I came as soon as the papers were handed to me."
"Why were they not handed to you an hour or two earlier?"
"I was not there. I had to leave the house where I am staying, in a hurry."
Perenna did not doubt that it was his intervention that upset the enemy's plans by causing Florence to take to flight.
The Prefect continued:
"So you are ignorant of the reasons why you received the papers?"
"Yes, Monsieur le Préfet."
"And evidently you are also ignorant of how far they concern you?"
"They do not concern me, Monsieur le Préfet."
M. Desmalions smiled and, looking into Florence's eyes, said, plainly:
"According to the letter that accompanies them, they concern you intimately. It seems that they prove, in the most positive manner, that you are descended from the Roussel family and that you consequently have every right to the Mornington inheritance."
"I?"
The cry was a spontaneous exclamation of astonishment and protest.
And she at once went on, insistently:
"I, a right to the inheritance? I have none at all, Monsieur le Préfet, none at all. I never knew Mr. Mornington. What is this story? There is some mistake."
She spoke with great animation and with an apparent frankness that would have impressed any other man than the Prefect of Police. But how could he forget Don Luis's arguments and the accusation made beforehand against the person who would arrive at the meeting?
"Give me the papers," he said.
She took from her handbag a blue envelope which was not fastened down and which he found to contain a number of faded documents, damaged at the folds and torn in different places.
He examined them amid perfect silence, read them through, studied them thoroughly, inspected the signatures and the seals through a magnifying glass, and said:
"They bear every sign of being genuine. The seals are official."
"Then, Monsieur le Préfet--?" said Florence, in a trembling voice.
"Then, Mademoiselle, let me tell you that your ignorance strikes me as most incredible."
And, turning to the solicitor, he said:
"Listen briefly to what these documents contain and prove. Gaston Sauverand, Cosmo Mornington's heir in the fourth line, had, as you know, an elder brother, called Raoul, who lived in the Argentine Republic. This brother, before his death, sent to Europe, in the charge of an old nurse, a child of five who was none other than his daughter, a natural but legally recognized daughter whom he had had by Mlle. Levasseur, a French teacher at Buenos Ayres.
"Here is the birth certificate. Here is the signed declaration written entirely in the father's hand. Here is the affidavit signed by the old nurse. Here are the depositions of three friends, merchants or solicitors at Buenos Ayres. And here are the death certificates of the father and mother.
"All these documents have been legalized and bear the seals of the French consulate. For the present, I have no reason to doubt them; and I am bound to look upon Florence Levasseur as Raoul Sauverand's daughter and Gaston Sauverand's niece."
"Gaston Sauvarand's niece? ... His niece?" stammered Florence.
The mention of a father whom she had, so to speak, never known, left her unmoved. But she began to weep at the recollection of Gaston Sauverand, whom she loved so fondly and to whom she found herself linked by such a close relationship.
Were her tears sincere? Or were they the tears of an actress able to play her part down to the slightest details? Were those facts really revealed to her for the first time? Or was she acting the emotions which the revelation of those facts would produce in her under natural conditions?
Don Luis observed M. Desmalions even more narrowly than he did the girl, and tried to read the secret thoughts of the man with whom the decision lay. And suddenly he became certain that Florence's arrest was a matter resolved upon as definitely as the arrest of the most monstrous criminal. Then he went up to her and said:
"Florence."
She looked at him with her tear-dimmed eyes and made no reply.
Slowly, he said:
"To defend yourself, Florence--for, though I am sure you do not know it, you are under that obligation--you must understand the terrible position in which events have placed you.
"Florence, the Prefect of Police has been led by the logical outcome of those events to come to the final conclusion that the person entering this room with an evident claim to the inheritance is the person who killed the Mornington heirs. You entered the room, Florence, and you are undoubtedly Cosmo Mornington's heir."
He saw her shake from head to foot and turn as pale as death. Nevertheless, she uttered no word and made no gesture of protest.
He went on:
"It is a formal accusation. Do you say nothing in reply?"
She waited some time and then declared:
"I have nothing to say. The whole thing is a mystery. What would you have me reply? I do not understand!"
Don Luis stood quivering with anguish in front of her. He stammered:
"Is that all? Do you accept?"
After a second, she said, in an undertone:
"Explain yourself, I beg of you. What you mean, I suppose, is that, if I do not reply, I accept the accusation?"
"Yes."
"And then?"
"Arrest--prison--"
"Prison!"
She seemed to be suffering hideously. Her beautiful features were distorted with fear. To her mind, prison evidently represented the torments undergone by Marie and Sauverand. It must mean despair, shame, death, all those horrors which Marie and Sauverand had been unable to avoid and of which she in her turn would become the victim.
An awful sense of hopelessness overcame her, and she moaned:
"How tired I am! I feel that there is nothing to be done! I am stifled by the mystery around me! Oh, if I could only see and understand!"
There was another long pause. Leaning over her, M. Desmalions studied her face with concentrated attention. Then, as she did not speak, he put his hand to the bell on his table and struck it three times.
Don Luis did not stir from where he stood, with his eyes despairingly fixed on Florence. A battle was raging within him between his love and generosity, which led him to believe the girl, and his reason, which obliged him to suspect her. Was she innocent or guilty? He did not know. Everything was against her. And yet why had he never ceased to love her?
Weber entered, followed by his men. M. Desmalions spoke to him and pointed to Florence. Weber went up to her.
"Florence!" said Don Luis.
She looked at him and looked at Weber and his men; and, suddenly, realizing what was coming, she retreated, staggered for a moment, bewildered and fainting, and fell back in Don Luis's arms:
"Oh, save me, save me! Do save me!"
The action was so natural and unconstrained, the cry of distress so clearly denoted the alarm which only the innocent can feel, that Don Luis was promptly convinced. A fervent belief in her lightened his heart. His doubts, his caution, his hesitation, his anguish: all these vanished before a certainty that dashed upon him like an irresistible wave. And he cried:
"No, no, that must not be! Monsieur le Préfet, there are things that cannot be permitted--"
He stooped over Florence, whom he was holding so firmly in his arms that nobody could have taken her from him. Their eyes met. His face was close to the girl's. He quivered with emotion at feeling her throbbing, so weak, so utterly helpless; and he said to her passionately, in a voice too low for any but her to hear:
"I love you, I love you.... Ah, Florence, if you only knew what I feel: how I suffer and how happy I am! Oh, Florence, I love you, I love you--"
Weber had stood aside, at a sign from the Prefect, who wanted to witness the unexpected conflict between those two mysterious beings, Don Luis Perenna and Florence Levasseur.
Don Luis unloosed his arms and placed the girl in a chair. Then, putting his two hands on her shoulders, face to face with her, he said:
"Though you do not understand, Florence, I am beginning to understand a good deal; and I can already almost see my way in the mystery that terrifies you. Florence, listen to me. It is not you who are doing all this, is it? There is somebody else behind you, above you--somebody who gives you your instructions, isn't there, while you yourself don't know where he is leading you?"
"Nobody is instructing me. What do you mean? Explain."
"Yes, you are not alone in your life. There are many things which you do because you are told to do them and because you think them right and because you do not know their consequences or even that they can have any consequences. Answer my question: are you absolutely free? Are you not yielding to some influence?"
The girl seemed to have come to herself, and her face recovered some of its usual calmness. Nevertheless, it seemed as if Don Luis's question made an impression on her.
"No," she said, "there is no influence--none at all--I'm sure of it."
He insisted, with growing eagerness:
"No, you are not sure; don't say that. Some one is dominating you without your knowing it. Think for a moment. You are Cosmo Mornington's heir, heir to a fortune which you don't care about, I know, I swear! Well, if you don't want that fortune, to whom will it belong? Answer me. Is there any one who is interested or believes himself interested in seeing you rich? The whole question lies in that. Is your life linked with that of some one else? Is he a friend of yours? Are you engaged to him?"
She gave a start of revolt.
"Oh, never! The man of whom you speak is incapable--"
"Ah," he cried, overcome with jealousy, "you confess it! So the man of whom I speak exists! I swear that the villain--"
He turned toward M. Desmalions, his face convulsed with hatred. He made no further effort to contain himself:
"Monsieur le Préfet, we are in sight of the goal. I know the road that will lead us to it. The wild beast shall be hunted down to-night, or to-morrow at least. Monsieur le Préfet, the letter that accompanied those documents, the unsigned letter which this young lady handed you, was written by the mother superior who manages a nursing-home in the Avenue des Ternes.
"By making immediate inquiries at that nursing-home, by questioning the superior and confronting her with Mlle. Levasseur, we shall discover the identity of the criminal himself. But we must not lose a minute, or we shall be too late and the wild beast will have fled."
His outburst was irresistible. There was no fighting against the violence of his conviction. Still, M. Desmalions objected:
"Mlle. Levasseur could tell us--"
"She will not speak, or at least not till later, when the man has been unmasked in her presence. Monsieur le Préfet, I entreat you to have the same confidence in me as before. Have not all my promises been fulfilled? Have confidence, Monsieur le Préfet; cast aside your doubts. Remember how Marie Fauville and Gaston Sauverand were overwhelmed with charges, the most serious charges, and how they succumbed in spite of their innocence.
"Does the law wish to see Florence Levasseur sacrificed as the two others were? And, besides, what I ask for is not her release, but the means to defend her--that is to say, an hour or two's delay. Let Deputy Chief Weber be responsible for her safe custody. Let your detectives go with us: these and more as well, for we cannot have too many to capture the loathsome brute in his lair."
M. Desmalions did not reply. After a brief moment he took Weber aside and talked to him for some minutes. M. Desmalions did not seem very favourably disposed toward Don Luis's request. But Weber was heard to say:
"You need have no fear, Monsieur le Préfet. We run no risk."
And M. Desmalions yielded.
A few moments later Don Luis Perenna and Florence Levasseur took their seats in a motor car with Weber and two inspectors. Another car, filled with detectives, followed.
The hospital was literally invested by the police force and Weber neglected none of the precautions of a regular siege.
The Prefect of Police, who arrived in his own car, was shown by the manservant into the waiting-room and then into the parlour, where the mother superior came to him at once. Without delay or preamble of any sort he put his questions to her, in the presence of Don Luis, Weber, and Florence:
"Reverend mother," he said, "I have a letter here which was brought to me at headquarters and which tells me of the existence of certain documents concerning a legacy. According to my information, this letter, which is unsigned and which is in a disguised hand, was written by you. Is that so?"
The mother superior, a woman with a powerful face and a determined air, replied, without embarrassment:
"That is so, Monsieur le Préfet. As I had the honour to tell you in my letter, I would have preferred, for obvious reasons, that my name should not be mentioned. Besides, the delivery of the documents was all that mattered. However, since you know that I am the writer, I am prepared to answer your questions."
M. Desmalions continued, with a glance at Florence:
"I will first ask you, Reverend Mother, if you know this young lady?"
"Yes, Monsieur le Préfet. Florence was with us for six months as a nurse, a few years ago. She gave such satisfaction that I was glad to take her back this day fortnight. As I had read her story in the papers, I simply asked her to change her name. We had a new staff at the hospital, and it was therefore a safe refuge for her."
"But, as you have read the papers, you must be aware of the accusations against her?"
"Those accusations have no weight, Monsieur le Préfet, with any one who knows Florence. She has one of the noblest characters and one of the strictest consciences that I have ever met with."
The Prefect continued:
"Let us speak of the documents, Reverend Mother. Where do they come from?"
"Yesterday, Monsieur le Préfet, I found in my room a communication in which the writer proposed to send me some papers that interested Florence Levasseur--"
"How did any one know that she was here?" asked M. Desmalions, interrupting her.
"I can't tell you. The letter simply said that the papers would be at Versailles, at the _poste restante_, in my name, on a certain day--that is to say, this morning. I was also asked not to mention them to anybody and to hand them at three o'clock this afternoon to Florence Levasseur, with instructions to take them to the Prefect of Police at once. I was also requested to have a letter conveyed to Sergeant Mazeroux."
"To Sergeant Mazeroux! That's odd."
"That letter appeared to have to do with the same business. Now, I am very fond of Florence. So I sent the letter, and this morning went to Versailles and found the papers there, as stated. When I got back, Florence was out. I was not able to hand them to her until her return, at about four o'clock."
"Where were the papers posted?"
"In Paris. The postmark on the envelope was that of the Avenue Niel, which happens to be the nearest office to this."
"And did not the fact of finding that letter in your room strike you as strange?"
"Certainly, Monsieur le Préfet, but no stranger than all the other incidents in the matter."
"Nevertheless," continued M. Desmalions, who was watching Florence's pale face, "nevertheless, when you saw that the instructions which you received came from this house and that they concerned a person living in this house, did you not entertain the idea that that person--"
"The idea that Florence had entered the room, unknown to me, for such a purpose?" cried the superior. "Oh, Monsieur le Préfet, Florence is incapable of doing such a thing!"
The girl was silent, but her drawn features betrayed the feelings of alarm that upset her.
Don Luis went up to her and said:
"The mystery is clearing, Florence, isn't it? And you are suffering in consequence. Who put the letter in Mother Superior's room? You know, don't you? And you know who is conducting all this plot?"
She did not answer. Then, turning to the deputy chief, the Prefect said:
"Weber, please go and search the room which Mlle. Levasseur occupied."
And, in reply to the nun's protest:
"It is indispensable," he declared, "that we should know the reasons why Mlle. Levasseur preserves such an obstinate silence."
Florence herself led the way. But, as Weber was leaving the room, Don Luis exclaimed:
"Take care, Deputy Chief!"
"Take care? Why?"
"I don't know," said Don Luis, who really could not have said why Florence's behaviour was making him uneasy. "I don't know. Still, I warn you--"
Weber shrugged his shoulders and, accompanied by the superior, moved away. In the hall he took two men with him. Florence walked ahead. She went up a flight of stairs and turned down a long corridor, with rooms on either side of it, which, after turning a corner, led to a short and very narrow passage ending in a door.
This was her room. The door opened not inward, into the room, but outward, into the passage. Florence therefore drew it to her, stepping back as she did so, which obliged Weber to do likewise. She took advantage of this to rush in and close the door behind her so quickly that the deputy chief, when he tried to grasp the handle, merely struck the air.
He made an angry gesture:
"The baggage! She means to burn some papers!"
And, turning to the superior:
"Is there another exit to the room?"
"No, Monsieur."
He tried to open the door, but she had locked and bolted it. Then he stood aside to make way for one of his men, a giant, who, with one blow of his fist, smashed a panel.
Weber pushed by him, put his arm through the opening, drew the bolt, turned the key, pulled open the door and entered.
Florence was no longer in her room. A little open window opposite showed the way she had taken.
"Oh, curse my luck!" he shouted. "She's cut off!"
And, hurrying back to the staircase, he roared over the balusters:
"Watch all the doors! She's got away! Collar her!"
M. Desmalions came hurrying up. Meeting the deputy, he received his explanations and then went on to Florence's room. The open window looked out on a small inner yard, a sort of well which served to ventilate a part of the house. Some rain-pipes ran down the wall. Florence must have let herself down by them. But what coolness and what an indomitable will she must have displayed to make her escape in this manner!
The detectives had already distributed themselves on every side to bar the fugitive's road. It soon became manifest that Florence, for whom they were hunting on the ground floor and in the basement, had gone from the yard into the room underneath her own, which happened to be the mother superior's; that she had put on a nun's habit; and that, thus disguised, she had passed unnoticed through the very men who were pursuing her.
They rushed outside. But it was now dark; and every search was bound to be vain in so populous a quarter.
The Prefect of Police made no effort to conceal his displeasure. Don Luis was also greatly disappointed at this flight, which thwarted his plans, and enlarged openly upon Weber's lack of skill.
"I told you so, Deputy Chief! You should have taken your precautions. Mlle. Levasseur's attitude ought to have warned you. She evidently knows the criminal and wanted to go to him, ask him for explanations and, for all we can tell, save him, if he managed to convince her. And what will happen between them? When the villain sees that he is discovered, he will be capable of anything."
M. Desmalions again questioned the mother superior and soon learned that Florence, before taking refuge in the nursing-home, had spent forty-eight hours in some furnished apartments on the Ile Saint-Louis.
The clue was not worth much, but they could not neglect it. The Prefect of Police, who retained all his doubts with regard to Florence and attached extreme importance to the girl's capture, ordered Weber and his men to follow up this trail without delay. Don Luis accompanied the deputy chief.
Events at once showed that the Prefect of Police was right. Florence had taken refuge in the lodging-house on the Ile Saint-Louis, where she had engaged a room under an assumed name. But she had no sooner arrived than a small boy called at the house, asked for her, and went away with her.
They went up to her room and found a parcel done up in a newspaper, containing a nun's habit. The thing was obvious.
Later, in the course of the evening, Weber succeeded in discovering the small boy. He was the son of the porter of one of the houses in the neighbourhood. Where could he have taken Florence? When questioned, he definitely refused to betray the lady who had trusted him and who had cried when she kissed him. His mother entreated him. His father boxed his ears. He was inflexible.
In any case, it was not unreasonable to conclude that Florence had not left the Ile Saint-Louis or its immediate vicinity. The detectives persisted in their search all the evening. Weber established his headquarters in a tap room where every scrap of information was brought to him and where his men returned from time to time to receive his orders. He also remained in constant communication with the Prefect's office.
At half-past ten a squad of detectives, sent by the Prefect, placed themselves at the deputy chief's disposal. Mazeroux, newly arrived from Rouen and furious with Florence, joined them.
The search continued. Don Luis had gradually assumed its management; and it was he who, so to speak, inspired Weber to ring at this or that door and to question this or that person.
At eleven o'clock the hunt still remained fruitless; and Don Luis was the victim of an increasing and irritating restlessness. But, shortly after midnight, a shrill whistle drew all the men to the eastern extremity of the island, at the end of the Quai d'Anjou.
Two detectives stood waiting for them, surrounded by a small crowd of onlookers. They had just learned that, some distance farther away, on the Quai Henri IV, which does not form part of the island, a motor car had pulled up outside a house, that there was the noise of a dispute, and that the cab had subsequently driven off in the direction of Vincennes.
They hastened to the Quai Henri IV and at once found the house. There was a door on the ground floor opening straight on the pavement. The taxi had stopped for a few minutes in front of this door. Two persons, a woman and a man leading her along, had left the ground floor flat. When the door of the taxi was shut, a man's voice had shouted from the inside:
"Drive down the Boulevard Saint-Germain and along the quays. Then take the Versailles Road."
But the porter's wife was able to furnish more precise particulars. Puzzled by the tenant of the ground floor, whom she had only seen once, in the evening, who paid his rent by checks signed in the name of Charles and who but very seldom came to his apartment, she had taken advantage of the fact that her lodge was next to the flat to listen to the sound of voices. The man and the woman were arguing. At one moment the man cried, in a louder tone:
"Come with me, Florence. I insist upon it; and I will give you every proof of my innocence to-morrow morning. And, if you nevertheless refuse to become my wife, I shall leave the country. All my preparations are made."
A little later he began to laugh and, again raising his voice, said:
"Afraid of what, Florence? That I shall kill you perhaps? No, no, have no fear--"
The portress had heard nothing more. But was this not enough to justify every alarm?
Don Luis caught hold of the deputy chief:
"Come along! I knew it: the man is capable of anything. It's the tiger! He means to kill her!"
He rushed outside, dragging the deputy toward the two police motors waiting five hundred yards down. Meanwhile, Mazeroux was trying to protest:
"It would be better to search the house, to pick up some clues--"
"Oh," shouted Don Luis, increasing his pace, "the house and the clues will keep! ... But he's gaining ground, the ruffian--and he has Florence with him--and he's going to kill her! It's a trap! ... I'm sure of it--"
He was shouting in the dark, dragging the two men along with irresistible force.
They neared the motors.
"Get ready!" he ordered as soon as he was in sight. "I'll drive myself."
He tried to get into the driver's seat. But Weber objected and pushed him inside, saying:
"Don't trouble--the chauffeur knows his business. He'll drive faster than you would."
Don Luis, the deputy chief, and two detectives crowded into the cab; Mazeroux took his seat beside the chauffeur.
"Versailles Road!" roared Don Luis.
The car started; and he continued:
"We've got him! You see, it's a magnificent opportunity. He must be going pretty fast, but without forcing the pace, because he doesn't think we're after him. Oh, the villain, we'll make him sit up! Quicker, driver! But what the devil are we loaded up like this for? You and I, Deputy Chief, would have been enough. Hi, Mazeroux, get down and jump into the other car! That'll be better, won't it, Deputy? It's absurd--"
He interrupted himself; and, as he was sitting on the back seat, between the deputy chief and a detective, he rose toward the window and muttered:
"Why, look here, what's the idiot doing? That's not the road! I say, what does this mean?"
A roar of laughter was the only answer. It came from Weber, who was shaking with delight. Don Luis stifled an oath and, making a tremendous effort, tried to leap from the car. Six hands fell upon him and held him motionless. The deputy chief had him by the throat. The detectives clutched his arms. There was no room for him to struggle within the restricted space of the small car; and he felt the cold iron of a revolver on his temple.
"None of your nonsense," growled Weber, "or I'll blow out your brains, my boy! Aha! you didn't expect this! It's Weber's revenge, eh?"
And, when Perenna continued to wriggle, he went on, in a threatening tone:
"You'll have only yourself to blame, mind!... I'm going to count three: one, two--"
"But what's it all about?" bellowed Don Luis.
"Prefect's orders, received just now."
"What orders?"
"To take you to the lockup if the Florence girl escaped us again."
"Have you a warrant?"
"I have."
"And what next?"
"What next? Nothing: the Sante--the examining magistrate--"
"But, hang it all, the tiger's making tracks meanwhile! Oh, rot! Is it possible to be so dense? What mugs those fellows are! Oh, dash it!"
He was fuming with rage, and when he saw that they were driving into the prison yard, he gathered all his strength, knocked the revolver out of the deputy's hand, and stunned one of the detectives with a blow of his fist.
But ten men came crowding round the doors. Resistance was useless. He understood this, and his rage increased.
"The idiots!" he shouted, while they surrounded him and searched him at the door of the office. "The rotters! The bunglers! To go mucking up a job like that! They can lay hands on the villain if they want to, and they lock up the honest man--while the villain makes himself scarce! And he'll do more murder yet! Florence! Florence ..."
Under the lamp light, in the midst of the detectives holding him, he was magnificent in his helpless violence.
They dragged him away. With an unparalleled display of strength, he drew himself up, shook off the men who were hanging on to him like a pack of hounds worrying some animal at bay, got rid of Weber, and accosted Mazeroux in familiar tones. He was gloriously masterful, almost calm, so wholly did he appear to control his seething rage. He gave his orders in breathless little sentences, curt as words of command.
"Mazeroux, run around to the Prefect's. Ask him to ring up Valenglay: yes, the Prime Minister. I want to see him. Have him informed. Ask the Prefect to say it's I: the man who made the German Emperor play his game. My name? He knows. Or, if he forgets, the Prefect can tell him my name."
He paused for a second or two; and then, calmer still, he declared:
"Arsène Lupin! Telephone those two words to him and just say this: 'Arsène Lupin wishes to speak to the Prime Minister on very important business.' Get that through to him at once. The Prime Minister would be very angry if he heard afterward that they had neglected to communicate my request. Go, Mazeroux, and then find the villain's tracks again."
The governor of the prison had opened the jail book.
"You can enter my name, Monsieur le Directeur," said Don Luis. "Put down 'Arsène Lupin.'"
The governor smiled and said:
"I should find a difficulty in putting down any other. It's on the warrant: 'Arsène Lupin, alias Don Luis Perenna.'"
Don Luis felt a little shudder pass through him at the sound of those words. The fact that he was arrested under the name of Arsène Lupin made his position doubly dangerous.
"Ah," he said, "so they've resolved--"
"I should think so!" said Weber, in a tone of triumph. "We've resolved to take the bull by the horns and to go straight for Lupin. Plucky of us, eh? Never fear, we'll show you something better than that!"
Don Luis did not flinch. Turning to Mazeroux again, he said:
"Don't forget my instructions, Mazeroux."
But there was a fresh blow in store for him. The sergeant did not answer his remark. Don Luis watched him closely and once more gave a start. He had just perceived that Mazeroux also was surrounded by men who were holding him tight. And the poor sergeant stood silently shedding tears.
Weber's liveliness increased.
"You'll have to excuse him, Lupin. Sergeant Mazeroux accompanies you to prison, though not in the same cell."
"Ah!" said Don Luis, drawing himself up. "Is Mazeroux put into jail?"
"Prefect's orders, warrant duly executed."
"And on what charge?"
"Accomplice of Arsène Lupin."
"Mazeroux my accomplice? Get out! Mazeroux? The most honest man that ever lived!"
"The most honest man that ever lived, as you say. That didn't prevent people from going to him when they wanted to write to you or prevent him from bringing you the letters. Which proves that he knew where you were hanging out. And there's a good deal more which we'll explain to you, Lupin, in good time. You'll have plenty of fun, I assure you."
Don Luis murmured:
"My poor Mazeroux!"
Then, raising his voice, he said:
"Don't cry, old chap. It's just a matter of the remainder of the night. Yes, I'll share my cards with you and we'll turn the king and mark game in a very few hours. Don't cry. I've got a much finer berth waiting for you, a more honourable and above all a more lucrative position. I have just what you want.
"You don't imagine, surely, that I wasn't prepared for this! Why, you know me! Take it from me: I shall be at liberty to-morrow, and the government, after setting you free, will pitch you into a colonelcy or something, with a marshal's pay attached to it. So don't cry, Mazeroux."
Then, addressing Weber, he said to him in the voice of a principal giving an order, and knowing that the order will be executed without discussion:
"Monsieur, I will ask you to fulfil the confidential mission which I was entrusting to Mazeroux. First, inform the Prefect of Police that I have a communication of the very highest importance to make to the Prime Minister. Next, discover the tiger's tracks at Versailles before the night is over. I know your merit, Monsieur, and I rely entirely upon your diligence and your zeal. Meet me at twelve o'clock to-morrow."
And, still maintaining his attitude of a principal who has given his instructions, he allowed himself to be taken to his cell.
It was ten to one. For the last fifty minutes the enemy had been bowling along the highroad, carrying off Florence like a prey which it now seemed impossible to snatch from him.
The door was locked and bolted.
Don Luis reflected:
"Even presuming that Monsieur le Prefect consents to ring up Valenglay, he won't do so before the morning. So they've given the villain eight hours' start before I'm free. Eight hours! Curse it!"
He thought a little longer, then shrugged his shoulders with the air of one who, for the moment, has nothing better to do than wait, and flung himself on his mattress, murmuring:
"Hushaby, Lupin!"
CHAPTER XVII. OPEN SESAME!
In spite of his usual facility for sleep, Don Luis slept for three hours at most. He was racked with too much anxiety; and, though his plan of conduct was worked out mathematically, he could not help foreseeing all the obstacles which were likely to frustrate that plan. Of course, Weber would speak to M. Desmalions. But would M. Desmalions telephone to Valenglay?
"He is sure to telephone," Don Luis declared, stamping his foot. "It doesn't let him in for anything. And at the same time, he would be running a big risk if he refused, especially as Valenglay must have been consulted about my arrest and is obviously kept informed of all that happens."
He next asked himself what exactly Valenglay could do, once he was told. For, after all, was it not too much to expect that the head of the government, that the Prime Minister, should put himself out to obey the injunctions and assist the schemes of M. Arsène Lupin?
"He will come!" he cried, with the same persistent confidence. "Valenglay doesn't care a hang for form and ceremony and all that nonsense. He will come, even if it is only out of curiosity, to learn what the Kaiser's friend can have to say to him. Besides, he knows me! I am not one of those beggars who inconvenience people for nothing. There's always something to be gained by meeting me. He'll come!"
But another question at once presented itself to his mind. Valenglay's coming in no way implied his consent to the bargain which Perenna meant to propose to him. And even if Don Luis succeeded in convincing him, what risks remained! How many doubtful points to overcome! And then the possibilities of failure!
Would Weber pursue the fugitive's motor car with the necessary decision and boldness? Would he get on the track again? And, having got on the track, would he be certain not to lose it?
And then--and then, even supposing that all the chances were favourable, was it not too late? Taking for granted that they hunted down the wild beast, that they drove him to bay, would he not meanwhile have killed his prey? Knowing himself beaten, would a monster of that kind hesitate to add one more murder to the long list of his crimes?
And this, to Don Luis, was the crowning terror. After all the difficulties which, in his stubbornly confident imagination, he had managed to surmount, he was brought face to face with the horrible vision of Florence being sacrificed, of Florence dead!
"Oh, the torture of it!" he stammered. "I alone could have succeeded; and they shut me up!"
He hardly put himself out to inquire into the reasons for which M. Desmalions, suddenly changing his mind, had consented to his arrest, thus bringing back to life that troublesome Arsène Lupin with whom the police had not hitherto cared to hamper themselves. No, that did not interest him. Florence alone mattered. And the minutes passed; and each minute wasted brought Florence nearer to her doom.
He remembered a similar occasion when, some years before, he waited in the same way for the door of his cell to open and the German Emperor to appear. But how much greater was the solemnity of the present moment! Before, it was at the very most his liberty that was at stake. This time it was Florence's life which fate was about to offer or refuse him.
"Florence! Florence!" he kept repeating, in his despair.
He no longer had a doubt of her innocence. Nor did he doubt that the other loved her and had carried her off not so much for the hostage of a coveted fortune as for a love spoil, which a man destroys if he cannot keep it.
"Florence! Florence!"
He was suffering from an extraordinary fit of depression. His defeat seemed irretrievable. There was no question of hastening after Florence, of catching the murderer. Don Luis was in prison under his own name of Arsène Lupin; and the whole problem lay in knowing how long he would remain there, for months or for years!
It was then that he fully realized what his love for Florence meant. He perceived that it took the place in his life of his former passions, his craving for luxury, his desire for mastery, his pleasure in fighting, his ambition, his revenge. For two months he had been struggling to win her and for nothing else. The search after the truth and the punishment of the criminal were to him no more than means of saving Florence from the dangers that threatened her.
If Florence had to die, if it was too late to snatch her from the enemy, in that case he might as well remain in prison. Arsène Lupin spending the rest of his days in a convict settlement was a fitting end to the spoilt life of a man who had not even been able to win the love of the only woman he had really loved.
It was a passing mood and, being totally opposed to Don Luis's nature, finished abruptly in a state of utter confidence which no longer admitted the least particle of anxiety or doubt. The sun had risen. The cell gradually became filled with daylight. And Don Luis remembered that Valenglay reached his office on the Place Beauveau at seven o'clock in the morning.
From this moment he felt absolutely calm. Coming events presented an entirely different aspect to him, as though they had, so to speak, turned right round. The contest seemed to him easy, the facts free from complications. He understood as clearly as if the actions had been performed that his will could not but be obeyed. The deputy chief must inevitably have made a faithful report to the Prefect of Police. The Prefect of Police must inevitably that morning have transmitted Arsène Lupin's request to Valenglay.
Valenglay would inevitably give himself the pleasure of an interview with Arsène Lupin. Arsène Lupin would inevitably, in the course of that interview, obtain Valenglay's consent. These were not suppositions, but certainties; not problems awaiting solution, but problems already solved. Starting from A and continuing along B and C, you arrive, whether you wish it or not, at D.
Don Luis began to laugh:
"Come, come, Arsène, old chap, remember that you brought Mr. Hohenzollern all the way from his Brandenburg Marches. Valenglay does not live as far as that, by Jove! And, if necessary, you can put yourself out a little.... That's it: I'll consent to take the first step. I will go and call on M. de Beauveau. M. Valenglay, it is a pleasure to see you."
He went gayly to the door, pretending that it was open and that he had only to walk through to be received when his turn came.
He repeated this child's play three times, bowing low and long, as though holding a plumed hat in his hand, and murmuring:
"Open sesame!"
At the fourth time, the door opened, and a warder appeared.
Don Luis said, in a ceremonious tone:
"I hope I have not kept the Prime Minister waiting?"
There were four inspectors in the corridor.
"Are these gentlemen my escort?" he asked. "That's right. Announce Arsène Lupin, grandee of Spain, his most Catholic Majesty's cousin. My lords, I follow you. Turnkey, here are twenty crowns for your pains, my friend."
He stopped in the corridor.
"By Jupiter, no gloves; and I haven't shaved since yesterday!"
The inspectors had surrounded him and were pushing him a little roughly. He seized two of them by the arm. They groaned.
"That'll teach you," he said. "You've no orders to thrash me, have you? Nor even to handcuff me? That being so, young fellows, behave!"
The prison governor was standing in the hall.
"I've had a capital night, my dear governor," said Don "Your C.T.C. rooms are the very acme of comfort. I'll see that the Lockup Arms receives a star in the 'Baedeker.' Would you like me to write you a testimonial in your jail book? You wouldn't? Perhaps you hope to see me again? Sorry, my dear governor, but it's impossible. I have other things to do."
A motor car was waiting in the yard. Don Luis stepped in with the four detectives:
"Place Beauveau," he said to the driver.
"No, Rue Vineuse," said one of the detectives, correcting him.
"Oho!" said Don Luis. "His Excellency's private residence! His Excellency prefers that my visit should be kept secret. That's a good sign. By the way, dear friends, what's the time?"
His question remained unanswered. And as the detectives had drawn the blinds, he was unable to consult the clocks in the street.
* * * * *
It was not until he was at Valenglay's, in the Prime Minister's little ground-floor flat near the Trocadero, that he saw a clock on the mantelpiece:
"A quarter to seven!" he exclaimed. "Good! There's not been much time lost."
Valenglay's study opened on a flight of steps that ran down to a garden filled with aviaries. The room itself was crammed with books and pictures.
A bell rang, and the detectives went out, following the old maidservant who had shown them in. Don Luis was left alone.
He was still calm, but nevertheless felt a certain uneasiness, a longing to be up and doing, to throw himself into the fray; and his eyes kept on involuntarily returning to the face of the clock. The minute hand seemed endowed with extraordinary speed.
At last some one entered, ushering in a second person. Don Luis recognized Valenglay and the Prefect of Police.
"That's it," he thought. "I've got him."
He saw this by the sort of vague sympathy perceptible on the old Premier's lean and bony face. There was not a sign of arrogance, nothing to raise a barrier between the Minister and the suspicious individual whom he was receiving: just a manifest, playful curiosity and sympathy, It was a sympathy which Valenglay had never concealed, and of which he even boasted when, after Arsène Lupin's sham death, he spoke of the adventurer and the strange relations between them.
"You have not changed," he said, after looking at him for some time. "Complexion a little darker, a trifle grayer over the temples, that's all."
And putting on a blunt tone, he asked:
"And what is it you want?"
"An answer first of all, Monsieur le Président du Conseil. Has Deputy Chief Weber, who took me to the lockup last night, traced the motor cab in which Florence Levasseur was carried off?"
"Yes, the motor stopped at Versailles. The persons inside it hired another cab which is to take them to Nantes. What else do you ask for, besides that answer?"
"My liberty, Monsieur le Président."
"At once, of course?" said Valenglay, beginning to laugh.
"In thirty or thirty-five minutes at most."
"At half-past seven, eh?"
"Half-past seven at latest, Monsieur le Président."
"And why your liberty?"
"To catch the murderer of Cosmo Mornington, of Inspector Vérot, and of the Roussel family."
"Are you the only one that can catch him?"
"Yes."
"Still, the police are moving. The wires are at work. The murderer will not leave France. He shan't escape us."
"You can't find him."
"Yes, we can."
"In that case he will kill Florence Levasseur. She will be the scoundrel's seventh victim. And it will be your doing."
Valenglay paused for a moment and then resumed:
"According to you, contrary to all appearances, and contrary to the well-grounded suspicions of Monsieur le Préfet de Police, Florence Levasseur is innocent?"
"Oh, absolutely, Monsieur le Président!"
"And you believe her to be in danger of death?"
"She is in danger of death."
"Are you in love with her?"
"I am."
Valenglay experienced a little thrill of enjoyment. Lupin in love! Lupin acting through love and confessing his love! But how exciting!
He said:
"I have followed the Mornington case from day to day and I know every detail of it. You have done wonders, Monsieur. It is evident that, but for you, the case would never have emerged from the mystery that surrounded it at the start. But I cannot help noticing that there are certain flaws in it.
"These flaws, which astonished me on your part, are more easy to understand when we know that love was the primary motive and the object of your actions. On the other hand, and in spite of what you say, Florence Levasseur's conduct, her claims as the heiress, her unexpected escape from the hospital, leave little doubt in our minds as to the part which she is playing."
Don Luis pointed to the clock:
"Monsieur le Ministre, it is getting late."
Valenglay burst out laughing.
"I never met any one like you! Don Luis Perenna, I am sorry that I am not some absolute monarch. I should make you the head of my secret police."
"A post which the German Emperor has already offered me."
"Oh, nonsense!"
"And I refused it."
Valenglay laughed heartily; but the clock struck seven. Don Luis began to grow anxious. Valenglay sat down and, coming straight to the point, said, in a serious voice:
"Don Luis Perenna, on the first day of your reappearance--that is to say, at the very moment of the murders on the Boulevard Suchet--Monsieur le Préfet de Police and I made up our minds as to your identity. Perenna was Lupin.
"I have no doubt that you understood the reason why we did not wish to bring back to life the dead man that you were, and why we granted you a sort of protection. Monsieur le Préfet de Police was entirely of my opinion. The work which you were pursuing was a salutary work of justice; and your assistance was so valuable to us that we strove to spare you any sort of annoyance. As Don Luis Perenna was fighting the good fight, we left Arsène Lupin in the background. Unfortunately--"
Valenglay paused again and declared:
"Unfortunately, Monsieur le Préfet de Police last night received a denunciation, supported by detailed proofs, accusing you of being Arsène Lupin."
"Impossible!" cried Don Luis. "That is a statement which no one is able to prove by material evidence. Arsène Lupin is dead."
"If you like," Valenglay agreed. "But that does not show that Don Luis Perenna is alive."
"Don Luis Perenna has a duly legalized existence, Monsieur le President."
"Perhaps. But it is disputed."
"By whom? There is only one man who would have the right; and to accuse me would be his own undoing. I cannot believe him to be stupid enough--"
"Stupid enough, no; but crafty enough, yes."
"You mean Caceres, the Peruvian attaché?"
"Yes."
"But he is abroad!"
"More than that: he is a fugitive from justice, after embezzling the funds of his legation. But before leaving the country he signed a statement that reached us yesterday evening, declaring that he faked up a complete record for you under the name of Don Luis Perenna. Here is your correspondence with him and here are all the papers establishing the truth of his allegations. Any one will be convinced, on examining them, first, that you are not Don Luis Perenna, and, secondly, that you are Arsène Lupin."
Don Luis made an angry gesture.
"That blackguard of a Caceres is a mere tool," he snarled. "The other man's behind him, has paid him, and is controlling his actions. It's the scoundrel himself; I recognize his touch. He has once more tried to get rid of me at the decisive moment."
"I am quite willing to believe it," said the Prime Minister. "But as all these documents, according to the letter that came with them, are only photographs, and as, if you are not arrested this morning, the originals are to be handed to a leading Paris newspaper to-night, we are obliged to take note of the accusation."
"But, Monsieur le Président," exclaimed Don Luis, "as Caceres is abroad and as the scoundrel who bought the papers of him was also obliged to take to flight before he was able to execute his threats, there is no fear now that the documents will be handed to the press."
"How do we know? The enemy must have taken his precautions. He may have accomplices."
"He has none."
"How do we know?"
Don Luis looked at Valenglay and said:
"What is it that you really wish to say, Monsieur le Président?"
"I will tell you. Although pressure was brought to bear upon us by Caceres's threats, Monsieur le Préfet de Police, anxious to see all possible light shed on the plot played by Florence Levasseur, did not interfere with your last night's expedition. As that expedition led to nothing, he determined, at any rate, to profit by the fact that Don Luis had placed himself at our disposal and to arrest Arsène Lupin.
"If we now let him go the documents will certainly be published; and you can see the absurd and ridiculous position in which that will place us in the eyes of the public. Well, at this very moment, you ask for the release of Arsène Lupin, a release which would be illegal, uncalled for, and inexcusable. I am obliged, therefore, to refuse it, and I do refuse it."
He ceased; and then, after a few seconds, he added:
"Unless--"
"Unless?" asked Don Luis.
"Unless--and this is what I wanted to say--unless you offer me in exchange something so extraordinary and so tremendous that I could consent to risk the annoyance which the absurd release of Arsène Lupin would bring down upon my head."
"But, Monsieur le President, surely, if I bring you the real criminal, the murderer of--"
"I don't need your assistance for that."
"And if I give you my word of honour, Monsieur le Président, to return the moment my task is done and give myself up?"
Valenglay struck the table with his fist and, raising his voice, addressed Don Luis with a certain genial familiarity:
"Come, Arsène Lupin," he said, "play the game! If you really want to have your way, pay for it! Hang it all, remember that after all this business, and especially after the incidents of last night, you and Florence Levasseur will be to the public what you already are: the responsible actors in the tragedy; nay, more, the real and only criminals. And it is now, when Florence Levasseur has taken to her heels, that you come and ask me for your liberty! Very well, but damn it, set a price to it and don't haggle with me!"
"I am not haggling, Monsieur le Président," declared Don Luis, in a very straightforward manner and tone. "What I have to offer you is certainly much more extraordinary and tremendous than you imagine. But if it were twice as extraordinary and twice as tremendous, it would not count once Florence Levasseur's life is in danger. Nevertheless, I was entitled to try for a less expensive transaction. Of this your words remove all hope. I will therefore lay my cards upon the table, as you demand, and as I had made up my mind to do."
He sat down opposite Valenglay, in the attitude of a man treating with another on equal terms.
"I shall not be long. A single sentence, Monsieur le President, will express the bargain which I am proposing to the Prime Minister of my country."
And, looking Valenglay straight in the eyes, he said slowly, syllable by syllable:
"In exchange for twenty-four hours' liberty and no more, undertaking on my honour to return here to-morrow morning and to return here either with Florence, to give you every proof of her innocence, or without her, to constitute myself a prisoner, I offer you--"
He took his time and, in a serious voice, concluded:
"I offer you a kingdom, Monsieur le Président du Conseil."
The sentence sounded bombastic and ludicrous, sounded silly enough to provoke a shrug of the shoulders, sounded like one of those sentences which only an imbecile or a lunatic could utter. And yet Valenglay remained impassive. He knew that, in such circumstances as the present, the man before him was not the man to indulge in jesting.
And he knew it so fully that, instinctively, accustomed as he was to momentous political questions in which secrecy is of the utmost importance, he cast a glance toward the Prefect of Police, as though M. Desmalions's presence in the room hindered him.
"I positively insist," said Don Luis, "that Monsieur le Préfet de Police shall stay and hear what I have to say. He is better able than any one else to appreciate the value of it; and he will bear witness to its correctness in certain particulars."
"Speak!" said Valenglay.
His curiosity knew no bounds. He did not much care whether Don Luis's proposal could have any practical results. In his heart he did not believe in it. But what he wanted to know was the lengths to which that demon of audacity was prepared to go, and on what new prodigious adventure he based the pretensions which he was putting forward so calmly and frankly.
Don Luis smiled:
"Will you allow me?" he asked.
Rising and going to the mantelpiece, he took down from the wall a small map representing Northwest Africa. He spread it on the table, placed different objects on the four corners to hold it in position, and resumed:
"There is one matter, Monsieur le Président, which puzzled Monsieur le Préfet de Police and about which I know that he caused inquiries to be made; and that matter is how I employed my time, or, rather, how Arsène Lupin employed his time during the last three years of his service with the Foreign Legion."
"Those inquiries were made by my orders," said Valenglay.
"And they led--?"
"To nothing."
"So that you do not know what I did during my captivity?"
"Just so."
"I will tell you, Monsieur le Président. It will not take me long."
Don Luis pointed with a pencil to a spot in Morocco marked on the map.
"It was here that I was taken prisoner on the twenty-fourth of July. My capture seemed queer to Monsieur le Préfet de Police and to all who subsequently heard the details of the incident. They were astonished that I should have been foolish enough to get caught in ambush and to allow myself to be trapped by a troop of forty Berber horse. Their surprise is justified. My capture was a deliberate move on my part.
"You will perhaps remember, Monsieur le Président, that I enlisted in the Foreign Legion after making a fruitless attempt to kill myself in consequence of some really terrible private disasters. I wanted to die, and I thought that a Moorish bullet would give me the final rest for which I longed.
"Fortune did not permit it. My destiny, it seemed, was not yet fulfilled. Then what had to be was. Little by little, unknown to myself, the thought of death vanished and I recovered my love of life. A few rather striking feats of arms had given me back all my self-confidence and all my desire for action.
"New dreams seized hold of me. I fell a victim to a new ideal. From day to day I needed more space, greater independence, wider horizons, more unforeseen and personal sensations. The Legion, great as my affection was for the plucky fellows who had welcomed me so cordially, was no longer enough to satisfy my craving for activity.
"One day, without thinking much about it, in a blind prompting of my whole being toward a great adventure which I did not clearly see, but which attracted me in a mysterious fashion, one day, finding myself surrounded by a band of the enemy, though still in a position to fight, I allowed myself to be captured.
"That is the whole story, Monsieur le Président. As a prisoner, I was free. A new life opened before me. However, the incident nearly turned out badly. My three dozen Berbers, a troop detached from an important nomad tribe that used to pillage and put to ransom the districts lying on the middle chains of the Atlas Range, first galloped back to the little cluster of tents where the wives of their chiefs were encamped under the guard of some ten men. They packed off at once; and, after a week's march which I found pretty arduous, for I was on foot, with my hands tied behind my back, following a mounted party, they stopped on a narrow upland commanded by rocky slopes and covered with skeletons mouldering among the stones and with remains of French swords and other weapons.
"Here they planted a stake in the ground and fastened me to it. I gathered from the behaviour of my captors and from a few words which I overheard that my death was decided on. They meant to cut off my ears, nose, and tongue, and then my head.
"However, they began by preparing their repast. They went to a well close by, ate and drank and took no further notice of me except to laugh at me and describe the various treats they held in store for me.... Another night passed. The torture was postponed until the morning, a time that suited them better. At break of day they crowded round me, uttering yells and shouts with which were mingled the shrill cries of the women.
"When my shadow covered a line which they had marked on the sand the night before, they ceased their din, and one of them, who was to perform the surgical operations prescribed for me, stepped forward and ordered me to put out my tongue. I did so. He took hold of it with a corner of his burnous and, with his other hand, drew his dagger from its sheath.
"I shall never forget the ferocity, coupled with ingenuous delight, of his expression, which was like that of a mischievous boy amusing himself by breaking a bird's wings and legs. Nor shall I ever forget the man's stupefaction when he saw that his dagger no longer consisted of anything but the pommel and a harmless and ridiculously small stump of the blade, just long enough to keep it in its sheath. His fury was revealed by a splutter of curses and he at once rushed at one of his friends and snatched his dagger from him.
"The same stupefaction followed: this dagger was also broken off at the hilt. The next thing was a general tumult, in which one and all brandished their knives. But all of them uttered howls of rage.
"There were forty-five men there; and their forty-five knives were smashed.... The chief flew at me as if holding me responsible for this incomprehensible phenomenon. He was a tall, lean old man, slightly hunchbacked, blind of one eye, hideous to look upon. He aimed a huge pistol point blank at my head and he struck me as so ugly that I burst out laughing in his face. He pulled the trigger. The pistol missed fire. He pulled it again. The pistol again missed fire....
"All of them at once began to dance around the stake to which I was fastened. Gesticulating wildly, hustling one another and roaring like thunder, they levelled their various firearms at me: muskets, pistols, carbines, old Spanish blunderbusses. The hammers clicked. But the muskets, pistols, carbines, and blunderbusses did not go off!
"It was a regular miracle. You should have seen their faces. I never laughed so much in my life; and this completed their bewilderment.
"Some ran to the tents for more powder. Others hurriedly reloaded their arms, only to meet with fresh failure, while I did nothing but laugh and laugh! The thing could not go on indefinitely. There were plenty of other means of doing away with me. They had their hands to strangle me with, the butt ends of their muskets to smash my head with, pebbles to stone me with. And there were over forty of them!
"The old chief picked up a bulky stone and stepped toward me, his features distorted with hatred. He raised himself to his full height, lifted the huge block, with the assistance of two of his men, above my head and dropped it--in front of me, on the stake! It was a staggering sight for the poor old man. I had, in one second, unfastened my bonds and sprung backward; and I was standing at three paces from him, with my hands outstretched before me, and holding in those outstretched hands the two revolvers which had been taken from me on the day of my capture!
"What followed was the business of a few seconds. The chief now began to laugh as I had laughed, sarcastically. To his mind, in the disorder of his brain, those two revolvers with which I threatened him could have no more effect than the useless weapons which had spared my life. He took up a large pebble and raised his hand to hurl it at my face. His two assistants did the same. And all the others were prepared to follow his example.
"'Hands down!' I cried, 'or I fire!' The chief let fly his stone. At the same moment three shots rang out. The chief and his two men fell dead to the ground. 'Who's next?' I asked, looking round the band.
"Forty-two Moors remained. I had eleven bullets left. As none of the men budged, I slipped one of my revolvers under my arm and took from my pocket two small boxes of cartridges containing fifty more bullets. And from my belt I drew three great knives, all of them nicely tapering and pointed. Half of the troop made signs of submission and drew up in line behind me. The other half capitulated a moment after. The battle was over. It had not lasted four minutes."
CHAPTER XVIII. ARSÈNE I EMPEROR OF MAURETANIA
Don Luis ceased. A smile of amusement played round his lips. The recollection of those four minutes seemed to divert him immensely.
Valenglay and the Prefect of Police, who were neither of them men to be unduly surprised at courage and coolness, had listened to him, nevertheless, and were now looking at him in bewildered silence. Was it possible for a human being to carry heroism to such unlikely lengths?
Meanwhile, he went up to the other side of the chimney and pointed to a larger map, representing the French roads.
"You told me, Monsieur le Président, that the scoundrel's motor car had left Versailles and was going toward Nantes?"
"Yes; and all our arrangements are made to arrest him either on the way, or else at Nantes or at Saint-Nazaire, where he may intend to take ship."
Don Luis Perenna followed with his forefinger the road across France, stopping here and there, marking successive stages. And nothing could have been more impressive than this dumb show.
The man that he was, preserving his composure amid the overthrow of all that he had most at heart, seemed by his calmness to dominate time and circumstances. It was as though the murderer were running away at one end of an unbreakable thread of which Don Luis held the other, and as though Don Luis could stop his flight at any time by a mere movement of his finger and thumb.
As he studied the map, the master seemed to command not only a sheet of cardboard, but also the highroad on which a motor car was spinning along, subject to his despotic will.
He went back to the table and continued:
"The battle was over. And there was no question of its being resumed. My forty-two worthies found themselves face to face with a conqueror, against whom revenge is always possible, by fair means or foul, but with one who had subjugated them in a supernatural manner. There was no other explanation of the inexplicable facts which they had witnessed. I was a sorcerer, a kind of marabout, a direct emissary of the Prophet."
Valenglay laughed and said:
"Their interpretation was not so very unreasonable, for, after all, you must have performed a sleight-of-hand trick which strikes me also as being little less than miraculous."
"Monsieur le Président, do you know a curious short story of Balzac's called 'A Passion in the Desert?'"
"Yes."
"Well, the key to the riddle lies in that."
"Does it? I don't quite see. You were not under the claws of a tigress. There was no tigress to tame in this instance."
"No, but there were women."
"Eh? How do you mean?"
"Upon my word, Monsieur le Président," said Don Luis gayly, "I should not like to shock you. But I repeat that the troop which carried me off on that week's march included women; and women are a little like Balzac's tigress, creatures whom it is not impossible to tame, to charm, to break in, until you make friends of them."
"Yes, yes," muttered the Premier, madly puzzled, "but that needs time."
"I had a week."
"And complete liberty of action."
"No, no, Monsieur le Président. The eyes are enough to start with. The eyes give rise to sympathy, interest, affection, curiosity, a wish to know you better. After that, the merest opportunity--"
"And did an opportunity offer?"
"Yes, one night. I was fastened up, or at least they thought I was. I knew that the chief's favourite was alone in her tent close by. I went there. I left her an hour afterward."
"And the tigress was tamed?"
"Yes, as thoroughly as Balzac's: tamed and blindly submissive."
"But there were several of them?"
"I know, Monsieur le President, and that was the difficulty. I was afraid of rivalry. But all went well: the favourite was not jealous, far from it. And then, as I have told you, her submission was absolute. In short, I had five staunch, invisible friends, resolved to do anything I wanted and suspected by nobody.
"My plan was being carried out before we reached the last halting-place. My five secret agents collected all the arms during the night. They dashed the daggers to the ground and broke them. They removed the bullets from the pistols. They damped the powder. Everything was ready for ringing up the curtain."
Valenglay bowed.
"My compliments! You are a man of resource. And your scheme was not lacking in charm. For I take it that your five ladies were pretty?"
Don Luis put on a bantering expression. He closed his eyes, as if to recall his bliss, and let fall the one word:
"Hags!"
The epithet gave rise to a burst of merriment. But Don Luis, as though in a hurry to finish his story, at once went on:
"In any case, they saved my life, the hussies, and their aid never failed me. My forty-two watch-dogs, deprived of their arms and shaking with fear in those solitudes where everything is a trap and where death lies in wait for you at any minute, gathered round me as their real protector. When we joined the great tribe to which they belonged I was their actual chief. And it took me less than three months of dangers faced in common, of ambushes defeated under my advice, of raids and pillages effected by my direction, to become the chief also of the whole tribe.
"I spoke their language, I practised their religion, I wore their dress, I conformed to their customs: alas! had I not five wives? Henceforward, my dream, which had gradually taken definite shape in my mind, became possible.
"I sent one of my most faithful adherents to France, with sixty letters to hand to sixty men whose names and addresses he learned by heart. Those sixty men were sixty associates whom Arsène Lupin had disbanded before he threw himself from the Capri cliffs. All had retired from business, with a hundred thousand francs apiece in ready money and a small trade or public post to keep them occupied. I had provided one with a tobacconist's shop, another with a job as a park-keeper, others with sinecures in the government offices. In short, they were respectable citizens.
"To all of them--whether public servants, farmers, municipal councillors, grocers, sacristans, or what not--I wrote the same letter, made the same offer, and gave the same instructions in case they should accept.... Monsieur le Président, I thought that, of the sixty, ten or fifteen at most would come and join me: sixty came, Monsieur le President, sixty, and not one less! Sixty men punctually arrived at the appointed place.
"On the day fixed, at the hour named, my old armed cruiser, the _Ascendam_, which they had brought back, anchored in the mouth of the Wady Draa, on the Atlantic coast, between Cape Nun and Cape Juby. Two longboats plied to and fro and landed my friends and the munitions of war which they had brought with them: camp furniture, quick-firing guns, ammunition, motor-boats, stores and provisions, trading wares, glass beads, and cases of gold as well, for my sixty good men and true had insisted on turning their share of the old profits into cash and on putting into the new venture the six million francs which they had received from their governor....
"Need I say more, Monsieur le Président? Must I tell you what a chief like Arsène Lupin was able to attempt seconded by sixty fine fellows of that stamp and backed by an army of ten thousand well-armed and well-trained Moorish fanatics? He attempted it; and his success was unparalleled.
"I do not think that there has ever been an idyl like that through which we lived during those fifteen months, first on the heights of the Atlas range and then in the infernal plains of the Sahara: an idyl of heroism, of privation, of superhuman torture and superhuman joy; an idyl of hunger and thirst, of total defeat and dazzling victory....
"My sixty trusty followers threw themselves into their work with might and main. Oh, what men! You know them, Monsieur le Président du Conseil! You've had them to deal with, Monsieur le Préfet de Police! The beggars! Tears come to my eyes when I think of some of them.
"There were Charolais and his son, who distinguished themselves in the case of the Princesse de Lamballe's tiara. There were Marco, who owed his fame to the Kesselbach case, and Auguste, who was your chief messenger, Monsieur le Président. There were the Growler and the Masher, who achieved such glory in the hunt for the crystal stopper. There were the brothers Beuzeville, whom I used to call the two Ajaxes. There were Philippe d'Antrac, who was better born than any Bourbon, and Pierre Le Grand and Tristan Le Roux and Joseph Le Jeune."
"And there was Arsène Lupin," said Valenglay, roused to enthusiasm by this list of Homeric heroes.
"And there was Arsène Lupin," repeated Don Luis.
He nodded his head, smiled, and continued, in a very quiet voice:
"I will not speak of him, Monsieur le Président. I will not speak of him, for the simple reason that you would not believe my story. What they tell about him when he was with the Foreign Legion is mere child's play beside what was to come later. Lupin was only a private soldier. In South Morocco he was a general. Not till then did Arsène Lupin really show what he could do. And, I say it without pride, not even I foresaw what that was. The Achilles of the legend performed no greater feats. Hannibal and Caesar achieved no more striking results.
"All I need tell you is that, in fifteen months, Arsène Lupin conquered a kingdom twice the size of France. From the Berbers of Morocco, from the indomitable Tuaregs, from the Arabs of the extreme south of Algeria, from the negroes who overrun Senegal, from the Moors along the Atlantic coast, under the blazing sun, in the flames of hell, he conquered half the Sahara and what we may call ancient Mauretania.
"A kingdom of deserts and swamps? Partly, but a kingdom all the same, with oases, wells, rivers, forests, and incalculable riches, a kingdom with ten million men and a hundred thousand warriors. This is the kingdom which I offer to France, Monsieur le Président du Conseil."
Valenglay did not conceal his amazement. Greatly excited and even perturbed by what he had learned, looking over his extraordinary visitor, with his hands clutching at the map of Africa, he whispered:
"Explain yourself; be more precise."
Don Luis answered:
"Monsieur le Président du Conseil, I will not remind you of the events of the last few years. France, resolving to pursue a splendid dream of dominion over North Africa, has had to part with a portion of the Congo. I propose to heal the painful wound by giving her thirty times as much as she has lost. And I turn the magnificent and distant dream into an immediate certainty by joining the small slice of Morocco which you have conquered to Senegal at one blow.
"To-day, Greater France in Africa exists. Thanks to me, it is a solid and compact expanse. Millions of square miles of territory and a coastline stretching for several thousand miles from Tunis to the Congo, save for a few insignificant interruptions."
"It's a Utopia," Valenglay protested.
"It's a reality."
"Nonsense! It will take us twenty years' fighting to achieve."
"It will take you exactly five minutes!" cried Don Luis, with irresistible enthusiasm. "What I offer you is not the conquest of an empire, but a conquered empire, duly pacified and administered, in full working order and full of life. My gift is a present, not a future gift.
"I, too, Monsieur le Président du Conseil, I, Arsène Lupin, had cherished a splendid dream. After toiling and moiling all my life, after knowing all the ups and downs of existence, richer than Croesus, because all the wealth of the world was mine, and poorer than Job, because I had distributed all my treasures, surfeited with everything, tired of unhappiness, and more tired still of happiness, sick of pleasure, of passion, of excitement, I wanted to do something that is incredible in the present day: to reign!
"And a still more incredible phenomenon: when this thing was accomplished, when the dead Arsène Lupin had come to life again as a sultan out of the Arabian Nights, as a reigning, governing, law-giving Arsène Lupin, head of the state and head of the church, I determined, in a few years, at one stroke, to tear down the screen of rebel tribes against which you were waging a desultory and tiresome war in the north of Morocco, while I was quietly and silently building up my kingdom at the back of it.
"Then, face to face with France and as powerful as herself, like a neighbour treating on equal terms, I would have cried to her, 'It's I, Arsène Lupin! Behold the former swindler and gentleman burglar! The Sultan of Adrar, the Sultan of Iguidi, the Sultan of El Djouf, the Sultan of the Tuaregs, the Sultan of Aubata, the Sultan of Brakna and Frerzon, all these am I, the Sultan of Sultans, grandson of Mahomet, son of Allah, I, I, I, Arsène Lupin!'
"And, before taking the little grain of poison that sets one free--for a man like Arsène Lupin has no right to grow old--I should have signed the treaty of peace, the deed of gift in which I bestowed a kingdom on France, signed it, below the flourishes of my grand dignitaries, kaids, pashas, and marabouts, with my lawful signature, the signature to which I am fully entitled, which I conquered at the point of my sword and by my all-powerful will: 'Arsène I, Emperor of Mauretania!'"
Don Luis uttered all these words in a strong voice, but without emphasis, with the very simple emotion and pride of a man who has done much and who knows the value of what he has done. There were but two ways of replying to him: by a shrug of the shoulders, as one replies to a madman, or by the silence that expresses reflection and approval.
The Prime Minister and the Prefect of Police said nothing, but their looks betrayed their secret thoughts. And deep down within themselves they felt that they were in the presence of an absolutely exceptional specimen of mankind, created to perform immoderate actions and fashioned by his own hand for a superhuman destiny.
Don Luis continued:
"It was a fine curtain, was it not, Monsieur le Président du Conseil? And the end was worthy of the work. I should have been happy to have had it so. Arsène Lupin dying on a throne, sceptre in hand, would have been a spectacle not devoid of glamour. Arsène Lupin dying with his title of Arsène I, Emperor of Mauretania and benefactor of France: what an apotheosis! The gods have willed it otherwise. Jealous, no doubt, they are lowering me to the level of my cousins of the old world and turning me into that absurd creature, a king in exile. Their will be done! Peace to the late Emperor of Mauretania. He has strutted and fretted his hour upon the stage.
"Arsène I is dead: long live France! Monsieur le Président du Conseil, I repeat my offer. Florence Levasseur is in danger. I alone can rescue her from the monster who is carrying her away. It will take me twenty-four hours. In return for twenty-four hours' liberty I will give you the Mauretanian Empire. Do you accept, Monsieur le Président du Conseil?"
"Well, certainly, I accept," said Valenglay, laughing. "What do you say, my dear Desmalions? The whole thing may not be very orthodox, but, hang it! Paris is worth a mass and the Kingdom of Mauretania is a tempting morsel. We'll risk the experiment."
Don Luis's face expressed so sincere a joy that one might have thought that he had just achieved the most brilliant victory instead of sacrificing a crown and flinging into the gutter the most fantastic dream that mortal man had ever conceived and realized.
He asked:
"What guarantees do you require, Monsieur le Président?"
"None."
"I can show you treaties, documents to prove--"
"Don't trouble. We'll talk about all that to-morrow. Meanwhile, go ahead. You are free."
The essential word, the incredible word, was spoken.
Don Luis took a few steps toward the door.
"One word more, Monsieur le Président," he said, stopping. "Among my former companions is one for whom I procured a post suited to his inclinations and his deserts. This man I did not send for to come to Africa, thinking that some day or other he might be of use to me through the position which he occupied. I am speaking of Mazeroux, a sergeant in the detective service."
"Sergeant Mazeroux, whom Caceres denounced, with corroborating evidence, as an accomplice of Arsène Lupin, is in prison."
"Sergeant Mazeroux is a model of professional honour, Monsieur le Président. I owed his assistance only to the fact that I was helping the police. I was accepted as an auxiliary and more or less patronized by Monsieur le Préfet. Mazeroux thwarted me in anything I tried to do that was at all legal. And he would have been the first to take me by the collar if he had been so instructed. I ask for his release."
"Oho!"
"Monsieur le Président, your consent will be an act of justice and I beg you to grant it. Sergeant Mazerou shall leave France. He can be charged by the government with a secret mission in the south of Morocco, with the rank of colonial inspector."
"Agreed," said Valenglay, laughing heartily. And he added, "My dear Préfect, once we depart from the strictly lawful path, there's no saying where we come to. But the end justifies the means; and the end which we have in view is to have done with this loathsome Mornington case."
"This evening everything will be settled," said Don Luis.
"I hope so. Our men are on the track."
"They are on the track, but they have to check that track at every town, at every village, by inquiries made of every peasant they meet; they have to find out if the motor has not branched off somewhere; and they are wasting time. I shall go straight for the scoundrel."
"By what miracle?"
"That must be my secret for the present, Monsieur le Président."
"Very well. Is there anything you want?"
"This map of France."
"Take it."
"And a couple of revolvers."
"Monsieur le Préfet will be good enough to ask his inspectors for two revolvers and to give them to you. Is that all? Any money?"
"No, thank you, Monsieur le Président. I always carry a useful fifty thousand francs in my pocket-book, in case of need."
"In that case," said the Prefect of Police, "I shall have to send some one with you to the lockup. I presume your pocket-book was among the things taken from you."
Don Luis smiled:
"Monsieur le Préfet, the things that people can take from me are never of the least importance. My pocket-book is at the lockup, as you say. But the money--"
He raised his left leg, took his boot in his hands and gave a slight twist to the heel. There was a little click, and a sort of double drawer shot out of the front of the sole. It contained two sheafs of bank notes and a number of diminutive articles, such as a gimlet, a watch spring, and some pills.
"The wherewithal to escape," he said, "to live and--to die. Good-bye, Monsieur le Président."
In the hall M. Desmalions told the inspectors to let their prisoner go free. Don Luis asked:
"Monsieur le Préfet, did Deputy Chief Weber give you any particulars about the brute's car?"
"Yes, he telephoned from Versailles. It's a deep-yellow car, belonging to the Compagnie des Comètes. The driver's seat is on the left. He's wearing a gray cloth cap with a black leather peak."
"Thank you, Monsieur le Préfet."
And he left the house.
* * * * *
An inconceivable thing had happened. Don Luis was free. Half an hour's conversation had given him the power of acting and of fighting the decisive battle.
He went off at a run. At the Trocadéro he jumped into a taxi.
"Go to Issy-les-Moulineaux!" he cried. "Full speed! Forty francs!"
The cab flew through Passy, crossed the Seine and reached the Issy-les-Moulineaux aviation ground in ten minutes.
None of the aeroplanes was out, for there was a stiff breeze blowing. Don Luis ran to the sheds. The owners' names were written over the doors.
"Davanne," he muttered. "That's the man I want."
The door of the shed was open. A short, stoutish man, with a long red face, was smoking a cigarette and watching some mechanics working at a monoplane. The little man was Davanne himself, the famous airman.
Don Luis took him aside and, knowing from the papers the sort of man that he was, opened the conversation so as to surprise him from the start:
"Monsieur," he said, unfolding his map of France, "I want to catch up some one who has carried off the woman I love and is making for Nantes by motor. The abduction took place at midnight. It is now about eight o'clock. Suppose that the motor, which is just a hired taxi with a driver who has no inducement to break his neck, does an average of twenty miles an hour, including stoppages--in twelve hours' time--that is to say, at twelve o'clock--our man will have covered two hundred and forty miles and reached a spot between Angers and Nantes, at this point on the map."
"Les Ponts-de-Drive," agreed Davanne, who was quietly listening.
"Very well. Suppose, on the other hand, that an aeroplane were to start from Issy-les-Moulineaux at eight o'clock in the morning and travel at the rate of sixty miles an hour, without stopping--in four hours' time--that is to say, at twelve o'clock--it would reach Les Ponts-de-Drive at the exact same moment as the motor. Am I right?"
"Perfectly."
"In that case, if we agree, all is well. Does your machine carry a passenger?"
"Sometimes she does."
"We'll start at once. What are your terms?"
"It depends. Who are you?"
"Arsène Lupin."
"The devil you are!" exclaimed Davanne, a little taken aback.
"I am Arsène Lupin. You must know the best part of what has happened from reading about it in the papers. Well, Florence Levasseur was kidnapped last night. I want to save her. What's your price?"
"Nothing."
"That's too much!"
"Perhaps, but the adventure amuses me. It will be an advertisement."
"Very well. But your silence is necessary until to-morrow. I'll buy it. Here's twenty thousand francs."
Ten minutes later Don Luis was dressed in an airman's suit, cap, and goggles; and an aeroplane rose to a height of two thousand five hundred feet to avoid the air currents, flew above the Seine, and darted due west across France.
Versailles, Maintenon, Chartres....
Don Luis had never been up in an aeroplane. France had achieved the conquest of the air while he was fighting with the Legion and in the plains of the Sahara. Nevertheless, sensitive though he was to new impressions--and what more exciting impression could he have than this?--he did not experience the heavenly delight of the man who for the first time soars above the earth. What monopolized his thoughts, strained his nerves, and excited his whole being to an exquisite degree was the as yet impossible but inevitable sight of the motor which they were pursuing.
Amid the tremendous swarm of things beneath them, amid the unexpected din of the wings and the engine, in the immensity of the sky, in the infinity of the horizon, his eyes sought nothing but that, and his ears admitted no other sound than the hum of the invisible car. His were the mighty and brutal sensations of the hunter chasing his game. He was the bird of prey whom the distraught quarry has no chance of escaping.
Nogent-le-Rotrou, La Ferté-Bernard, Le Mans....
The two companions did not exchange a single word. Before him Perenna saw Davanne's broad back and powerful neck and shoulders. But, by bending his head a little, he saw the boundless space beneath him; and nothing interested him but the white ribbon of road that ran from town to town and from village to village, at times quite straight, as though a hand had stretched it, and at others lazily winding, broken by a river or a church.
On this ribbon, at some place always closer and closer, were Florence and her abductor!
He never doubted it! The yellow taxi was continuing its patient and plucky little effort. Mile after mile, through plains and villages, fields and forests, it was making Angers, with Les Ponts-de-Drive after, and, right at the end of the ribbon, the unattainable goal: Nantes, Saint-Nazaire, the steamer ready to start, and victory for the scoundrel....
He laughed at the idea. As if there could be a question of any victory but his, the victory of the falcon over its prey, the victory of the flying bird over the game that runs afoot! Not for a second did he entertain the thought that the enemy might have slunk away by taking another road.
There are some certainties that are equivalent to facts. And this one was so great that it seemed to him that his adversaries were obliged to comply with it. The car was travelling along the road to Nantes. It would cover an average of twenty miles an hour. And as he himself was travelling at the rate of sixty miles, the encounter would take place at the spot named, Les Ponts-de-Drive, and at the hour named, twelve o'clock.
A cluster of houses, a huge castle, towers, steeples: Angers....
Don Luis asked Davanne the time. It was ten minutes to twelve.
Already Angers was a vanished vision. Once more the open country, broken up with many-coloured fields. Through it all, a road.
And, on that road, a yellow motor.
The yellow motor! The brute's motor! The motor with Florence Levasseur!
Don Luis's joy contained no surprise. He knew so well that this was bound to happen!
Davanne turned round and cried:
"That's the one, isn't it?"
"Yes, go straight for them."
The airship dipped through space and caught up the car almost at once. Then Davanne slowed his engine and kept at six hundred feet above the car and a little way behind.
From here they made out all the details. The driver was seated on the left. He wore a gray cap with a black peak. It was one of the deep-yellow taxis of the Compagnie des Comètes. It was the taxi which they were pursuing. And Florence was inside with her abductor.
"At last," thought Don Luis, "I have them!"
They flew for some time, keeping the same distance.
Davanne waited for a signal which Don Luis was in no hurry to give. He was revelling in the sensation of his power, with a force made up of mingled pride, hatred, and cruelty. He was indeed the eagle hovering overhead with its talons itching to rend live flesh. Escaped from the cage in which he had been imprisoned, released from the bonds that fastened him, he had come all the way at full flight and was ready to swoop upon the helpless prey.
He lifted himself in his seat and gave Davanne his instructions:
"Be careful," he said, "not to brush too close by them. They might put a bullet into us."
Another minute passed.
Suddenly they saw that, half a mile ahead, the road divided into three, thus forming a very wide open space which was still further extended by two triangular patches of grass where the three roads met.
"Now?" asked Davanne, turning to Don Luis.
The surrounding country was deserted.
"Off you go!" cried Don Luis.
The aeroplane seemed to shoot down suddenly, as though driven by an irresistible force, which sent it flying like an arrow toward the mark. It passed at three hundred feet above the car, and then, all at once, checking its career, choosing the spot at which it meant to hit the target, calmly, silently, like a night-bird, steering clear of the trees and sign-posts, it alighted softly on the grass of the crossroads.
Don Luis sprang out and ran toward the motor, which was coming along at a rapid pace. He stood in the middle of the road, levelled his two revolvers, and shouted:
"Stop, or I fire!"
The terrified driver put on both brakes. The car pulled up.
Don Luis rushed to one of the doors.
"Thunder!" he roared, discharging one of his revolvers for no reason and smashing a window-pane.
There was no one in the car.
CHAPTER XIX. "THE SNARE IS LAID. BEWARE, LUPIN!"
The power that had impelled Don Luis to battle and victory was so intense that it suffered, so to speak, no cheek. Disappointment, rage, humiliation, torture, were all swallowed up in an immediate desire for action and information, together with a longing to continue the chase. The rest was but an incident of no importance, which would soon be very simply explained.
The petrified taxi-driver was gazing wildly at the peasants coming from the distant farms, attracted by the sound of the aeroplane. Don Luis took him by the throat and put the barrel of his revolver to the man's temple:
"Tell me what you know--or you're a dead man."
And when the unhappy wretch began to stammer out entreaties:
"It's no use moaning, no use hoping for assistance.... Those people won't get here in time. So there's only one way of saving yourself: speak! Last night a gentleman came to Versailles from Paris in a taxi, left it and took yours: is that it?"
"Yes."
"The gentleman had a lady with him?"
"Yes."
"And he engaged you to take him to Nantes?"
"Yes."
"But he changed his mind on the way and told you to put him down?"
"Yes."
"Where?"
"Before we got to Mans, in a little road on the right, with a sort of coach-house, looking like a shed, a hundred yards down it. They both got out there."
"And you went on?"
"He paid me to."
"How much?"
"Five hundred francs. And there was another fare waiting at Nantes that I was to pick up and bring back to Paris for a thousand francs more."
"Do you believe in that other fare?"
"No. I think he wanted to put people off the scent by sending them after me to Nantes while he branched off. Still, I had my money."
"And, when you left them, weren't you curious to see what happened?"
"No."
"Take care! A movement of my finger and I blow out your brains. Speak!"
"Well, yes, then. I went back on foot, behind a bank covered with trees. The man had opened the coach-house and was starting a small limousine car. The lady did not want to get in. They argued pretty fiercely. He threatened and begged by turns. But I could not hear what they said. She seemed very tired. He gave her a glass of water, which he drew from a tap in the wall. Then she consented. He closed the door on her and took his seat at the wheel."
"A glass of water!" cried Don Luis. "Are you sure he put nothing else into the glass?"
The driver seemed surprised at the question and then answered:
"Yes, I think he did. He took something from his pocket."
"Without the lady's knowledge?"
"Yes, she didn't see."
Don Luis mastered his horror. After all it was impossible that the villain had poisoned Florence in that way, at that place, without anything to warrant so great a hurry. No, it was more likely that he had employed a narcotic, a drug of some sort which would dull Florence's brain and make her incapable of noticing by what new roads and through what towns he was taking her.
"And then," he repeated, "she decided to step in?"
"Yes; and he shut the door and got into the driver's seat. I went away then."
"Before knowing which direction they took?"
"Yes."
"Did you suspect on the way that they thought that they were being followed?"
"Certainly. He did nothing but put his head out of the window."
"Did the lady cry out at all?"
"No."
"Would you know him again if you saw him?"
"No, I'm sure I shouldn't. At Versailles it was dark. And this morning I was too far away. Besides, it's curious, but the first time he struck me as very tall, and this morning, on the contrary, he looked quite a short man, as though bent in two. I can't understand it at all."
Don Luis reflected. It seemed to him that he had asked all the necessary questions. Moreover, a gig drawn by a quick-trotting horse was approaching the crossroads. There were two others behind it. And the groups of peasants were now quite near. He must finish the business.
He said to the chauffeur:
"I can see by your face that you intend to talk about me. Don't do that, my man: it would be foolish of you. Here's a thousand-franc note for you. Only, if you blab, I'll make you repent it. That's all I have to say to you."
He turned to Davanne, whose machine was beginning to block the traffic, and asked:
"Can we start?"
"Whenever you like. Where are we going?"
Paying no attention to the movements of the people coming from every side, Don Luis unfolded his map of France and spread it out before him. He experienced a few seconds of anxiety at seeing the complicated tangle of roads and picturing the infinite number of places to which the villain might carry Florence. But he pulled himself together. He did not allow himself to hesitate. He refused even to reflect.
He was determined to find out, and to find out everything, at once, without clues, without useless consideration, simply by the marvellous intuition which invariably guided him at any crisis in his life.
And his self-respect also required that he should give Davanne his answer without delay, and that the disappearance of those whom he was pursuing should not seem to embarrass him. With his eyes glued to the map, he placed one finger on Paris and another on Le Mans and, even before he had asked himself why the scoundrel had chosen that Paris-Le Mans-Angers route, he knew the answer to the question.
The name of a town had struck him and made the truth appear like a flash of lightning: Alençon! Then and there, by the light of his memory, he penetrated the mystery.
He repeated:
"Where are we going? Back again, bearing to the left."
"Any particular place?"
"Alençon."
"All right," said Davanne. "Lend a hand, some of you. I can make an easy start from that field just there."
Don Luis and a few others helped him, and the preparations were soon made. Davanne tested his engine. Everything was in perfect order.
At that moment a powerful racing car, with a siren yelling like a vicious animal, came tearing along the Angers Road and promptly stopped. Three men got out and rushed up to the driver of the yellow taxicab. Don Luis recognized them. They were Weber, the deputy chief, and the men who had taken him to the lockup the night before, sent by the Prefect of Police to follow up the scoundrel's tracks.
They had a brief interchange of words with the cab-driver, which seemed to put them out; and they kept on gesticulating and plying him with fresh questions while looking at their watches and consulting their road maps.
Don Luis went up to them. He was unrecognizable, with his head wrapped in his aviation cap and his face concealed by his goggles. Changing his voice:
"The birds have flown, Mr. Deputy Chief," he said.
Weber looked at him in utter amazement,
Don Luis grinned.
"Yes, flown. Our friend from the Ile Saint Louis is an artful dodger, you know. My lord's in his third motor. After the yellow car of which you heard at Versailles last night, he took another at Le Mans--destination unknown."
The deputy chief opened his eyes in amazement. Who was this person who was mentioning facts that had been telephoned to police headquarters only at two o'clock that morning? He gasped:
"But who are you, Monsieur?"
"What? Don't you know me? What's the good of making appointments with people? You strain every nerve to be punctual, and then they ask you who you are! Come, Weber, confess that you're doing it to annoy me. Must you gaze on my features in broad daylight? Here goes!"
He raised his mask.
"Arsène Lupin!" spluttered the detective.
"At your service, young fellow: on foot, in the saddle, and in mid air. That's where I'm going now. Good-bye."
And so great was Weber's astonishment at seeing Arsène Lupin, whom he had taken to the lockup twelve hours before, standing in front of him, free, at two hundred and forty miles from Paris, that Don Luis, as he went back to Davanne, thought:
"What a crusher! I've knocked him out in one round. There's no hurry. The referee will count ten at least three times before Weber can say 'Mother!'"
* * * * *
Davanne was ready. Don Luis climbed into the monoplane. The peasants pushed at the wheels. The machine started.
"North-northeast," Don Luis ordered. "Ninety miles an hour. Ten thousand francs."
"We've the wind against us," said Davanne.
"Five thousand francs extra for the wind," shouted Don Luis.
He admitted no obstacle in his haste to reach Damigni. He now understood the whole thing and, harking back to the very beginning, he was surprised that his mind had never perceived the connection between the two skeletons hanging in the barn and the series of crimes resulting from the Mornington inheritance. Stranger still, how was it that the almost certain murder of Langernault, Hippolyte Fauville's old friend, had not afforded him all the clues which it contained? The crux of the sinister plot lay in that.
Who could have intercepted, on Fauville's behalf, the letters of accusation which Fauville was supposed to write to his old friend Langernault, except some one in the village or some one who had lived in the village?
And now everything was clear. It was the nameless scoundrel who had started his career of crime by killing old Langernault and then the Dedessuslamare couple. The method was the same as later on: it was not direct murder, but anonymous murder, murder by suggestion. Like Mornington the American, like Fauville the engineer, like Marie, like Gaston Sauverand, old Langernault had been craftily done away with and the Dedessuslamare couple driven to commit suicide in the barn.
It was from there that the tiger had come to Paris, where later he was to find Fauville and Cosmo Mornington and plot the tragic affair of the inheritance.
And it was there that he was now returning!
There was no doubt about that. To begin with, the fact that he had administered a narcotic to Florence constituted an indisputable proof. Was he not obliged to put Florence to sleep in order to prevent her from recognizing the landscape at Alençon and Damigni, or the Old Castle, which she had explored with Gaston Sauverand?
On the other hand, the Le Mans-Angers-Nantes route, which had been taken to put the police on a false track, meant only an extra hour or two, at most, for any one motoring to Alençon. Lastly, that coach-house near a big town, that limousine waiting, ready charged with petrol, showed that the villain, when he intended to visit his retreat, took the precaution of stopping at Le Mans, in order to go from there, in his limousine, to Langernault's deserted estate.
He would therefore reach his lair at ten o'clock that morning. And he would arrive there with Florence Levasseur dead asleep!
The question forced itself upon him, the terrible persistent question--what did he mean to do with Florence Levasseur?
"Faster! Faster!" cried Don Luis.
Now that he knew the scoundrel's haunt, the man's scheme became hideously evident to him. Feeling himself hunted down, lost, an object of hatred and terror to Florence, whose eyes were now opened to the true state of things, what plan could he have in mind except his invariable plan of murder?
"Faster!" cried Don Luis. "We're making no headway. Go faster, can't you?"
Florence murdered! Perhaps the crime was not yet accomplished. No, it could not be! Killing takes time. It is preceded by words, by the offer of a bargain, by threats, by entreaties, by a wholly unspeakable scene. But the thing was being prepared, Florence was going to die!
Florence was going to die by the hand of the brute who loved her. For he loved her: Don Luis had an intuition of that monstrous love; and he was bound to believe that such a love could only end in torture and bloodshed.
Sablé ... Sillé-le-Guillaume....
The earth sped beneath them. The trees and houses glided by like shadows.
And then Alençon.
It was hardly more than a quarter to two when they landed in a meadow between the town and Damigni. Don Luis made inquiries. A number of motor cars had passed along the road to Damigni, including a small limousine driven by a gentleman who had turned down a crossroad. And this crossroad led to the woods at the back of Langernault's estate, the Old Castle.
Don Luis's conviction was so firm that, after taking leave of Davanne, he helped him to start on his homeward flight. He had no further need of him. He needed nobody. The final duel was at hand.
He ran along, guided by the tracks of the tires in the dust, and followed the crossroad. To his great surprise this road went nowhere near the wall behind the barn from which he had jumped a few weeks before. After clearing the woods, Don Luis came out into a large untilled space where the road turned back toward the estate and ended at an old two-winged gate protected with iron sheets and bars.
The limousine had gone in that way.
"And I must get in this way, too," thought Don Luis. "I must get in at all costs and immediately, without wasting time in looking for an opening or a handy tree."
Now the wall was thirteen feet high at this spot. Don Luis got in. How he managed it, by what superhuman effort, he himself could not have said after he had done it.
Somehow or other, by hanging on to invisible projections, by digging a knife which he had borrowed from Davanne into the interstices between the stones, he managed it.
And when he was on the other side he discovered the tracks of the tires running to the left, toward a part of the grounds which he did not know, more undulating than the other and broken up with little hills and ruined buildings covered with thick curtains of ivy.
Deserted though the rest of the park was, this portion seemed much more uncivilized, in spite of the ragged remains of box and laurel hedges that stood here and there amidst the nettles and brambles, and the luxuriant swarm of tall wild-flowers, valerian, mullein, hemlock, foxglove, and angelica.
Suddenly, on turning the corner of an old hedge of clipped yews, Don Luis saw the limousine, which had been left, or, rather, hidden there in a hollow. The door was open. The disorder of the inside of the car, the rug hanging over the footboard, a broken window, a cushion on the floor, all bore witness to a struggle. The scoundrel had no doubt taken advantage of the fact that Florence was asleep to tie her up; and on arriving, when he tried to take her out of the car, Florence must have clutched at everything that offered.
Don Luis at once verified the correctness of his theory. As he went along the very narrow, grass-grown path that led up the slope, he saw that the grass was uniformly pressed down.
"Oh, the villain!" he thought. "The villain! He doesn't carry his victim, he drags her!"
If he had listened only to his instinct, he would have rushed to Florence's rescue. But his profound sense of what to do and what to avoid saved him from committing any such imprudence. At the first alarm, at the least sound, the tiger would have throttled his prey. To escape this hideous catastrophe, Don Luis must take him by surprise and then and there deprive him of his power of action. He controlled himself, therefore, and slowly and cautiously mounted the incline.
The path ran upward between heaps of stones and fallen buildings, and among clumps of shrubs overtopped by beeches and oaks. The place was evidently the site of the old feudal castle which had given the estate its name; and it was here, near the top, that the scoundrel had selected one of his retreats.
The trail continued over the trampled herbage. And Don Luis even caught sight of something shining on the ground, in a tuft of grass. It was a ring, a tiny and very simple ring, consisting of a gold circlet and two small pearls, which he had often noticed on Florence's finger. And the fact that caught his attention was that a blade of grass passed and repassed and passed a third time through the inside of the ring, like a ribbon that had been rolled round it deliberately.
"It's a clear signal," said Perenna to himself. "The villain probably stopped here to rest; and Florence, bound up; but with her fingers free, was able to leave this evidence of her passage."
So the girl still hoped. She expected assistance. And Don Luis reflected with emotion that it was perhaps to him that this last desperate appeal was addressed.
Fifty steps farther--and this detail pointed to the rather curious fatigue experienced by the scoundrel--there was a second halt and a second clue, a flower, a field-sage, which the poor little hand had picked and plucked of its petals. Next came the print of the five fingers dug into the ground, and next a cross drawn with a pebble. And in this way he was able to follow, minute by minute, all the successive stages of the horrible journey.
The last stopping-place was near. The climb became steeper and rougher. The fallen stones occasioned more frequent obstacles. On the right the Gothic arches, the remains of a chapel, stood out against the blue sky. On the left was a strip of wall with a mantelpiece still clinging to it.
Twenty steps farther Don Luis stopped. He seemed to hear something.
He listened. He was not mistaken. The sound was repeated, and it was the sound of laughter. But such an awful laugh! A strident laugh, evil as the laughter of a devil, and so shrill! It was more like the laugh of a woman, of a madwoman.
Again silence. Then another noise, the noise of an implement striking the ground, then silence again.
And this was happening at a distance which Don Luis estimated at a hundred yards.
The path ended in three steps cut in the earth. At the top was a fairly large plateau, also encumbered with rubbish and ruins. In the centre, opposite Don Luis, stood a screen of immense laurels planted in a semicircle. The marks of trodden grass led up to it.
Don Luis was a little surprised, for the screen presented an impenetrable outline. He walked on and found that there had once been a cutting, and that the branches had ended by meeting again. They were easy to push aside; and it was through here that the scoundrel must have passed. To all appearances he was there now, at the end of his journey, not far away, occupied in some sinister task.
Indeed the air was rent by a chuckle, so close by that Don Luis gave a start and felt as if the scoundrel were laughing beforehand at his intervention. He remembered the letter with the words written in red ink:
There's still time, Lupin. Retire from the contest. If not, it means your death, too. When you think that your object is attained, when your hand is raised against me and you utter words of triumph, at the same moment the ground will open beneath your feet. The place of your death is chosen. The snare is laid. Beware, Lupin!
The whole letter passed through his brain, with its formidable threat. And he felt a shiver of fear. But no fear could stay the man that he was. He had already taken hold of the branches with his hands and was clearing a way for himself.
He stopped. A last bulwark of leaves hid him from sight. He pulled some of them aside at the level of his eyes.
And he saw ...
First of all, he saw Florence, alone at this moment, lying on the ground, bound, at thirty yards in front of him; and he at once perceived, to his intense delight, from certain movements of her head that she was still alive. He had come in time. Florence was not dead. She would not die. That was a certainty against which nothing could prevail. Florence would not die.
Then he examined the things around. To the right and left of where he stood the screen of laurels curved and embraced a sort of arena in which, among yews that had once been clipped into cones, lay capitals, columns, broken pieces of arches and vaults, obviously placed there to adorn the formal garden that had been laid out on the ruins of the ancient donjon-keep.
In the middle was a small circular space reached by two narrow paths, one of which presented the same traces of trodden grass and was a continuation of that by which Don Luis had come, while the other intersected the first at right angles and joined the two ends of the screen of shrubs.
Opposite was a confused heap of broken stones and natural rocks, cemented with clay, bound together by the roots of gnarled trees, the whole forming at the back of the picture a small, shallow grotto, full of crevices that admitted the light. The floor, which Don Luis could easily distinguish, consisted of three or four flagstones.
Florence Levasseur lay inside this grotto, bound hand and foot, looking like the victim of some mysterious sacrifice about to be performed on the altar of the grotto, in the amphitheatre of this old garden closed by the wall of tall laurels and overlooked by a pile of ancestral ruins.
In spite of the distance, Don Luis was able to make out every detail of her pale face. Though convulsed with anguish, it still retained a certain serenity, an expression of waiting and even of expectancy, as if Florence, believing, until the last moment, in the possibility of a miracle, had not yet relinquished all hope of life.
Nevertheless, though she was not gagged, she did not call for help. Perhaps she thought that it was useless, and that the road which she had strewn with the marks of her passing was more likely to bring assistance to her side than cries, which the villain would soon have stifled. Strange to say, it seemed to Don Luis as if the girl's eyes were obstinately fixed on the very spot where he was hiding. Possibly she suspected his presence. Possibly she foresaw his help.
Suddenly Don Luis clutched one of his revolvers and half raised his arm, ready to take aim. The sacrificer, the butcher, had just appeared, not far from the altar on which the victim lay.
He came from between two rocks, of which a bush marked the intervening space, which apparently afforded but a very low outlet, for he still walked as though bent double, with his head bowed and his long arms swinging so low as to touch the ground.
He went to the grotto and gave his horrible chuckle:
"You're still there, I see," he said. "No sign of the rescuer? Perseus is a little late, I fear. He'd better hurry!"
The tone of his voice was so shrill that Don Luis heard every word, and so odd, so unhuman, that it gave him a feeling of physical discomfort. He gripped his revolver tightly, prepared to shoot at the first suspicious movement.
"He'd better hurry!" repeated the scoundrel, with a laugh. "If not, all will be over in five minutes. You see that I'm a man of method, eh, Florence, my darling?"
He picked up something from the ground. It was a stick shaped like a crutch. He put it under his left arm and, still bent in two, began to walk like a man who has not the strength to stand erect. Then suddenly and with no apparent cause to explain his change of attitude, he drew himself up and used his crutch as he would a cane. He then walked round the outside of the grotto, making a careful inspection, the meaning of which escaped Don Luis for the time.
He was of a good height in this position; and Don Luis easily understood why the driver of the yellow taxi, who had seen him under two such different aspects, was unable to say whether he was very tall or very short.
But his legs, slack and unsteady, gave way beneath him, as if any prolonged exertion were beyond his power. He relapsed into his first attitude.
The man was a cripple, smitten with some disease that affected his powers of locomotion. He was excessively thin. Don Luis also saw his pallid face, his cavernous cheeks, his hollow temples, his skin the colour of parchment: the face of a sufferer from consumption, a bloodless face.
When he had finished his inspection, he came up to Florence and said:
"Though you've been very good, baby, and haven't screamed so far, we'd better take our precautions and remove any possibility of a surprise by giving you a nice little gag to wear, don't you think?"
He stooped over her and wound a large handkerchief round the lower part of her face. Then, bending still farther down, he began to speak to her in a very low voice, talking almost into her ear. But wild bursts of laughter, horrible to hear, interrupted this whispering.
Feeling the imminence of the danger, dreading some movement on the wretch's part, a sudden murderous attack, the prompt prick of a poisoned needle, Don Luis had levelled his revolver and, confident of his skill, waited events.
What was happening over there? What were the words spoken? What infamous bargain was the villain proposing to Florence? At what shameful price could she obtain her release?
The cripple stepped back angrily, shouting in furious accents:
"But don't you understand that you are done for? Now that I have nothing more to fear, now that you have been silly enough to come with me and place yourself in my power, what hope have you left? To move me, perhaps: is that it? Because I'm burning with passion, you imagine--? Oh, you never made a greater mistake, my pet! I don't care a fig if you do die. Once dead, you cease to count....
"What else? Perhaps you consider that, being crippled, I shall not have the strength to kill you? But there's no question of my killing you, Florence. Have you ever known me kill people? Never! I'm much too big a coward, I should be frightened, I should shake all over. No, no, Florence, I shan't touch you, and yet--
"Here, look what's going to happen, see for yourself. I tell you the thing's managed in my own style.... And, whatever you do, don't be afraid. It's only a preliminary warning."
He had moved away and, helping himself with his hands, holding on to the branches of a tree, he climbed up the first layers of rock that formed the grotto on the right. Here he knelt down. There was a small pickaxe lying beside him. He took it and gave three blows to the nearest heap of stones. They came tumbling down in front of the grotto.
Don Luis sprang from his hiding-place with a roar of terror. He had suddenly realized the position: The grotto, the accumulation of boulders, the piles of granite, everything was so placed that its equilibrium could be shattered at any moment, and that Florence ran the risk of being buried under the rubbish. It was not a question, therefore, of slaying the villain, but of saving Florence on the spot.
He was halfway across in two or three seconds. But here, in one of those mental flashes which are even quicker than the maddest rush, he became aware that the tracks of trampled grass did not cross the central circus and that the scoundrel had gone round it. Why? That was one of the questions which instinct, ever suspicious, puts, but which reason has not the time to answer. Don Luis went straight ahead. And he had no sooner set foot on the place than the catastrophe occurred.
It all happened with incredible suddenness, as though he had tried to walk on space and found himself hurled into it. The ground gave way beneath him. The clods of grass separated, and he fell.
He fell down a hole which was none other than the mouth of a well four feet wide at most, the curb of which had been cut down level with the ground. Only this was what took place: as he was running very fast, his impetus flung him against the opposite wall in such a way that his forearms lay on the outer ledge and his hands were able to clutch at the roots of plants.
So great was his strength that he might just have been able to drag himself up by his wrists. But responding to the attack, the scoundrel had at once hurried to meet his assailant and was now standing at ten paces from Don Luis, threatening him with his revolver:
"Don't move!" he cried, "or I'll smash you!"
Don Luis was thus reduced to helplessness, at the risk of receiving the enemy's fire.
Their eyes met for a few seconds. The cripple's were burning with fever, like the eyes of a sick man.
Crawling along, watching Don Luis's slightest movement, he came and squatted beside the well. The revolver was levelled in his outstretched hand. And his infernal chuckle rang out again:
"Lupin! Lupin! That's done it! Lupin's dive!... What a mug you must be! I warned you, you know, warned you in blood-red ink. Remember my words: 'The place of your death is chosen. The snare is laid. Beware, Lupin!' And here you are! So you're not in prison? You warded off that stroke, you rogue, you! Fortunately, I foresaw events and took my precautions. What do you say to it? What do you think of my little scheme? I said to myself, 'All the police will come rushing at my heels. But there's only one who's capable of catching me, and that's Lupin. So we'll show him the way, we'll lead him on the leash all along a little path scraped clean by the victim's body.'
"And then a few landmarks, scattered here and there. First, the fair damsel's ring, with a blade of grass twisted round it; farther on a flower without its petals; farther on the marks of five fingers in the ground; next, the sign of the cross.' No mistaking them, was there? Once you thought me fool enough to give Florence time to play Hop-o'-my-Thumb's game, it was bound to lead you straight to the mouth of the well, to the clods of turf which I dabbed across it, last month, in anticipation of this windfall.
"Remember: 'The snare is laid.' And a snare after my own style, Lupin; one of the best! Oh, I love getting rid of people with their kind assistance. We work together like friends and partners. You've caught the notion, haven't you?
"I don't do my own job. The others do it for me, hanging themselves or giving themselves careless injections--unless they prefer the mouth of a well, as you seem to do, Lupin. My poor old chap, what a sticky mess you're in! I never saw such a face, never, on my word! Florence, do look at the expression on your swain's mobile features!"
He broke off, seized with a fit of laughter that shook his outstretched arm, imparted the most savage look to his face, and set his legs jerking under his body like the legs of a dancing doll. His enemy was growing weaker before his eyes. Don Luis's fingers, which had first gripped the roots of the grass, were now vainly clutching the stones of the wall. And his shoulders were sinking lower and lower into the well.
"We've done it!" spluttered the villain, in the midst of his convulsions of merriment. "Lord, how good it is to laugh! Especially when one so seldom does. Yes, I'm a wet blanket, I am; a first-rate man at a funeral! You've never seen me laugh, Florence, have you? But this time it's really too amusing. Lupin in his hole and Florence in her grotto; one dancing a jig above the abyss and the other at her last gasp under her mountain. What a sight!
"Come, Lupin, don't tire yourself! What's the use of those grimaces? You're not afraid of eternity, are you? A good man like you, the Don Quixote of modern times! Come, let yourself go. There's not even any water in the well to splash about in. No, it's just a nice little slide into infinity. You can't so much as hear the sound of a pebble when you drop it in; and just now I threw a piece of lighted paper down and lost sight of it in the dark. Brrrr! It sent a cold shiver down my back!
"Come, be a man. It'll only take a moment; and you've been through worse than that! ... Good, you nearly did it then. You're making up your mind to it.... I say, Lupin! ... Lupin! ... Aren't you going to say good-bye? Not a smile, not a word of thanks? Au revoir, Lupin, an revoir--"
He ceased. He watched for the appalling end which he had so cleverly prepared and of which all the incidents were following close on one another in accordance with his inflexible will.
It did not take long. The shoulders had gone down; the chin; and then the mouth convulsed with the death-grin; and then the eyes, drunk with terror; and then the forehead and the hair: the whole head, in short, had disappeared.
The cripple sat gazing wildly, as though in ecstasy, motionless, with an expression of fierce delight, and without a word that could trouble the silence and interrupt his hatred.
At the edge of the abyss nothing remained but the hands, the obstinate, stubborn, desperate, heroic hands, the poor, helpless hands which alone still lived, and which, gradually, retreating toward death, yielded and fell back and let go.
The hands had slipped. For a moment the fingers held on like claws. So natural was the effort which they made that it looked as if they did not even yet despair, unaided, of resuscitating and bringing back to the light of day the corpse already entombed in the darkness. And then they in their turn gave way. And then--and then, suddenly, there was nothing more to be seen and nothing more to be heard.
The cripple started to his feet, as though released by a spring, and yelled with delight:
"Oof! That's done it! Lupin in the bottomless pit! One more adventure finished! Oof!"
Turning in Florence's direction, he once more danced his dance of death. He raised himself to his full height and then suddenly crouched down again, throwing about his legs like the grotesque, ragged limbs of a scarecrow. And he sang and whistled and belched forth insults and hideous blasphemies.
Then he came back to the yawning mouth of the well and, standing some way off, as if still afraid to come nearer, he spat into it three times.
Nor was this enough for his hatred. There were some broken pieces of statuary on the ground. He took a carved head, rolled it along the grass, and sent it crashing down the well. A little farther away was a stack of old, rusty cannon balls. These also he rolled to the edge and pushed in. Five, ten, fifteen cannon balls went scooting down, one after the other, banging against the walls with a loud and sinister noise which the echo swelled into the angry roar of distant thunder.
"There, take that, Lupin! I'm sick of you, you dirty cad! That's for the spokes you put in my wheel, over that damned inheritance! ... Here, take this, too!... And this!... And this!... Here's a chocolate for you in case you're hungry.... Do you want another? Here you are, old chap! catch!"
He staggered, seized with a sort of giddiness, and had to squat on his haunches. He was utterly spent. However, obeying a last convulsion, he still found the strength to kneel down by the well, and leaning over the darkness, he stammered, breathlessly:
"Hi! I say! Corpse! Don't go knocking at the gate of hell at once!... The little girl's joining you in twenty minutes.... Yes, that's it, at four o'clock.... You know I'm a punctual man and keep my appointments to the minute.... She'll be with you at four o'clock exactly.
"By the way, I was almost forgetting: the inheritance--you know, Mornington's hundred millions--well, that's mine. Why, of course! You can't doubt that I took all my precautions! Florence will explain everything presently.... It's very well thought out--you'll see--you'll see--"
He could not get out another word. The last syllables sounded more like hiccoughs. The sweat poured from his hair and his forehead, and he sank to the ground, moaning like a dying man tortured by the last throes of death.
He remained like that for some minutes, with his head in his hands, shivering all over his body. He appeared to be suffering everywhere, in each anguished muscle, in each sick nerve. Then, under the influence of a thought that seemed to make him act unconsciously, one of his hands crept spasmodically down his side, and, groping, uttering hoarse cries of pain, he managed to take from his pocket and put to his lips a phial out of which he greedily drank two or three mouthfuls.
He at once revived, as though he had swallowed warmth and strength. His eyes grew calmer, his mouth shaped itself into a horrible smile. He turned to Florence and said:
"Don't flatter yourself, pretty one; I'm not gone yet, and I've plenty of time to attend to you. And then, after that, there'll be no more worries, no more of that scheming and fighting that wears one out. A nice, quiet, uneventful life for me! ... With a hundred millions one can afford to take life easy, eh, little girl? ... Come on, I'm feeling much better!"
It was time for the second act of the tragedy. Don Luis Perenna's death was to be followed by that of Florence. Like some monstrous butcher, the cripple passed from one to the other with no more compassion than if he were dealing with the oxen in a slaughter-house.
Still weak in his limbs, he dragged himself to where the girl lay, took a cigarette from a gun-metal case, and, with a final touch of cruelty, said:
"When this cigarette is quite burnt out, Florence, it will be your turn. Keep your eyes on it. It represents the last minutes of your life reduced to ashes. Keep your eyes on it, Florence, and think.
"I want you to understand this: all the owners of the estate, and old Langernault in particular, have always considered that the heap of rocks and stones overhanging your head was bound to fall to pieces sooner or later. And I myself, for years, with untiring patience, believing in a favourable opportunity, have amused myself by making it crumble away still more, by undermining it with the rain water, in short, by working at it in such a way that, upon my word, I can't make out how the thing keeps standing at all. Or, rather, I do understand.
"The few strokes with the pickaxe which I gave it just now were merely intended for a warning. But I have only to give one more stroke in the right place, and knock out a little brick wedged in between two lumps of stone, for the whole thing to tumble to the ground like a house of cards.
"A little brick, Florence," he chuckled, "a tiny little brick which chance placed there, between two blocks of stone, and has kept in position until now. Out comes the brick, down come the blocks, and there's your catastrophe!"
He took breath and continued:
"After that? After that, Florence, this: either the smash will take place in such a way that your body will not even be in sight, if any one should dream of coming here to look for you, or else it will be partly visible, in which case I shall at once cut and destroy the cords with which you are tied.
"What will the law think then? Simply that Florence Levasseur, a fugitive from justice, hid herself in a grotto which fell upon her and crushed her. That's all. A few prayers for the rash creature's soul, and not another word.
"As for me--as for me, when my work is done and my sweetheart dead--I shall pack my traps, carefully remove all the traces of my coming, smooth every inch of the trampled grass, jump into my motor car, sham death for a little while, and then put in a sensational claim for the hundred millions."
He gave a little chuckle, took two or three puffs at his cigarette, and added, calmly:
"I shall claim the hundred millions and I shall get them. That's the prettiest part of it. I shall claim them because I'm entitled to them; and I explained to you just now before Master Lupin came interfering, how, from the moment that you were dead, I had the most undeniable legal right to them. And I shall get them, because it is physically impossible to bring up the least sort of proof against me."
He moved closer.
"There's not a charge that can hurt me. Suspicions, yes, moral presumptions, clues, anything you like, but not a scrap of material evidence. Nobody knows me. One person has seen me as a tall man, another as a short man. My very name is unknown. All my murders have been committed anonymously. All my murders are more like suicides, or can be explained as suicides.
"I tell you the law is powerless. With Lupin dead, and Florence Levasseur dead, there's no one to bear witness against me. Even if they arrested me, they would have to discharge me in the end for lack of evidence. I shall be branded, execrated, hated, and cursed; my name will stink in people's nostrils, as if I were the greatest of malefactors. But I shall possess the hundred millions; and with that, pretty one, I shall possess the friendship of all decent men!
"I tell you again, with Lupin and you gone, it's all over. There's nothing left, nothing but some papers and a few little things which I have been weak enough to keep until now, in this pocket-book here, and which would be enough and more than enough to cost me my head, if I did not intend to burn them in a few minutes and send the ashes to the bottom of the well.
"So you see, Florence, all my measures are taken. You need not hope for compassion from me, nor for help from anywhere else, since no one knows where I have brought you, and Arsène Lupin is no longer alive. Under these conditions, Florence, make your choice. The ending is in your own hands: either you die, absolutely and irrevocably, or you accept my love."
There was a moment of silence, then:
"Answer me yes or no. A movement of your head will decide your fate. If it's no, you die. If it's yes, I shall release you. We will go from here and, later, when your innocence is proved--and I'll see to that--you shall become my wife. Is the answer yes, Florence?"
He put the question to her with real anxiety and with a restrained passion that set his voice trembling. His knees dragged over the flagstones. He begged and threatened, hungering to be entreated and, at the same time, almost eager for a refusal, so great was his natural murderous impulse.
"Is it yes, Florence? A nod, the least little nod, and I shall believe you implicitly, for you never lie and your promise is sacred. Is it yes, Florence? Oh, Florence, answer me! It is madness to hesitate. Your life depends on a fresh outburst of my anger. Answer me! Here, look, my cigarette is out. I'm throwing it away, Florence. A sign of your head: is the answer yes or no?"
He bent over her and shook her by the shoulders, as if to force her to make the sign which he asked for. But suddenly seized with a sort of frenzy, he rose to his feet and exclaimed:
"She's crying! She's crying! She dares to weep! But, wretched girl, do you think that I don't know what you're crying for? I know your secret, pretty one, and I know that your tears do not come from any fear of dying. You? Why, you fear nothing! No, it's something else! Shall I tell you your secret? Oh, I can't, I can't--though the words scorch my lips. Oh, cursed woman, you've brought it on yourself! You yourself want to die, Florence, as you're crying--you yourself want to die--"
While he was speaking he hastened to get to work and prepare the horrible tragedy. The leather pocket-book which he had mentioned as containing the papers was lying on the ground; he put it in his pocket. Then, still trembling, he pulled off his jacket and threw it on the nearest bush. Next, he took up the pickaxe and climbed the lower stones, stamping with rage and shouting:
"It's you who have asked to die, Florence! Nothing can prevent it now. I can't even see your head, if you make a sign. It's too late! You asked for it and you've got it! Ah, you're crying! You dare to cry! What madness!"
He was standing almost above the grotto, on the right. His anger made him draw himself to his full height. He looked horrible, hideous, atrocious. His eyes filled with blood as he inserted the bar of the pickaxe between the two blocks of granite, at the spot where the brick was wedged in. Then, standing on one side, in a place of safety, he struck the brick, struck it again. At the third stroke the brick flew out.
What happened was so sudden, the pyramid of stones and rubbish came crashing with such violence into the hollow of the grotto and in front of the grotto, that the cripple himself, in spite of his precautions, was dragged down by the avalanche and thrown upon the grass. It was not a serious fall, however, and he picked himself up at once, stammering:
"Florence! Florence!"
Though he had so carefully prepared the catastrophe, and brought it about with such determination, its results seemed suddenly to stagger him. He hunted for the girl with terrified eyes. He stooped down and crawled round the chaos shrouded in clouds of dust. He looked through the interstices. He saw nothing.
Florence was buried under the ruins, dead, invisible, as be had anticipated.
"Dead!" he said, with staring eyes and a look of stupor on his face. "Dead! Florence is dead!"
Once again he lapsed into a state of absolute prostration, which gradually slackened his legs, brought him to the ground and paralyzed him. His two efforts, following so close upon each other and ending in disasters of which he had been the immediate witness, seemed to have robbed him of all his remaining energy.
With no hatred in him, since Arsène Lupin no longer lived, with no love, since Florence was no more, he looked like a man who has lost his last motive for existence.
Twice his lips uttered the name of Florence. Was he regretting his friend? Having reached the last of that appalling series of crimes, was he imagining the several stages, each marked with a corpse? Was something like a conscience making itself felt deep down in that brute? Or was it not rather the sort of physical torpor that numbs the sated beast of prey, glutted with flesh, drunk with blood, a torpor that is almost voluptuousness?
Nevertheless, he once more repeated Florence's name, and tears rolled down his cheeks.
He lay long in this condition, gloomy and motionless; and when, after again taking a few sips of his medicine, he went back to his work, he did so mechanically, with none of that gayety which had made him hop on his legs and set about his murder as though he were going to a pleasure party.
He began by returning to the bush from which Lupin had seen him emerge. Behind this bush, between two trees, was a shelter containing tools and arms, spades, rakes, guns, and rolls of wire and rope.
Making several journeys, he carried them to the well, intending to throw them down it before he went away. He next examined every particle of the little mound up which he had climbed, in order to make sure that he was not leaving the least trace of his passage.
He made a similar examination of those parts of the lawn on which he had stepped, except the path leading to the well, the inspection of which he kept for the last. He brushed up the trodden grass and carefully smoothed the trampled earth.
He was obviously anxious and seemed to be thinking of other things, while at the same time mechanically doing those things which a murderer knows by force of habit that it is wise to do.
One little incident seemed to wake him up. A wounded swallow fell to the ground close by where he stood. He stooped, caught it, and crushed it in his hands, kneading it like a scrap of crumpled paper. And his eyes shone with a savage delight as he gazed at the blood that trickled from the poor bird and reddened his hands.
But, when he flung the shapeless little body into a furze bush, he saw on the spikes in the bush a hair, a long, fair hair; and all his depression returned at the memory of Florence.
He knelt in front of the ruined grotto. Then, breaking two sticks of wood, he placed the pieces in the form of a cross under one of the stones.
As he was bending over, a little looking-glass slipped from his waistcoat pocket and, striking a pebble, broke. This sign of ill luck made a great impression on him, He cast a suspicious look around him and, shivering with nervousness, as though he felt threatened by the invisible powers, he muttered:
"I'm afraid--I'm afraid. Let's go away--"
His watch now marked half-past four. He took his jacket from the shrub on which he had hung it, slipped his arms into the sleeves, and put his hand in the right-hand outside pocket, where he had placed the pocket-book containing his papers:
"Hullo!" he said, in great surprise. "I was sure I had--"
He felt in the left outside pocket, then in the handkerchief-pocket, then, with feverish excitement, in both the inside pockets. The pocket-book was not there. And, to his extreme amazement, all the other things which he was absolutely certain that he had left in the pockets of his jacket were gone: his cigarette-case, his box of matches, his notebook.
He was flabbergasted. His features became distorted. He spluttered incomprehensible words, while the most terrible thought took hold of his mind so forcibly as to become a reality: there was some one within the precincts of the Old Castle.
There was some one within the precincts of the Old Castle! And this some one was now hiding near the ruins, in the ruins perhaps! And this some one had seen him! And this some one had witnessed the death of Arsène Lupin and the death of Florence Levasseur! And this some one, taking advantage of his heedlessness and knowing from his words that the papers existed, had searched his jacket and rifled the pockets!
His eyes expressed the alarm of a man accustomed to work in the darkness unperceived, and who suddenly becomes aware that another's eyes have surprised him at his hateful task and that he is being watched in every movement for the first time in his life.
Whence did that look come that troubled him as the daylight troubles a bird of the night? Was it an intruder hiding there by accident, or an enemy bent upon his destruction? Was it an accomplice of Arsène Lupin, a friend of Florence, one of the police? And was this adversary satisfied with his stolen booty, or was he preparing to attack him?
The cripple dared not stir. He was there, exposed to assault, on open ground, with nothing to protect him against the blows that might come before he even knew where the adversary was.
At last, however, the imminence of the danger gave him back some of his strength. Still motionless, he inspected his surroundings with an attention so keen that it seemed as if no detail could escape him. He would have sighted the most indistinct shape among the stones of the ruined pile, or in the bushes, or behind the tall laurel screen.
Seeing nobody, he came along, supporting himself on his crutch. He walked without the least sound of his feet or of the crutch, which probably had a rubber shoe at the end of it. His raised right hand held a revolver. His finger was on the trigger. The least effort of his will, or even less than that, a spontaneous injunction of his instinct, was enough to put a bullet into the enemy.
He turned to the left. On this side, between the extreme end of the laurels and the first fallen rocks, there was a little brick path which was more likely the top of a buried wall. The cripple followed this path, by which the enemy might have reached the shrub on which the jacket hung without leaving any traces.
The last branches of the laurels were in his way, and he pushed them aside. There was a tangled mass of bushes. To avoid this, he skirted the foot of the mound, after which he took a few more steps, going round a huge rock. And then, suddenly, he started back and almost lost his balance, while his crutch fell to the ground and his revolver slipped from his hand.
What he had seen, what he saw, was certainly the most terrifying sight that he could possibly have beheld. Opposite him, at ten paces distance, with his hands in his pockets, his feet crossed, and one shoulder resting lightly against the rocky wall, stood not a man: it was not a man, and could not be a man, for this man, as the cripple knew, was dead, had died the death from which there is no recovery. It was therefore a ghost; and this apparition from the tomb raised the cripple's terror to its highest pitch.
He shivered, seized with a fresh attack of fever and weakness. His dilated pupils stared at the extraordinary phenomenon. His whole being, filled with demoniacal superstition and dread, crumpled up under the vision to which each second lent an added horror.
Incapable of flight, incapable of defence, he dropped upon his knees. And he could not take his eyes from that dead man, whom hardly an hour before he had buried in the depths of a well, under a shroud of iron and granite.
Arsène Lupin's ghost!
A man you take aim at, you fire at, you kill. But a ghost! A thing which no longer exists and which nevertheless disposes of all the supernatural powers! What was the use of struggling against the infernal machinations of that which is no more? What was the use of picking up the fallen revolver and levelling it at the intangible spirit of Arsène Lupin?
And he saw an incomprehensible thing occur: the ghost took its hands out of its pockets. One of them held a cigarette-case; and the cripple recognized the same gun-metal case for which he had hunted in vain. There was therefore not a doubt left that the creature who had ransacked the jacket was the very same who now opened the case, picked out a cigarette and struck a match taken from a box which also belonged to the cripple!
O miracle! A real flame came from the match! O incomparable marvel! Clouds of smoke rose from the cigarette, real smoke, of which the cripple at once knew the particular smell!
He hid his head in his hands. He refused to see more. Whether ghost or optical illusion, an emanation from another world, or an image born of his remorse and proceeding from himself, it should torture his eyes no longer.
But he heard the sound of a step approaching him, growing more and more distinct as it came closer! He felt a strange presence moving near him! An arm was stretched out! A hand fell on his shoulder! That hand clutched his flesh with an irresistible grip! And he heard words spoken by a voice which, beyond mistake, was the human and living voice of Arsène Lupin!
"Why, my dear sir, what a state we're getting ourselves into! Of course, I understand that my sudden return seems an unusual and even an inconvenient proceeding, but still it does not do to be so uncontrollably impressed. Men have seen much more extraordinary things than that, such as Joshua staying the sun, and more sensational disasters, such as the Lisbon earthquake of 1755.
"The wise man reduces events to their proper proportions and judges them, not by their action upon his own destiny, but by the way in which they influence the fortunes of the world. Now confess that your little mishap is purely individual and does not affect the equilibrium of the solar system. You know what Marcus Aurelius says, on page 84, of Charpentier's edition--"
The cripple had plucked up courage to raise his head; and the real state of things now became so obviously apparent that he could no longer get away from the undeniable fact: Arsène Lupin was not dead! Arsène Lupin whom he had hurled into the bowels of the earth and crushed as surely as an insect is crushed with a hammer; Arsène Lupin was not dead!
How to explain so astounding a mystery the cripple did not even stop to wonder. One thing alone mattered: Arsène Lupin was not dead. Arsène Lupin looked and spoke as a living man does. Arsène Lupin was not dead. He breathed, he smiled, he talked, he lived!
And it was so certainly life that the scoundrel saw before him that, obeying a sudden impulse of his nature and of his hatred for life, he flattened himself to his full length, reached his revolver, seized it, and fired.
He fired; but it was too late. Don Luis had caused the weapon to swerve with a kick of his boot. Another kick sent it flying out of the cripple's hand.
The villain ground his teeth with fury and at once began hurriedly to fumble in his pockets.
"Is this what you're looking for, sir?" asked Don Luis, holding up a hypodermic syringe filled with a yellow fluid. "Excuse me, but I was afraid lest you should prick yourself by mistake. That would have been a fatal prick, would it not? And I should never have forgiven myself."
The cripple was disarmed. He hesitated for a moment, surprised that the enemy did not attack him more violently, and sought to profit by the delay. His small, blinking eyes wandered around him, looking for something to throw. But an idea seemed to strike him and to restore his confidence little by little; and, in a new and really unexpected fit of delight, he indulged in one of his loudest chuckles:
"And what about Florence?" he shouted. "Don't forget Florence! For I've got you there! I can miss you with my revolver and you can steal my poison; but I have another means of hitting you, right in the heart. You can't live without Florence, can you? Florence's death means your own sentence, doesn't it? If Florence is dead, you'll put the rope round your own neck, won't you, won't you, won't you?"
"Yes. If Florence were to die, I could not survive her!"
"She is dead!" cried the scoundrel, with a renewed burst of merriment, hopping about on his knees. "She's dead, quite, quite dead! What am I saying? She's more than dead! A dead person retains the appearance of a live one for a time; but this is much better: there's no corpse here, Lupin; just a mess of flesh and bone!
"The whole scaffolding of rocks has come down on top of her! You can picture it, eh? What a sight! Come, quick, it's your turn to kick the bucket. Would you like a length of rope? Ha, ha, ha! It's enough to make one die with laughing. Didn't I say that you'd meet at the gates of hell? Quick, your sweetheart's waiting for you. Do you hesitate? Where's your old French politeness? You can't keep a lady waiting, you know. Hurry up, Lupin! Florence is dead!"
He said this with real enjoyment, as though the mere word of death appeared to him delicious.
Don Luis had not moved a muscle. He simply nodded his head and said:
"What a pity!"
The cripple seemed petrified. All his joyous contortions, all his triumphal pantomime, stopped short. He blurted out:
"Eh? What did you say?"
"I say," declared Don Luis, preserving his calm and courteous demeanour and refraining from echoing the cripple's familiarity, "I say, my dear sir, that you have done very wrong. I never met a finer nature nor one more worthy of esteem than that of Mlle. Levasseur. The incomparable beauty of her face and figure, her youth, her charm, all these deserved a better treatment. It would indeed be a matter for regret if such a masterpiece of womankind had ceased to be."
The cripple remained astounded. Don Luis's serene manner dismayed him. He said, in a blank voice:
"I tell you, she has ceased to be. Haven't you seen the grotto? Florence no longer exists!"
"I refuse to believe it," said Don Luis quietly. "If that were so, everything would look different. The sky would be clouded; the birds would not be singing; and nature would wear her mourning garb. But the birds are singing, the sky is blue, everything is as it should be: the honest man is alive; and the rascal is crawling at his feet. How could Florence be dead?"
A long silence followed upon these words. The two enemies, at three paces distance, looked into each other's eyes: Don Luis still as cool as ever, the cripple a prey to the maddest anguish. The monster understood. Obscure as the truth was, it shone forth before him with all the light of a blinding certainty: Florence also was alive! Humanly and physically speaking, the thing was not possible; but the resurrection of Don Luis was likewise an impossibility; and yet Don Luis was alive, with not a scratch on his face, with not a speck of dust on his clothes.
The monster felt himself lost. The man who held him in the hollow of his implacable hand was one of those men whose power knows no bounds. He was one of those men who escape from the jaws of death and who triumphantly snatch from death those of whom they have taken charge.
The monster retreated, dragging himself slowly backward on his knees along the little brick path.
He retreated. He passed by the confused heap of stones that covered the place where the grotto had been, and did not turn his eyes in that direction, as if he were definitely convinced that Florence had come forth safe and sound from the appalling sepulchre.
He retreated. Don Luis, who no longer had his eyes fixed on him, was busy unwinding a coil of rope which he had picked up, and seemed to pay no further attention to him.
He retreated.
And suddenly, after a glance at his enemy, he spun round, drew himself up on his slack legs with an effort, and started running toward the well.
He was twenty paces from it. He covered one half, three quarters of the distance. Already the mouth opened before him. He put out his arms, with the movement of a man about to dive, and shot forward.
His rush was stopped. He rolled over on the ground, dragged back violently, with his arms fixed so firmly to his body that he was unable to stir.
It was Don Luis, who had never wholly lost sight of him, who had made a slip-knot to his rope and who had lassoed the cripple at the moment when he was going to fling himself down the abyss. The cripple struggled for a few moments. But the slip-knot bit into his flesh. He ceased moving. Everything was over.
Then Don Luis Perenna, holding the other end of the lasso, came up to him and bound him hand and foot with what remained of the rope. The operation was carefully performed. Don Luis repeated it time after time, using the coils of rope which the cripple had brought to the well and gagging him with a handkerchief. And, while applying himself to his work, he explained, with affected politeness:
"You see, sir, people always come to grief through excessive self-confidence. They never imagine that their adversaries can have resources which they themselves do not possess. For instance, when you got me to fall into your trap, how could you have supposed, my dear sir, that a man like myself, a man like Arsène Lupin, hanging on the brim of a well, with his arms resting on the brim and his feet against the inner wall, would allow himself to drop down it like the first silly fool that comes along?
"Look here: you were fifteen or twenty yards away; and do you think that I had not the strength to leap out nor the courage to face the bullets of your revolver, when it was a question of saving Florence Levasseur's life and my own? Why, my poor sir, the tiniest effort would have been enough, believe me!
"My reason for not making the effort was that I had something better to do, something infinitely better. I will tell you why, that is, if you care to know. Do you?
"Well, then, at the very first moment, my knees and feet, propped against the inner wall, had smashed in a thick layer of plaster which closed up an old excavation in the well; and this I at once perceived. It was a stroke of luck, wasn't it? And it changed the whole situation. My plan was settled at once. While I went on acting my little part of the gentleman about to tumble down an abyss, putting on the most scared face, the most staring eyes, the most hideous grin, I enlarged that excavation, taking care to throw the chunks of plaster in front of me in such a way that their fall made no noise. When the moment came, at the very second when my swooning features vanished before your eyes, I simply jumped into my retreat, thanks to a rather plucky little wriggle of the loins.
"I was saved, because the retreat was dug out on the side where you were moving and because, being dark itself, it east no light. All that I now had to do was to wait.
"I listened quietly to your threatening speeches. I let the things you flung down the well go past me. And, when I thought you had gone back to Florence, I was preparing to leave my refuge, to return to the light of day, and to fall upon you from behind, when--"
Don Luis turned the cripple over, as though he were a parcel which he was tying up with string, and continued:
"Have you ever been to Tancarville, the old feudal castle in Normandy, on the banks of the Seine? Haven't you? Well, you must know that, outside the ruins of the keep, there is an old well which, like many other wells of the period, possesses the peculiarity of having two openings, one at the top, facing the sky, and the other a little lower down, hollowed out sideways in the wall and leading to one of the rooms of the keep.
"At Tancarville this second opening is nowadays closed with a grating. Here it was walled up with a layer of small stones and plaster. And it was just the recollection of Tancarville that made me stay, all the more as there was no hurry, since you had had the kindness to inform me that Florence would not join me in the next world until four o'clock. I therefore inspected my refuge and soon realized that, as I had already felt by intuition, it was the foundation of a building which was now demolished and which had the garden laid out on its ruins.
"Well, I went on, groping my way and following the direction which, above ground, would have taken me to the grotto. My presentiments were not deceived. A gleam of daylight made its way at the top of a staircase of which I had struck the bottom step. I went up it and heard the sound of your voice."
Don Luis turned the cripple over and over and was pretty rough about it. Then he resumed:
"I wish to impress upon you, my dear sir, that the upshot would have been exactly similar if I had attacked you directly and from the start in the open air. But, having said this, I confess that chance favoured me to some purpose. It has often failed me, in the course of our struggle, but this time I had no cause to complain.
"I felt myself in such luck that I never doubted for a second that, having found the entrance to the subterranean passage, I should also find the way out. As a matter of fact, I had only to pull gently at the slight obstacle of a few stacked bricks which hid the opening in order to make my exit amid the remains of the castle keep.
"Guided by the sound of your voice, I slipped through the stones and thus reached the back of the grotto in which Florence lay. Amusing, wasn't it?
"You can imagine what fun it was to hear you make your little speeches: 'Answer me, yes or no, Florence. A movement of your head will decide your fate. If it's yes, I shall release you. If it's no, you die. Answer me, Florence! A sign of your head: is the answer yes or no?' And the end, above all, was delicious, when you scrambled to the top of the grotto and started roaring from up there: 'It's you who have asked to die, Florence. You asked for it and you've got it!'
"Just think what a joke it was: at that moment there was no one in the grotto! Not a soul! With one effort, I had drawn Florence toward me and put her under shelter. And all that you were able to crush with your avalanche of rocks was one or two spiders, perhaps, and a few flies dozing on the flagstones.
"The trick was done and the farce was nearly finished. Act first: Arsène Lupin saved. Act second: Florence Levasseur saved. Act third and last: the monster vanquished ... absolutely and with a vengeance!"
Don Luis stood up and contemplated his work with a satisfied eye.
"You look like a sausage, my son!" he cried, yielding at last to his sarcastic nature and his habit of treating his enemies familiarly. "A regular sausage! A bit on the thin side, perhaps: a saveloy for poor people! But there, you don't much care what you look like, I suppose? Besides, you're rather like that at all times; and, in any case, you're just the thing for the little display of indoor gymnastics which I have in mind for you. You'll see: it's an idea of my own, a really original idea. Don't be impatient: we shan't be long."
He took one of the guns which the cripple had brought to the well and tied to the middle of the gun the end of a twelve or fifteen yards' length of rope, fastening the other end to the cords with which the cripple was bound, just behind his back. He next took his captive round the body and held him over the well:
"Shut your eyes, if you feel at all giddy. And don't be frightened. I'll be very careful. Ready?"
He put the cripple down the yawning hole and next took hold of the rope which he had just fastened. Then, little by little, inch by inch, cautiously, so that it should not knock against the sides of the well, the bundle was let down at arm's length.
When it reached a depth of twelve yards or so, the gun stopped its further descent and there it remained, slung in the dark and in the exact centre of the narrow circumference.
Don Luis set light to a number of pieces of paper, which went whirling down, shedding their sinister gleams upon the walls. Then, unable to resist the craving for a last speech, he leaned over, as the scoundrel had done, and grinned:
"I selected the place with care, so that you shouldn't catch cold. I'm bound to look after you, you see. I promised Florence that I wouldn't kill you; and I promised the French Government to hand you over alive as soon as possible. Only, as I didn't know what to do with you until to-morrow morning, I've hung you up in the air.
"It's a pretty trick, isn't it? And you ought to appreciate it, for it's so like your own way of doing things. Just think: the gun is resting on its two ends, with hardly an inch to spare. So, if you start wriggling, or moving, or even breathing too hard, either the barrel or the butt end'll give way; and down you go! As for me, I've nothing to do with it!
"If you die, it'll be a pretty little case of suicide. All you've got to do, old chap, is to keep quiet. And the beauty of my little contrivance is that it will give you a foretaste of the few nights that will precede your last hour, when they cut off your head. From this moment forward you are alone with your conscience, face to face with what you perhaps call your soul, without anything to disturb your silent soliloquy. It's nice and thoughtful of me, isn't it? ...
"Well, I'll leave you. And remember: not a movement, not a sigh, not a wink, not a throb of the heart! And, above all, no larks! If you start larking, you're in the soup. Meditate: that's the best thing you can do. Meditate and wait. Good-bye, for the present!"
And Don Luis, satisfied with his homily, went off, muttering:
"That's all right. I won't go so far as Eugène Sue, who says that great criminals should have their eyes put out. But, all the same, a little corporal punishment, nicely seasoned with fear, is right and proper and good for the health and morals."
Don Luis walked away and, taking the brick path round the ruins, turned down a little road, which ran along the outer wall to a clump of fir trees, where he had brought Florence for shelter.
She was waiting for him, still aching from the horrible suffering which she had endured, but already in full possession of her pluck, mistress of herself, and apparently rid of all anxiety as to the issue of the fight between Don Luis and the cripple.
"It's finished," he said, simply. "To-morrow I will hand him over to the police."
She shuddered. But she did not speak; and he observed her in silence.
It was the first time that they were alone together since they had been separated by so many tragedies, and next hurled against each other like sworn enemies. Don Luis was so greatly excited that, in the end, he could utter only insignificant sentences, having no connection with the thoughts that came rushing through his mind.
"We shall find the motor car if we follow this wall and then strike off to the left.... Do you think you can manage to walk so far? ... When we're in the car, we'll go to Alençon. There's a quiet hotel close to the chief square. You can wait there until things take a more favourable turn for you--and that won't be long, as the criminal is caught."
"Let's go," she said.
He dared not offer to help her. For that matter, she stepped out firmly and her graceful body swung from her hips with the same even rhythm as usual. Don Luis once again felt all his old admiration and all his ardent love for her. And yet that had never seemed more remote than at this moment when he had saved her life by untold miracles of energy.
She had not vouchsafed him a word of thanks nor yet one of those milder glances which reward an effort made; and she remained the same as on the first day, the mysterious creature whose secret soul he had never understood, and upon whom not even the storm of terrible events had cast the faintest light.
What were her thoughts? What were her wishes? What aim was she pursuing? These were obscure problems which he could no longer hope to solve. Henceforth each of them must go his own way in life and each of them could only remember the other with feelings of anger and spite.
"No!" he said to himself, as she took her place in the limousine. "No! The separation shall not take place like that. The words that have to be spoken between us shall be spoken; and, whether she wishes or not, I will tear the veil that hides her."
* * * * *
The journey did not take long. At Alençon Don Luis entered Florence in the visitors' book under the first name that occurred to him and left her to herself. An hour later he came and knocked at her door.
This time again he had not the courage at once to ask her the question which he had made up his mind to put to her. Besides, there were other points which he wished to clear up.
"Florence," he said, "before I hand over that man, I should like to know what he was to you."
"A friend, an unhappy friend, for whom I felt pity," she declared. "I find it difficult to-day to understand my compassion for such a monster. But, some years ago, when I first met him, I became attached to him because of his wretchedness, his physical weakness, and all the symptoms of death which he bore upon him even then. He had the opportunity of doing me a few services; and, though he led a hidden life, which worried me in certain respects, he gradually and without my knowing it acquired a considerable influence over me.
"I believed in his insight, in his will, in his absolute devotion; and, when the Mornington case started, it was he, as I now realize, who guided my actions and, later, those of Gaston Sauverand. It was he who compelled me to practise lying and deceit, persuading me that he was working for Marie Fauville's safety. It was he who inspired us with such suspicion of yourself and who taught us to be so silent, where he and his affairs were concerned, that Gaston Sauverand did not even dare mention him in his interview with you.
"I don't know how I can have been so blind. But it was so. Nothing opened my eyes. Nothing made me suspect for a moment that harmless, ailing creature, who spent half his life in hospitals or nursing-homes, who underwent every possible sort of operation, and who, if he did sometimes speak to me of his love, must have known that he could not hope to--"
Florence did not finish her sentence. Her eyes had encountered Don Luis's eyes; and she received a deep impression that he was not listening to what she said. He was looking at her; and that was all. The words she uttered passed unheard.
To Don Luis any explanation concerning the tragedy itself mattered nothing, so long as he was not enlightened on the one point that interested him, on Florence's private thoughts about himself, thoughts of aversion, of contempt. Outside that, anything that she could say was vain and tedious.
He went up to her and, in a low voice, said:
"Florence, you know what I feel for you, do you not?"
She blushed, taken aback, as though the question was the very last that she expected to hear. Nevertheless, she did not lower her eyes, and she answered frankly:
"Yes, I know."
"But, perhaps," he continued, more eagerly, "you do not know how deeply I feel it? Perhaps you do not know that my life has no other aim but you?"
"I know that also," she said.
"Then, if you know it," he said, "I must conclude that it was just that which caused your hostility to me. From the beginning I tried to be your friend and I tried only to defend you. And yet from the beginning I felt that for you I was the object of an aversion that was both instinctive and deliberate. Never did I see in your eyes anything but coldness, dislike, contempt, and even repulsion.
"At moments of danger, when your life or your liberty was at stake, you risked committing any imprudence rather than accept my assistance. I was the enemy, the man to be distrusted, the man capable of every infamy, the man to be avoided, and to be thought of only with a sort of dread. Isn't that hatred? Is there anything but hatred to explain such an attitude?"
Florence did not answer at once. She seemed to be putting off the moment at which to speak the words that rose to her lips. Her face, thin and drawn with weariness and pain, was gentler than usual.
"Yes," she said, "there are other things than hatred to explain that attitude."
Don Luis was dumfounded. He did not quite understand the meaning of the reply; but Florence's tone of voice disconcerted him beyond measure, and he also saw that Florence's eyes no longer wore their usual scornful expression and that they were filled with smiling charm. And it was the first time that Florence had smiled in his presence.
"Speak, speak, I entreat you!" he stammered.
"I mean to say that there is another feeling which explains coldness, mistrust, fear, and hostility. It is not always those whom we detest that we avoid with the greatest fear; and, if we avoid them, it is often because we are afraid of ourselves, because we are ashamed, because we rebel and want to resist and want to forget and cannot--"
She stopped; and, when he wildly stretched out his arms to her, as if beseeching her to say more and still more, she nodded her head, thus telling him that she need not go on speaking for him to read to the very bottom of her soul and discover the secret of love which she kept hidden there.
Don Luis staggered on his feet. He was intoxicated with happiness, almost suffered physical pain from that unexpected happiness. After the horrible minutes through which he had passed amid the impressive surroundings of the Old Castle, it appeared to him madness to admit that such extraordinary bliss could suddenly blossom forth in the commonplace setting of that room at a hotel.
He could have longed for space around him, forest, mountains, moonlight, a radiant sunset, all the beauty and all the poetry of the earth. With one rush, he had reached the very acme of happiness. Florence's very life came before him, from the instant of their meeting to the tragic moment when the cripple, bending over her and seeing her eyes filled with tears, had shouted:
"She's crying! She's crying! What madness! But I know your secret, Florence! And you're crying! Florence, Florence, you yourself want to die!"
It was a secret of love, a passionate impulse which, from the first day, had driven her all trembling toward Don Luis. Then it had bewildered her, filled her with fear, appeared to her as a betrayal of Marie and Sauverand and, by turns urging her toward and drawing her away from the man whom she loved and whom she admired for his heroism and loyalty, rending her with remorse and overwhelming her as though it were a crime, had ended by delivering her, feeble and disabled, to the diabolical influence of the villain who coveted her.
Don Luis did not know what to do, did not know in what words to express his rapture. His lips trembled. His eyes filled with tears. His nature prompted him to take her in his arms, to kiss her as a child kisses, full on the lips, with a full heart. But a feeling of intense respect paralyzed his yearning. And, overcome with emotion, he fell at Florence's feet, stammering words of love and adoration.
CHAPTER XXI. LUPIN'S LUPINS
Next morning, a little before eight o'clock, Valenglay was talking in his own flat to the Prefect of Police, and asked:
"So you think as I do, my dear Prefect? He'll come?"
"I haven't the least doubt of it, Monsieur le Président. And he will come with the same punctuality that has been shown throughout this business. He will come, for pride's sake, at the last stroke of eight."
"You think so?"
"Monsieur le Président, I have been studying the man for months. As things now stand, with Florence Levasseur's life in the balance, if he has not smashed the villain whom he is hunting down, if he does not bring him back bound hand and foot, it will mean that Florence Levasseur is dead and that he, Arsène Lupin, is dead."
"Whereas Lupin is immortal," said Valenglay, laughing. "You're right. Besides, I agree with you entirely. No one would be more astonished than I if our good friend was not here to the minute. You say you were rung up from Angers yesterday?"
"Yes, Monsieur le Président. My men had just seen Don Luis Perenna. He had gone in front of them, in an aeroplane. After that, they telephoned to me again from Le Mans, where they had been searching a deserted coach-house.
"You may be sure that the search had already been made by Lupin, and that we shall know the results. Listen: eight o'clock!"
At the same moment they heard the throbbing of a motor car. It stopped outside the house; and the bell rang almost immediately after. Orders had been given beforehand. The door opened and Don Luis Perenna was shown in.
To Valenglay and the Prefect of Police his arrival was certainly not unexpected, for they had just been saying that they would have been surprised if he had not come. Nevertheless, their attitude showed that astonishment which we all experience in the face of events that seem to pass the bounds of human possibility.
"Well?" cried the Prime Minister eagerly.
"It's done, Monsieur le Président."
"Have you collared the scoundrel?"
"Yes."
"By Jove!" said Valenglay. "You're a fine fellow!" And he went on to ask, "An ogre, of course? An evil, undaunted brute?--"
"No, Monsieur le Président, a cripple, a degenerate, responsible for his actions, certainly, but a man in whom the doctors will find every form of wasting illness: disease of the spinal cord, tuberculosis, and all the rest of it."
"And is that the man whom Florence Levasseur loved?"
"Monsieur le Président!" Don Luis violently protested. "Florence never loved that wretch! She felt sorry for him, as any one would for a fellow-creature doomed to an early death; and it was out of pity that she allowed him to hope that she might marry him later, at some time in the vague future."
"Are you sure of that?"
"Yes, Monsieur le Président, of that and of a good deal more besides, for I have the proofs in my hands." Without further preamble, he continued: "Monsieur le Président, now that the man is caught, it will be easy for the police to find out every detail of his life. But meanwhile I can sum up that monstrous life for you, looking only at the criminal side of it, and passing briefly over three murders which have nothing to do with the story of the Mornington case.
"Jean Vernocq was born at Alençon and brought up at old M. Langernault's expense. He got to know the Dedessuslamare couple, robbed them of their money and, before they had time to lodge a complaint against the unknown thief, took them to a barn in the village of Damigni, where, in their despair, stupefied and besotted with drugs, they hanged themselves.
"This barn stood in a property called the Old Castle, belonging to M. Langernault, Jean Vernocq's protector, who was ill at the time. After his recovery, as he was cleaning his gun, he received a full charge of shot in the abdomen. The gun had been loaded without the old fellow's knowledge. By whom? By Jean Vernocq, who had also emptied his patron's cash box the night before ...
"In Paris, where he went to enjoy the little fortune which he had thus amassed, Jean Vernocq bought from some rogue of his acquaintance papers containing evidence of Florence Levasseur's birth and of her right to all the inheritance of the Roussel family and Victor Sauverand, papers which the friend in question had purloined from the old nurse who brought Florence over from America. By hunting around, Jean Vernocq ended by discovering first a photograph of Florence and then Florence herself.
"He made himself useful to her and pretended to be devoted to her, giving up his whole life to her service. At that time he did not yet know what profit he could derive from the papers stolen from the girl or from his relations with her.
"Suddenly everything became different. An indiscreet word let fall by a solicitor's clerk told him of a will in Maître Lepertuis's drawer which would be interesting to look at. He obtained a sight of it by bribing the clerk, who has since disappeared, with a thousand-franc note. The will, as it happened, was Cosmo Mornington's; and in it Cosmo Mornington bequeathed his immense wealth to the heirs of the Roussel sisters and of Victor Sauverand....
"Jean Vernocq saw his chance. A hundred million francs! To get hold of that sum, to obtain riches, luxury, power, and the means of buying health and strength from the world's great healers, all that he had to do was first to put away the different persons who stood between the inheritance and Florence, and then, when all the obstacles were overcome, to make Florence his wife.
"Jean Vernocq went to work. He had found among the papers of Hippolyte Fauville's old friend Langernault particulars relating to the Roussel family and to the discord that reigned in the Fauville household. Five persons, all told, were in his way: first, of course, Cosmo Mornington; next, in the order of their claims, Hippolyte Fauville, his son Edmond, his wife Marie, and his cousin Gaston Sauverand.
"With Cosmo Mornington, the thing was easy enough. Introducing himself to the American as a doctor, Jean Vernocq put poison into one of the phials which Mornington used for his hypodermic injections.
"But in the case of Hippolyte Fauville, whose good will he had secured through his acquaintance with old Langernault, and over whose mind he soon obtained an extraordinary influence, he had a greater difficulty to contend with. Knowing on the one hand that the engineer hated his wife and on the other that he was stricken with a fatal disease, he took occasion, after the consultation with the specialist in London, to suggest to Fauville's terrified brain the incredible plan of suicide of which you were subsequently able to trace the Machiavellian execution.
"In this way and with a single effort, anonymously, so to speak, and without appearing in the business, without Fauville's even suspecting the action brought to bear upon him, Jean Vernocq procured the deaths of Fauville and his son, and got rid of Marie and Sauverand by the devilish expedient of causing the charge of murder, of which no one could accuse him, to fall upon them. The plan succeeded.
"There was only one hitch at the present time: the intervention of Inspector Vérot. Inspector Vérot died. And there was only one danger in the future: the intervention of myself, Don Luis Perenna, whose conduct Vernocq was bound to foresee, as I was the residuary legatee by the terms of Cosmo Mornington's will. This danger Vernocq tried to avert first by giving me the house on the Place du Palais-Bourbon to live in and Florence Levasseur as a secretary, and next by making four attempts to have me assassinated by Gaston Sauverand.
"He therefore held all the threads of the tragedy in his hands. Able to come and go as he pleased in my house, enforcing himself upon Florence and later upon Gaston Sauverand by the strength of his will and the cunning of his character, he was within sight of the goal.
"When my efforts succeeded in proving the innocence of Marie Fauville and Gaston Sauverand, he did not hesitate: Marie Fauville died; Gaston Sauverand died.
"So everything was going well for him. The police pursued me. The police pursued Florence. No one suspected him. And the date fixed for the payment of the inheritance was at hand.
"This was two days ago. At that time, Jean Vernocq was in the midst of the fray. He was ill and had obtained admission to the nursing-home in the Avenue des Ternes. From there he conducted his operations, thanks to his influence over Florence Levasseur and to the letters addressed to the mother superior from Versailles. Acting under the superior's orders and ignorant of the meaning of the step which she was taking, Florence went to the meeting at the Prefect's office, and herself brought the documents relating to her.
"Meanwhile, Jean Vernocq left the private hospital and took refuge near the Ile Saint-Louis, where he awaited the result of an enterprise which, at the worst, might tell against Florence, but which did not seem able to compromise him in any case.
"You know the rest, Monsieur le Président," said Don Luis, concluding his statement. "Florence, staggered by the sudden revelation of the part which she had unconsciously taken in the matter, and especially by the terrible part played by Jean Vernocq, ran away from the nursing-home where the Prefect had brought her at my request. She had but one thought: to see Jean Vernocq, demand an explanation of him, and hear what he had to say in his defence. That same evening he carried her away by motor, on the pretence of giving her proofs of his innocence. That is all, Monsieur le Président."
Valenglay had listened with growing interest to this gruesome story of the most malevolent genius conceivable to the mind of man. And he heard it perhaps without too great disgust, because of the light which it threw by contrast upon the bright, easy, happy, and spontaneous genius of the man who had fought for the good cause.
"And you found them?" he asked.
"At three o'clock yesterday afternoon, Monsieur le Président. It was time. I might even say that it was too late, for Jean Vernocq began by sending me to the bottom of a well, and by crushing Florence under a block of stone."
"Oh, so you're dead, are you?"
"Yes, Monsieur le Président."
"But why did that villain want to do away with Florence Levasseur? Her death destroyed his indispensable scheme of matrimony."
"It takes two to get married, Monsieur le Président, and Florence refused."
"Well--"
"Some time ago Jean Vernocq wrote a letter leaving all that he possessed to Florence Levasseur. Florence, moved by pity for him, and not realizing the importance of what she was doing, wrote a similar letter leaving her property to him. This letter constitutes a genuine and indisputable will in favor of Jean Vernocq.
"As Florence was Cosmo Mornington's legal and settled heiress by the mere fact of her presence at yesterday's meeting with the documents proving her descent from the Roussel family, her death caused her rights to pass to her own legal and settled heir.
"Jean Vernocq would have come into the money without the possibility of any litigation. And, as you would have been obliged to discharge him after his arrest, for lack of evidence against him, he would have led a quiet life, with fourteen murders on his conscience--I have added them up--but with a hundred million francs in his pocket. To a monster of his stamp, the one made up for the other."
"But do you possess all the proofs?" asked Valenglay eagerly.
"Here they are," said Perenna, producing the pocket-book which he had taken out of the cripple's jacket. "Here are letters and documents which the villain preserved, owing to a mental aberration common to all great criminals. Here, by good luck, is his correspondence with Hippolyte Fauville. Here is the original of the prospectus from which I learned that the house on the Place du Palais-Bourbon was for sale. Here is a memorandum of Jean Vernocq's journeys to Alençon to intercept Fauville's letters to old Langernault.
"Here is another memorandum showing that Inspector Vérot overheard a conversation between Fauville and his accomplice, that he shadowed Vernocq and robbed him of Florence Levasseur's photograph, and that Vernocq sent Fauville in pursuit of him. Here is a third memorandum, which is just a copy of the two found in the eighth volume of Shakespeare and which proves that Jean Vernocq, to whom that set of Shakespeare belonged, knew all about Fauville's machination. Here are his correspondence with Caceres, the Peruvian attaché, and the letters denouncing myself and Sergeant Mazeroux, which he intended to send to the press. Here--
"But need I say more, Monsieur le Président? You have the complete evidence in your hands. The magistrates will find that all the accusations which I made yesterday, before the Prefect of Police, were strictly true."
"And he?" cried Valenglay. "The criminal? Where is he?"
"Outside, in a motor car, in his motor car, rather."
"Have you told my men?" asked M. Desmalions anxiously.
"Yes, Monsieur le Préfet. Besides, the fellow is carefully tied up. Don't be alarmed. He won't escape."
"Well, you've foreseen every contingency," said Valenglay, "and the business seems to me to be finished. But there's one problem that remains unexplained, the one perhaps that interested the public most. I mean the marks of the teeth in the apple, the teeth of the tiger, as they have been called, which were certainly Mme. Fauville's teeth, innocent though she was. Monsieur le Préfet declares that you have solved this problem."
"Yes, Monsieur le Président, and Jean Vernocq's papers prove that I was right. Besides, the problem is quite simple. The apple was marked with Mme. Fauville's teeth, but Mme. Fauville never bit the apple."
"Come, come!"
"Monsieur le Président, Hippolyte Fauville very nearly said as much when he mentioned this mystery in his posthumous confession."
"Hippolyte Fauville was a madman."
"Yes, but a lucid madman and capable of reasoning with the most appalling logic. Some years ago, at Palermo, Mme. Fauville had a very bad fall, hitting her mouth against the marble top of a table, with the result that a number of her teeth, in both the upper and the lower jaw, were loosened. To repair the damage and to make the gold plate intended to strengthen the teeth, a plate which Mme. Fauville wore for several months, the dentist, as usual, took an impression of her mouth.
"M. Fauville happened to have kept the mould; and he used it to print the marks of his wife's teeth in the cake of chocolate shortly before his death and in the apple on the night of his death. When this was done, he put the mould with the other things which the explosion was meant to, and did, destroy."
Don Luis's explanation was followed by a silence. The thing was so simple that the Prime Minister was quite astonished. The whole tragedy, the whole charge, everything that had caused Marie's despair and death and the death of Gaston Sauverand: all this rested on an infinitely small detail which had occurred to none of the millions and millions of people who had interested themselves so enthusiastically in the mystery of the teeth of the tiger.
The teeth of the tiger! Everybody had clung stubbornly to an apparently invincible argument. As the marks on the apple and the print of Mme. Fauville's teeth were identical, and as no two persons in the world were able, in theory or practice, to produce the same print with their teeth, Mme. Fauville must needs be guilty.
Nay, more, the argument seemed so absolute that, from the day on which Mme. Fauville's innocence became known, the problem had remained unsolved, while no one seemed capable of conceiving the one paltry idea: that it was possible to obtain the print of a tooth in another way than by a live bite of that same tooth!
"It's like the egg of Columbus," said Valenglay, laughing. "It had to be thought of."
"You are right, Monsieur le Président. People don't think of those things. Here is another instance: may I remind you that during the period when Arsène Lupin was known at the same time as M. Lenormand and as Prince Paul Sernine, no one noticed that the name Paul Sernine was merely an anagram of Arsène Lupin? Well, it's just the same to-day: Luis Perenna also is an anagram of Arsène Lupin. The two names are composed of the same eleven letters, neither more nor less. And yet, although it was the second time, nobody thought of making that little comparison. The egg of Columbus again! It had to be thought of!"
Valenglay was a little surprised at the revelation. It seemed as if that devil of a man had sworn to puzzle him up to the last moment and to bewilder him by the most unexpected sensational news. And how well this last detail depicted the fellow, a queer mixture of dignity and impudence, of mischief and simplicity, of smiling chaff and disconcerting charm, a sort of hero who, while conquering kingdoms by most incredible adventures, amused himself by mixing up the letters on his name so as to catch the public napping!
The interview was nearly at an end. Valenglay said to Perenna:
"Monsieur, you have done wonders in this business and ended by keeping your word and handing over the criminal. I also will keep my word. You are free."
"I thank you, Monsieur le Président. But what about Sergeant Mazeroux?"
"He will be released this morning. Monsieur le Préfet de Police has arranged matters so that the public do not know of the arrest of either of you. You are Don Luis Perenna. There is no reason why you should not remain Don Luis Perenna."
"And Florence Levasseur, Monsieur le Président?"
"Let her go before the examining magistrate of her own accord. He is bound to discharge her. Once free and acquitted of any charge or even suspicion, she will certainly be recognized as Cosmo Mornington's legal heiress and will receive the hundred millions."
"She will not keep it, Monsieur le Président."
"How do you mean?"
"Florence Levasseur doesn't want the money. It has been the cause of unspeakably awful crimes. She hates the very thought of it."
"What then?"
"Cosmo Mornington's hundred millions will be wholly devoted to making roads and building schools in the south of Morocco and the northern Congo."
"In the Mauretanian Empire which you are giving us?" said Valenglay, laughing. "By Jove, it's a fine work and I second it with all my heart. An empire and an imperial budget to keep it up with! Upon my word, Don Luis has behaved well to his country, and has handsomely paid the debts--of Arsène Lupin!"
* * * * *
A month later Don Luis Perenna and Mazeroux embarked in the yacht which had brought Don Luis to France. Florence was with them. Before sailing they heard of the death of Jean Vernocq, who had managed to poison himself in spite of all the precautions taken to prevent him.
On his arrival in Africa, Don Luis Perenna, Sultan of Mauretania, found his old associates and accredited Mazeroux to them and to his grand dignitaries. He organized the government to follow on his abdication and precede the annexation of the new empire by France, and he had several secret interviews on the Moorish border with General Léauty, commanding the French troops, interviews in the course of which they thought out all the measures to be executed in succession so as to lend to the conquest of Morocco an appearance of facility which would otherwise be difficult to explain.
The future was now assured. Soon the thin screen of rebellious tribes standing between the French and the pacified districts would fall to pieces, revealing an orderly empire, provided with a regular constitution, with good roads, schools, and courts of law, a flourishing empire in full working order.
Then, when his task was done, Don Luis abdicated.
* * * * *
He has now been back for over two years. Every one remembers the stir caused by his marriage with Florence Levasseur. The controversy was renewed; and many of the newspapers clamoured for Arsène Lupin's arrest. But what could the authorities do?
Although nobody doubted who he really was, although the name of Arsène Lupin and the name of Don Luis Perenna consisted of the same letters, and people ended by remarking the coincidence, legally speaking, Arsène Lupin was dead and Don Luis Perenna was alive; and there was no possibility of bringing Arsène Lupin back to life or of killing Don Luis Perenna.
He is to-day living in the village of Saint-Maclou, among those charming valleys which run down to the Oise. Who does not know his modest little pink-washed house, with its green shutters and its garden filled with bright flowers? People make up parties to go there from Paris on Sundays, in the hope of catching a sight, through the elder hedges, of the man who was Arsène Lupin, or of meeting him in the village square.
He is there, with his hair just touched with gray, his still youthful features, and a young man's bearing; and Florence is there, too, with her pretty figure and the halo of fair hair around her happy face, unclouded by even the shadow of an unpleasant recollection.
Very often visitors come and knock at the little wooden gate. They are unfortunate people imploring the master's aid, victims of oppression, weaklings who have gone under in the struggle, reckless persons who have been ruined by their passions.
For all these Don Luis is full of pity. He gives them his full attention, the help of his far-seeing advice, his experience, his strength, and even his time, disappearing for days and weeks to fight the good fight once more.
And sometimes also it is an emissary from the Prefect's office or some subordinate of the police who comes to submit a complex case to his judgment. Here again Don Luis applies the whole of his wonderful mind to the business.
In addition to this, in addition to his old books on ethics and philosophy, to which he has returned with such pleasure, he cultivates his garden. He dotes on his flowers. He is proud of them. He takes prizes at the shows; and the success is still remembered of the treble carnation, streaked red and yellow, which he exhibited as the "Arsène carnation."
But he works hardest at certain large flowers that blossom in summer. During July and the first half of August they fill two thirds of his lawn and all the borders of his kitchen-garden. Beautiful, decorative plants, standing erect like flag-staffs, they proudly raise their spiky heads of all colours: blue, violet, mauve, pink, white.
They are lupins and include every variety: Cruikshank's lupin, the two-coloured lupin, the scented lupin, and the last to appear, Lupin's lupin. They are all there, resplendent, in serried ranks like an army of soldiers, each striving to outstrip the others and to hold up the thickest and gaudiest spike to the sun. They are all there; and, at the entrance to the walk that leads to their motley beds, is a streamer with this device, taken from an exquisite sonnet of Jose Maria de Heredia:
"And in my kitchen-garden lupins grow."
You will say that this is a confession. But why not?
In the evening, when a few privileged neighbours meet at his house--the justice of the peace, the notary, Major Comte d'Astrignac, who has also gone to live at Saint-Maclou--Don Luis is not afraid to speak of Arsène Lupin.
"I used to see a great deal of him," he says. "He was not a bad man. I will not go so far as to compare him with the Seven Sages, or even to hold him up as an example to future generations, but still we must judge him with a certain indulgence.
"He did a vast amount of good and a moderate amount of harm. Those who suffered through him deserved what they got; and fate would have punished them sooner or later if he had not forestalled her. Between a Lupin who selected his victims among the ruck of wicked rich men and some big company promoter who deliberately ruins numbers of poor people, would you hesitate for a moment? Does not Lupin come out best?
"And, on the other hand, what a host of good actions! What countless proofs of disinterested generosity! A burglar? I admit it. A swindler? I don't deny it. He was all that. But he was something more than that. And, while he amused the gallery with his skill and ingenuity, he roused the general enthusiasm in other ways.
"People laughed at his practical jokes, but they loved his pluck, his courage, his adventurous spirit, his contempt for danger, his shrewd insight, his unfailing good humour, his reckless energy: all qualities that stood out at a period when the most active virtues of our race had reached their zenith, the period of the motor car and the aeroplane....
"One day," he said, as a joke, "I should like my epitaph to read, 'Here lies Arsène Lupin, adventurer.'" That was quite correct. He was a master of adventure.
"And, if the spirit of adventure led him too often to put his hand in other people's pockets, it also led him to battlefields where it gives those who are worthy opportunity to fight and win titles of distinction which are not within reach of all. It was there that he gained his. It is there that you should see him at work, spending his strength braving death, and defying destiny. And it is because of this that you must forgive him, even if he did sometimes get the better of a commissary of police or steal the watch of an examining magistrate. Let us show some indulgence to our professors of energy."
And, nodding his head, Don Luis concludes:
"Then, you see, he had another virtue which is not to be despised. It is a virtue for which we should be grateful to him in these gray days of ours: he knew how to smile!"
THE END
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